Title: The Bugle Call

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

1. At screening: “Assembly Call”- bugle call by trumpeter
2. The bugle call: “Down South” by Myddleton
3. After one scene – colored children dancing: “Shenandoah” by Bendel
4. Soldier turns letter to second page: “That Wonderful Mother of Mine” by Goodwin (WHITE)
5. All aboard: “Aces High” by Boulton
6. Fort Rumson: “Assembly Call” by trumpeter
7. Scene on: “Radio Galop” by Bub
8. Horses stop: “Entrance and Dance of the Goblins” by Schertzinger (YELLOW)
9. Coogan blows bugle: “Bugle Call” by trumpeter as introduction to No. 10
10. One scene: “The Live Wire” by Frey
11. Wait till you see: Repeat No. 8 (YELLOW)
12. Fade-out as wagon drives off: “Parade of the Wooden Soldiers” by Jessel
13. After Coogan sees toy soldiers: Repeat No. 4 (WHITE)
14. Jackie Coogan runs out of room: “Alice” by Hauenschild
15. Society notes – paper: “Laughing Eyes” by Silberberg
16. Soldiers, go to sleep: “Taps” by trumpeter
17. Scene well on: “Boogie Man’s Patrol” by Boehnlein
18. Coogan puts bugle to lips: “Boots and Saddles” – bugle call
19. One scene: “Roller Coaster” by Schertzinger
20. Close-up of Coogan at window: “The Busy Bee” by Bendix
21. Imitation of steps walking upstairs: “In the Middle of the Night” by Rose
22. The Armee. The Armee. It’s hep, hep, hep: “American Patrol” by Meacham
23. Good-bye: “Immortellen Waltz” by Gung’l
24. Fade-out to potato scene: “We’re In the Army Now”
25. Cook stopes playing guitar: “On the Mill Dam” by Babb
26. Jackie Coogan runs into room to father: Repeat No. 4 (WHITE)
27. The day that his future step-mother arrived: “Jollity” by Zamecnik
28. Captain Tremayn’s regrets: Repeat No. 8 (YELLOW)
29. Girl walks from Jackie Coogan: “Dagger Dance” by Herbert (BROWN)
30. End of Indian scene: Repeat No. 8 (YELLOW)
31. Most people think: Repeat NO. 29 (BROWN)
32. My mother wasn’t afraid of Indians: “Love Secrets” by Zamecnik
33. Jackie Coogan eating soup: “The Season’s Greetings” by Marquardt
34. I’m sure Billy didn’t mean to hurt you: Repeat No. 4 (WHITE)
35. From then on, every day: “My Lady’s Boudoir” by Schertzinger
36. Let’s give them: “Hark the Held Angel’s Sing” from Five Favorite Yule-Tide Songs by Mendelssohn
37. Husband and wife embrace: bugle call one scene, then segue to ‘All America” by Zamecnik
38. Where’s Billy: “Vivacity” by Conterno
39. Jackie Coogan crawls over tree at grave: Repeat No. 4 (WHITE)
40. He called me mother: Continue No. 39, pathetic and slow
41. Coogan embraces father: “Pathos – Incidental Miniatures No. 2” by Schertzinger
42. Shortly after spring: Repeat No. 18 “Boots and Saddles”
43. After one trumpeter scene: “Devil Dogs” by Marquardt
44. Long shot of soldiers on horseback: Repeat No. 29 (BROWN)
45. Coogan walks from soldier to house fence: “Tears – Indicental Miniatures No. 2” by Schertzinger
46. Would you: “Indian Orgy” by Rapee-Axt
47. Coogan on horseback blows bugle: Long bugle call by trumpeter
48. Second scene- Coogan blowing bugle: Repeat No. 29 (BROWN)
49. Coogan blows bugle again: Recall – bugle call
50. Coogan stops blowing bugle: “Hurry No. 25” by Lake
51. Soldiers at rescue at fort: “Battle Agitato No. 16” by Minot
52. Coogan at cave rescued: Repeat No. 4 (WHITE)

Proper orchestral rest period is Nos. 27 to 36 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: w9L0PI8Th7

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