Tag Archives: Luz

Baby Cyclone

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Title: Baby Cyclone

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Budding Blossoms” by Schoenfeld
  2. Good old Sandy: “Love’s Voyage” by Barrett
  3. Cody puts dog out of window: “Scherzo Silhouette” by Marquardt (RED)
  4. Goodbye: “Alice” by Hauenschild
  5. Shut up and you can carry home an elephant: “Star Eyes” by Evans
  6. Fade-out of girl on street screaming: “Just Another Light” by Donaldson
  7. Fade-out of telephoning scenes: “Captain Cupid” by Bratton
  8. Play once and segue: “Alluring Coquetry” by Baron
  9. Fade as man falls over park bench: “Flirtation” by Cross
  10. Cody gets ready to bathe dog: “Lunita” by Loraine
  11. Lew Cody falls over coal pile: Repeat No. 3 (RED)
  12. I see you hiding there: “Lovelight” by Adams
  13. Lew Cody seen standing on street: Repeat No. 3 (RED)
  14. Who ever said: “Thrills” by Sanders (LT. BLUE)
  15. Close-up of detective after Aileen Pringle goes off screen: “On the Mountain” by Frommel
  16. Somebody has separated you from your brains: Repeat No. 3 (RED)
  17. Your fiancé is untrue to you: Repeat No. 14 (LT. BLUE)
  18. Don’t weaken: Repeat No. 3 (RED)
  19. What’s this all about: “Thrills” by Sanders (LT. BLUE)
  20. Certainly I am gonna take you: “Great Snakes” by Reeves
  21. Play once and segue: “Two In a Bar” by Copping
  22. Play once and segue: “Staggering Uncertainty” by Lakay
  23. Stop with effects as electric light globe bursts: “Un Pensee Tendre” by Cazabon
  24. Men on floor get up: “Spring Fancies” by Marquardt
  25. Dog put out in hall: “Misterioso No. 1” by Langey
  26. Girl in bed touches burglar’s head: Repeat No. 3 (RED)
  27. I’ll let you escape: “A Remembered Kiss” by Vannah
  28. Just married: “Wedding March” by Mendelssohn
  29. Bride throws bouquet back to bridesmaid: Repeat No. 6 “Just Another Night”

Proper orchestral rest period is Nos. 13 to 19 inclusive.

Note: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: AVpgSAnKK0

Download: PDF

Annie Laurie

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Title: Annie Laurie

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

 

  1. At screening: “Annie Laurie” (DARK BLUE)

Segue: “Annie Laurie” (WHITE)

  1. Hurling defiance: “Recitative Heroique” by Rapee (RED)
  2. Family runs from house with torches: “A Keltic Lament” by Foulds
  3. Stately and arrogant: “Bonnie Blue Bonnets” by DeVille
  4. For the festivities: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

  1. Eh! And he thinks so too: “Bide-A-Wee” by Loraine
  2. Exterior scene after Lillian Gish breaks egg: Repeat No. 2 (RED)
  3. Creighton Hale walks to two girls at glass of water: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  4. Two girls show at water: “Scotch Lullaby” by Von Kunits (GRAY)
  5. Men attack girl: Repeat No. 8 (LIGHT BLUE)
  6. Cattle driven through gate: “Keep Row” from Hielan Lassie by Hildreth
  7. Horseman stops dancers: Repeat No. 8 (LIGHT BLUE)
  8. For anxious weeks: Repeat No. 2 (RED)
  9. After argument girls meet at fence: Repeat No. 9 (GRAY)
  10. Enid goes back to Mac Donald: Repeat No. 2 (RED)
  11. With Campbell and Mac Donald: “Babbie Waltz” by Furst (from No. 1)
  12. Scotland’s fate: “My Love She’s But a Lassie Yet” by Asher (light and guitar)
  13. Lillian Gish cuts strings of guitar: “The Swing O’ the Kilt” by Ewing
  14. ‘Twas but a joke: “Annie Laurie” (YELLOW)
  15. The Camerons: Repeat No. 18 “Swing of the Kilt”
  16. Marchers stop and men shake hands: Repeat No. 17 (WHITE)
  17. Hold your tongues: “Annie Laurie” (DARK BLUE)
  18. Man sits on lion statue: “Recitative Heroique” by Rapee (RED)
  19. We’ll be off: “The Bonnie Brier Bush” by Ellis
  20. Close-up of Enid and donkey at gate: “Scotch Lullaby” by Von Kunits (GRAY)
  21. Fade-out of scene at gate: “Mystic Romance” by Srawley
  22. Lillian Gish comes through gate: Repeat No. 22 (DARK BLUE)
  23. Man walks away from Lillian Gish and water shows: Repeat No. 19 (YELLOW)
  24. Man carries Lillian Gish across brook of water: Repeat No. 22 (DARK BLUE)
  25. Lillian Gish enters room where girl friend: “Repeat No. 25 (GRAY)
  26. Lillian Gish stands up from seat: “Rye Reel” by Lansing
  27. Lillian Gish walks to man: Repeat No. 25 (GRAY)
  28. Come along: “Annie Laurie” (YELLOW)
  29. Man lifts Lillian Gish in arms: “Annie Laurie” (WHITE)
  30. Man kissing Lillian Gish: “Annie Laurie” (DARK BLUE)
  31. Lillian Gish leaves man: Repeat No. 34 (WHITE)
  32. The Chieftains went into: “Belle of the Highlands” by Derwin
  33. Did you shoot: “Recitative Heroique” by Rapee (RED)
  34. Call the Clan: “The Keel Row” by Ascher
  35. MacDonald has given the word: Repeat No. 34 (WHITE)

Segue: “Annie Laurie” (DARK BLUE)

  1. Ian MacDonald we are off: Repeat No. 34 (WHITE)
  2. I’m taking you home: “Annie Laurie” (DARK BLUE)
  3. Lillian Gish walks off screen: “Appassionato No. 2” by Axt
  4. Lillian Gish breaks from men: Repeat No. 42 (DARK BLUE)
  5. The Campbells’ hatred: Repeat No. 38 (RED)
  6. Fade-out of king: “Memories Eternal” by Torke
  7. Fade-out after title: “If they knew the truth”: Repeat no. 38 (RED)
  8. Fade-out as Ian MacDonald drinks: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  9. Lillian Gish calls to lover: “Annie Laurie” (WHITE)
  10. I have no’ forgotten: Repeat No. 42 (DARK BLUE)
  11. Bring the pipers: “Highland Scotch No. 1” by Ascher
  12. Ian MacDonald stops pipers when Lillian Gish is seen at door: Repeat No. 42 (DARK BLUE)
  13. And if you do: Repeat No. 49 (WHITE)
  14. MacDonald exits: “Scotch Lullaby” by Von Kunits (GRAY)
  15. End of scene showing two girls after one snow scene: “Pomp and Circumstance” by Elgar
  16. So the Campbells were quartered: “Recitative Heroique” by Rapee (RED)
  17. Shawl put over map: “Fascinating Night” by Renyi
  18. Map shows: “Repeat No. 56 (RED)
  19. Campbell snickers after title: “Donald Campbell, God will punish you”: “The Last Lullaby” by Baron
  20. Drink to: “By the Shrine of the Sun” by Elliott
  21. Fade-out of lovers in each other’s arms: Repeat No. 49 (WHITE)
  22. Wagon drives off screen: Repeat No. 56 (RED)
  23. Shot: “Hurry No. 2” by Levy
  24. Man on high cliff with torch: “Cynical Scherzando” by Axt
  25. Wagon upsets: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  26. Lillian Gish show: Repeat No. 56 (RED)
  27. Lillian Gish moves and resumes journey: Repeat No. 65 (LIGHT BLUE)
  28. Beacon light is lit: “Johnnie Raw” by Remick
  29. Smash down the door: “Incid. Symphony No. 17” by Schertzinger
  30. Again the king ordered: “Pomp and Pageantry” by Schertzinger
  31. Ian MacDonald, will you accept this: “Annie Laurie” (DARK BLUE)
  32. Swords raised into air: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

Proper orchestral rest period is Nos. 41 to 54 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

The Music Buyers Corporation of 1520 Broadway, New York City, has printed an addition to the song “ANNIE LAURIE” in three distinct arrangements on one sheet.

No. 1—A light Polka arrangement

No. 2—A melodious arrangement for Love Theme

No. 3—A Dramatic Appassionata arrangement based on the melody “ANNIE LAURIE”

These interpretations of the well known ballad ‘ANNIE LAURIE” are very essential.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: ZWoUwnDe3y

Download: PDF

All at Sea

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Title: All at Sea

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “He’s the Last Word” by Donaldson
  2. Sailor pulls seat back off chair: “Are We Downhearted? No!” by Davis
  3. Sailors fight in aisle: “American National Melodies” by Asher
  4. Sailors sit down in seats: “Flirting Lovers:” by Kempinski
  5. Banana skin on floor: “O Mister” by Frey
  6. Sailor hypnotized: “Spring Song” by Mendelssohn
  7. If you could only cook: “A Breezy Evening” by Howgill
  8. This Marine says: “Panic” by Varnier
  9. Sailor lying on floor: “Midnight Parade” by Marquardt
  10. ‘Cause you’re in the Navy now: “The Simpleton” by Delille
  11. Play once and segue: “Parade of the Mummers” by Schoenfeld
  12. After three weeks: “Colonial Bogey” by Chappell
  13. Sailors halt—stack rifles: “Silly Billy” by Bendix
  14. Stop abrupt with crash as big gun is fired: “The Town Clown” by Lake
  15. There’s the Marine base: “Happy Moods” by Marquardt
  16. Either get us: “Merry Pranks” by Rapee-Axt
  17. The gobs gave: “We Love It” by Warren
  18. Dancers stop and sit down: “Rendez-vous Valse” by Rosey
  19. Woman hypnotizes sailor: “Burlesque on Lange’s Flower Song” by Kempinski
  20. Fireman turns on water in hose: “On the Track” by Bub
  21. What do you think: “Nuthin’ Doin’” by Chappell
  22. Sailor at girl’s door: “Love Bound” Rupp (WHITE)
  23. Crowd of sailors get into fire trucks: “The Speedway” by Bub
  24. Play once and segue: “Storm Galop” by Komzak
  25. Life net shown: “Allegro Buffonesco” by Kempinski
  26. Shake, old pal: Repeat No. 22 (WHITE)

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: qipAeaPQLJ

Download: PDF

The Adventurer

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Title: The Adventurer

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1917

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Prelude to Heroical Love Drama” by Baron
    2. In the West Indies: “My Little Star” by Ponce (WHITE)
    3. A rich mine: “Recitative Heroique” by Rapee
    4. One scene: Trumpet Call by Trumpeter
    5. The town: Repeat NO. 3 (RED)
    6. Fiesta day: “Havana” by Schonberger
    7. Bicycle on screen: “Bridal Paths” by Langford
    8. Marine gets back on bicycle: Repeat No. 2 (WHITE)
    9. My daughter Dolores: “Memories Eternal” by Torke
    10. Servant looks very serious: “La Fiesta” by Zamecnik
    11. Watch dial on screen: “Symphonic Incidentals No. 9” by Marquardt
    12. Your daughter is: “Cavatina” by Baron
    13. SOliders leave room with prisoner: Repeat No. 3 (RED)
    14. Forget about the wall: “Allegretto Burlesco” (Drigo’s Cinema Classics)
    15. Meanwhile at: “Tensive Allegro” by Aborn (LT. BLUE)
    16. This is Barney O’Malley: “Incid. Symphony No. 38” by Jensen
    17. Allow me to present my wife: “Novelletta” by d’Ambrosio
    18. Adios my love: “Recitative Heroique” by Rapee (RED)
    19. Girl leaves room through window: “Incid. Symphony No. 35” by Kempinski
    20. Stop with long drum roll as bicycle goes over cliff: Drum Roll by Drummer
    21. Two Americans stop rolling and eat chicken: “Sunset Meditation” by Biggs
    22. After girl’s father is dragged out of room: Repeat No. 18 (RED)
    23. Meanwhile Jim McLellan: “Frills and Frivolities” by Bath
    24. McCoy rides off on horse (Fade): “Tensive Misterioso” by Peele
    25. Girl seen seated on balcony: “My Little Star” by Ponce (WHITE)
    26. Not too angry: “Tensive Allegro” by Aborn (LT. BLUE)
    27. Girl in bed scolds, then opens door: Repeat No. 18 (RED)
    28. El Tornado pulls covers from bed: “Presto No. 27” by Lake
    29. End of flight: Repeat No. 26 (LT. BLUE)
    30. McCoy waves burning torch: “Hurry No. 3” by Lake
    31. Plotters get girl in carriage: “Galop Dramatique” by Baron
    32. Fade-out as McCoy is seen trying to stop runaways: “Zamona” by Loraine
    33. Man kicked out through window: “My Little Star” by Ponce (WHITE)

    Proper orchestral rest period is Nos. 13 to 20 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: C3hW0oTbZN

Download: PDF

Actress

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Title: Actress

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Suite Ancienne No. 1” by Hadley
    2. The sun was whining in London: “Incid. Symphony No. 42” by Danmaur
    3. Man enters room after title: “Rose, etc.”: “Minuet in G” by Beethoven
    4. Couple going down stairway: Repeat No. 2 “Incid. Symphony No. 42”
    5. Stop with crash at accident to coach: “The Bee and the Floweret” by Zamecnik
    6. Forbes left alone on screen: “Drink to Me Only Thine Eyes” by Marquardt (WHITE)
    7. There’s naught to do: “Happy Bohemians” by Axt (YELLOW)
    8. I want to thank you: “Repeat No. 6 (WHITE)
    9. What do you do: Repeat No. 7 (YELLOW)
    10. Arthur Gower lived: “Promenade” by Rapee-Axt
    11. I don’t blame you: Repeat No. 7 (YELLOW)
    12. Clear the stage: “Ballet Egyptian No. 1” by Luigini
    13. Prisoner on stage: Continue No. 12
    14. Girl lying on stage: “Ballet Egyptian No. 2” by Luigini
    15. Girl again lying on stage: “Ballet Egyptian No. 3” by Luigini
    16. Letter on screen: “Ave Aprile” by Culotta
    17. It’s my own fault: Repeat No. 7 (YELLOW)
    18. I would consider it: Repeat No. 3 “Minuet in G”
    19. Lovers in carriage: “Allegro No 1” by Minot
    20. Lovers run out of beer garden: Repeat No. 6 (WHITE)
    21. Girl kisses lover at door: Repeat No. 19 “Allegro No. 1”
    22. Girl sits down on stairway: Repeat no. 6 (WHITE)
    23. On the stage: Repeat No. 3 “Minuet in G”
    24. And now I am sure: “Memories” by Blossom
    25. And now a few words: Repeat No. 7 (YELLOW)
    26. My only wish is: “Dramatic Adagio” by Berge (RED)
    27. Play sixteen bars and segue: “Scene d’Amour” by Baron
    28. At Cavendish Square: “Gavotte and Musette” by Raff
    29. I can’t even blow (anticipate organ grinder): “O Sole Mio!” by di Capua
    30. Girl falls on knees: Repeat No. 26 (RED)
    31. Why do you sit upon the floor?: “Minuet from G Minor Symphony” by Mozart
    32. Girl sneezes second time: “Scherzo Silhouette” by Marquardt
    33. Do we play whist: “Appassionato” by Norton
    34. Girl sits down at piano: Repeat No. 6 (WHITE)
    35. Lovers at piano stop singing: Repeat No. 26 (RED)
    36. You must go: Repeat No. 6 (WHITE)
    37. Girl begins to cry after lover exits: “Incid. Miniature No. 2” by Schertzinger
    38. Butler speaking to girl on sofa: Repeat No. 7 (YELLOW)
    39. They would come in: “The Chiffon Frock” by Carr
    40. Avonia dear: “The Afterglow” by Huerter
    41. Two men at jug of wine: “Agitato No. 5” by Axt
    42. Stop short as door begins to open: Repeat no. 26 (RED)
    43. Be gone: “Broken Vows” by Kempinski
    44. Girl saying good-bye to stage manager: “Heavy Desc. Agitato No. 1” by Luz
    45. Rose, you can’t go: Repeat No. 6 (WHITE)
    46. Rose went back: “In Minor Mode No. 3” by DeKoven
    47. Trelawney enters room: Repeat No. 6 (WHITE)
    48. Girl walks from window: Repeat No. 46 “In Minor Mode No. 3”
    49. Bill collector: Repeat no. 26 (RED)
    50. Have we no chairs: “One Fleeting Hour” by Lee
    51. As for Arthur: “Lament” by Herrmann
    52. You want to help her: “Perpetuum Mobile” by Rapee
    53. Fade-out as carriage drives off: “Gavotte in G” by Gluck
    54. Tom, I’m afraid: “Serenade d’Amour” by V. Blon
    55. Until our leading man: Repeat No. 3 “Minuet in G”
    56. Man in box stands up: Repeat No. 6 (WHITE)

    Proper orchestral rest period is Nos. 27 to 41 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: Oukof7sr9w

Download: PDF

Across to Singapore

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Title: Across to Singapore

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: ”Symphonic Color Classic No. 5” by Marquardt (YELLOW)
  2. Among the unsung deeds: “A.B.C. Dram. Set No. 13-A1” by Luz
  3. Swim: “A.B.C. Dram. Set No. 13-B2” by Luz
  4. It was the best: “Symphonic Color Classic No. 5” by Marquardt (GREEN)
  5. Lovers stand up—ship shows: “Ship Ahoy” by Frey
  6. The log of: “Mariette” by Sterny
  7. Marse Crowninshield is here: “Dutch Fishergirls” by Fresco
  8. Boy upsets glass of wine: “Social Chat” by Eugene
  9. Father carries boy from dining room: “Symphonic Color Classic No. 5” by Marquardt (DK. BLUE)
  10. Father leaves bedroom: “Symphonic Color Classic No. 5” by Marquardt (WHITE)
  11. Girl at door to bedroom: “The Bravado” by Axt
  12. Boy runs back to bed: Repeat No. 10 (WHITE)
  13. We’ll have it announced in church: Repeat No. 4 (GREEN)
  14. Mark’s sudden outburst: “The Chantyman’s March” by Sousa (BROWN)
  15. It begins to look: Repeat No. 1 (YELLOW)
  16. He’s no sailor: “The Mystic Rover” by Berge
  17. Boy throws third peanut: Repeat No. 9 (DK. BLUE)
  18. Close-up of Novarro: “Symphonic Color Classic No. 5” by Marquardt (YELLOW)
  19. You’ve licked: “The Chantyman’s March” by Sousa (BROWN)
  20. There’s always: “Elegy” from The Light of the World by Sullivan
  21. Our esteemed parishioner: Repeat No. 20 from beginning
  22. The next morning: “Regrets” by Kempinski
  23. It was not long: “To Spring” by Grieg
  24. But a year: “Repose of the Forest” by Grieg
  25. Antje places ash tray om table: “A Dream” by Grieg
  26. Cathleen looks at fashion page of magazine: “Calling” by Golden
  27. Birger enters room: “Norwegian Folk Song” by Borch
  28. The London social season: “Butterfly” by Densmore
  29. Ivan enters: Repeat No. 7 “Serenade”
  30. Burger alone in room: “Just A Wearyin’ For You” by Bond
  31. Birger finds letter: “Melodic Agitato” by Savino
  32. Antje knitting: “Baby Mine” by Rupp
  33. Ivor! Ivor!: “Dramatic Climax” by Becce
  34. Cathleen is chosen: “In Elizabethian Days” by Kramer
  35. Burger! Birger!: “Lamentation Desesperee” by Baron
  36. Later that evening: “Day of Doom” by Joels
  37. The charity fete takes place: Repeat No. 8 “Karma”
  38. Audience: “Babillage” by Gillet
  39. Flash-back to Cathleen and Birger: Repeat No. 8 “Karma”
  40. Cathleen and Ivor alone: Repeat No. 7 “Serenade”
  41. Then came a lonely Christmas: “Christmas” by Aston
  42. Birger opens box: Repeat Theme No. 22
  43. Then one night: “Murmuring Breezes” by Gillet
  44. Birger sees Cathleen: “Love Triumphant” by Joels
  45. Thank you, please give my husband: Repeat Theme No. 22

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 8uhM3oD61W

Download: PDF

A Single Man

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Title: A Single Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “April’s Lady” by Ancliffe
  2. Play once and segue: “Je T’Aime Waltz” by Waldteufel
  3. It’ll probably start: “Mirth and Merriment” by Delille
  4. Play once and segue: “Happy Moods” by Marquardt
  5. Man pushed into pool: “In Lover’s Lane” by Pryor
  6. End of telephoning scene: “Old Man Sunshine” by Warren
  7. Play once and segue: “Is She My Girl Friend” by Ager
  8. Crowd runs into dining room: “Strawberries” by Kaufman
  9. Play once and segue: “There’s a Rainbow ‘Round My Shoulder” by Jolson
  10. Butler hit with egg: “Gee Whiz” by Losch
  11. Play once and segue: “Lucille” by Wattsworth
  12. Let’s start: “Siss-Boom-Ah” by Smith
  13. I hope we’re going to see: “Wild Flowers” by Marquardt
  14. Play once and segue: “Flirty Flirts” by Levy
  15. Let’s go out: “Try Me” by Schertzinger (WHITE)
  16. Fade to Cody reading to girl: “You’re Wonderful” by Ash
  17. Then their engagement: “Alice” by Hauenschild
  18. Okay: Repeat No. 15 (WHITE)
  19. Well, the Trap: “Anything You Say” by Donaldson
  20. Come on gang: “Speed” by Biese
  21. Crowd leaves—door closed: “Flirting Lovers” by Kempinski
  22. Maid seen with two boys: Repeat No. 15 (WHITE)
  23. Miss Hazeltine is dining: “Bridal Chorus” from Lohengrin by Wagner
  24. Fade-back to couple at table: “Love’s Awakening” by Fletcher
  25. You bigamist: “Cupid’s Garden” by Eugene

Proper orchestral rest period is Nos. 14 to 20 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: NivC13DsJe

Download: PDF

A Ship Comes In

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Title: A Ship Comes In

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

 

  1. At screening: “Hail Columbia” by Lake
  2. New York harbor: “La Forza del Destino” by Verdi
  3. Close-up of little girl: “Poupee Valsante” by Poldini
  4. Stop her crying Mamma: PLEZNIK THEME, “Norwegian Dance” by Grieg
  5. Exterior—street scene: “The Sidewalks of New York” by Lake
  6. Interior—coffee shop: “Aus der Heimath” by Strauss
  7. You watch, I show you: Repeat No. 5 “Sidewalks of New York”
  8. Sokol drops bundle: SOKOL THEME, “Evil Intentions” by Kempinski
  9. Then right away a home: Repeat Pleznik Theme No. 4
  10. Dan playing trombone: orchestra tacet, “Yankee Doodle”
  11. Pleznik and Dan finish playing together: “Sangerlust Polka” by Strauss
  12. Just to think: “A la bien Aimee” by Schutt
  13. And at home: “Fairyland” by Huerter
  14. Pleznik enters room: Repeat Pleznik Theme No. 4
  15. Eric enters room: Repeat No. 5 “Sidewalks of New York”
  16. Pleznik exhibits photo of President Wilson: “Hail to the Chief” by Lake
  17. For the emperor: “Al Fresco” by Herbert
  18. Group of men in courtroom being sworn: “My Country ‘Tis of Thee” by Carev
  19. Judge appears with hat on: “Hesitation” by Friml
  20. Within five happy years: “Spirit of America” by Zamecnik
  21. And Mr. Judge Gresham: “Camorra” by Joels
  22. Justice is answered with: Repeat Sokol Theme No. 8
  23. Such a big day: “Land of Delight” by O’Hare
  24. Mamma stands behind Eric’s chair: “Adagio” from Sonata Pathetique by Beethoven
  25. Such rehearsing: questions and: Repeat Pleznik Theme No. 4
  26. Then the greatest moment: Repeat No. 18 “My Country ‘Tis of Thee”
  27. Sokol appears in hall: “The Prowling Schemers” by Carbonara
  28. Back to Pleznik and judge: “Social Chat” by Eugene
  29. Pleznik enters storeroom: Repeat Sokol Theme No. 8
  30. Pleznik appears carrying cake box: Repeat Pleznik Theme No. 4
  31. Eric in uniform enters room: Play “Keep the Home Fires Burning”
  32. Mamma sees Eric: “Why?” by Schumann
  33. I can’t stay, Mamma: “Pathetic Symphony No. 6” by Tschaikowsky
  34. Seven o’clock: “L’Assassinat” by Tremisot

NOTE: Catch explosion—stop short and segue

SEGUE: “Excitement” by Breil

  1. Pleznik seated at table: “Andante” from Fifth Symphony by Tschaikowsky
  2. Two men seen on stairs: “Ominous Moments” by Kempinski
  3. Pleznik enters room again: “Adieu” by Friml
  4. Wartime hysteria: “Lamento” by Gabriel Marie
  5. The jury has found you: “Andante Pathetique” by Borch

NOTE: Play con sordini

  1. Insert—calendar—July 4th: “Columbia, the Gem of the Ocean” by Lake
  2. Interior—prison: “Little Serenade” by Grunfeld
  3. Back to judge Gresham: “American Patrol” by Meacham
  4. Band starts playing: Repeat No. 187 “My Country ‘Tis of Thee”
  5. Photo of Eric: “Melodie” by Tschaikowsky
  6. Girl reads telegram: “Desolation” by Patou
  7. Seven o’clock: “Fate” by Ketelbey
  8. Mamma and little girls enter shop: “The Road of Sorrow” by Kempinski
  9. Insert—clock: Repeat No. 46 “Fate”

SEGUE: “Agitato” by Engleman

  1. Sokol in hospital bed: “In the Night” by Noack
  2. Judge Gresham appears: “Cavatina” by Bohm
  3. Home: “Home, Sweet Home” by Bishop (strings only)
  4. Pleznik enters room: Repeat Pleznik Theme No. 4
  5. For Eric: “The Sacrifice” by Zamecnik
  6. Insert—Eric’s photo and wreath: orchestra tacet, “Taps”
  7. Pleznik walks toward Mamma: Play “Keep the Home Fires Burning”
  8. Pleznik raises hand to salute: Repeat No. 18 “My Country “’Tis of Thee”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: W578oY1aE3

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A Man’s Past

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Title: A Man’s Past

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Zaza” by Leoncavallo
  2. Mont Noir: “Desolation” by Patou
  3. The Gouveneur: “Humoresque” by Herrmann
  4. The prisoners are complaining: “In Gloomy Forest” by Axt
  5. What he wants is more of it: “The Duel” by Felix
  6. The doctor is dead: “Reproach” by Zamecnik
  7. La Roche enters room: LA ROCHE THEME, “Love Tragedy” by Savino
  8. Soldiers ordered from room: “Othello’s Remorse” by Baron
  9. A new start in life: “The Captive” by Savino
  10. La Roche enters room: SUSPENSE THEME, “Silent Night” by Rebikov
  11. Paul La Roche escaped: “A La Paree” by Verdin
  12. In an office in Marseilles: FONTAIN THEME, “Chanson Algerian” by Bradford
  13. Everything is ready Dr. Fontain: “Gruesome Tales No. 1” by Rapee-Axt
  14. La Roche returns to ante-room: FONTAIN THEME, “Chanson Algerian” by Bradford
  15. The night’s seemed longer: “Disperazione” by Gabriel Marie
  16. La Roche in office: “Two Preludes” by Chopin
  17. Yvonne and La Roche enter Paul’s room: “Symphony In B Minor” by Tschaikowsky
  18. Renard enters: “Andante Cantabile” by Tschaikowsky
  19. What did you say?: FONTAIN THEME, “Chanson Algerian” by Bradford
  20. Algiers: “In A Persian Market” by Ketelbey
  21. The Fame of Henry Fontain: “Minor and Major” by McKee
  22. At the Oasis home: “By the Ganges” from From India by Popy
  23. Revolt in the desert: “Marching Song of the Foreign Legion” by Bradford
  24. I am deeply grateful: “Pousuite Dramatique” from Drigo’s Cinema Classics
  25. La Roche places arms about Yvonne: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  26. Flash to camp and dancing girls: “Dans l’Aoule” from Caucasian Sketches by Iwanow
  27. Dance stops: “Air de Ballet” by Borch
  28. La Roche introduced to Lieut. Destin: DESTIN THEME, “Karma” by Herbert
  29. Soft lights: “Au Vieux Chateau” by Marling
  30. Dancing stops: “The Answer In Your Eyes” by Savino
  31. La Roche speaks to Yvonne: “Second Love Tragedy” by Savino
  32. Leave garden—enter house: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  33. Destin alone in room musing: DESTIN THEME, “Karma” by Herbert
  34. The Next morning: FONTAIN THEME, “Chanson Algerian” by Bradford
  35. Yvonne enters: “Elves In the Moonlight” by Lindgreen
  36. Destin and La Roche enter: DESTIN THEME, “Karma” by Herbert
  37. Destin leaves: “Andante non tanto” from Pathetique Symphony No. 6 by Tschaikowsky
  38. Eight o’clock: SUSPENSE THEME, “Silent Night” by Rebikov
  39. Yvonne and La Roche: “Adagietto” from L’Arlesienne Suite by Bizet
  40. Destin knows who I am: SUSPENSE THEME, “Silent Night” by Rebikov
  41. Yvonne and La Roche rush from room: LA ROCHE THEME, “Love Tragedy” by Savino
  42. Door to operating room: “Valse Triste” by Sibelius
  43. Weeks of suspense: DESTIN THEME, “Karma” by Herbert
  44. You see I remember you Paul La Roche: “Melody of Peace” by Martin
  45. Paul embraces Yvonne: “YVONNE THEME, “To the Land of My Own Romance” by Herbert

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 6wCe2vOKM9

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A Man’s Man

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Title: A Man’s Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Twinkling” by Hauenschuld
    2. Picture studio—two girls seen: “On the Mountain” by Frommel
    3. Have you it: “Serenade” by White
    4. Take your time: “Allegro Seintillante” by Kempinski
    5. Hours later: “Frills and Frivolities” by Bath
    6. Greta Garbo walks from microphone: “Devil Dogs” by Marquardt
    7. Haines meets girl in crowd: “When I Dream Of You” by Schoenfeld (WHITE)
    8. Haines stops auto at house: “A Perfect Day” by Bond
    9. Fade-out after Haines carries girl up house stairs: “Speed” by Frey
    10. Meet Violet Primrose: Repeat No. 7 (WHITE) (Chorus only)
    11. Gee you’re a fast worker: Repeat No. 9 “Speed”
    12. They were married later: “Basier d’Amour” by Lodge
    13. Will an unknown: “By Firelight” by Grunn
    14. Girl smells something: “Parade of the Toys” by Schertzinger
    15. Haines enters room: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    16. The place smells like: “Pine Tree Echoes” by Schoenfeld
    17. It started out to be your dinner: Repeat No. 15 (WHITE)
    18. Haines turns on radio: “A Night in May” by Lincke
    19. “There you are: “Canzone d’Amore” by Lowitz
    20. Wife slaps Haines in face: “Cavatina” by Baron (DARK GREEN)
    21. Haines and man leave billiard room: “Flirting Lovers” by Kempenski
    22. Fade-out of Haines and wife: “Oh Mister” by Frey
    23. Haines and mand drink: Repeat No. 20 (DARK GREEN)
    24. I won five hundred dollars last week: “Heigh Ho! Everybody Heigh Ho” by Woods
    25. Second exterior scene: “Peter Rabbit” by Schoenfeld
    26. Are you drinking lemonade: “T’ Ain’t Nobody’s Fault But My Own” by Lawnhurst
    27. Please me: “Uproar” by Neinass
    28. Haines sits down in chair: “Cavatina” by Baron (DARK GREEN)
    29. Dish-gusting: Repeat No. 27 “Uproar”
    30. Fade-out to bed scene: Repeat No. 28 (DARK GREEN)
    31. Mel was like most of us: “Lovelight” by Adams
    32. Fade-out of billiard room: Repeat No. 28 (DARK GREEN)
    33. But Peggy didn’t meet the director: “Lament” by Herrmann
    34. Woman rings bell: “Recitativo No. 1” by Rapee-Axt (RED)
    35. Stick close to home kid: “Sunny Hours” by Rich
    36. Grabbed another: “Bonds of Love” by Roth
    37. Charlie told her she looked like Garbo: Repeat No. 34 (RED)
    38. Man rings doorbell: “Mignonette” from Ballet of Flowers by Hadley
    39. You’ve only got to slip me another hundred: “Cavatina” by Baron (DARK GREEN)
    40. Well get this: “Appassionata” by Clutsam
    41. Good-bye Greta Garbo: “Recitativo No. 1” by Rapee-Axt (RED)
    42. What did he mean: Repeat No. 40 “Appassionata”
    43. Haines throws picture on floor: “Elegie and Appassionato” by Savino
    44. I will kill him: “Dramatic Andante No. 3” by Axt
    45. Haines knocked down in street: “Sadness” by Engleman
    46. Did you get hurt: Repeat No. 44 “Dram. Andante No. 3”
    47. Haines walks out of room from wife: Repeat No. 45 “Sadness”
    48. Girl takes Venice pennant from wall: “Speed” by Frey
    49. Fade-out of bathing scene: Repeat No. 45 “Sadness”
    50. Wife sits on suitcase: “Humorous Escapade” by Delille
    51. Suitcase closed: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    52. But you can protect me: “Incid. Symphony No. 23” by Kempinski
    53. Haines and wife leave room: “Cavatina” by Baron (DARK GREEN)
    54. Come here, you big stiff: “Hurry No. 1” by Lake
    55. End of fight—man lying on pool table: Repeat No. 51 (WHITE) (Chorus only)

    Proper orchestral rest period is Nos. 27 to 37 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 7FAMVnDx17

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A Lady of Chance

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Title: A Lady of Chance

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Happy Jacqueline” by Mondrone
    2. Close-up of Norma Shearer crying: “Intermezzo” by Huerter
    3. Laugh this one off: “Incid. Symphony No. 30” by Kempinski (RED)
    4. Play once and sefgue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    5. By morning: “Bleeding Hearts” by Levy
    6. Close-up of key being turned: Repeat No. 3 (RED)
    7. Can you imagine: “Reconciliation” by Fletcher
    8. She’s gone: “In Merry Mood” by Axt
    9. That young lady: “Strande d’Ostende” by Hintz
    10. Was that your telegram?: “Adoree” by Friml (WHITE)
    11. Play once and segue: “The Coquette” by Deppen
    12. Play once and segue: “Rose of Spring” by Bicchiere
    13. I’ve loved you: Repeat No. 10 (WHITE)
    14. And how: “Witty Moments” by Marquardt
    15. You wait downstairs: Repeat No. 3 (RED)
    16. Hand knocks on door: Repeat No. 4 (BLACK)
    17. Maid unlocks door to room: “Gossip” by Borch
    18. “Winthrop” sign: “Supplication” by McKee
    19. So this is the plantation: ‘Scintillations” by Hosmer
    20. You should put it through: “Sweet Jasmine” by Bendix
    21. Girl seated under tree: “Darkey’s Dream” by Lansing
    22. Did you think: “Dolorosa” by Tobani
    23. Play once and segue: “By the Fireside” by Helfand
    24. Don’t worry about him: “Adoree” by Friml (WHITE)
    25. Sherman and girl get out of auto: “Incid. Symphony No. 30” by Kempinski (RED)
    26. Play once and segue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    27. Brad, why don’t you go?: “Suspicious” by Baron
    28. Put that down: “Romance to King Manfred” by Reinecke
    29. In New York: “Red Hair” by Snyder
    30. You didn’t let Steve: Repeat No. 26 (BLACK)
    31. Husband enters with boxes: Repeat No. 24 (WHITE)
    32. Make it snappy: Repeat No. 26 (BLACK)
    33. Before you sign anything: “The Sacrifice” by Paton
    34. I’ll change my clothes: “Souvenir d’Amour” by Conte
    35. Norma Shearer in prison garb: “Tragic Scene” by Berge
    36. Whether you like it or not: Repeat No. 24 (WHITE)

    Proper orchestral rest period is Nos. 14 to 20 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: cHaMxaMWlX

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The Ship from Shanghai

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Title: The Ship from Shanghai

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1930

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: 1IWzFIVSEL

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The Bishop Murder Case

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Title: The Bishop Murder Case

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1930

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: Ns3zv1ZEl9

Download: PDFDownload