Title: The White Sister
Author: Ernst Luz
Publisher: Thematic Music Cue Sheet, 1923
Series:
Format: Cue Sheet
Document type: Cue Sheet
All authors/contributors: Ernst Luz
OCLC Number:
Contents:
- At Screening: “Six Strokes on Chimes, then At Twilight” by Golden
- Italy: “Incid. Symphony No.15” by Thomas
- Palace Interior Scene: “Adagio Pathetique” by Godard
- End of Man’s Prayer: “Repeat No.2 “Incid. Symphony No.15”
- Two Ladies Come Down Palace Stairs: “At Twilight” by Golden
- Lovers Disturbed When Man Slams Door: “Angel’s Serenade” by Braga
- Riding To Hounds: “Allegro Vivace No.1” by Langey
- Angela Mysteriously Lead: “Cirbirbin” by Pestalozza
- End of Dance—Musicians Stop Playing: “Margarita from ‘From Italy’” by Langey
- End of Boy’s Song: Repeat No.7 “Allegro Vivace No.1”
- Fade-Back To Lovers In Garden: “O Sole Mio!” by de Curtis (Accordeon-Organ)
- Lovers With Backs To Camera At Lake: “Allegro Vivace No.1” by Langey
- Stop Abrupt At Accident: “Adagio Pathetique” by Godard
- Woman In Riding Habit Closes Portieres Back Screen: “Dram. Andante No.32” by Berge
- Woman In Riding Clothes Burns Paper: “Novelette” by Glazounow
- What Does He Mean; “Pensees d’Amour” by Bucalossi
- In A Section of The City: “Bridal Paths” by Langford
- After Man’s Hand Knocks On Door: “At Twilight” by Golden
- Play Once and Segue: “O Sole Mio!” by de Curtis
- Dawn and Each Precious Moment: “Dram. Andante No.32” by Berge
- Carriage Turns Around In Street: Repeat No.18 “At Twilight”
- Carriage Stops—Woman Gets Out: “Incid. Symphony No.15” by Thomas
- Professor Sereri: “In Flowerland” by Golden
- Peacefully Sleeping: “Italians in Algeria” by Rossini
- And Angela Ever Dreaming: Repeat No.23 “In Flowerland”
- After Boy Is Spanked: “O Sole Mio!” by de Curtis (Wire Strings)
- Lillian Gish Leaves Window: “Repentance” by Kempinski
- Stop Short As Lillian Gish Faints: Dead Silence
- The Hospital of: “Scented Violets” by Reynard
- Meanwhile The Tremendous Task: “Incid. Symphony No.15” by Thomas
- Lillian Gish Sits Up In Bed: “At Twilight” by Golden
- The Flood of Tears: “A Cloister Episode” by Baron
- Two Years of Diligent Search; “Danse Oriental” by Lubomirsky
- Meanwhile Angela Served: “The Immortal Choir” by Lotter
- Fade-Out of Lillian Gish at Window: “Rest” by Borch
- Before Taking Her Final Vows: Repeat No.34 “Immortal Choir”
- Fade-Out of Long Shot of Convent Gardens: Repeat No.35 “Rest”
- While Giovanni Struggled For: Repeat No.34 “Immortal Choir”
- At The End of the Desert Trail: Repeat No.35 “Rest”
- Clothed in Bridal: “The Immortal Choir” by Lotter
- Ship Deck Scene: “Incid. Symphony No.15” by Thomas
- Wedding Bells: Church Bells by Organ or Drummer
- One Scene: “Ave Maria” by Gounod
- Play Once and Segue: “Adagio Pathetique” by Godard
- Battleship On Screen Second Time: “Dramatic Andante No.32” by Berge
- Mother I Came: Play “Serenade Eternal” by Schroeder
- Carriage Seen On Screen: Repeat No.45 “Dram. Andante No.32”
- Interior Scenes After Carriage Drives Off: Repeat No.46 “Serenade Eternal”
- Lillian Gish On Screen Recognized By Severi: “At Twilight” by Golden
- Interrupt With Tympany Roll At Kiss: Tympany Roll
- Lillian Gish In Hall—Enters Room: “Pathetique Suite” by Luz
- Following A Lull: Repeat No.41 “Incid. Symphony No.15”
- Captain Severi Locks Door: “A Gruesome Tale” by Zamecnik
- Do You Think It Costs Me Nothing: Repeat No.45 “Dram. Andante No.32”
- I Came Only To Warn You: “Incid. Symphony No.8” by Kempinski
- Priest Seen In Street Scene: “Andante Religioso” by Goltermann
- Lillian Gish Leaving Observatory Makes Sign of the Cross: “A.B.C. Dram. Set No. 9-A1” by Luz
- Stop As Carriage Falls Over Bank: “A.B.C. Dram. Set No. 9-C3” by Luz
- Lillian Gish and Priest Seen On Screen: “Finale from ‘Symphony in F Minor” by Tschaikowsky
- Close-Up of Lillian Gish Kneeling At Alter: Repeat No.58 “A.B.C. Dram. Set No. 9-C3”
- Lillian Gish Rests Her Sister’s Head In Her Lap: “Incid. Symphony No.3” by Kempinski
- Captan Severi Lying In Water: “Adagio Pathetique” by Godard
- Dawn Found Vesuvius: “Reve Angelique” by Rubenstein
Source: Carl Braun Collection
SFSMA ID: jgJwpUTrd6
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