Tag Archives: Luz

The Flying Fleet

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Title: The Flying Fleet

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Semper Fidelis March” by Sousa
  2. Cadets Enter Dormitories: “Enchantment” by Penn
  3. Fade To Sailors After Title “Get Away, Kewpie”: “Taps”
  4. Play Once and Segue: “Itching Heels” by Sarpy
  5. Steve and Dizzy: “The Jolly Rover” by Schoenfeld
  6. Why Wasn’t This Man: “Prelude in C Minor” by Drumm
  7. Fade To Assembly Hall: Repeat No.1 “Semper Fidelis March”
  8. Band Seen: “Marine Hymn”
  9. After Annapolis: “Twinkling” by Hauenschild
  10. That Evening: “Season’s Greetings” by Marquardt
  11. What Luck: “Incid. Miniatures No.8” by Hauenschild (WHITE)
  12. You Don’t Mind: “Cunning Cupid” by Aletter
  13. Winslow Teaches Bridge: “Nymphs Frolic” by Bradford
  14. The First Obstacle: “Bridal Paths” by Langford
  15. Do You Always Wear: “Sweet Memories” by Singorsky
  16. Then On To: “With Flags Aloft” by Heller
  17. Aeroplanes Start From Landing Stage: “In The Clouds” by Rapee-Axt (YELLOW)
  18. Six Years To Get There: “Love Is Coming” by Friedland
  19. Papers Fall On Floor: “Woodland Frolics” by Marquardt
  20. Aeroplane Hits Water and Rises Again: “Air Thrills” by Sanders (LT. BLUE)
  21. Aeroplane Lands—Boy Gets Out: “The Millionaires” by Henninger
  22. Second Flyer Starts Off From Scene: Repeat No.20 (LT. BLUE)
  23. Aeroplane Falls Into Water: Repeat No.17 (YELLOW)
  24. But They Go On: “Aces High” by Boulton
  25. Another Milestone: “Fiancee” by Alford
  26. Months Later: “Strongheart” by Dulmage
  27. Fade To couple Seated On Bench; Repeat No.11 (WHITE)
  28. Play Once and Segue: “Caroma” by Pabst
  29. Bath Houses: “Witty Moments” by Marquardt
  30. And I’ve Some Hot News: “L’Adieu” by Favarger
  31. That Afternoon: “Flirting Butterlies” by Aletter
  32. I Never Have Much Luck: Repeat No.11 (WHITE)
  33. Your Last Flight; Repeat No.17 (YELLOW)
  34. Play Once and Segue: Repeat No.19 “Woodland Frolics”
  35. Look, Tommy’s Ahead: Repeat No.20 (LT. BLUE)
  36. Novarro Lands—Goes To Girl: “Incid. Miniatures No.8” by Hauenschild (WHITE)
  37. The U.S.S. Langley: “A Deep Sea Romance” by Lake
  38. The Langley Was Two Days At Sea: “Reconciliation” by Fletcher
  39. Big Plane Starts Down To Water: Repeat No.17 (YELLOW)
  40. Note On Screen Re Weather: “The Storm” by Beethoven
  41. Aeroplane Falls Into Ocean: “Lyric Agitato” by Savino
  42. Play Once and Segue: “Impending Danger” by Kempinski
  43. Oil Put Into Aeroplane Motor: “Reproach” by Zamecnik
  44. Days Of It: “incid. Symphony No.10” by Kempinski
  45. Telegram Delivered To Admiral: “Symphonic Incidentals No.17” by Marquardt
  46. Novarro Takes Off: Repeat No.44 “Incid. Symphony No.10”
  47. Castaways See Rescue Plane: “Furioso No.2” by Armandola
  48. Novarro Reaches Wrecked Plane: “Ombres d’Automne” by Mayne
  49. Aboard the Hospital Ship: “Love in Arcady” by Wood
  50. Neither Do They: Repeat No.36 (WHITE)

Proper Orchestral Rest Period is Nos. 25 to 32 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Cornoration. 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 965IgPsSz0

Download: PDF

The Desert Rider

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Title: The Desert Rider

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Hurry No.1” by Zamecnik
  2. Addressed Envelope On Screen: “High Speed” by Bub
  3. McCoy Stops At Desert Cabin: Repeat No.1 “Hurry No.1”
  4. Fade-Out After McCoy Rides Off: “Prologue” by Sommer (RED)
  5. Bandits Put On Masks: “Panic” by Varnier
  6. Fade-Out After Rider Is Lassoed: Repeat No.4 (RED)
  7. Bandit’s Ride Away From McCoy: “Prelude” by Mendoza
  8. The Rancho Alvarado: “Spanish Dance” by Sarasate
  9. Ox Cart With Girl and Priests Leaves Ranch: “Incid. Symphony No.24” by Kempinski
  10. Another Day: “Desolation” by Savino
  11. Scorching Winds and Drifting Sands: “Sadness” by Engleman
  12. Shot Fired: “Astir” by Berge
  13. Girl’s Face Shown Out Of Focus: Repeat No.8 “Spanish Dance”
  14. Let Us Speak: Repeat No.12 “Astir”
  15. A Week Later: “Sounds From The Cloister” by Axt
  16. McCoy and Girl Walking To Camera: “No Me Olvides” by Lapham
  17. Three Pigs Seen: “Farcical Allegro” by Aborn
  18. McCoy Rushes On Screen: “Incid. Symphony No.24” by Kempinski
  19. Man Playing With Money: “Prologue” by Sommer (RED)
  20. To Prove We Do Not Suspect Him: Repeat No.18 “Incid. Symphony No.24”
  21. Perhaps Mr. Tyler Will Accompany Me: “Witty Moments” by Marquardt
  22. The Next Morning: “Premonition” by Zamecnik
  23. Signaling Scenes—Girl Seen: “An Angel’s Song” by Sammons
  24. Fade-Out Of Girl and Priest: “Minor Hurry” by Berge
  25. There Is Nothing To Do But Surrender: Repeat No.19 (RED)
  26. In The Meantime: “Scherzo Silhouette” by Marquardt
  27. Monk Opens Peep-Hole In Door: “Agitato Dramatico” by Savino
  28. Trap Door Closed After Monk Is Pulled From Attic: “Remorse” by Zamecnik
  29. We’ve Been Tricked: Repeat No.27 “Agitato Dramatico”
  30. McCoy Jumps On Williams: “Incid. Symphony No.17” by Schertzinger
  31. Get Him Boys: “Fast and Furious” by Frey
  32. Monk Falls Through Floor: “Allegro Giocoso” by Engleman
  33. Monk Walking Out Of Shack: Repeat No.31 “Fast and Furious”
  34. First Horseman Pushed Off Horse: “Furiosos No.21” by Lake
  35. End of Fight On Cliff: “Sunny Hours” by Rich
  36. McCoy and Monk Ride Off: “A Mysterious Episode” by Engleman
  37. Williams and Girl Ride From Ranch: “Prologue” by Sommer (RED)
  38. Close-Up of Girl In Fear Before Escape: “Furioso” by Savino
  39. There’s Something Wrong Boys: “Agitato No.1” by Armandola
  40. Monk Falls From Place Over Cave: “No Me Olvides” by Lapham

Proper Orchestral Rest Period is Nos. 15 to 24 inclusvie.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: gSFPhjZGMe

Download: PDF

Telling the World

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Title: Telling the World

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: WHITE “Mem’ries” by Sanford (M. Witmark and Sons)
  2. It is Said: BROWN “High Hat” by Johnson (Robbins Music Corp)
  3. Your Handy Suit: “Wild Flowers” by Marquardt (Music Buyers Corp)
  4. Fade-Out of Newspaper Office: Repeat No. 2 (BROWN)
  5. Fade-Out After Reporter Leaves Father’s House: “Mirth and Merriment” by Delille (Belwin Inc.)
  6. The Lobster Shift: “A Merry Story” by May (Robert Rohle)
  7. Blue Bird Café: “I’ll Just Roll Along” by DeRose (Irving Berlin)
  8. Three Men Seen at Table: “Mysterious Blues” by Zamecnik (Sam Fox)
  9. Well, Where’s the Boss?: “Is It Gonna Be Long?” by Abbot (Leo Feist Inc)
  10. Haines Walks to Telephone Booth “Incid. Symphony No. 6” by Kempinski (Photo Play)
  11. Girl Enters Room: Repeat No. 9 “Is It Gonna Be Long?”
  12. End of Dance: “Evil Plotter” by Zamecnik (Sam Fox)
  13. The Girl’s Okay Chief: “A Summer Morning” by Ewing (Sam Fox)
  14. Say Buddy, I’m Still Waiting: Repeat No. 2 (BROWN)
  15. Haines Falls Asleep: WHITE “Mem’ries” by Sanford (M. Witmark and Sons)
  16. Alarm Clock Rings: LT. BLUE “Symphonic Incidentals No. 8” by Marquardt (Music Buyers)
  17. Haines Runs From Girl’s Room: Repeat No. 2 (BROWN)
  18. Haines Runs Out of Office: Repeat No. 16 (LT. BLUE)
  19. Girl Drops Bundle on Street: “On the Riviera” by Baron (Carl Fischer)
  20. Girl Gets Glass of Water: Repeat No. 15 (WHITE)
  21. Stop with Accent as Girls Interrupts Lovers: “Love’s Chatter” by Mendoza (Robbins Music Co.)
  22. Speaking of Foreign Travelling: Repeat No. 15 (WHITE)
  23. Landlady Interrupts [unreadable]: “Intermezzo” by Crist (Carl Fischer)
  24. I’m Going to Take You Away: Repeat No. 16 (LT. BLUE)
  25. One Rain Scene: “Brunette or Blonde” by Waldteufel (Carl Fischer)
  26. Haines Plays with Girl’s Toes: BROWN “High Hat” by Johnson (Robbins Music Corp)
  27. Haines Cathes Girls After Title: “Naughty Bump Here”: Repeat No. 15 (WHITE)
  28. Telephone Bell After Title: “Gee, You’re A Funny Kid”: “His Lady Love from ‘Aphrodite Suite’” by Jebe (Photo Play Music)
  29. Telephoning Scene: LT. BLUE “Symphonic Incidentals No. 8” by Marquardt (Music Buyers)
  30. Haines Knocks at Room Door: Repeat No. 15 (WHITE)
  31. Three Weeks Later: “Premier Amour” by Benoist (C. Schrimer)
  32. Toward Shanghai: “Almond Eyes” by Schoenfeld (Photo Play Music)
  33. Stop with Crash as Haines Falls Off Rickshaw: “Hanako” by Aletter (E.B. Marks)
  34. I’m Don Davis: Repeat No. 26 (BROWN)
  35. Sanking: “Chinese Moon” by Nussbaum (Sam Fox)
  36. End of Dressing Room Scene: “In An Opium Den” by Aborn (Belwin Inc)
  37. Shot Fired (Segue Quick): “In Hong-Kong Street” by Humphries (Emil Ascher)
  38. They’ve Assassinated the Governor: “By the Japanese Sea” by Hauenschild (Photo Play)
  39. It’s A Block for Beheading: “Incid. Symphony No. 14(A)” by Luz (Photo Play Music Co)
  40. Chinese Guard at Door Kicked Down: “Incid. Symphony No. 14(B)” by Luz (Photo Play Music Co)
  41. Girl Seen at Prison Cell Window: WHITE “Mem’ries” by Sanford (M. Witmark and Sons)
  42. American Consul’s Office: LT. BLUE “Symphonic Incidentals No. 8” by Marquardt (Music Buyers)
  43. Sun Seen on Horizon: “Recitativo Patetico” by Peele (Music Buyers Corp)
  44. Girl Taken Out of cell: “Heavy Drum Agitato No. 1” by Gomez (Photo Play Music)
  45. Aeroplanes Seen in Air: Repeat No. 42 (LT. BLUE)
  46. Don, Don: “Marine Hymn”
  47. Gee, This Story: Repeat No. 41 (WHITE)

Source: Carl Braun Collection

SFSMA ID: s9n2G977Zu

Download: PDF

Spoilers of the West

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Title: Spoilers of the West

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Deer Dance” by Skilton (DARK GREEN)
  2. Wyoming: “War Dance” by Skilton (BROWN)
  3. In Effort To Prevent The Threatened War: Repeat No.1 (DARK GREEN)
  4. Glad You Thought Of Him, Custer: “Roller Coaster” by Schertzinger
  5. If He Handles Indians: Repeat No.1 (DARK GREEN)
  6. Indians Leave Room: “Songe d’Amour” by Sanderson
  7. Fade-Out After Title: “BY GAD”: “Indian War Dance” by Bellstedt
  8. For The Next Twenty-Nine Days: “Cupid and Butterfly” by d’Albert
  9. And At Some Ranches: “Symphonic Color Classic No.3” by Schoenfeld (DARK BLUE)
  10. After Fight: “Symphonic Color Classic No.3” by Schoenfeld (RED)
  11. Sign Is Torn off Post: “Zip” by Frey
  12. Man Lassoed And Pulled Off Horse: “Symphonic Color Classic No.3” by Schoenfeld (WHITE)
  13. Lieutenant and Girl Begin To Laugh: “Dainty Blossoms” by Kahn
  14. I’m Sorry: Repeat No.12 (WHITE)
  15. Girl Mounts Horse: “Hurry No.25” by Lake (Open “P”)
  16. Much Obliged: “La Flamme” by Evelyn
  17. Lieutenant Walks Into Stockade: “Symphonic Color Classic No.3” by Schoenfeld (RED)
  18. Hey Squaw: “Symphonic Color Classic No.3” by Schoenfeld (WHITE)
  19. Is The Boss: Repeat No.17 (RED)
  20. Fight: “Symphonic Color Classic No.3” by Schoenfeld (DARK BLUE)
  21. End of Fight—Man Handcuffed: “Song Without Words” by Rebikoff
  22. Fade After Lieutenant Walks Out of Stockade Carrying Man: “Elegie” by Lubomirsky
  23. Lieutenant Raps On Girl’s Room Door: “Passing of Summer” by Parker
  24. Lieutenant, I Thought You Were A Gentleman: Repeat No.18 (WHITE)
  25. Lieutenant Begins To Follow Girl: Repeat No.20 (DARK BLUE)
  26. Messenger Leaves Room: “Symphonic Color Classic No.3” by Schoenfeld (WHITE)
  27. The Last Hour: “Deer Dance” by Skilton (DARK GREEN)
  28. If You Come: “Symphonic Color Classic No.3” by Schoenfeld (RED)
  29. Shot: Repeat No.20 (DARK BLUE)
  30. The White Soldier Has Failed: “Sun Dance” by Friedman
  31. Wounded Lieutenant Shows: Repeat No.26 (WHITE)
  32. I Got To Move Them Today: “Indian Orgy” by Rapee-Axt
  33. Indians See Soldiers: “Agitato (B)” by Langey
  34. Red Cloud Is Changing: “Symphonic Color Classic No.3” by Schoenfeld (WHITE)
  35. Do You Love Him: Repeat No.28 (RED)
  36. Man With Girl Holds Up Hands: “Appassionato Lirico” by Berge
  37. He’s A Real Man: “Incid. Symphony No.34” by Kempinski
  38. Lieutenant Stops Indians: “Deer Dance” by Skilton (DARK GREEN)
  39. The Sun is Set: “Air Mail Galop” by Tremblay
  40. Lieutenant, We Surrender: Repeat No.34 (WHITE)
  41. Fade After Title “YOU SHALL NOT BE HARMED”: Repeat No.38 (DARK GREEN)
  42. Lieutenant, Bring Your Prisoner: “Symphonic Color Classic No.3” by Schoenfeld (WHITE)

Proper rest period is Nos. 21 to 31 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: n7ZwnxFVsi

Download: PDF

Spite Marriage

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Title: Spite Marriage

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “The village Clown” by Axt (YELLOW)
  2. Buster Keaton: “Incid. Symphony No.42” by Damaur
  3. Butler Museum of Art: “Humorous Escapade” by Delille
  4. Keaton Pressing Pants: “Puritana” by Grimm
  5. Girl Seated On Chair In Wing of Stage: “April Message” by Ancliffe
  6. Cocoanut Blocks: “Perpetuum Mobile” by Rapee
  7. Girl Walks To Man On Stage: “Try me” by Schertzinger (WHITE)
  8. After Applause—Lovers Excited: Repeat No.6 “Perpetuum Mobile”
  9. Take Him Away: “Melodic Appassionato No.1” by Marquardt
  10. Girl Faints: “By-Gone Days” by Pintel
  11. Fade-Out To Stage Entrance: “The Two Lovers” by Flath
  12. There Are Only Two Cures For Love: Repeat No.1 (YELLOW)
  13. Keaton Sees Man With Sword: “Film Theme No.11” by Nicode-Roberts
  14. Keaton In Dressing Room Begins To Make Up: “Illusion” by Bustanoby
  15. Keaton Making Up: “The Village Clown” by Axt (YELLOW)
  16. Stage Scene—Curtain Raised: “Haste” by Sanders
  17. Play Once and Segue: “Scherzo Silhouette” by Marquardt
  18. Remember Gal: “Memories” by Kussner
  19. After Curtains Close: “Allegro Perpetuo” by Savino (LIGHT BLUE)
  20. Did You See The Guy: “Whims” by Savino
  21. You Like Me, Don’t You: “In Flowerland” by Golden
  22. Keaton In Pajamas: “Prattle” by Lowitz
  23. The Café La Boheime: “Sunshine and Flowers” by Schoenfeld
  24. I’m Going Over and Celebrate: “Hurry No.4” by Finck
  25. Don’t You Think: “Entr’Act to a Comedy” by Axt
  26. Fade-Out After Keaton Drags Girl: “A Staggering uncertainty” by Lakay
  27. The Dawn Of A Spite Marriage: “The Season’s Greetings” by Marquardt
  28. You See, It’s Me Your Wife’s In Love With: Repeat No.19 (LIGHT BLUE)
  29. Fade-Out After Keaton On Boat: “A.B.C. Dram. Set No.2-A1” by Luz
  30. Keaton On Deck Of Boat With Lantern: “A.B.C. Dram. Set No.2-B2” by Luz
  31. This is A Private Yacht: Repeat No.15 (YELLOW)
  32. You Should Have Known: Repeat No.19 (LIGHT BLUE)
  33. Midnight On The High Seas: “Intermezzo” by Whelpley
  34. Waste Begins To Burn: Repeat No.19 (LIGHT BLUE)
  35. How Dare You: Repeat No.33 “Intermezzo”
  36. Nothing Only The Engine Room’s On Fire: Repeat No.19 (LIGHT BLUE)
  37. Girl Lying On Floor: “Golden Morning” by Morton
  38. Fade-Out To Next Morning Scene: “Whims” by Schumann
  39. What Are You Doing Here?: “Autumn Winds” by Bicchiere
  40. Keaton Rescues Girl From Sailor: “Allegro Giocoso” by Engleman
  41. Go Away: “Minor Hurry” by Berge
  42. Boat Tied To Yacht: “Incid. Miniature No.7” by Hauenschild
  43. Kitchen Scene: “Thrills” by Sanders
  44. Keaton and Girl Come From Stateroom: “Butterflies” by Arundale
  45. Keaton Knocks Out Cook: Repeat No.42 “Incid. Miniature No.7”
  46. Are You Sure You Got It Fixed: “Incid. Miniature No.28” by Damaur (Open “P”)
  47. Keaton Puts On Cap: “Try Me” by Scherzinger (WHITE)
  48. Newspaper Article On Screen: “Ripples” by Brewer
  49. Good-Bye: Repeat No.47 (WHITE)

Proper orchestral rest period is Nos.20 to 26 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: VT1wqxxLPc

Download: PDF

Spies

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Title: Spies

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Symphonic Incidentals No.1” by Marquardt
  2. At The Headquarters: “Melancholy” by Eggert (BLACK)
  3. Prisoner Brought In: “Dramatic Reproach” by Berge
  4. The Mysterious Enemy: “The Enchanted Castle” by Marquardt (RED)
  5. People and Governments: “Incid. Symphony No.36” by Kempinski
  6. Alarm Clock Ringing: “Allegro Preciptioso” by Savino
  7. Fade To Injured Man and Book: “Premonition” by Zamecnik
  8. Bathroom Scene: “Hidden Love” by Marquardt
  9. Note Read—On Screen: Repeat No.4 (RED)
  10. You Will Write: “Tragic Theme” by Vely
  11. Japanese Spy At Door Taking Impression: Repeat No.5 “Incid. Symphony No.36”
  12. Woman With Bunch of Roses: “Gratitude” by Schoenfeld
  13. Paper—Evening Paper: “Intermezzo” by Godard
  14. Close-Up of Big Vase: Repeat No.4 (RED)
  15. Fade-Back To Lovers: Repeat No.13 “Intermezzo”
  16. The Café Danielle: “Joyous Allegro” by Engleman
  17. End of Boxing Bout: “You and You” by Strauss
  18. Woman and Lover Go To Small Room—Woman Drinks Water: “Serenade” by Strauss
  19. Russia’s Minister: “Chanson Russe” by Smith
  20. Woman Runs From Russian To Auto: “Dram. Agitato No.1” by Luz
  21. Drive To Her House: Repeat No.18 “Serenade”
  22. Drive Home: “The Enchanted Castle” by Marquardt (RED)
  23. Fade To Lover Walking Slowly: “Fesche Geister” by Straus (Phonograph and Violin)
  24. Boy Empties Liquor Bottle: “Incid. Symphony No.36” by Kempinski
  25. Close-Up of Rain Drops: “Symphonic Incidentals No.17” by Marquardt
  26. Fade To Men At Long Table: Repeat No.22 (RED)
  27. Fade To Three Japs Entering Office: Repeat No.24 “Incid. Symphony No.36”
  28. Fade To Spy Offering Wine Glass To Woman: Repeat No.22 (RED)
  29. My Dear Girl: Repeat No.24 “Incid. Symphony No.36”
  30. Jap Wakes—Finds Papers Missing: “Oriental Dram. Adagio” by Berge
  31. Jap Commits Suicide: “Melancholy” by Eggert (BLACK)
  32. I Might Add: Repeat No.22 (RED)
  33. Clown Making Up: Repeat No.31 (BLACK)
  34. Woman In Train Compartment: Repeat No.12 “Gratitude”
  35. Train Goes Into Tunnel: “Agitato Drammatico” by Savino
  36. Stop Abrupt At Collision: “Incide Symphony No.23” by Kempinski
  37. Why Are You Here?: “Agitato Dramatico” by Fresco
  38. Spy Runs From Woman and Injured Man: “Perpetuum Mobile” by Rapee
  39. Auto Smashes Into Doorway: “Fury” by Zamecnik
  40. Note On Screen: Repeat No.22 (RED)
  41. In Seven Minutes: “Allegro Infernale” by Aborn
  42. Two Men Fight: “Incid. Symphony No.34” by Kempinski
  43. Man Puts Sponge To Mouth: “Furioso No.89” by Berge
  44. Photographers In Newpaper In Screen: Repeat No.31 (BLACK)
  45. Clown On Stage At Piano: Comedy Clown—Musical Act (Piano Alone)
  46. A Little Soft Music: “Mariette” by Sterny
  47. Clown Shoots Self: Repeat No.22 (RED)

Proper Orchestral Rest Period Is Nos.24 to 30 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ecsGJ4l39Q

Download: PDF

Skirts

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Title: Skirts

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1921

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Skirt Dance” by Tobani (YELLOW)
  2. There Are Only Two Cures For Love: “Ah! Sweet Mystery of Life” by Herbert (WHITE)
  3. After Man Writes “Rose” On Letter: “Blossom” by Fox
  4. Man Puts Dog From Desk: Repeat No.2 (WHITE)
  5. Mother Interrupts Lovers: “Dialogue” by Meyer-Helmund (DARK BLUE)
  6. In the Flat Next Door: “For My Baby” by Snyder
  7. Close-Up of Girl Seated On Table: “Valse Passionnee” by Savino
  8. Party Begins To Dance (Anticipate Fight): “Agitato Dramatico” by Fresco
  9. Stop With Crash As Picture Falls On Mother-In-Law: Repeat No.5 (DARK BLUE)
  10. Man Putting Hats In Hat Box: “Dream Sonnet” by Mayne
  11. Girl (Wife) Kissing Rose: Repeat No.5 (DARK BLUE)
  12. Husband Sits Down At Desk: “Spinning Song” by Mendelssohn (LIGHT BLUE)
  13. A Bee Stung Me: Repeat No.2 (WHITE)
  14. Bertie Took Up The Flute: Flute Imitation by Flute or Organ
  15. Man Stops Playing Flute: “Valse Fascinante” by Kempinski
  16. On The Same Floor: “Reverie and Rondeau” by Schertzinger
  17. Alright, I’ll Go: Repeat No.12 (LT. BLUE)
  18. The Five Hundred Club: “Valse Caprice” by Chenoweth
  19. Hat On Chair At Table—Chorus Girls Show: “Sugar Foot Strut” by Schwab
  20. and Mrs. Littleton: “Skirt Dance” by Tobani (YELLOW)
  21. End of Doll’s Dance On Table: “Powder and Patches” by Fletcher
  22. I Must Tell You About Santa Claus: “Symphonic Incidentals No.2” by Marquardt
  23. Lilliputian Carried Off Screen: Repeat No.20 (YELLOW)
  24. Bottle Falls Into Girl’s Soup: Repeat No.22 “Symphonic Incidentals No.2”
  25. A Night In Jail: “Heart O’Dreams” by Zamecnik
  26. To My Wife: “Dialogue” by Meyer-Helmund (DARK BLUE)
  27. Police See Man On House Balcony: “Ondes Mysterieuses” by Franceschi
  28. Bathroom Scene: “Haste” by Sanders
  29. Man Powders Face At Mirror: “The Speed Demon” by Bub
  30. Man Sits At His Desk: “Ah! Sweet Mystery Of Life” by Herbert (WHITE)
  31. Man Picks Up Flute: Flute Imitation by Flute or Organ
  32. Mother-In-Law Interrupts Flutist: “Twilight Hour” by Savino
  33. Mah In Law: “Queer Antics” by Zamecnik
  34. Elinor Glyn: “Spinning Song” by Mendelssohn (LIGHT BLUE)
  35. I Want My Necklace Today: Repeat No.33 “Queer Antics”
  36. After Telephoning Scenes: Repeat No.34 (LIGHT BLUE)
  37. Take This To The Police Station: “A.B.C. Dram. Set No.12-A1” by Luz
  38. Anticipate Struggle: “A.B.C. Dram. Set No.12-B2” by Luz
  39. Husband Laughs: Repeat No.37 “A.B.C. Dram. Set No.12-A1”
  40. Keep Away From This Bed: Repeat “A.B.C. Dram. Set No.12-B2”
  41. Masked Man Has Necklace: “Allegro Misterioso” by Kempinski
  42. Police Show: “20th Century” by Bub (Open “PP”)
  43. Husband Thrown On Floor At Piano: “Ah! Sweet Mystery Of Life” by Herbert (WHITE)

Proper orchestral rest period is Nos. 25 to 35 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: rZTbYZYWqV

Download: PDF

Rose-Marie

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Title: Rose-Marie

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: Play 3rd and 4th Movements of “Rose Marie” Selection by Harms
  2. On the Edge Of: Play first 25 bars of “Rose Marie” Selection by Harms
  3. Sergeant Terrance Malone: Play “Hard Boiled Herman” from “Rose Marie” by Harms (YELLOW)
  4. The Village Owed: Repeat No.2 “Rose Marie” Selection
  5. Exterior Scene After Duray Throws Fur On Floor: Play “Rose Marie, I Love You” from “Rose Marie” by Harms (WHITE)
  6. Malone Grabs Rose Marie: Repeat No.3 (YELLOW)
  7. Rose Marie Hops Down From Wagon—Goes Into Garden: Repeat No.5 (WHITE)
  8. Rose Marie Breaks Out of Embrace After Subtitle “IWANT AN ANSWER”: “Sarasa” by Valverda
  9. Rose Marie Pushes Her Way Through Crowd: Play “Door of My Dreams” from “Rose Marie” by Harms (LT. GREEN)
  10. Interior After Close-Up of Malone Nodding Head Bitterly: Repeat No.8 “Sarasa”
  11. Second Time Polly Moran Is Hit With Baskey: “A.B.C. Dram. Set No.7-B2” by Luz
  12. Malone Shows At Fence After Crowd Exits From Door: Repeat No.9 (LT. GREEN)
  13. Fade-Out After Rose Marie Makes Faces At Malone: Angelus Bell by Drummer or Organist
  14. One Scene of Bell Ringing: “Douce Rencontre” by Gabriel Marie
  15. Rose Marie Exits From Room To Bedroom: “Regrets” by Kempinski
  16. Rose Marie Exits To Left Through Door: “Dragon-Flies” by Stafford
  17. Don’ Fear This So Big Barbarian: Repeat No.3 (YELLOW)
  18. Malone Takes Letter—Starts To Read It: “A.B.C. Dram. Set No.7-A1” by Luz
  19. Malone Talks To Constable: Repeat No.3 (YELLOW)
  20. Constable Exits From Room: Repeat No.18 “A.B.C. Dram. Set No.7-A1”
  21. Winter Still Lingered: “Cocheco” by Reeves (Introd.)
  22. Group on Porch—Man Runs Up Road To Them: “Venetian Barcarolle” by Golden
  23. Always The Spring Voyage: “Merry Chase” by Fassunge
  24. Canoes Beaching—Trappers Getting Out: “Ninette” by Christine
  25. Rose Marie At Canoe—Trapper Walks On To Her: “Constance” by Golden
  26. In A Twinkling: “Bacchanale de Montmartre” by Ketelbey
  27. Exterior Of Church—Pastor Greeting Parrishioners: Repeat No.25 “Constance”
  28. Church Bell When Rose Marie Is Seen Lying On Ground Fighting Kenyon: Church Bell by Drummer
  29. One Scene: “Sans Sommeil” by Whitol
  30. Rose Marie Gets Up and Walks Up Path: Repeat No.21 “Cocheco”
  31. Evening Brought: Play “Totem Tom Tom” from “Rose Marie” by Harms
  32. Black Bastien Bites Girl’s Toe: “Dame e Cavalieri” by Frontini
  33. Cornet Player Stops—Exterior Scene: “Incid. Symphony No.7” by Kempinski
  34. It’s All Very Tiring: “Death of a Great Red Warrior” by Riesenfeld
  35. From What They Say: “Cocheco” by Reeves
  36. Tom Tom as Rose Marie Hears Something: Repeat No.31 (BROWN)
  37. Long Shot of Riotous Dancing To Kenyon Approaching Porch Through Trees: “Recompense d’Amour” by Kempinski
  38. Rose Marie Starts To Walk Away From Post: “Recompense d’Amour” by Kempinski
  39. And There You Have It: Repeat No.5 (WHITE)
  40. Reason? Maybe Because: Repeat No.33 “Incid. Symphony No.7”
  41. So It’s You: Repeat No.31 (BROWN)
  42. Long Shot of Street After Subtitle “MALONE”: Repeat No.33 “Incid. Symphony No.7”
  43. Not So Fast, Kenyon: “Mysterioso No.1” by Luz
  44. Silhouette Of Dagger Striking Constable In Back: Repeat No.33 “Incid. Symphony No.7”
  45. Fade-Out To Inquest Insert: “Love’s Ecstasy” by McElwain
  46. Etienne Enters Room—Speaks To Coroner: Repeat No.9 (LT. GREEN)
  47. Street Scene: “A.B.C. Dram. Set No.7-A1” by Luz (Slow)
  48. They Got One: “Anguish of Soul” by Eggert
  49. Fade-Out After Dead Man’s Face Shows: “Anguish of Soul” by Eggert (From No.3)
  50. Kenyon Lying On Ground Awakes and Begins To Rise: Repeat No.5 (WHITE)
  51. Tell Me, Is It True: “Imprecations” by Baron
  52. Indian Brave Shows On Hillside: Play “Indian Love Call” (DK. GREEN) (Song Orch. By Russell Bennett)
  53. Indian On Rock Singing After Title “THIS INDIAN BRAVE”: Continue Chorus of No.52
  54. Rose Marie’s Lips Moving After Subtitle “IN ENGLISH IT MEAN”: Church Bells by Drummer
  55. The Angelus: Repeat No.5 (WHITE) (Chorus Only)
  56. Many A Weary Mile: Repeat No.48: “Anguish of Soul” (from beginning)
  57. Fade-Out After Title “TAKE HIM BACK TO POST, DURAY”: Repeat No.49 “Anguish of Soul” (From No.3)
  58. Rose Marie Talks to Indian: Repeat No.5 (WHITE)
  59. Rose Marie and Kenyon in Embrace Before Title “OH, JEAM, JEAM”: “Canzone d’Amour” by Lowitz
  60. Maybe Life Owes Me Something: Repeat No.5 (WHITE)
  61. Fade-Out After Rose Marie Exits From Kenyon: “Ombres d’Automne” by Mayne
  62. Night, The Looming Mountain: Repeat No.5 (WHITE)
  63. Exterior of Rose Marie’s Home—Etienne Comes Down Sidewalk Towards Gate: “Coeur Meurtri” by Gabriel Marie
  64. Rose Marie Puts Right Hand To Her Ear and Sings After Title “I MARRY YOU ETIENNE”: Play “Indian Love Call” from “Rose Marie” by Harms (DR. GREEN)
  65. End Of Rose Marie Singing—Etienne Puts Hand In Air: “Recompense d’Amour” by Kempinski
  66. Fade-Out of Rose Marie Looking Over Etienne’s Shoulder To Wedding Scene: “Recompense d’Amour” by Kempinski
  67. Long Shot of Large Group of People At River Bank: Repeat No.9 (LT. GREEN)
  68. In The Upper Lakes: “Cocheco” by Reeves
  69. At The Lower End of The Island: “Appassionato Dramatico” by Berge
  70. Kenyon Stands Up and Calls—Drops His Hand To Side—Ice Churns Through Channel: “Incid. Symphony No.19” by Schertzinger
  71. Etienne Rescued From Ice Flood: “Dreams” by Crist
  72. Horse Gazing In Brush: Repeat No.43 “Mysterioso No.1”
  73. Black Bastien Exits From Scene After He Feels His Sore Shoulder: “A.B.C. Dram. Set No.4-B2” by Luz
  74. And It Was To Save You: Repeat No.5 (WHITE)
  75. Door Bolt Moves: “Incid. Symphony No.15” by Thomas
  76. I—Forgot—You Didn’t Know: Repeat No.5 (WHITE)
  77. Malone Smiles and Exits to Left From Rose Marie: “Prelude in G Minor” by Rachmaninoff
  78. Rose Marie Putting Up Blanket Closing Door: “Mysterioso No.1” by Luz

SEGUE: “Superstition” by Varnier

  1. Rose Marie Enters Through Blanketed Door: “Cocheco” by Reeves
  2. Frying Pan of Food On Fire: “Grand Appassionato” by Becce
  3. Malone Standing With Drawn Knife At Window—Door Latch Moves: “Mysterioso No.1” by Luz

SEGUE: “Symphonic Incidentals No.3” by Marquardt

  1. Malone Lifting Rock To Window: “Agitated Appassionato” by Kilenyi
  2. Rose Marie Starting To Rise To Her Feet: “Incid. Symphony No.19” by Schertzinger
  3. Knife Hits Black Bastien In Back: “Cocheco” by Reeves
  4. Several Nights Later: Repeat No.5 (WHITE) (Chorus Only)

NOTE: “Rose Marie, I Love You” should not be played slow or Ballad style until use, for Rose Marie and Kenyon. All the color themes are taken out of “Rose Marie” Selection published by T.B. Harms Co. “Incid. Symphony No.7” should always be played in Moderato tempo—1st strain only.

The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: Z8RNBYQHGU

Download: PDF

Ramona

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Title: Ramona

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Ramona” by Wayne (WHITE)
  2. Early California: Angelus Bells on Organ or by Drummer
  3. Add Orchestra At End of Second Bell Scene: “Cloister-Chimes” by Borch
  4. Where Adventurous: “A.B.C. Dram. Set. No. 14-A1” by Luz
  5. The Hacienda: “Serenata de la Noche” by Burks
  6. Servant Makes Sign Of Cross After Title ‘WHERE IS RAMONA’: “Tambourine Dance” by Dunhill
  7. Stop With Crash As Ramona Falls Off Mule: “Ramona” by Wayne (WHITE)
  8. Boy Carries Ramona Into Garden: “Intermezzo Perpetual” by Lowitz
  9. Woman Sees Ramona—Calls To Her: “The Enchanted Castle” by Marquardt (RED)
  10. Mother and Son At Dining Room Table: “Ramona” by Wayne (WHITE) (Introd.)
  11. It Was Sheep Shearing Time: “Julio of the Argentina” by Olsen
  12. And Now Ramona, The Dance You Promised: “La Furlana” by Roberts (YELLOW)
  13. Two Farm Hands Take Off Hats: Repeat No. 9 (RED)
  14. Crowd Gets Ready for Dance: Repeat No.12 (YELLOW)
  15. Crowd Disperses When Seeing Mother: Repeat No. 9 (RED)
  16. Fade As Boy Begins Playing Guitar: “Be Thou My Guide” by Lowell
  17. Monk Blesses Ramona: “Indian Patrol” by Geehl
  18. Indian Enters to Monk and Lady: “Indian Dawn” by Zamecnik (BROWN)
  19. I Make Camp: Repeat No. 7 (WHITE)
  20. The Morning Hymn: “Hark! The Herald Angels Sing” by Mendelssohn
  21. Monk Makes Sign of Cross: “Southwestern Idyl” by Berge
  22. Alessandro Leaves Gate After Ramona Is Seen At Bird Cage: “Los Toros” by Lacome
  23. The First Sight of Ramona: Repeat No.18 (BROWN)
  24. Yes, Senorita: “Ramona” by Wayne (WHITE)
  25. Days Drifted Into Weeks: “La Media Noche” by Aviles
  26. Ramona Walks Off From Boy: Repeat No.18 (BROWN)
  27. In Three Days: Repeat No.24 (WHITE)
  28. Lovers Show After Woman In Black On Screen: “Treachery and Vengeance” by Fletcher
  29. Woman Pushes Ramona Back Screen: “The Enchanted Castle” by Marquardt (RED)
  30. In This Trunk: “Adagio Cantabile” by Ketelbey
  31. Ramona Has Handkerchief: “Appassionato in A Minor” by Savino
  32. You Have Been Cruel: “Tomahawk Dance” by Herman
  33. Ramona Packing Bundle: “Pelermage” by Franceschi
  34. Good-Bye Felipe: Repeat No.24 (WHITE)
  35. Good-Bye Ramona: “Affection” by Berge
  36. Ramona Gets Up After Praying: “La Golondrina” by Lake
  37. Felipe, I Have Never Heard You Sing: “Indian Dawn” by Zamecnik (BROWN)
  38. Alessandro On With Ramona: Repeat No.24 (WHITE)
  39. One Chorus And Segue: Repeat No.37 (BROWN)
  40. Fade-Out As Ramona Goes to Sleep: Repeat No.29 (RED)
  41. After Three Years: “Morning On The Plains” b y Wheelock
  42. Ramona On With Alessandro: Repeat No.37 (BROWN)
  43. Fade-Out of Ramona and Alessandro on Porch: Play “Two Miniature-Plaintive” by Harms
  44. Grave Scene: “La Furiana” by Roberts
  45. Vision of Dance: “Agitato Misterioso” by Becce
  46. Alessandro Enters Room: “The Last Lullaby” by Baron
  47. Alessandro Leads Horse To Door of House: “Redemption” by Zamecnik
  48. Interrupt With Sawing Wood Effect: Imitate Sawing Wood Effect on Organ or by Drummer
  49. Two scenes: “Melody of Peace” by Martin
  50. Into the Peaceful Valley: “Symphonic Color Classic No.1” by Kempinski (RED)
  51. Anticipate Outlaws Attack On Village: “Symphonic Color Classic No.1” by Kempinski (BLUE)
  52. Ramona Shows On Screen: Repeat No.50 “Symphonic Color Classic No.1” (RED)
  53. Ramona Drags Alessandro Back Into House: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  54. House Shown Burning In Distance: “Symphonic Color Classic No.1” by Kempinski (GREEN and YELLOW)
  55. From San Diego: “Paroles d’Amour” by Tobani
  56. Far Above The Clouds: Repeat No.37 (BROWN)
  57. Close-Up of Horse On Screen: Repeat No.54 “Symphonic Color Classic No.1” (GREEN and YELLOW)
  58. Ramona Leaves House With Bucket: Repeat No.50 “Symphonic Color Classic No.1” (RED)
  59. Stop With Two Shots: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  60. Ramona On With Alessandro: “Indian Dawn” by Zamecnik (BROWN)
  61. Fade-Out of Ramona and Alessandro: Repeat No.51 “Symphonic Color Classic No.1” (BLUE)
  62. Close-Up of Ramona Crying For Help: “Prayer at Eventide” by Elie
  63. Fade-Out of Sick Room: “The Wanderer’s Return” by Ketelbey
  64. Ramona Begins To Remember: “La Furiana” by Roberts (YELLOW)
  65. End of Dance: “Ramona” by Wayne (WHITE)

Proper rest period is Nos. 25 to 35 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: oJFYsvXEsF

Download: PDF

Quality Street

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Title: Quality Street

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Drink To Me Only With Thine Eyes” by Marquardt
  2. The Time—Late Afternoon: “A State Procession” by Ketelbey
  3. Doorbell Rings: “Gossip” by Marquardt
  4. Susan In House Shows On Screen: “Chatterbox” by D’Amresio (YELLOW)
  5. Marion Davies Sits Down: “Drink To Me Only With Thine Eyes” by Marquardt
  6. Susan Begins To Wind Wool: “Storm Galop” by Komzak
  7. Three Girls Turn From Window: “Love’s Impuslse” by Jacquet
  8. One Hundred: “Storm Galop” by Komzak
  9. Go Back: “Shepherd’s Pipe from ‘Romantic Suite’” by Gregh
  10. Do My Eyes Behold Phoebe: Repeat No.1 “Drink To Me Only With Thine Eyes”
  11. Invitation To Dance Shown On Screen: “Viennese” by Komzak

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Susan Begins To Sew Dress: “Gossip” by Marquardt
  2. No, Not Yet, But We Expect It Hourly: “The Festivities from ‘Romantic Suite’” by Stanley (BROWN)
  3. Phoebe And Doctor Walk Down Stairs From Dance Pavillion: Repeat No.8 “Storm Galop”
  4. Marion Davies Seated In Garden—Doctor On With Two Glasses of Lemonade: “Storm Galop” by Komzak (Trio)
  5. Cloud Scene: “Perpetuum Mobile” by Rapee
  6. Phoebe and Doctor Stop Walking: Repeat No.3 “Gossip”
  7. Marion Davies Runs Into House: “Drink To Me Only With Thine Eyes” by Marquardt
  8. Marion Davies Runs Out of Room: “Gossip” by Borch
  9. Interior Scene After Gossipers Cross Street: “Drink To Me Only With Thine Eyes” by Marquardt
  10. Fade-Out Of Sisters To Men On Street: “Symphonic Color Classic No.8” by Schoenfeld (RED)
  11. And Napoleon: “Robespierre Overture” by Litolff
  12. Fade-Out of Napoleon Camp Scenes: Repeat No.21 (RED)
  13. Fade-Out of Close-Up of Men In Rain Moving To Camera: “Chatterbox” by D’Ambrosio (YELLOW)
  14. I’ve Got A Happy Surprise For You: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)
  15. Fade-Out As Girls Embrace: Repeat No.3 “Gossip”
  16. Fade-Out of Mouth Moving: “A State Procession” by Ketelbey
  17. Doctor Sees Sisters As Maid Opens Door: Repeat No25 (WHITE)
  18. I Mean, I Think: Repeat No.10 “Drink To Me Only”
  19. I’m Glad: Repeat No.21 (RED) 4 bars only very slow
  20. Phoebe and Doctor Stand Up: “Drink To Me Only With Thine Eyes” by Marquardt
  21. I’ll Tell Susan: “Broken Vows” by Kempisnki
  22. Doctor Shakes Hands With Susan: Repeat No.20 “Drunk To Me Only”
  23. Doctor Leaves Room—Close-Up Of Two Sisters: “Drink To Me Only” by Marquardt (Plaintive Minor)
  24. Phoebe Puts Dress In Chest: Repeat No.3 “Gossip”
  25. Gossipers On With Susan At Organ—Susan Shows Despair In Face: “British Grenadiers from ’12 English Songs’” by De Witt
  26. Marion Davies Lying on Floor After Two Gossipers Wave Hands Slowly Through Window: Repeat No.34 “Drink To Me Only” (4 bars)
  27. Then For Many Years: Trumpet and Open Drum Roll
  28. Fade-Out of Subtitle: “Gavotte in G” by Gluck
  29. Girls Put Feet On Boy’s Knees: “The Joy Riders” by Patou
  30. Unhappy Boy, Why Did You Fight: “An English Tune” by Geehl
  31. Phoebe Walks From School Into Room At Piano: Repeat No.20 “Drink To Me Only”
  32. Close-Up of Phoebe’s Face In Bright Mirror: “Drink To Me Only” by Marquardt
  33. Two Soldiers In Tally Ho Shake Hands: “Posthorn Galop” by Koenig
  34. Soldiers Get Out of Tally Ho: Repeat No.2 “State Procession”
  35. Doorbell Rings: Repeat No.3 “Gossip”
  36. Captain About To Knock On Door—Children Exit: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)
  37. Housekeeper Opens Second Door—Captain Sees Susan: “Chatterbox” by D’Amresio (YELLOW)
  38. Where’s Miss Phoebe: Repeat No.47 (WHITE)
  39. Phoebe Sees Captain Behind Door: Repeat No.43 “Drink To Me Only”
  40. Phoebe Motions Captain To Sit Down: “Farewell” by Howgill
  41. Phoebe Walks From Captain Brown: Repeat No.20 “Drink To Me Only”
  42. Phoebe Lays Head On Desk After She Cries: “Sweet Thoughts Of Love” by Alu
  43. Phoebe, Phoebe, You Must Not Give Way: “Symphonic Incidentals No.9” by Marquardt
  44. Phoebe Undressing After She Throws Up Right Arm Second Time: “Viennese” by Komzak
  45. Phoebe Stops Dancing When Seeing Captain Brown: Repeat No.43 “Drink To Me Only”

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Marion Davies Sits Down At Piano: “Gavotte In G” by Gluck
  2. Captain Walks Out of Room: “Constance” by Golden
  3. Marion Davies Begins To Play Piano: Repeat no. 57 “Gavotte In G”
  4. Marion Davies’ Fingers Stop Playing Piano: Play “Lilac Time” from (May Days Are Gray Days) by Harms
  5. Captain Walks From Phoebe: Repeat No.5 “Drink To Me Only”
  6. Marion Davies Runs To Door: Repeat No.20 “Drink To Me Only”
  7. Marion Davies Lifts Leg At Door: “Storm Galop” by Komzak
  8. Captain Catches Marion Davies At Tree: Repeat No.18 “Drink To Me Only”
  9. Susan Shows On Screen—Interrupts Lovers: Repeat No.55 “Viennese”

SEGUE: “Shepherd’s Pipe” by Gregh

  1. Fade-Out of Susan and Phoebe With Veil At Door: “The Festivities” by Stanley (BROWN)
  2. Gossipers Show: “Sunshine and Flowers” by Schoenfeld
  3. Marion Davies and Captain Come Down Stairs: Repeat No. 14 “Storm Galop”
  4. Phoebe Sits Down On Bench In Garden—Captain On With Two Glasses of Lemonade: “Sunshine and Flowers” by Schoenfeld

SEGUE: “Sunshine and Flowers” by Schoenfeld

  1. ‘Tis Most Agreeable: Repeat No.20 “Drink To Me Only”
  2. Captain Kisses Phoebe: Symphonic Incidentals No.9” by Marquardt
  3. Phoebe Kneels At Susan’s Chair: Repeat No.18 “Drink To Me Only”
  4. Fade-Out of Phoebe And Susan: “Recompense d’Amour” by Kempinski
  5. Fade-Out Of Marion Davies and Susan in Close-Up: Repeat No.48 (YELLOW)
  6. Phoebe Walks Through Door From Room To Captain: Repeat No.12 “Gossip”
  7. Susan Comes Through Door To Captain: Repeat No.21 (RED)
  8. Please To Wait: “Love’s Impulse” by Jacquet
  9. Footsteps Going Upstairs: Repeat No.12 “Gossip”
  10. Captain Brown Speaks To Mind: Repeat No.21 (RED)
  11. ‘Tis All Your Own Fault: Repeat No.47 (WHITE)
  12. But Now That She Started This Horrid Livvy: Repeat No.3 “Gossip”
  13. Feet Coming Down Stairs: Repeat No.12 “Gossip”
  14. Susan Opens Door For Sick Phoebe: “Dance of the Goblins” by Schertzinger (Introd.)
  15. Captain Places Chair For Sick Phoebe: “The Trysting Place” by Schertzinger
  16. Doctor Stands Up Facing Camera—Talks To Susan: Repeat No.21 (RED)
  17. Susan Walks To Door: Repeat No.83 “Dance of the Goblins”
  18. Captain Re-enters Room—Sees Phoebe Gone From Chair: “Dance of the Goblins” by Schertzinger
  19. Doctor Pauses In Door When Carrying Model Out of Room: Repeat No.18 “Drink To Me Only”
  20. Sisters Embrace—Carriage Shows: “Gossip” by Marquardt

SEGUE: “Symphonic Color Classic No.8” by Schoenfeld (WHITE)

  1. Gossipers Close Curtains After Captain Bows To Them: Repeat No.1 “Drink To Me Only”

Proper rest period is Nos. 39 and 51 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: JTmxensuhx

Download: PDF

Our Dancing Daughters

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Title: Our Dancing Daughters

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Introd. And THEME No.1” by Luz
  2. Feet & Slippers Show On Screen: “Feelin’ Good” by Ager
  3. End of Dancing Feet: “Serenade Galante” by Beghon
  4. After Girl Drinks From Boys’ Glasses: “Lt. Romantic THEME No.3” by Luz
  5. Mind You and Mother: “Sirene” by Viola
  6. Don’t Worry: “Untold Secrets” by Hauenschild (WHITE)
  7. Girl’s Legs On Screen: “Cupid’s Conquest” by Kahn
  8. Mother Opens Box: Repeat No.5 “Sirene”
  9. Girl Walks From Room: “Cabaret Capers” by Allen
  10. Orchestra Begins to Play: “She’s A Great Great Girl” by Woods
  11. That’s A Private Party: “The Varsity Drag” by Henderson
  12. End of Dance: “If You Don’t Believe Me” by Ager
  13. Play Once and Segue: “Last Night I Dreamed I Kissed You” by Lombardo
  14. Girls Form Ring On Floor: “Comedy Excitement” by Zamecnik
  15. I Must Go: “The Trysting Place” by Schertzinger (LT. GREEN)
  16. Fade-Out to Exterior: Repeat No.6 WHITE
  17. No Don’t Tell Me: “Carnival Frolics” by Lakay
  18. Stop Short As Boy Kisses Girl: Repeat No.15 LT. GREEN
  19. Girl Goes Upstairs: “Try Me” by Schertzinger (Chorus Only)
  20. Week-End: “Moment Gal” by Leien
  21. Would You Mind: Repeat No.15 LT. GREEN
  22. I Know It: Repeat No. 20 “Moment Gai”
  23. Ocean Beach Shows: Repeat No.15 LT. GREEN
  24. Fade-Out After Girl Leaves Boy On Cliff: “Constantinople” by Carlton
  25. Action Stops As Girls On Floor: “Doloris” by Viola
  26. Boy Looking At Necktie: Repeat No.24 “Constantinople”
  27. Fade-Out of Scene Showing Necktie in Boy’s Hand: “Frinstance” by Cohn
  28. Girl At Yacht Rail: “Babylon Suite Part 2”
  29. I’ll Get Ben: “Nettuno” by Viola DARK GREEN
  30. Diana Enters Her Bedroom: Repeat No.19 “Try Me”
  31. Mother and Daughter Show: Repeat No.29 DARK GREEN
  32. After Letter Written: Repeat No.6 WHITE
  33. I Must Hurry: “My Abode” by Schubert
  34. And I’ve Lost: Repeat No.4 Lt. Romantic Theme
  35. Letter on Screen: “Little Flower Garden” by Breil
  36. Your Daddy Brought Me: Repeat No.6 WHITE
  37. After Post Card On Screen: “Violetta” by Olman
  38. I Heard From Ann: “Smiles” by Somerville
  39. Here’s To The Husbands: “The Lure of Crimson” by Marquardt (RED)
  40. Norman, You Must Forgive: Repeat No.6 WHITE
  41. Two Girls Sit Down: Repeat No.4 Lt. Romantic Theme
  42. Fade After “You Can Thank God”: Repeat No.29 DARK GREEN
  43. Mother Leaves House: Repeat No.5 “Sirene”
  44. Stop Short As Door Opens: Repeat No.29 DARK GREEN
  45. Just Because Mother: “Melodic Appassionato No.1” by Marquardt
  46. Fade-Out Husband At Door: “Because My Baby Don’t Mean Maybe Now” by Donaldson
  47. After Girl Goes Upstairs: “Romance Sans Paroles” by Marquardt
  48. Girl Gets Out of Auto: “In the Evening” by Hanley
  49. Bon Voyage, Diana: Repeat No.19 “Try Me”
  50. Drunken Girl Appears In Door After Title “But I Thought There Was”: Repeat No.45 “Melodic Appass”

NOTE: Not too noisy at opening.

  1. Play Once and Segue: “Agitated Appassionato” by Frey
  2. Not Me, I Don’t Crave: Repeat No.39 (RED)
  3. Exterior Scene—Lovers Meet: Repeat No.19 “Try Me”
  4. Fade-Out As Auto Drives Up: Repeat No.39 (RED)
  5. Drunken-Girl At Head Of Stairs: “Scherzo Silhouette” by Marquardt
  6. Girl Rolls Upstairs: Repeat No.6 WHITE

NOTE: End with Drum Roll and Crash

NOTE:—The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: hEfYas09ec

Download: PDF

Napoleon

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Title: Napoleon

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “French National Defile March” by Turlet (BROWN)
  2. In the Winter of 1871: “Qui Vive” by Ganz
  3. End of Snow Fight—Boy Places Flag On Fort: Repeat No.1 (BROWN)
  4. Bonaparte Shared His Attic Room: “Dramatic Andante” by Noyes
  5. Boy Let Eagle Out of Cage: “Incid. Symphony No.40” by Hintz
  6. End of Fight—Men On Screen: “Despair” by Kalbe
  7. Years Passed: Repeat No.1 (BROWN)
  8. The Idlers: “Gallantry” by Ketelbey (WHITE)
  9. Girl (Josephine) Drops Flowers On Ground: “Cruelle Angoisse” by Fonteille
  10. Not Far Off: “Dramatic Finale” by Noyes
  11. Boy Begins to Sing: “La Marseillaise” by Luz
  12. End of Song: “French National Defile March” by Turlet (BROWN) (Play quietly)
  13. In 1972: “Elements Unbound” by Eggert (RED)
  14. At The Inn: Continue No.13
  15. No, Our Country Is France: “Incid. Miniatures No.7” by Hauenschild
  16. If You Knew What Dream: “Lament” by Herrmann
  17. Exterior Scene: “Hurry No.7” by Armandola
  18. Capatello Tower: “Dramatic Allegro” by Savino
  19. I Will Bring It Back To You: “Insurrection” by Schertzinger
  20. On The Following Day: “Allegro con Moto” by Borch
  21. Napoleon Brought Aboard Ship: Repeat No.15 “Incid. Miniatures No.7”
  22. Returning to France: “Agitato No.3” by Rapee-Axt (DARK BLUE)
  23. In December, 1793: Repeat No. 15 “Incid. Miniatures No.7”
  24. Approaching Midnight: “Schlachtmusik” by Armandola
  25. The Commanding Officer Decided: “Incid. Miniatures No.7” by Hauenschild
  26. Horseman Delivers Note: Continue No.25
  27. Battle Started again: Repeat No.24 “Schlactmusik” (Drums)
  28. The News of Napoleon’s Success: “Pressentiments” by Fosse
  29. After the Fall of Danton: “French National Defile March” by Turlet (BROWN)
  30. In the Frenzy of Reaction: “Gay Gallantry” by Fletcher
  31. Napoleon’s Popularity: “Pomp and Circumstance” by Elgar
  32. Madame Josephine: “Gallantry” by Ketelbey (WHITE)
  33. After Josephine Is Introduced She Walks To Camera: “Ardent Affection” by Marquardt
  34. Fans Madame: “La Gaiete” by Ewing
  35. Napoleon Places Foot Rest For Josephine: Repeat No.32 (WHITE)
  36. Two Hours Later: Repeat No.33 “Ardent Affection”
  37. He Was Young: Repeat No.32 (WHITE)
  38. Then In The Peacefulness: “Joyful Hurry No.1” by Baron
  39. Love and Duty: Continue No.38
  40. Then Tonight At Ten: “Ardent Affection” by Marquardt
  41. While At Napoleon’s Home: Repeat No.38 “Joyful Hurry No.1”
  42. Quick, Wake Up: “Melodic Appassionato No.1” by Marquardt
  43. I’m Frightened: “Gallantry” by Ketelbey (WHITE)
  44. War Does Not Wait: Continue No.43
  45. On The Road: “Symphonic Incidentals No.10” by Marquardt
  46. At Albenga: “Agitato No.3” by Rapee-Axt (DARK BLUE)
  47. Napoleon Appears Before Generals: “Incid. Miniatures No.7” by Hauenschild
  48. And In April, 1796: “Elements Unbound” by Eggert (RED)
  49. There You Will Find: “French National Defile March” by Turlet (BROWN)
  50. Ragged Drummers Seen On Screen: “La Marseillaise” by Luz
  51. Two Days Later: “Schalcimusik” by Armandola
  52. Close-Up of Napoleon: “Gallantry” by Ketelbey (WHITE)
  53. Fade-Back To Battle: “Schalcimusik” by Armandola
  54. Idol Of Paris: “Marche Heroique” by St. Saens

Proper orchestral rest period is Nos. 17 to 28 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 8LYyY4iFNJ

Download: PDF

Morgan’s Last Raid

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Title: Morgan’s Last Raid

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Yearning” by Schoenfeld
  2. Girls and Officer on Lawn: “From the Canebrake” by Gardner
  3. Wedding Scene: “Wedding Dreams” by Marquardt
  4. Man Opens Letter: “Tears” by Zamecnik
  5. This Man Is A Deserter: “Astir” by Berge
  6. That’s One Traitor: “Dramatic Adagio” by Berge
  7. Soldier Jumps Over Bridge: “Playful Allegro” by Savino
  8. Fade To Camp Scene: “Ruritania” by Schertzinger
  9. Soldier Takes Off Coat: “Hurry No.4” by Finck
  10. Morgan’s Raiders: “The Bold Raiders” by Carbonara
  11. Stop At Bugle Call: “Battle Agitato” by Schoenfeld
  12. Raiders Ride Away: “Film Theme No.1” by Tschaikowsky
  13. Map On Screen: “Symphonic Incidentals No.14” by Marquardt (RED)
  14. Fade To Girl In Hammock: “Rosa Mystica” by Walton
  15. Locate His Position: Repeat No.13 (RED)
  16. Soldiers Eating At Long Table: Repeat No.8 “Ruritania”
  17. By The Way: “Memories” by Kussner
  18. Fade To Girl At Piano: “Yearning” by Schoenfeld
  19. Girl Rises From Piano: Repeat No.17 “Memories”
  20. Girl Kisses Letter: Repeat No.13 (RED)
  21. Soldier Pushed Into Cell: Drums alone to screen
  22. Fade To Girl At Church Exterior: “The Conspirators” by Sodero
  23. Fade-Back To Soldier In Cell: “Potato Bug Parade” by Cobb
  24. Girl Standing By Small Bridge: Repeat No.22 “The Conspirators”
  25. Girl With Latern: “Incid. Symphony No.23” by Kempinski
  26. Soldiers Leave Girl and Lover Alone In Room: “Love’s Reward” by Hauenschild
  27. Bland: “Symphonic Incidentals No.14” by Marquardt (RED)
  28. If You Think: “Tensive Allegro” by Aborn
  29. I Have A Cure: “Presto No.27” by Lake
  30. Spy Knocked Out—End of Fight: “Allegro Moderato” by Lake
  31. Girl Signals With Lamp: “Symphonic Incidentals No.18” by Marquardt
  32. After Explosion: “Yearning” by Schoenfeld

Proper orchestral rest period is Nos. 12 to 17 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: RAnQNOJvsZ

Download: PDF

Mockery

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Title: Mockery

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  2. In Siberia: “Troyka Paraphrase”
  3. Girl Hands Man Her Parcel To Carry: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  4. Girl and Sergei Get Up To Walk Away—Soliders Show: Repeat No.1 (RED)
  5. Girl and Sergei Pass Soldiers: “Visions of the Dance” by Wallace
  6. It Is Very Quiet Here: Repeat No.1 (RED)
  7. Girl Sits Down To Take Off Boots: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)

SEGUE: “La Bas” by Francschi

  1. Girl Lying on Couch Asleep: Repeat No.1 (RED)
  2. Man Takes Shawl From Woman’s Head: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  3. Men Ride Off After Title THE SOLIDERS ARE COMING: “Film Theme No.1” by Tschaikowsky
  4. In Novakursk: “The Cossack Battalion” by Schoenfeld
  5. Captain, Go To The Hospital: “Symphonic Color Classic No.2” by Schoenfeld (DARK GREEN)
  6. When Sergei Left The Hospital: “Polina” by Easton
  7. We Are All Pleased: Repeat No.7 (WHITE)
  8. Countess Walks Upstairs: “A Regret” by Byford
  9. The Master of the House: “La Czarine” by Ganne
  10. Girl Sits Down At Piano: Continue No.16 (Piano Alone)
  11. Flash to Sergei and Gate-Keeper: Repeat No.12 (DARK GREEN)
  12. Lovers Kiss and Embrace: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  13. Sergei Walks Away From Lovers: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  14. And So Sergei’s Dull Pleasant Mind: “Pomp and Circumstance No.2” by Elgar (BROWN)
  15. Like You, How Could She Help It: “Symphonic Color Classic No.2” by Schoenfeld (DARK BLUE)
  16. Girl In Window Waves to Soldier: Repeat No.19 (RED)
  17. With Military Protection: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  18. Countess Hands Note to Gaidaroff: Repeat No.21 (BROWN) (Not slow)
  19. Servant Passes Countess on Balcony: Repeat No.24 (LIGHT BLUE)
  20. Servants Leaving House—Sergei Shows: Repeat No.21 (BROWN) (Not slow)
  21. The Revolution Is On The Stairs: “Incid. Symphony No.14” by Luz (Letter A)
  22. Is That Old Sea Lion Barking At You Again: “Incid. Symphony No.14” by Luz (Letter B) (Play “PP”)
  23. Sergei Goes Upstairs Again: Repeat No.28 “Incid Symphony No.14”
  24. Sergei, Come Here: “Symphonic Color Classic No.2” by Schoenfeld (RED)
  25. Sergei Goes Out of Room: Repeat No.24 (LIGHT BLUE)
  26. Shooting In Street—Open Cellar Door Shows: Repeat No.31 (RED)
  27. Two Women and Man Show After Sergei Closes Cellar Door: “Stealthy Escape” by Zamecnik
  28. Man and Wife Show As Countess Passes Sergei: “Evil Plotter” by Zamecnik (LIGHT BLUE)
  29. Sergei Is Not The Fool Any More: Repeat No.31 (RED)
  30. Go Downstairs Where You Belong: “Symphonic Color Classic No.2” by Schoenfeld (DARK BLUE)
  31. Lovers Meet After Title TATIANNA: “Lonely Hours” by Kempinski
  32. He Was The Only One That Stayed To Protect Me: “Symphonic Color Classic No.2” by Schoenfeld (WHITE)
  33. Barrel On Door Moves After Sergei Is Seen Kneeling To Countess: Repeat No.31 (RED)
  34. Don’t You Try To Touch Her: Repeat No.37 (DARK BLUE)
  35. Hands Go From Sergei’s Throat: Repeat No.39 (WHITE)

Proper rest period is Nos. 25 to 34 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: S8vVbTN0cP

Download: PDF

Man, Woman And Sin

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Title: Man, Woman And Sin

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Symphonic Color Classic No.6” by Marquardt (RED)
  2. The Story of People: Train Effect by Drummer
  3. One Scene: “Symphonic Color Classic No.6” by Marquardt (DARK BLUE)
  4. Boy Gets Up After Train Passes: “Yazoo Buck” by Godfrey (Banjo)
  5. Boy Enters Home To Mother: “Love and Spring” by Waldteufel
  6. Fade-Out of Mother As Boy Leaves House: “Nursery Rhymes” by Casini
  7. Girl Opens Door For Boy: “Symphonic Color Classic No.6” by Marquardt (WHITE)
  8. There Was A House In The Neighborhood: “The Devil’s Elixer” by Marquardt
  9. Boy Comes From Ghost House: Repeat No.7 (WHITE)
  10. Woman Takes Girl Away From Boy: “Hot Foot” by Lake (Banjo)
  11. Boy Enters House To Mother: “Afterglow” by Clutsam
  12. Odd Jobs, Newsboy: “Little Trifler” by Bardard
  13. Editor’s Office Scene—Telephone Girl Shows: “Magic Shadows” by Zardo
  14. Man Pulls Out Light Switches: “Symphonic Color Classic No.6” by Marquardt (DARK GREEN)
  15. John Gilbert Knocks on Door: “I’m Gonna Dance Wif De Guv Wot Brung Me” by Archer
  16. John Gilbert Takes Drink: Repeat No.14 (DARK GREEN)
  17. Girl Kisses John Gilbert Second Time: “Symphonic Color Classic No.6” by Marquardt (DARK BLUE)
  18. Gilbert Takes Drunken Man Into Lunch Room: “Souvenir de Capri” by Becce
  19. Fade-Out of Mother in Bed: “Tender Heart” by Baga
  20. Telephoning Scenes: “Valse Fascinante” by Kempinski (LIGHT GREEN)
  21. Rent One: “Laughing Eyes” by Silberberg
  22. John Gilbert Enters Auto: “Valse Fascinante” by Kempinski (LIGHT GREEN)
  23. Girl Looks At Wristwatch: “Symphonic Color Classic No.6” by Marquardt (DARK GREEN)
  24. Gilbert Begins To Typewrite: “Flimsy Flo[]nces” by Hersom
  25. Gilbert Sits Down In Shipping Room: “Wings of Love” by Fuzy
  26. Card—“This Is The Most Perfect Rose”: Repeat No.20 (LIGHT GREEN)
  27. Telephoning Scene: “Symphonic Color Classic No.6” by Marquardt (RED)
  28. Fade-Out of Hall Scene After Title “I’LL WALK”: “Polly” by Zamecnik
  29. Do Let’s Get Out of this Awful Crowd: “Symphonic Color Classic No.6” by Marquardt (WHITE)
  30. Fade-Out As Gilbert and Girl Leave Park: Repeat No.27 (RED)
  31. No, Don’t Go: “Stepping Stones” by Reeves
  32. One Park Scene—Gilbert Sees Card On Bouquet Of Flowers: “Valse Fascinante” by Kempinski (LIGHT GREEN)
  33. Gilbert Walks From Room Where Girl Is Seen On Couch: Repeat No.27 (RED)
  34. Gilbert Gives Girl Birthday present: Repeat No.29 (WHITE)
  35. Gilbert Walks Out of Room After Kissing Girl: “Symphonic Color Classic No.6” by Marquardt (DARK BLUE)
  36. After Quarrel In Hall: “Symphonic Incidentals No.7” by Marquardt
  37. Gilbert In Kitchen With Mother: “Dram. Tension No.2” by Ancliffe
  38. Gilbert Walks Off Screen From Mother: “Symphonic Color Classic No.6” by Marquardt (WHITE)
  39. Society Editor Kisses Gilbert’s Forehead: “Symphonic Color Classic No.6” by Marquardt (RED)
  40. Now Will You Get Out of Here: “Incid. Symphony No.2” by Kempinski
  41. Man Hit Over Head—Falls To Floor: “Grief” by Zamecnik
  42. Fade-Out of Mother With Flat Iron In Hand: “The Devil’s Elixer” by Marquardt
  43. Mother Walks From House: “Misterioso No.5” by Zamecnik
  44. Fade-Out of Mother and Boy: “From the North” by Sibelius
  45. Fade-Out of Gilbert in Prison Cell: Repeat No.39 (RED)
  46. The Law Must Take It’s Course: Repeat No.38 (WHITE)
  47. Mother Embraces Girl: “Albumblatt” by Hilse
  48. Auto Drives Off: Repeat No.38 (WHITE)

NOTE:—The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 73NES5rIUg

Download: PDF

Mademoiselle From Armentieres

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Title: Mademoiselle From Armentieres

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Love’s Awakening” by Ketelbey (WHITE)
  2. London: “Hinky Dinky Parlay Voo” by McHugh (BROWN)
  3. Well Sonny: Repeat No.2 (BROWN)
  4. Soldier Walks to Piano” “It’s A Long Way to Tipperary (Chorus)” by Chappell
  5. Fall In: Drums—March Tempo by Drmmer
  6. A Few Miles: German Theme (RED)
  7. From the Base: Repeat No.4 “It’s A Long Way to Tipperary”
  8. Stop Short with Explosion Crash: “Memories” by St. Clair
  9. Just Like Harry: Drums—March Tempo by Drummer
  10. Interior Bar Scene After Soldiers March: Repeat No.6 (RED)
  11. A Woman Can Make A Monkey: “Palais de Danse” by Horne
  12. Interrupt with Trumpet to Screen: Trumpet Call by Trumpeter
  13. One Scene: “Strawberries” by Kaufman
  14. Street Scene—Inn Exterior: “Fairy Tiptoe” by Fredericks
  15. Now Suppose This is Hill 60: Repeat No.2 (BROWN) (Piano alone)
  16. Men At Piano Change: Piano ad. Lib to Screen
  17. Young Boy Walks to Girl At Bar: Repeat No.1 (WHITE)
  18. Stop with Big Crescendo as Boy Embraces Girl: Repeat No.2 (BROWN)
  19. Pianist Stops Playing: “Chant d’Amour” by Jacquet
  20. For A Week: Repeat No.1 (WHITE)
  21. After Kiss: Repeat No.1 (WHITE) – with orchestra
  22. A Visitor From: “Sleepy Hollow” by Allen
  23. The Regimental Follies: Repeat No.2 (BROWN)
  24. End of First Act on Stage: “Tell Me Pretty Maiden” by Stuart
  25. End of Lively Dance: Repeat No.6 (RED)
  26. Singer On Screen: “Pagliacci” by Leoncavallo (last 8 bars)
  27. What Ass Did That: Repeat No.6 (RED)
  28. Lovers Show After Title “THAT NIGHT”: Repeat No.1 (WHITE)
  29. Girl Comes From House: “Mysterioso No.16” by Langey
  30. To the Billets For You: Repeat No.6 (RED)
  31. Girl Stands Up—Spy Embraces Her: “Agitato No.37” by Andino
  32. Not Yet: Repeat No.6 (RED)
  33. Another Day: “Joyous Allegro” by Engleman
  34. Bullet Hole in Tin Hat Seen: “Dramatic Tension No.52” by Noyes
  35. Woman Behind Bar Shakes Head ‘No’: Repeat No.2 (BROWN)
  36. Girl Sees Boy Lover After Singing: “Farewell” by matt
  37. Boy Rushes From Girl: Repeat No.6 (RED)
  38. At British Headquarters: “La Bas” by Franceschi
  39. Interrupt with Drum at Fade of Headquarters: Drums—March Tempo by Drummer
  40. Soldiers Stop Marching: “Polly” by Zamecnik
  41. Delousing Station: “Ballade d’Amour” by Sanders
  42. Fade-Out of Two Soldiers Singing: “British Patrol” by Linden
  43. The Taped Track: “Mysterious March” by Borch
  44. Soldiers All Set in Trenches: “Poursuite Dramatique” by Drigo’s Cinema Classics
  45. Girl and Ambulance Arrive at Trenches: Repeat No.6 (RED)
  46. The British Grimly Prepared: “Battle Agitato No.16” by Minot
  47. Close-Up of Two Soldiers Who Sang: Repeat No.41 “Ballade d’Amour”
  48. Officer Blows Signal on Horn: “Battle Agitato No.19” by Schoenfeld
  49. The French: “La Pere de la Victoire” by Ganne
  50. Wounded Soldiers Lying On Ground: “Elegy from ‘Cockney Suite’” by Ketelbey
  51. Soldiers Seen—Capture Two Soldiers: “A Broken Heart” by Schertzinger
  52. Young Lady, In Behalf: “Hurry No.3” by Lake (open ‘P’)
  53. Spy Lying on Ground: Repeat No.2 (BROWN)
  54. Leave That To Them: Repeat No.1 (WHITE)

Proper orchestral rest period is Nos. 29 to 41 inclusive.

NOTE:—The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: zC46cytmve

Download: PDF

Loves of Casanova

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Title: Loves of Casanova

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “A Gondola Love Song” by Olsen
  2. At This Period of My Life: “Carnival of Nice” by Ancliffe
  3. The Divine Corticello: “A Smile—A Kiss” by Marquardt
  4. Among Those Present: “Symphonic Incidentals No.11” by Marquardt (RED)
  5. I Called For The Dance of the Swords: “Carnival Gayety” by Juon (YELLOW)
  6. End of Dance—Woman Drops Sword: Repeeat No.4 (RED)
  7. Perhaps Your Aim Will Be Better: “Presto No.5” by Lake
  8. Stop Short as Duel Ends: “In A Kentish Garden” by Rawlinson
  9. In My Bachelor’s Establishment: “Rose of Spring” by Bicchieri
  10. Ah Woman, Woman: Repeat No.3 “A Smile—A Kiss”
  11. The Baroness: “Incid. Symphony No.40” by Hintz
  12. Baroness Tears Letter: Repeeat No.4 (RED)
  13. All Day I Had Dreamed Of The Baroness: Repeat No. 11“Incid. Symphony No.40”
  14. Meanwhile the Baron: “Appassionato Patetico” by Bradford (DK. Blue)
  15. I Did Not Mind: “Film Theme No.41” by Nicode—Roberts
  16. Wandering For Many Unpleasant Weeks: “Blue Danube Waltz” by Strauss
  17. Violnist On Screen After Title ‘AMONG ALL THESE FOOLS’: Continue No.16
  18. Soldier Molests Violinist: “Incid. Symphony No.1” by Kempinski
  19. Man Thrown Out of Inn: Repeat No.3 “A Smile—A Kiss”
  20. Alas That the Women: Repeat No.14 (DK. BLUE)
  21. Casanova Goes To Girl’s Rescue: “Incid. Symphony No.28” by Damaur
  22. Casanova and Girl Captured In Field: “A Summer Morning” by Ewing
  23. As I Left M. Dupont: “Dramatic Appassionato” by Ciganeri
  24. My Destiny Was Leading Me: “The King’s Entrance” by Marquardt
  25. Like Most Imbeciles: “Gay Gallantry” by Fletcher
  26. Had I Been A Russian: “The Atlas” by Schubert
  27. Dupont, My Dressmaker From Paris: “Symphonic Incidentals No.11” by Marquardt (RED)
  28. Czar Enters Room to Wife: Repeat No.24 “King’s Entrance”
  29. Fade-Out As Orlov Is Seen Kissing Czarina’s Hand: Repeat No.26 “The Atas”
  30. Stand Up, You Imbecile: “Sadness” by Engleman
  31. The Czar Has Ordered Your Arrest: Repeat No.27 (RED)
  32. I Have Seen the Downfall: “Processional” by Clutsam
  33. We Celebrated: “La Czarine” by Ganne
  34. I Have Often Wondered: “Pomp and Pageantry” by Schertzinger
  35. Orchestra On Screen: Repeat No.33 “La Czarine”
  36. Orchestra Shows—Stops Playing: “Suite Ancienne No.2” by Hadley
  37. Stop Short As Screen Falls Down Showing Lovers (Short Pause and Segue): “Noctoune” by Krzyzanowski
  38. Languishing In Jail: “A Russian Pansy” by Langey
  39. Casanova Taken Out of Jail: “Vivacity” by Conterno
  40. It Was My Duchess: “Moonlight in Naples” by Marquardt
  41. Empress Shows on Screen: Repeat No.27 (RED)
  42. Letter On Screen: Repeat No39 “Vivacity”
  43. Coach Stopped In Snow: Repeat No.40 “Moonlight in Naples”
  44. Traversing the Cold Snows of Russia: “Carnival Gayety” by Juon (YELLOW)
  45. My Faithfull Friends and Carlotta: “Reverie” by Drumm
  46. Boat Shows on Screen: “Incid. Symphony No.40” by Hintz
  47. Casanova Outside of Window Before People Show: Repeat No.44 (YELLOW)
  48. Ah Venice Venice: “Sunny Italy Waltz” by Tobani
  49. Casanova: Repeat No.46 “Incid. Symphony No.40”
  50. I Do Not Think: Repeat No.40 “Moonlight in Naples”

Proper orchestral rest period is Nos. 22 to 32 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion and is used as a code for such repitions.

Source: Carl Braun Collection

SFSMA ID: uv07Kzr5xO

Download: PDF

Laugh, Clown, Laugh

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Title: Laugh, Clown, Laugh

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Pagliacci Excerpt” by Leoncavallo (Photoplay Music)
  2. Spring Comes Early: “Allegro Buffonesco” by Kempinski (Irving Berlin)
  3. Circus Wagon Stops: “Laugh, Clown, Laugh” by Fiorito (J.H. Remick)
  4. After Trick: Repeat No. 2 “Allegro Buffonesco”
  5. Fade-out of Clown on Wire Rope: “Aubade du Berger” by Aletter (D. Rahter)
  6. Chaney Sees Girl in Brush: LIGHT BLUE “Incid. Symphony No. 40” by Hintz (Photoplay Music)
  7. Chaney Makes Figures on Drum: “Doll Days” by Cobb (Walter Jacobs)
  8. So Simonetta: “When Love Calls” by Huerter (G. Schirmer)
  9. Woman Begins to Fix Girl’s Hair: “Pagliacci Excerpt” by Leoncavallo (Photoplay Music)
  10. Near the Circus: “There’s Something about a Rose” by Fain (Waterson, Berlin, & Snyder)
  11. Girl Puts Rose in Hair: “Isabel” by Bowers (Robbins)
  12. Man Takes Girl into House: Repeat No. 10 “There’s Something about a Rose”
  13. Stop Short at Title “Luigi”: “Yearning” by Crist (Carl Fischer)
  14. Fade-out of Man Laughing: “One Heart, One Mind” by Strauss (Carl Fischer)
  15. If Simonetta Is Coming into Our Act: Repeat No. 1 “Pagliacci Excerpt”
  16. In the Pattern of Human Life: “Enchantment” by Penn (Emil Ascher)
  17. If You Ever Fall in Love: Repeat No. 9 “Pagliacci Excerpt”
  18. Laughing Man on Balcony Alone: Repeat No. 3 “Laugh, Clown, Laugh”
  19. Play One Chorus and Segue: “Pagliacci Excerpt” by Leoncavallo (Photoplay Music)
  20. Flik Can’t Make Me Laugh: “In the Twilight” by Felix (Hugo Felix)
  21. I Think You’d Be Good for Me: Repeat No. 3 “Laugh, Clown, Laugh”
  22. I’ve Found a New Friend: Repeat No, 10 “There’s Something about a Rose”
  23. So the Two Men Helped Each Other: “Fairy Feet” by Finck (Hawkes & Son)
  24. Look Dear: LIGHT BLUE Repeat No. 6
  25. Restaurant Interior Scene: Repeat No. 3 “Laugh, Clown, Laugh”
  26. It Was a Season of Triumph: “Dreamy Moments” by Marquardt (Music Buyers)
  27. To Our Dear Friend: Repeat No. 10 “There’s Something about a Rose”
  28. Two Clowns Walk Off Leaving Lovers Alone: “Pompeian Serenade” by Strollo (Photoplay Music)
  29. Fade-out of Luigi to Dressing Room: Continue No. 28 quietly
  30. Clown Shows in Door: Repeat No. 9 “Pagliacci Excerpt”
  31. Play Once and Segue: Repeat No. 3 “Laugh, Clown, Laugh”
  32. Clown Leaves Dressing Room: Repeat No. 28 “Pompeian Serenade”
  33. You Were Born to Wear Them: Repeat No. 19 “Pagliacci Excerpt”
  34. I Could Never Leave Tito: Repeat No. 2 “Allegro Buffonesco”
  35. Nothing Will Ever Part Us: Repeat No. 3 “Laugh, Clown, Laugh”
  36. You’re in Love: “Reproach” by Zamecnik (Sam Fox)
  37. Stop with Big Crescendo and Accent as Clowns Are about to Fight: “Dramatic Tension No. 2” by Ancliffe (Bosworth)
  38. Luigi Shows Writing on Card: Repeat No. 19 “Pagliacci Excerpt”
  39. Clown Walks on Stage: “Whirlwind Galop” by Caslar (Irving Berlin)
  40. Dressing Room Scene—End of Act: “Prelude” by Mendoza (Robbins)
  41. Girl Reads Writing on Card: Repeat No. 10 “There’s Something about a Rose”
  42. Stage Shows: “The Roller Coaster” by Schertzinger (Photoplay Music)
  43. Musicians Stand Up: Brass Fanfare ad libitum
  44. One Scene: Tympany Roll and Crash by Drummer
  45. Clown Drops on Stage: Repeat No. 1 “Pagliacci Excerpt”
  46. Chaney on Stage: Repeat No. 3 “Laugh, Clown, Laugh”
  47. So Luigi and Simonetta: Repeat No. 10 “There’s Something about a Rose”
  48. Fade-out of Lovers: Repeat No. 9 “Pagliacci Excerpt”
  49. That’s No Way to Talk: Repeat No. 3 “Laugh, Clown, Laugh”
  50. Chaney Takes Things from Trunk: “Slumbers” by Kempinski” (Photoplay)
  51. The Last Time I wore This: Repeat No. 3 “Laugh, Clown, Laugh”
  52. If All My Dreams: Repeat No. 9 “Pagliacci Excerpt”
  53. Chaney Leaves Room (Fade): “Spinning Along” by Bierman (American Compos. Inc.)
  54. Why Don’t You Laugh: Repeat No. 3 “Laugh, Clown, Laugh”
  55. Footlights: Repeat No. 53 “Spinning Along”
  56. Long Shot of Theatre Interior: LIGHT BLUE Repeat No. 6
  57. Stop with Crash as Chaney Falls into Orchestra Pit: Repeat No. 19 “Pagliacci Excerpt”
  58. Tell Luigi: Repeat No. 3 “Laugh, Clown, Laugh”

Note: The three excerpts from Pagliacci (Nos. 1, 9, and 19) are different excerpts.

Source: Carl Braun Collection

SFSMA ID: QxpWWjNnT6

Download: PDF

Lady of the Pavements

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Title: Lady of the Pavements

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Pomp and Pageantry” by Schertzinger (Photoplay Music)
  2. The Prussian Embassy: “The Wedding of the Rose” by Jessel (Carl Fischer)
  3. Close-Up of Ambassador: “Adoree” by Friml (Edw. F. Kalmus)
  4. Door Opens Admitting Orderlies: Repeat No. 1 “Pomp and Pageantry”
  5. Messengers Leave Room: Repeat No. 2 “The Wedding of the Rose”
  6. Boy Opens Letter: Repeat No. 3 “Adoree”
  7. Fade-out to Exterior Scene: YELLOW “Scherzoso” by Friml (Edw. F. Kalmus)
  8. Lover Knocks on Door: “Romance of Autumn” by Marquardt (Music Buyers)
  9. Boy Throws Bouquet on Floor: “Melodic Appassionato No. 1” by Marquardt (Music Buyers)
  10. Karl, You Must Trust the Woman: Repeat No. 8 “Romance of Autumn”
  11. Send for the Emperor’s Chamberlin: RED “Star Night” by Marquardt (Music Buyers)
  12. Your Scheme is Ridiculous: “The Flight of the Bumble Bee” by Korsakow [Rimsky-Korsakov] (Carl Fischer)
  13. Fade-out: Repeat No. 11 RED
  14. Inn Interior: “Tambourine Dance” by Dunhill (Hawkes & Son)
  15. Now We Will Hear: “Scherzo Silhouette” by Marquardt (Music Buyers)
  16. Girl Ready to Sing: WHITE “Where Is the Song of Songs for Me” by Berlin (Irving Berlin)
  17. Girl Picks Money Up From Floor: “Morena Y Sevillana” by Maduro (Ch. Maduro)
  18. Play Once and Segue: “Cocotte” by Tyson (Photoplay Music)
  19. Don’t Ask Me Where I’m Going: “The Answer in Your Eyes” by Savino (Robbins)
  20. Fade-Out of Owl: RED “Star Night” by Marquardt (Music Buyers)
  21. Fade-out after Title “The Countess Is a Power”: “Rose of Spring” by Biecchiere (Photoplay)
  22. Girl Pours Tea: YELLOW “Scherzoso” by Friml (Edw. F. Kalmus)
  23. Chamberlain Leaves Room: “Hidden Love” by Marquardt (Photoplay Music)
  24. Tutor Kisses Girl: YELLOW Repeat No. 22
  25. Aren’t You Ashamed: “Lace and Ruffles” by Schertzinger (Photoplay Music)
  26. The Countess Is Waiting: YELLOW Repeat No. 22
  27. I’m So Nervous: “Strande d’Ostende” by Hintz (Photoplay Music)
  28. Baron Finot: “In the Queen’s Palace” by Schertzinger (Photoplay Music)
  29. Boy and Father Enter: “Nocture” by Krzyzanowski (G. Schirmer)
  30. Man Seated at Piano: Repeat No. 27 “Strande d’Ostende”
  31. Girl Walks around Piano: WHITE “Where Is the Song of Songs for Me” by Berlin (Irving Berlin)
  32. End of Song—People Applaud: “Romance of Autumn” by Marquardt (Music Buyers)
  33. Countess Pinches Girl’s Arm: “Moon Maid” by Wick (Kalmus Filmusic)
  34. End of Dancing—Fade to Garden Scene: WHITE Repeat No. 31
  35. Boy Writing “Nanon”: “Parade Fantastique” by Willson (Edw. F. Kalmus)
  36. Fade-out after Title “I’m Going”: “Woodland Stream” by Beghon (Photoplay Music)
  37. Please the Melody: WHITE Repeat No. 31
  38. Fade-out of Lovers in Embrace: “Hopes Awakening” by Kempinski (Photoplay Music)
  39. Dog Seen: “Strande d’Ostende” by Hintz (Photoplay Music)
  40. Girl at Window: YELLOW “Scherzoso” by Friml (Edw. F. Kalmus)
  41. Girl with Bouquet Leaves Room: “False Accusation” by Axt (Robbins)
  42. Baron Leaves Room: WHITE “Where Is the Song of Songs for Me” by Berlin (Irving Berlin)
  43. Girl Gets Up From Sofa: Continue No. 42
  44. I Love You Darling: RED “Star Night” by Marquardt (Music Buyers)
  45. What Is the Matter: “Appassionato Lirico” by Berge (Belwin)
  46. I’ll Be Waiting for Your Answer: WHITE Repeat No. 42
  47. Girl Kisses Rose: RED “Star Night” by Marquardt (Music Buyers)
  48. Girl Kneels Down by Couch: Continue No. 47
  49. Send This Rose To: “Symphonic Incidentals No. 13” by Marquardt (Music Buyers)
  50. Fade-out of Marriage Ceremony to Banquet Table: WHITE Repeat No. 42
  51. Guests Drink Toast: RED Repeat No. 47
  52. Musicians Ready to Play: “Tambourine Dance” by Dunhill (Hawkes & Son)
  53. Won’t the Happy Bride: RED Repeat No. 47
  54. Conductor Begins to Conduct Song: WHITE Repeat No. 42
  55. People Applaud: “The Answer in Your Eyes” by Savino (Robbins)
  56. Guests Leave Room: RED Repeat No. 47
  57. Business Is Business: “Dramatic Love Scene” by Axt (Robbins)
  58. Girl Bows Head After Denouncing Countess: RED Repeat No. 47
  59. Fade-out of Countess: “Intermezzo in Spanish Style” by Riesenfeld (Edw. F. Kalmus)
  60. Conductor Starts Music: “La Fiesta” by Zamecnik (Sam Fox)
  61. Man Tries to Embrace Singer: WHITE Repeat No. 42
  62. Lovers Embrace: Repeat No. 60 “La Fiesta”

Source: Carl Braun Collection

SFSMA ID: 774B1v9NhQ

Download: PDF

In Old Kentucky

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Title: In Old Kentucky

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “My Old Kentucky Home” by Ascher (Ascher)
  2. The Old South: “Fire Away” by Bendix (Witmark)
  3. They Can’t Beat: “The Handicap” by Rosey (Marks)
  4. It Was A Great Night: “Grand-Daddy” by Brewer (Fox)
  5. Ithn’t Jimmy Thweet: “A Southern Dream” by Lincoln, from No. 1 (Vandersloot)
  6. Exterior Scene: Repeat No. 1 “My Old Kentucky Home”
  7. Colored Boy Stops Playing Mouth Organ (Short Tacet and Segue): Repeat No. 6 “My Old Kentucky Home”
  8. Colored Boy Sees Girl: “From the Canebrake” by Gardner (G. Schirmer)
  9. Colored Boy and Girl Interrupted (Short Tacet and Segue): Mouth harmonic imitation ad lib on Organ
  10. Horse Interrupts Colored Boy Playing Mouth Harmonica: “Heart Beats” by Miles (Fox)
  11. Colored Boy Begins to Play Mouth Organ: Repeat No. 1 “My Old Kentucky Home”
  12. Colored Boy Stops Playing Mouth Harmonica: “Melodious Agitato” by Lakay (Berlin)
  13. Lovers in Garden: Continue No. 12 more quietly
  14. Boy Walks on Screen with Mother and Sweetheart: “Constance” by Golden (Photo Play Music Co.)
  15. Maid Falls with Pies: “Constance” by Golden, 2nd strain (Photo Play Music Co.)
  16. Fade-Out of Girl: “Chicken Reel” by Daly (Jacobs)
  17. Jail Is Too Good For You: “Chatter” by Kahn (Sonnemann)
  18. Fade-Out of Colored Boy After Title “Sweet Puppies”: “Sleeping Rose” by Borch (Belwin)
  19. Horses Will Do No: “Battle Agitato” by Schoenfeld (Photo Play Music Co.)
  20. As Far As I Am Concerned: “Allegro Scintillante” by Kempinski (Berlin)
  21. Soldier Mounts Horse: “Battle Agitato No. 48” by Shepherd (Berg)
  22. Soldier Dismounts From Horse: Continue No. 21 noisily and with effects
  23. Explosion: “The Call of Love” by Rizzi (Boston)
  24. Fade-Out Of Store Scene: “Emancipation Day” by Frey (Robbins)
  25. Boy On Platform Of Train Sees Parents: “Plaintive” by Norton (Jacobs)
  26. Fade-Out To Colored Servant: “Me An’ Mah Pardner” by Strickland (Ditson)
  27. Colored Boy Sees Policeman: “A Gay Lothario” by Bierman (American Composers)
  28. Father And Son Show On Screen: “Reverie Poetique” by Baron (Belwin)
  29. Jimmy What’s The Matter With You: “Romance d’Amour” by Schoenfeld (Photo Play Music Co.)
  30. Boy Sitting On Ground Kisses Girl: “Romance d’Amour” by Schoenfeld, 2nd strain (Photo Play Music Co.)
  31. Boy Drives Off In Auto: “In Pensive Mood” by Berge (Jungmickel)
  32. Other Heroes Of The War: “Quelques Fleurs” by Baron (Belwin)
  33. I Want To Buy That Mare: “Piangere” by Gabriel Marie (Chapelier)
  34. Fade-Out As Man Leads Horse Off Screen: “Sambo’s Holiday” by Tschakoff (Carl Fischer)
  35. Fade-Out of Jockey And Horse: “Ma Belle Charmante” by Roberts (Carl Fischer)
  36. Church Bell Ringing: “Bridal Chorus from Lohengrin” by Wagner (Ascher)
  37. Bride And Groom At Altar: “O Promise Me” by De Koven (G. Schirmer)
  38. Fade To Policeman And Girl: “Reubens Frolic” by Schoenfeld (Photo Play Music Co.)
  39. Let Me Jus’ Hold That Money: “Longing” by Bendix (Witmark)
  40. Man Walks On Screen: “Meeting” by Bendix (Witmark)
  41. Fade-Out After Title “Never Mind Money”: “Palais de Danse” by Horne (Bosworth)
  42. Boy Picks Up Silver Cups From Counter: “Entreaty” by Zamecnik (Fox)
  43. Fade-Out of Boy in Pawn Shop: “Star-Eyes” by Evans (Gordon)
  44. Son Walks On Screen To Jockey: “Incid. Miniature No. 5” by Kempinski (Photo Play Music Co.)
  45. Derby Day: “Joyful Hurry No. 1” by Baron (Baron)
  46. Boy Walks From Telephone Booth: “Comedy Allegro” by Haines (Hawkes)
  47. Boy Sees Queen Bess In Stall: Repeat No. 1 “My Old Kentucky Home”
  48. Jimmy, You Paid Quen Bess’s Entry Fee: “Flying Hurry” by Carbonara (Robbins)
  49. Trumpet Call After Title “Queen Bess Is A Mudder”: “Trumpet Call in Bb”
  50. One Scene: “The National Game” by Sousa (Fox)
  51. Starter Swings Barrier: “Six Furlongs” by Bub (Music Buyers)
  52. End Of Race—People Rush On To Track: “Devil Dogs” by Marquardt (Music Buyers)
  53. Fade-Out Of Race Track Scene: “Goin’ Home” by Dvorak (Ditson)
  54. Mother And Son Enter: Repeat No. 1 “My Old Kentucky Home”

Source: Carl Braun Collection

SFSMA ID: HyiJqtJLfP

Download: PDF

Honeymoon

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Title: Honeymoon

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “The First Kiss” by Robinson
  2. Marriage Is Like A Telephone: “Burlesque on ‘Wedding March’” by Kempinski
  3. Polly Moran (Bride) Turns Face To Camera: “Flower Song” by Lange
  4. Remember Flash: “Cynical Scherzando” by Axt (RED)
  5. Bride Goes Upstairs: “Pine Tree Echoes” by Schoenfeld
  6. Husband Brings Dog From Garage: “Joyful Hurry No.1” by Baron
  7. Auto Drives From House: “Bridal Paths” by Langford
  8. Black Cat Shows On Screen: “Comic Hurry” by O’Hare
  9. I Hope Your Socks: “Scherzo Silhouette” by Marquardt
  10. Dog Catchers Show On Screen: “Symphonic Incidentals No.10” by Marquardt
  11. The Bilkmore Hotel: “Tender Heart” by Baga
  12. We Don’t Allow Dogs To Stop Here: Repeat No.4 (RED)
  13. Hotel Elevator Goes Up: “Witty Moments” by Marquardt
  14. There’s Dirty Work: Repeat No.4 (RED)
  15. Dog Comes From Elevator: Repeat No.9 “Scherzo Silhouette”
  16. Wife Gets Out Of Bed To Let Dog In Bedroom: “Enchantment” by Penn
  17. Husband Begins To Play With Dog: “The Swallows” by Klein
  18. Actions Stops—Husband Gets Up From Floor: Repeat No.16 “Enchantment”
  19. Action Starts—Dog Comes To Bed: Repeat No.17 “Swallows”
  20. Dog Locked In Closet: Repeat No.16 “Enchantment
  21. Dog On Fire-Escape Sees White Cat: “Hurry No.33” by Minot
  22. I’ll Sue You: “Ky-lsses” by O’Hare
  23. We’re Going To Finish Our Honeymoon In Jail: “Fugitive” by Maiorana (LT. BLUE)
  24. Auto Drives Out of Garage: “Superstition” by Varnier
  25. Husband Sees Dummy Policeman: “Prudence” by Luz
  26. It’s Too Dark: “Storm-Rain” by Stiller
  27. Auto Stops In Road and Sinks: “Prologue” by Sommer
  28. Auto Falls Over Cliff: Repeat No.26 “Storm-Rain”
  29. Light On In Hut: Repeat No.24 “Superstition”
  30. Play Once and Segue: “Enigma” by Borch
  31. Honeymooners Leave Hut—Bootleggers Laugh: “Fugitive” by Maiorana (LT. BLUE)
  32. Come Out Or We’ll Shoot: “Hurry No.87” by Berge
  33. We’ll Blow Them: Repeat No.31 (LT. BLUE)
  34. Stop With Explosion: “The First Kiss” by Robinson

Proper Orchestral Rest Period is Nos. 13 and 20 inclusive

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: aFaFvawvF1

Download: PDF

Four Walls

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Title: Four Walls

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “Four Walls” by Jolson
  2. In New York’s Lower East Side: “Symp. Incidentals No.14” by Marquardt (RED)
  3. Specially Some Other Guy’s: “Four Walls” by Jolson (Chorus only)
  4. Post “Sinners Come to Me”: Repeat No.2 RED
  5. There’s Duke Roma: Repeat No.3 “Four Walls” chorus only
  6. Duke Roma with Cup Coffee in Hands: Repeat No.2 RED
  7. Duke Roma Stands Up: “The Grass Grows Greener” by Dougherty
  8. Segue Quick at Shot: “Incid. Sym. No.32” by Kempinski (LT. BLUE)
  9. John Gilbert Sits Down—Has Newspaper: “Superstition” by Varnier
  10. Man Enters Office: Repeat No.2 RED
  11. Street Scene, Gilbert Handcuffed: “Mysterious Tension” by Axt
  12. Gilbert in Jail Cell: “Joyous Appassionato” by Carbonara
  13. Letter on Screen: “Kol Nidre” by Roberts
  14. Fade-Out of Prison Cell: “Shrine in the Wood” by Carr (BROWN)
  15. Fade-Out After “And There Are No Walls”: Repeat No.13 “Kol Nidre”
  16. Mother Leaning Out Window: “The Wander’s Return” by Ketelby (WHITE)
  17. Bertha Fixed the Flower: “Dear Heart” by Mattei
  18. Detective Shows On Screen: Repeat No.2 RED
  19. I Won’t Cry Over that Either: Repeat No.16 WHITE
  20. Gefultte Fish: “Spirit of Youth” by Zamecnik
  21. Gilbert Washing Hands: “Heavy Char. Theme” by Verdi
  22. You’re Hungry, Ain’t It: “Love Theme or Aria” by Verdi
  23. Beat It. Get Out: “Appassionato in A Minor” by Savino (DARK BLUE)
  24. Detective Shows on Screen: Repeat No.14 BROWN
  25. Gilbert Walks to Table: “Eili Eili” by Katz
  26. End of Mother’s Prayer: “Gaiety” by Savino
  27. Gilbert Buying Flowers: Repeat No.21 Hy. Char. Theme
  28. Gilbert Enters Girl’s Room: Repeat No.22 “Love Theme or Aria”
  29. Girl Walks to Piano: “The Prisoner’s Song” by Massey
  30. Gilbert Tears Piano Roll: Repeat No.23 DARK BLUE
  31. Fade-Out After “Rotten, Am I”: Repeat No.17 “Dear Heart”
  32. Play Once and Segue: Repeat No.16 WHITE
  33. Street Scenes After Gilbert on Roof: “Driftwood” by Lyman
  34. Come On, I Want to Give: Repeat No.21 “Hy. Char. Theme”
  35. Violinists Begin to Play: “Who Wouldn’t Be Blue” by Burke
  36. Street Scene (Segue Ouick): “The Crook” by Peele
  37. End of Street Scene After Man at Window: Repeat No.5 “Four Walls”
  38. Men in Room Upstairs: Repeat No.36 “The Crook”
  39. Start the Music: Repeat No.5 “Four Walls”
  40. Gilbert Kisses Girl: Repeat No.8 LT. BLUE
  41. Gilbert Carries Girl On Roof: Repeat No.23 DARK BLUE
  42. You Had a Great Idea: Repeat No.5 “Four Walls” (chorus only)
  43. Girl About to Kiss Gilbert: Repeat No.8 LT. BLUE
  44. Man Thrown Over Roof: “Reverie D’Automne” by Golden
  45. Mother Shows After “Because I Was With Him”: Repeat No.23 DARK BLUE
  46. I Told You Monk Fell Off: “Dram. Tension No.6” by Zamecnik
  47. Gilbert Walks to Window: Repeat No.1 “Four Walls” (intro, verse, and choruses)

Source: Carl Braun Collection

SFSMA ID: Z2u7yq5Ybv

Download: PDF

Forbidden Hours

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Title: Forbidden Hours

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “The Atlas” by Schubert
  2. The People of Balanca: “The King’s Entrance” by Marquardt
  3. The Inn At: “Hungarian Dance No.5” by Brahms
  4. End of Dance—Dancer Off Table: “Valse Minore from ‘Oriental Ballet’” by Riesenfeld
  5. Pardon: “Strande d’Ostende” by Hintz (YELLOW)
  6. Novarro Walks Off From Girl: “You and I” by Lotter (WHITE)
  7. Novarro and Girl at Door: Repeat No.5 (YELLOW)
  8. Girl Slaps King’s Face: Repeat No.6 (WHITE)
  9. Back to Business: “Coronation March” by Eilenberg
  10. Novarro and Girl Walk from Throne Room: Repeat No.6 (WHITE)
  11. Oh Yes I Would: “Vienna Beauties” by Ziehrer
  12. Michael IV: “Stepping Stones” by Reeves
  13. Garden Bench Scene: “An Angel’s Song” by Sammons
  14. King Sits Down on Bench with Girl: Repeat No.5 (YELLOW)
  15. How Bewitchingly You Scold: Repeat No.6 (WHITE)
  16. We Will Have a Regatta: “Boat Song” by Romilli
  17. Boat Scene After Nicky and Girl Walk Across Screen: “You and I” by Lotter (WHITE)
  18. Novarro Begins to Row Boat Violently: “Hurry No.7” by Armandola (LT. BLUE)
  19. Girl Carried into Cabin: “Along at Night” by Marquardt
  20. You Don’t Mean That: Repeat No.18 (LT. BLUE)
  21. Girl Opens Door To Go Out, Then Closes Door: “Sunset” by Ancliffe
  22. Girl Takes Cloak from Couch into Room: “Strande d’Ostende” by Hintz (YELLOW)
  23. Does The Negligee Fit?: “Reproche d’Amour” by Marquardt
  24. Please Eat: Repeat No.17 (WHITE)
  25. Marie, You’re Not Hating Me?: “Andante Appassionato” by Becce
  26. Girl Lying on Floor: “Heart’s Pleading” by Rapee-Axt
  27. Novarro Kneels Where Girl Is Seen on Couch: Repeat No.17 (WHITE)
  28. Fade-Out of Lovers: “Twinkling” by Hauenschild
  29. Then You Must Give Him Up: “Recitative and Soliloquy” by Savino
  30. Letter on Screen: “Symphonic Incidentals No.16” by Marquardt
  31. Fade-Out After Title “THEY HAVE TAKEN”: “Evil Intentions” by Kempinski
  32. Prime Minister Seen On Screen: “Andante Melodioso” by Rachmaninoff
  33. Auto Seen On Screen: “Hurry No.7” by Armandola (LT. BLUE)
  34. You Didn’t Think: “Souvenir d’Antan” by Baron
  35. You Would Be Anything: “Appassionato Dramatico” by Berge
  36. Auto Seen After Title “NO QUARRELING”: Continue No.35
  37. Turn Back: Repeat No.33 (LT. BLUE)
  38. Gentlemen, The King: “Trumpet Call” by Trumpeter
  39. King Seen: “You and I” by Lotter (WHITE)
  40. He and His Love: “The King’s Entrance” by Marquardt

Source: Carl Braun Collection

SFSMA ID: awYWN7JC3K

Download: PDF

Excess Baggage

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Title: Excess Baggage

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At Screening: “A Smile—A Kiss” by Marquardt (WHITE)
  2. Exterior Theatre Scene: “Café Chantant” by Fletcher (YELLOW)
  3. You’re Next, Eddie: “Breath of Morn” by Kempinski
  4. Boys in Gallery with Tomatoes: Repeat No.2 (YELLOW)
  5. Boy Falls from Wire Rope: Repeat No.1 (WHITE)
  6. Girls Get Ready to go on Stage: “The Flapper Wife” by Rupp
  7. Girls Stop Dancing: “Farcical Allegro” by Aborn
  8. He was in Love: “Moments of Tenderness” by Somerville
  9. Table Upsets: “Café Chantant” by Fletcher (YELLOW)
  10. Mammy: “A Smile—A Kiss” by Marquardt (WHITE)
  11. Girl Looks into Mirror: “Intermezzo Giocoso” by Egener
  12. Fade-Out After Boy Washes Girl’s Face: “Serenade” by Strube
  13. After Girl Drinks Water: “A Smile—A Kiss” by Marquardt (WHITE)
  14. Ain’t I the Best Juggler in the Business: “Sunny Hours” by Rich
  15. Rehearsing the Big Idea: “Regrets” by Kempinski (DK. GREEN)
  16. William Haines Ready to Slide Down Wire: “Drum Roll”
  17. Haines Slides Down Wire: “Intermezzo” by Sudessi
  18. Can You Imagine Those Bozos: Repeat No.10 (WHITE)
  19. Haines Sits Down at Mirror: Repeat No.9 (YELLOW)
  20. I’ll Get You One of Those New Lighters: “Roguish Eyes” by Gruenwald
  21. Ford Sisters Go on Stage: “Flora” by Markush
  22. The Only Time That Audience Claps: “Serenata” by Sanderson
  23. Must Be Something Wrong: “In the Clover” by Thurban
  24. Haines at Mirror in Dressing Room: Repeat No.15 (DK. GREEN)
  25. I Saw You In: “Melodic du Coeur” by Viola
  26. Kane, May I See You Alone?: Repeat No.15 (DK. GREEN)
  27. Men Leave—Girl Enters Dressing Room: “Romantic Melody” by Woodhouse
  28. Fade-out of Haines in Dressing Room: Repeat No.13 (WHITE)
  29. Haines on Moving Train: “Regrets” by Kempinski (DK. GREEN)
  30. San Francisco: “Dram. Andante No. 1” by Borch
  31. Haines Ready to Make Slide on Wire: “Tympany Roll”
  32. Haines Falls into Audience from Wire: “Film Theme No. 28” by Goldmark
  33. Newspaper Article—Girl Entertains: “Jollity” by Zamecnik
  34. But Eddie Preferred: “Among My Souvenirs” by Nicholls
  35. Me and the Ford Sister: “Love’s Reward” by Hauenschild
  36. Banquet Scene After Title “MAX, I CAN’T DO IT”: “Sunshine and Roses” by Borch
  37. And She’s Married: “Oh! You Have No Idea” by Dougherty
  38. Girl Walks Off Dance Floor: Repeat No.13 (WHITE)
  39. And the Diamond Studs: “Sweet Sue—Just You” by Young
  40. I Love Him Val: “Regrets” by Kempinski (DK. GREEN)
  41. Wife Enters Room to Haines: “A Smile—A Kiss” by Marquardt (WHITE)
  42. Leading Man Enters Room: Repeat No.40 (DK. GREEN)
  43. I Would Like to Talk: “Symphonic Incidentals No.3” by Marquadt
  44. Haines Knocks Down Leading Man: “Fading Flowers” by Kempinski
  45. Fade After Title “I’LL BE READY TO OPEN IN A WEEK”: “Serenade” by Herbert
  46. Man at Mirror has Power Puff at Lips: Repeat No.41 (WHITE)
  47. Listen Dearie: “A Ticklish Tale” by Finck
  48. Newspaper Article on Screen: “Lonely Hours” by Kempinski
  49. Go Back and Tell: “Forgetting You” by Henderson
  50. After Curtain Bows: “Kleis Abandonnee” by Gabriel Marie
  51. Girl Sits Down in Theater: “Valsette” by Sanderson
  52. Haines Begins to Walk Wire Rope: “Tragic Parting” by Hauenschild
  53. Haines Makes Sign to Orchestra Leader: “Tympany Roll”
  54. Girl Gets up from Orchestra Seat: “Moto Perpetuo” by Weiss
  55. After Haines Makes Slide: “A Smile—A Kiss” by Marquardt (WHITE)

Proper orchestra rest period is Nos. 22 to 30 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: lkfKGsmUq8

Download: PDF

Duke Steps Out

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Title: Duke Steps Out

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Just You” by Axt (WHITE)
  2. Statestics [sic] prove: “Play Ball” by Kaufman
  3. Train crosses screen: “College Boys” by Klohr
  4. Boy in dining car lights cigarette: “Woodland Frolics” by Marquardt
  5. Haines puts salt into water bottle: Repeat No. 3 “College Boys”
  6. You know who she is: Repeat No. 4 “Woodland Frolics”
  7. Haines leaves dining car: “Just You” by Axt (WHITE)
  8. When I found you: “How Wah-Ya” by Banta
  9. Band walks across screen: Repeat No. 7 (WHITE)
  10. Haines gest up from seat: “Strande d’Ostende” by Hintz (YELLOW)
  11. So Duke went to college: Repeat No. 7 (WHITE)
  12. To illustrate: “Luz Symphonic Color Classic No. 4” by Schoenfeld
  13. On “High Hat” Row: “Dance of the Sylphes” by Marquardt
  14. Fade-out of auto after cigar business: “Cross Roads” by Axt
  15. Orchestra stops with wink: Repeat No. 10 (Yellow)
  16. Orchestra plays after title “My Coat James”: “How About Me?” by Berlin
  17. Haines turns out lights: “Scherzo Silhouette” by Marquardt
  18. I’m sure going to: “Just You” by Axt
  19. I think I’ll kiss you: Repeat No. 12 (LIGHT BLUE)
  20. Wait till I tell my father: “Storm and Strife” by Somerville
  21. Girl kisses Haines second time: Repeat No. 18 (WHITE)
  22. Fade-out after girl enters house: Repeat No. 10 (YELLOW)
  23. Manager puts Haines’ feet in pails of water: “Norma Waltzes” by Luz
  24. Girl takes note from flowers: “The Season’s Greetings” by Marquardt
  25. A fast finish: Repeat No. 10 (YELLOW)
  26. Great! I’ll go: “Andante Appassionato” by Soro
  27. That’s an idea: “Rose of Spring” by Bicchiere
  28. Play once and segue: “Blossoms” by Butler
  29. Girl leaves house: “Passion” by Edwards
  30. Boy walks to player piano: Imitate player piano or piano (jazz fox-trot)
  31. Haines goes to protect girl: “Agitato No. 5” by Axt
  32. I’ll drive you home: Repeat No. 18 (WHITE)
  33. Girls in room after title – “Forget it”: “The Scandal Mongers” by Patou
  34. Auto seen—exterior scene: Repeat No. 18 (WHITE)
  35. Girl enters house: Repeat No. 33 “Scandal Mongers”
  36. Girl comes from house to Haines in auto: “Sweet Thoughts of Love” by Axt
  37. Fade-out of Haines in auto: “Love’s Impulse” by Jacquet
  38. Clock on screen: “On the Trail” by Bub
  39. The night of the big fight: “Devil Dogs” by Marquardt
  40. I hope no one from Sierra sees us: “Valse Modern” by Lodge
  41. Fighters in corners ready for first round: “A.B.C. Dramatic Set No. 15-D4” by Luz
  42. End of first round: “A.B.C. Dramatic Set No. 15-B2” by Luz
  43. Beginning of second round: Repeat No. 41 “A.B.C. Dramatic Set No. 15-D4”
  44. End of second round: “A.B.C. Dramatic Set No. 15-E5” by Luz
  45. Beginning of third round: “Incidental Symphony No. 40” by Hintz
  46. Girl walks from radio to other room: “Hidden Love” by Marquardt
  47. Boys at radio laugh after girl leaves room: Repeat No. 45 “Incidental Symphony No. 40”
  48. Prize fighter counted out: Repeat No. 12 (LIGHT RED)
  49. Stop short after title – “The Twentieth Amendment Should Be”: Repeat No. 18 (WHITE)

Proper orchestra rest period is Nos. 22 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: FeF6FQjxGB

Download: PDF