A Certain Young Man

Title: A Certain Young Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Lady Of My Heart” by Roder
    2. Newspaper article on screen: “La Confession” by Morgan
    3. Man and woman walk to auto—auto drives off: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    4. Fade-out after title: “Tonight”: “Budding Blossoms” by Schoenfeld
    5. Man gets card from vest pocket: “Symphonic Color Card Classic No. 6” by Marquardt (RED)
    6. Fade after card is flashed: Repeat No. 3, (DK. GREEN)
    7. Lovers in embrace: Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    8. Stop short as husband enters room: Repeat No. 5 (RED)
    9. Parsons, you have been so loyal: “Nightfall” by Kempinski
    10. You have a charming wife: Repeat No. 7 (DK. BLUE), (play P)
    11. Fade-out: “Artists Reverie” by Aubrey
    12. Auto on screen: Repeat No. 7 (DK. BLUE), (play P)
    13. Crutchley, I’m ashamed of you: “Serenata Amara” By Culotta
    14. Club interior scene: “Dream Flowers” by Translateur
    15. Fade as Novarro tears up card: “Step With Pep” by Kaufman
    16. You confounded pest: “Butterfly Dance” by Frey
    17. Conductor walks off: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    18. Girl’s father shows at stateroom: “The Fairy Ring” from In Fairyland by Hosmer
    19. Bathing beach scene: “Speed” by Frey
    20. Lovers see each other on beach—shake hands: Repeat No. 17 (WHITE)
    21. Let’s run along the beach: “Storm Galop” by Komzak
    22. Stop short as lovers kiss: Repeat No. 17 (WHITE)
    23. After all, I’m only human: “Aeroplane Galop” by Lamothe
    24. Tennis court scene: “Yvonne Walters” by Schertzinger, (violins)
    25. Lovers stop dancing: “Symphonic Color Classic No. 6” (WHITE), From Beginning
    26. Play one chorus and segue
    27. Lovers embrace: ‘Symphonic Color Classic No. 6” by Marquardt (RED)
    28. Fade-out of hotel office: Repeat No. 17 (WHITE)
    29. Girl closes door—boy opens door showing woman: Repeat No. 27 (RED)
    30. You needn’t be alarmed: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    31. So deeply in love: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    32. Father hands girl letter: “A Love Theme” by Engleman
    33. Father and daughter in embrace: Continue No. 32
    34. Stop at door knock and segue quick: “Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    35. I tell you Crutchley: “Symphonic Incidentals No. 6” by Marquardt
    36. You must admit: Repeat No. 27 (RED), Play dramatically
    37. Stop short as girl shows at door: “Souvenir” by Fibich
    38. Play and segue: “The May Night” by Brahms
    39. Fade-out after title: “You were right Jerry”: Repeat No. 34 (DK. BLUE)
    40. Note flashed on screen: Repeat No. 31 (WHITE)
    41. Man at stateroom door: “Farcical Allegro” by Aborn
    42. Dog jumps out of hat box: Repeat No. 31 (WHITE)

    Proper orchestral rest period is Nos. 27 to 36 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: GtSKwvQBak

Download: PDF

A Blonde for a Night

Title: A Blonde for a Night

Author:

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors:

OCLC Number:

Contents:

  1. At screening: “When a Blonde Makes Up Her Mind” by Mills
  2. A lot of honeymoon: “Love Is Just a Little Bit of Heaven” by Baer
  3. Servant seen in hall: “A Game of Tag” by Trinkaus
  4. Jenks making beds: “Punch and Judy” by Herbert
  5. It’s my old pal: “Happy Moods” by Marquardt
  6. George Mason: “Freshie” by Greer
  7. Marcia sees Bob and George: “Keep It Dark” by Luders
  8. Hector—owner of: “Lace and Ruffles” by Schertzinger
  9. Back to George: “Moon Madness” by Lodge
  10. Hector’s headquarters for: SCAN TOO BLURRY
  11. Marcia on pedestal: “Lovely Lady” by Rupp
  12. Pedestal starts turning: Orchestra tacet
  13. Marcia runs from room: “Oh Mister” by Frey
  14. Insert—door knob: “wistful Longings” by Baron
  15. I’m sorry I made: “Lovey-Dovey” by Hellard
  16. Marcia throws clock out window: “Humoresque” by Tschaikovsky
  17. Goody, goody, goody: “The Jsters” by Carbonara
  18. Hector raps on door: Repeat No. 8 “Lace and Ruffles”
  19. Out of the frying pan: “Murmuring Breezes” by Cadlet? SCAN BLURRY
  20. George enters room: Repeat No. 6 “Freshie”
  21. Marcia and Hector fall: “Broken Buttercups” by Schuler SCAN BLURRY
  22. Hector’s fashion display: “Vision” by Breville
  23. Marcia seen: “Brunette or Blonde” by Waldteufel
  24. Marcia and Hector alone: “Serenata” by Moszkowsky
  25. Marcia comes to Bill and George: “Graceful Blondineete” by Borch
  26. Bob and Marcia alone in room: “Will ‘Ya’ Huh?” by Pinkard
  27. That girl has a: “Silly Billy” by Bendix
  28. At eight o’clock: “Flirting Lovers” by Kempinski
  29. Marcia open door: “Love Sparks” by Holzmann
  30. Jenks listening at door: “My Little Billiken” by Lotter
  31. Bob rejoins Marcia and George: “Flirty Flirts” by Levy
  32. Hector appears in hall: “Little Trifler” by Barnard
  33. O just had: Repeat No. 8 “Lace and Ruffles”
  34. George seated on couch: “Whims of Love” by Baron
  35. Won’t you help me: “You Don’t Like It—Not Much” by Miller
  36. George seen in hall: “Ouch” by Kaufman
  37. Back to Marcia and Bob: “The Kewpies’ Rendezvous” by Kempinski
  38. Hector enters room: “Reproach” by Zamecnik
  39. If he discovered: “Haste” by Sanders
  40. George enters room: “Al Fresco” by Herbert
  41. Hector crawls from under couch: “Here I am” by Henderson
  42. Insert—hand raps on door: “Rush Hours” by Sanders
  43. Marcia takes wig off: “Le Retour” by Bizet
  44. George embraces Marcia: Repeat No. 6 “Freshie”
  45. Bob sees Marcia and George: “It Must Be Love” by Archer
  46. George closes door: “Don’t Blame It All On Me” by Morse
  47. You’ve bought me a: “For My Sweetheart” by Donaldson

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: OYdj1SjlHb

Download: PDF

$5,000 Reward

Title: $5,000 Reward

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Pahjamah” by Henry
  2. Close-up of poster: “Western Intermezzo” by Lux
  3. Men suddenly hold hands up: “Comic Misterioso” by Berge
  4. Tom Hardy: “Kowboy Komedy” by Aborn
  5. The Powell Ranch: Pique Dame Overture by Suppe
  6. There’s Pete’s message from town: “Intermezzo” by Arensky
  7. Greeley, where you can’t: “Out West” by Pinard
  8. Pete Sangor: “Who’s Who” by Morris
  9. Mix throws man off wagon: “Hurry No. 20” by Lake
  10. Mix uncovers girl: THEME, “Just Once Again” by Donaldson
  11. Mix jumps back on truck: “The Flight” by Savino
  12. We had better be joining: Repeat No. 5, Pique Dame Overture
  13. Mix takes blanket off girl: Repeat Theme No. 10
  14. Let’s go up on the hill: “Agitato Misterioso” by Delille
  15. Mix starts shooting: “Excitement and Hurry” by Hoffman
  16. Mix stops coach: Repeat Theme No. 10
  17. Mix rides away from stage coach: “Al Fresco” by Herbert
  18. Mix seen on horse on top of mountainside: “Hurry” by Finck
  19. Did you get the money: Repeat Theme No. 10
  20. That evening on the Powell ranch: “Joy” by Zamecnik
  21. I don’t know how she got: “March of the Phantom Hosts” by Axt
  22. Flash to people at dinner table: Repeat No. 20 “Joy”
  23. Second knock on door: “Funny Face” by Ring-Hager
  24. Haven’t I seen you: “Little Charmer” by Hollaender
  25. Mix leaves kitchen: “Agitated Misterioso” by Rapee
  26. Shorty jumps on top of box: “By Heck” by Henry
  27. Mix holds up group counting money: “A Critical Moment” by Becce
  28. Man shoots mix: “Help! Help!” by Kovacs
  29. Joan sees Mix: “Agitato Pathetic” by Kilenyi
  30. I was looking for the bandit: “Desert Dawn” by Bernard
  31. Mix leaves Joan: “Consolation No. 3” by Liszt
  32. Gang seen again: “Uneasiness” by Borch
  33. Mix starts shooting: “Tumult” by Verdi
  34. I am going to give myself up: “Looms of Fate” by St. Saens
  35. Joan picks up gun: “Astir” by Berge
  36. By morning Tom was: “Longing” by Bendix
  37. Mix rides away on his truck: “Eccitamento” by Retlaw
  38. Mix gets on his horse: “Hurry No. 25” by Lake
  39. Mix jumps on gang in auto: “Agitato No. 5” by Axt
  40. Auto plunges down embankment: Repeat Theme No. 10

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 5UYacCeqQ6

Download: PDF

13 Washington Square

Title: 13 Washington Square

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Petite Bijouterie” by Bohm
  2. Don’t be afraid, Mary: “Detresse” by Snock
  3. Mother, there’s something I want to talk to you about: “Pavane de la Cour” by Gabriel Marie
  4. De Peyster joins Mary: LOVE THEME, “Sweet Little Lady of Mine” by Kountz
  5. Pier: “Avril Frileux” by Moutou
  6. Something very important: “Adventue d’Amour” by Bradford
  7. That’s the last whistle: “By the Stream” by Rapee-Axt
  8. Reporters in front of house: “Elopement” by Carrozzini
  9. A humble boarding house: “A Legend of Erin” by Johnson
  10. So our little family circle: DEACON THEME, “The Gentleman Burglar” by Jacquet
  11. When night had shadowed: “Threatening Danger” by Becce
  12. Jack and Mary appear: “Witty Witch” by Finck
  13. Matilda see footprint in salt on floor: “The Toy Bandit” by Finck
  14. Struggle starts: “Symphonic Incidental No. 10” by Marquardt
  15. Why Matilda, what are you doing here?: “Plainte Passionnee” by Baron
  16. We must keep the house dark: “Evil Spirits” by Varnier
  17. ‘Phone Mr. Morgan: “Moto Perpetuo” by Weiss
  18. Flash-light on Mrs. De Peyster: “Camorra” by Joels
  19. It’s only the deacon: Repeat Deacon Theme No. 10
  20. Why did you close that door?: “Creeping Creatures” by Varnier
  21. I’ve got to put a stop to that: “Anticipation of Danger” by Becce
  22. Deacon pushes Mary back into room: “La Foret Perfide” by Gabriel Marie
  23. We must work fast: “Queer Antics” by Zamecnik
  24. You’re just the man: “Bon Vivant” by Zamecnik
  25. Now sister run along: Repeat Duncan Theme No. 10
  26. Deacon ascending stairs: “Dramatic Appeal” by Jores
  27. When a show pinches: “Historie de Blondinette” by Gillet
  28. Deacon descends stairs: Repeat Deacon Theme No. 10
  29. I’ll trouble you for license: “Prattle” by Lowitz
  30. You’re Matilda’s sister: “Lamento” from Eugene Onegin by Tschaikowsky
  31. Mary picks up license: “Serenade Coquette” by Barthelemy
  32. You have a difficult problem: “Reproach” by Zamecnik
  33. There is no charge: “Chanson Algerian” by Bradford
  34. Deacon leaves: Repeat Love Theme No. 4

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: xUUx7o347o

Download: PDF

The Wild Party

Title: The Wild Party

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: KwVm8Rdgbn

Welcome Danger

Title: Welcome Danger

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: 2X3DH7f7wq

The Virginian

Title: The Virginian

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: iMa7cdVzcc

The Vanishing American

Title: The Vanishing American

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1925

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes: handwritten notes

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: PCQgZYVZtA

The Ten Commandments

Title: The Ten Commandments

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1923

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes: handwritten notes

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: DkBgCYF4rs

Stairs of Sand

Title: Stairs of Sand

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: jN4Rsrosrh

Shanghai Bound

Title: Shanghai Bound

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: 2Z9qjDZnVe

Seven Days Leave

Title: Seven Days Leave

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1930

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: 7Xv9rFREJY

The Saturday Night Kid

Title: The Saturday Night Kid

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes: “Talker” at head

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: YrpydNc4yu

The Rush Hour

Title: The Rush Hour

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: Rush Hours by Sanders
  2. An early morning scene: Oh How I Hate to Get Up in the Morning
  3. Hurry Margie: Step Lively by Roberts
  4. The morning rush hour: Step With Pep by Kaufman
  5. There goes my lunch: Pop Goes the Weasel
  6. Now I’ll have to: Never Mind by Breau
  7. It was one of: Jolly Trotters by Gillet
  8. Newlyweds and still: I’m Glad I’m Married by Von Tilzer
  9. Margie and girl alone: Desire by Siewert
  10. The evening rush hour: THEME: Idolizing by West
  11. Margie stands up: Loves Chatter by Mendoza
  12. Early the next morning: Ocean Breezes by Herbert
  13. All sharks and suckers: The Water Bug by Miles
  14. Margie seen in linen room: Ripping Waves by Hall
  15. Dunrock enters stateroom: Whispers by Dean
  16. Margie at washstand: Mal de Mer by Lange
  17. Margie jumps into basket: Snare drum solo

SEGUE: Cat and Mice by Leonard

  1. So with Margie as: In Merry Mood by Axt
  2. Margie opens candy-box: Why Do I Always Remember by Gunsky
  3. After Margie leaves bill: It’s a Million to One You’re in Love by Davis
  4. Margie in wireless room: THEME: Idolizing by West
  5. Within an hour: Follow the Swallow by Henderson
  6. The coast line of: On the Riviera by Baron
  7. Margie climbs aboard boat: Merry Playmates by Howgill
  8. By the time Dan: Follow the Swallow by Henderson
  9. The rush hour: Gaily Thro’ Life by Schad
  10. If you like it: Why Do I Always Remember by Gunsky
  11. After Margie leaves room: Fairy Tales by Komzak
  12. Dunrock enters Margie’s room: The Interrupted Rendezvous by Goublier
  13. Dan and officer seen: Follow the Swallow by Henderson
  14. The Bohemia Café: Café Chantant by Fletcher
  15. Fat woman stops dancing: The Camel Walk by Smith
  16. Margie and others seated at table: A Game of Tag by Trinkaus
  17. Frog appears in dish: Pollywog’s Frolic by Rapee-Axt
  18. That hilarious hour: Ain’t We Carryin’ On by Frisch
  19. Margie slaps Dunrock: Stop It by Kaufman
  20. Thanks for the: Betrayed by Verdi
  21. Dan and officer appear: Follow the Swallow by Henderson
  22. Motor car stops in forest: Comedy Excitement by Zamecnik
  23. When you have: Funeral March of a Marionet by Gounod

SEGUE: Good-Bye by Tosti

  1. Margie sees Dan: Follow the Swallow by Henderson
  2. Bill leaves Margie an Dan: THEME: Idolizing by West

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: qoBeAcUnCQ

Rough House Rosie

Title: Rough House Rosie

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: Ibl4cJvS0B

The Patent Leather Kid

Title: The Patent Leather Kid

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: JQKnMK1Rgj