Tag Archives: Braun

A Lady of Chance

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Title: A Lady of Chance

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Happy Jacqueline” by Mondrone
    2. Close-up of Norma Shearer crying: “Intermezzo” by Huerter
    3. Laugh this one off: “Incid. Symphony No. 30” by Kempinski (RED)
    4. Play once and sefgue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    5. By morning: “Bleeding Hearts” by Levy
    6. Close-up of key being turned: Repeat No. 3 (RED)
    7. Can you imagine: “Reconciliation” by Fletcher
    8. She’s gone: “In Merry Mood” by Axt
    9. That young lady: “Strande d’Ostende” by Hintz
    10. Was that your telegram?: “Adoree” by Friml (WHITE)
    11. Play once and segue: “The Coquette” by Deppen
    12. Play once and segue: “Rose of Spring” by Bicchiere
    13. I’ve loved you: Repeat No. 10 (WHITE)
    14. And how: “Witty Moments” by Marquardt
    15. You wait downstairs: Repeat No. 3 (RED)
    16. Hand knocks on door: Repeat No. 4 (BLACK)
    17. Maid unlocks door to room: “Gossip” by Borch
    18. “Winthrop” sign: “Supplication” by McKee
    19. So this is the plantation: ‘Scintillations” by Hosmer
    20. You should put it through: “Sweet Jasmine” by Bendix
    21. Girl seated under tree: “Darkey’s Dream” by Lansing
    22. Did you think: “Dolorosa” by Tobani
    23. Play once and segue: “By the Fireside” by Helfand
    24. Don’t worry about him: “Adoree” by Friml (WHITE)
    25. Sherman and girl get out of auto: “Incid. Symphony No. 30” by Kempinski (RED)
    26. Play once and segue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    27. Brad, why don’t you go?: “Suspicious” by Baron
    28. Put that down: “Romance to King Manfred” by Reinecke
    29. In New York: “Red Hair” by Snyder
    30. You didn’t let Steve: Repeat No. 26 (BLACK)
    31. Husband enters with boxes: Repeat No. 24 (WHITE)
    32. Make it snappy: Repeat No. 26 (BLACK)
    33. Before you sign anything: “The Sacrifice” by Paton
    34. I’ll change my clothes: “Souvenir d’Amour” by Conte
    35. Norma Shearer in prison garb: “Tragic Scene” by Berge
    36. Whether you like it or not: Repeat No. 24 (WHITE)

    Proper orchestral rest period is Nos. 14 to 20 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: cHaMxaMWlX

Download: PDF

A Horseman of the Plains

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Title: A Horseman of the Plains

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Up the Street March” by Morse
  2. Tom Swift: “The Stampede” by Luscomb
  3. Henry Snowshoe: “The Coons’ Patrol” by Lotter
  4. Mix rides to save colored man on railroad track: “The Flight” by Savino
  5. After colored man is rescued: “Down South” by Myddleton
  6. Dawn O’Day: THEME, “Where Love Comes Stealing” by Rapee
  7. This’ll Make Twice: “Comedy Allegro” by Haines
  8. Don’t thank me: Repeat No. 6
  9. Boss, I got in the: Repeat No. 3 “Coon’s Patrol”
  10. Girl’s horse steps on cactus: “The Pony Express” by Bierman
  11. Why did you sit there: Repeat Theme No. 6
  12. The O’Day Ranch: “Amoroso” by Bierman
  13. Rutherford Gates: “Cooneila” by Fredericks
  14. Change of scene to fair: Repeat No. 2 “Stampede”
  15. Fade-in to branding of cattle: “Agitated Harry” by Langey
  16. Hello, Pete: “Ruritania” by Schertzinger
  17. Mix knocks on door: “Gaily Thro’ Life” by Schad
  18. Did you wish to see me: Repeat Theme No. 6
  19. Change of scene to Gates sitting at desk: “Who’s Who?” by Morris
  20. Change of scene to colored dodger at fair: “Razz Berries” by Banta
  21. Snowshoe, I want you: “Hokomo” by Haskins
  22. Change of scene to Mix and Snowshoe on horseback: “Some Smoke” by Romberg
  23. Colored man knocks on back door: “Dinah” by Akst
  24. Mix knocks on door: Repeat Theme No. 6
  25. What in the world do you want: “Summer Skies” by Loth
  26. Colored couple seen walking: Repeat No. 23 “Dinah”
  27. Change of scene to Mix and girl: Repeat Theme No. 6
  28. Change of scene to colored woman carrying man: Repeat No. 23 “Dinah”
  29. Change of scene to Mix and girl outside of house: “No Wonder I’m Happy” by Akst
  30. Colored woman scene on swing: “Rock-a-bye Baby” by Luz
  31. Change of scene to gates and woman: “Misterioso Agitato No. 66” by Smith
  32. Change of scene to Mix’s hands tied: “Mysterioso” by Haines
  33. Change of scene to grandfather: “Ominous Moments” by Kempinski
  34. Night scene: “Fleeting Shadows” by Weiss
  35. Insert—poster—Trigger County: “The Frolic” by Schiller
  36. Change of scene to Mix: “Impending Danger” by Kempinski (play PP)
  37. Fair grounds seen: “Futurity” by Hearn
  38. Colored girl seen: Repeat No. 23 “Dinah”
  39. Flash-back to fair grounds: “Texas Plains” by Casseday
  40. Mix kicks man off chair: “Excitement and Hurry” by Hoffman
  41. Pistol shot: “Film Theme No. 40” by Lake
  42. Mix gets on hay wagon: “The Farmer Took Another Load Away” by Vincent
  43. Mix gets into automobile: “Speed Maniacs” by Donaldson
  44. Mix gets into chariot wagon: “The Speed Demon” by Bub
  45. Mix gest into stage coach: “Stampede” by Simon
  46. Tom Swift wins: “Jollifications” by Noyes
  47. You an’ this race sho’: Repeat No. 23 “Dinah”
  48. Mix embraces girl: Repeat Theme No. 6

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: wjj58kJP8d

Download: PDF

A Harp in Hock

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Title: A Harp in Hock

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Streets of New York” from Red Mill by Herbert
  2. Abrams enters shop: “Der Rabi Hot Geheisen Lustig Sein” by Fleischman
  3. Don’t feel so bad: “Sadness” by Engleman
  4. There is a limit: “Bleeding Hearts” by Levy
  5. Through the days: “Starland” by O’Connor
  6. Woman carrying candle seen: “Tears” by Reyer
  7. Woman kisses beads: “Silent Woe” from Three Songs from Eliland by V. Fielitz
  8. It wasn’t so difficult: Repeat No. 2 “Der Rabi Geheisen Lustig Sein”
  9. Man enters eith tool box: “Frailach No. 5” by Ascher
  10. Fade-in—Dispensary—east side: “Miss Mischief” by Kempinski
  11. Timothy seen in shop: “Humoresque” by Tschaikovsky
  12. Two boys start fighting: “Rage” by Axt
  13. Doctor and Timothy in shop: “Little Trifler” by Barnard
  14. The night of the: “Springtime of Life” by Marquardt
  15. Doctor sees Nora leave in auto: “All Alone” by Berlin
  16. Why eat herring: “Listen to This” by Kaufman
  17. Insert—Violin—people dancing: “Steppin’ In Society” by Askt
  18. Doctor sees Nora: “Oh, You” by Suskind
  19. Doctor and Nora leave Abrams’ table: “Charmaine” by Rapee
  20. Nora and doctor stop dancing: “Lucky-Buck” by Levan
  21. Fade-in—Nora and doctor at stone wall: “Because I Love You” by Berlin
  22. Abrams seen in shop: “The Joker” by Srawley
  23. Timothy starts swaying: “Mal de Mer” by Lange
  24. Man and woman enter shop: “Mysterious Stranger” by Kay
  25. The haunting fear: “Elegy” by Friml
  26. Two men enter shop: Repeat No. 24 “Mysterious Stranger”
  27. Go to sleep: “Poeme d’Espoir” by Gabriel Marie
  28. Timothy goes back to officers: “Poursuite Dramatique” (Drigo’s Cinema Classics)
  29. Insert—West side orphanage: “The Thoroughbred” by Englemann
  30. Abrams seen: “Pelerinage” by Franceschi
  31. Timothy comes to window: “Prelude” by Chopin
  32. Insert—Pari of shoes: “Resignation” by Casadesus
  33. Nora and aunt seen outside: “Twilight Hour” by Savino
  34. Police car arrives: “Allegro Misterioso” by Axt
  35. Abrams see Timothy: “Joy” by Zamecnik
  36. Timothy leaves Abrams’ lap: “Melodie” by Rachmaninoff
  37. Crowd seen outside: “Unrest” by Geehl
  38. Insert—Commissioner of child welfare: “Whispering Hope” by Dews
  39. Abrams seen at door: “Excitement” by Breil
  40. The commissioner says: Repeat No. 2 “Der Rabi Geheisen Lustig Sein”
  41. Boys start fighting: “Paddy Whack” by Ascher

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 7z4aNtkqt6

Download: PDF

A Girl In Every Port

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Title: A Girl In Every Port

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “She Was Just a Sailor’s Sweetheart” by Burke
  2. Pounding up and down: “Before the Mast” by Laurendeau
  3. Amsterdam: “Peasants’ Dance” from Norwegian Suite by Schytte
  4. Couple seen on bicycle: “Norwegian Dance No. 2” by Grieg
  5. Rio de Janiero: “Julio of Argentina” by Olsen
  6. Victor McLaglen enters café: “La Bella Argentina” by Roberto
  7. “Victor McLaglen leaves café: “Spanish Love Theme” by Saenger
  8. Girl walks into her private room: “Rio Rita” by Tierney
  9. Spaniard throws knife: “Comic Hurry” by O’Hare
  10. Central America: “A Los Toros” by Salvans
  11. Blonde girl walks down stairs of café: Repeat No. 5 “Julio of the Argentina”
  12. Sailors start fighting: “Allegro Agitato” by Becker
  13. The guards!: “The Rabble” by Herbert
  14. Fade-in to McLaglen in jail: “La Comedienne” by Hosmer
  15. Two sailors brought into courtroom: “Melancholic Andante” by Pintel
  16. Sailors walk off arm in arm: “Tramp, Tramp, Tramp” by Lake
  17. Sailors fall overboard: “Farcical Allegro” by Aborn
  18. Sailors come out of water: “Comrades” from Old Timers by Lake (play PP)
  19. Policeman is pushed overboard: “Sailor’s Hornpipe”
  20. Close-up of feet: “Characteristic No. 2” by Roberts
  21. McLaglen sees girl seated at table: “Spanish Eyes” by Rose
  22. McLaglen knocks out his pal: Repeat No. 18 “Comrades”
  23. Alongside—at San Pedro: “He’s Me Pal” by Edwards, segue: “My Buddy” by Donaldson
  24. Sailors walk into apartment: Repeat No. 1 “She Was Just a Sailor’s Sweetheart”
  25. Did you know my daddy?: “Clair de Lune” by Thome
  26. Spike and Bill: Repeat No. 18 “Comrades”
  27. Through the Mediterranean: Repeat No. 2 “Before the Mast”
  28. Loading in Marseilles: “A La Paree” by Verdin
  29. Close-up of band: “Paris March” by Mezzacapo
  30. I’m sorry you’re all wet: “Just Once Again” by Donaldson
  31. Fade-in to sailor with toothache: Repeat No. 23 “He’s Me Pal”
  32. McLaglen seated on bench: “My Blue Heaven” by Donaldson
  33. Fade-in to Buddy taking drink of whisky[sic]: “It’s a Million to One You’re In Love” by Davis
  34. And nobody but a sap: “Fuga” by Gabriel Marie
  35. Sailing time: “Devotion” by Deppen
  36. Pal comes in with bundles: Repeat No. 23 “He’s Me Pal”
  37. Girl seen: “No Wonder I’m Happy” by Davis
  38. McLaglen leaves pal and sweetheart in tent: Repeat No. 1 “She Was Just a Sailor’s Sweetheart”
  39. Girl leaves with manager to do her act: “Ain’t She Sweet” by Ager
  40. McLaglen seen shining girl’s shoes: “Chanson sans Paroies” by Heller
  41. Pal leaves McLaglen and sweetheart: “Worryin’” by Fairman
  42. Fade-in to girl entering house at night: “Love’s Impulse” by Jacquet
  43. McLaglen comes home: “Sinfulness” by Borch
  44. Where is he?: “Dramatic Tension” by Axt
  45. Spike comes down into café: “Plainte Passionnee” by Baron
  46. McLaglen takes drink: “Lamento” by Brockton
  47. There ain’t nothing ever going to come between us again: Repeat No. 23 “He’s Me Pal”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: z7egpYDQ0b

Download: PDF

A Certain Young Man

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Title: A Certain Young Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Lady Of My Heart” by Roder
    2. Newspaper article on screen: “La Confession” by Morgan
    3. Man and woman walk to auto—auto drives off: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    4. Fade-out after title: “Tonight”: “Budding Blossoms” by Schoenfeld
    5. Man gets card from vest pocket: “Symphonic Color Card Classic No. 6” by Marquardt (RED)
    6. Fade after card is flashed: Repeat No. 3, (DK. GREEN)
    7. Lovers in embrace: Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    8. Stop short as husband enters room: Repeat No. 5 (RED)
    9. Parsons, you have been so loyal: “Nightfall” by Kempinski
    10. You have a charming wife: Repeat No. 7 (DK. BLUE), (play P)
    11. Fade-out: “Artists Reverie” by Aubrey
    12. Auto on screen: Repeat No. 7 (DK. BLUE), (play P)
    13. Crutchley, I’m ashamed of you: “Serenata Amara” By Culotta
    14. Club interior scene: “Dream Flowers” by Translateur
    15. Fade as Novarro tears up card: “Step With Pep” by Kaufman
    16. You confounded pest: “Butterfly Dance” by Frey
    17. Conductor walks off: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    18. Girl’s father shows at stateroom: “The Fairy Ring” from In Fairyland by Hosmer
    19. Bathing beach scene: “Speed” by Frey
    20. Lovers see each other on beach—shake hands: Repeat No. 17 (WHITE)
    21. Let’s run along the beach: “Storm Galop” by Komzak
    22. Stop short as lovers kiss: Repeat No. 17 (WHITE)
    23. After all, I’m only human: “Aeroplane Galop” by Lamothe
    24. Tennis court scene: “Yvonne Walters” by Schertzinger, (violins)
    25. Lovers stop dancing: “Symphonic Color Classic No. 6” (WHITE), From Beginning
    26. Play one chorus and segue
    27. Lovers embrace: ‘Symphonic Color Classic No. 6” by Marquardt (RED)
    28. Fade-out of hotel office: Repeat No. 17 (WHITE)
    29. Girl closes door—boy opens door showing woman: Repeat No. 27 (RED)
    30. You needn’t be alarmed: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    31. So deeply in love: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    32. Father hands girl letter: “A Love Theme” by Engleman
    33. Father and daughter in embrace: Continue No. 32
    34. Stop at door knock and segue quick: “Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    35. I tell you Crutchley: “Symphonic Incidentals No. 6” by Marquardt
    36. You must admit: Repeat No. 27 (RED), Play dramatically
    37. Stop short as girl shows at door: “Souvenir” by Fibich
    38. Play and segue: “The May Night” by Brahms
    39. Fade-out after title: “You were right Jerry”: Repeat No. 34 (DK. BLUE)
    40. Note flashed on screen: Repeat No. 31 (WHITE)
    41. Man at stateroom door: “Farcical Allegro” by Aborn
    42. Dog jumps out of hat box: Repeat No. 31 (WHITE)

    Proper orchestral rest period is Nos. 27 to 36 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: GtSKwvQBak

Download: PDF

A Blonde for a Night

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Title: A Blonde for a Night

Author:

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors:

OCLC Number:

Contents:

  1. At screening: “When a Blonde Makes Up Her Mind” by Mills
  2. A lot of honeymoon: “Love Is Just a Little Bit of Heaven” by Baer
  3. Servant seen in hall: “A Game of Tag” by Trinkaus
  4. Jenks making beds: “Punch and Judy” by Herbert
  5. It’s my old pal: “Happy Moods” by Marquardt
  6. George Mason: “Freshie” by Greer
  7. Marcia sees Bob and George: “Keep It Dark” by Luders
  8. Hector—owner of: “Lace and Ruffles” by Schertzinger
  9. Back to George: “Moon Madness” by Lodge
  10. Hector’s headquarters for: SCAN TOO BLURRY
  11. Marcia on pedestal: “Lovely Lady” by Rupp
  12. Pedestal starts turning: Orchestra tacet
  13. Marcia runs from room: “Oh Mister” by Frey
  14. Insert—door knob: “wistful Longings” by Baron
  15. I’m sorry I made: “Lovey-Dovey” by Hellard
  16. Marcia throws clock out window: “Humoresque” by Tschaikovsky
  17. Goody, goody, goody: “The Jsters” by Carbonara
  18. Hector raps on door: Repeat No. 8 “Lace and Ruffles”
  19. Out of the frying pan: “Murmuring Breezes” by Cadlet? SCAN BLURRY
  20. George enters room: Repeat No. 6 “Freshie”
  21. Marcia and Hector fall: “Broken Buttercups” by Schuler SCAN BLURRY
  22. Hector’s fashion display: “Vision” by Breville
  23. Marcia seen: “Brunette or Blonde” by Waldteufel
  24. Marcia and Hector alone: “Serenata” by Moszkowsky
  25. Marcia comes to Bill and George: “Graceful Blondineete” by Borch
  26. Bob and Marcia alone in room: “Will ‘Ya’ Huh?” by Pinkard
  27. That girl has a: “Silly Billy” by Bendix
  28. At eight o’clock: “Flirting Lovers” by Kempinski
  29. Marcia open door: “Love Sparks” by Holzmann
  30. Jenks listening at door: “My Little Billiken” by Lotter
  31. Bob rejoins Marcia and George: “Flirty Flirts” by Levy
  32. Hector appears in hall: “Little Trifler” by Barnard
  33. O just had: Repeat No. 8 “Lace and Ruffles”
  34. George seated on couch: “Whims of Love” by Baron
  35. Won’t you help me: “You Don’t Like It—Not Much” by Miller
  36. George seen in hall: “Ouch” by Kaufman
  37. Back to Marcia and Bob: “The Kewpies’ Rendezvous” by Kempinski
  38. Hector enters room: “Reproach” by Zamecnik
  39. If he discovered: “Haste” by Sanders
  40. George enters room: “Al Fresco” by Herbert
  41. Hector crawls from under couch: “Here I am” by Henderson
  42. Insert—hand raps on door: “Rush Hours” by Sanders
  43. Marcia takes wig off: “Le Retour” by Bizet
  44. George embraces Marcia: Repeat No. 6 “Freshie”
  45. Bob sees Marcia and George: “It Must Be Love” by Archer
  46. George closes door: “Don’t Blame It All On Me” by Morse
  47. You’ve bought me a: “For My Sweetheart” by Donaldson

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: OYdj1SjlHb

Download: PDF

$5,000 Reward

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Title: $5,000 Reward

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Pahjamah” by Henry
  2. Close-up of poster: “Western Intermezzo” by Lux
  3. Men suddenly hold hands up: “Comic Misterioso” by Berge
  4. Tom Hardy: “Kowboy Komedy” by Aborn
  5. The Powell Ranch: Pique Dame Overture by Suppe
  6. There’s Pete’s message from town: “Intermezzo” by Arensky
  7. Greeley, where you can’t: “Out West” by Pinard
  8. Pete Sangor: “Who’s Who” by Morris
  9. Mix throws man off wagon: “Hurry No. 20” by Lake
  10. Mix uncovers girl: THEME, “Just Once Again” by Donaldson
  11. Mix jumps back on truck: “The Flight” by Savino
  12. We had better be joining: Repeat No. 5, Pique Dame Overture
  13. Mix takes blanket off girl: Repeat Theme No. 10
  14. Let’s go up on the hill: “Agitato Misterioso” by Delille
  15. Mix starts shooting: “Excitement and Hurry” by Hoffman
  16. Mix stops coach: Repeat Theme No. 10
  17. Mix rides away from stage coach: “Al Fresco” by Herbert
  18. Mix seen on horse on top of mountainside: “Hurry” by Finck
  19. Did you get the money: Repeat Theme No. 10
  20. That evening on the Powell ranch: “Joy” by Zamecnik
  21. I don’t know how she got: “March of the Phantom Hosts” by Axt
  22. Flash to people at dinner table: Repeat No. 20 “Joy”
  23. Second knock on door: “Funny Face” by Ring-Hager
  24. Haven’t I seen you: “Little Charmer” by Hollaender
  25. Mix leaves kitchen: “Agitated Misterioso” by Rapee
  26. Shorty jumps on top of box: “By Heck” by Henry
  27. Mix holds up group counting money: “A Critical Moment” by Becce
  28. Man shoots mix: “Help! Help!” by Kovacs
  29. Joan sees Mix: “Agitato Pathetic” by Kilenyi
  30. I was looking for the bandit: “Desert Dawn” by Bernard
  31. Mix leaves Joan: “Consolation No. 3” by Liszt
  32. Gang seen again: “Uneasiness” by Borch
  33. Mix starts shooting: “Tumult” by Verdi
  34. I am going to give myself up: “Looms of Fate” by St. Saens
  35. Joan picks up gun: “Astir” by Berge
  36. By morning Tom was: “Longing” by Bendix
  37. Mix rides away on his truck: “Eccitamento” by Retlaw
  38. Mix gets on his horse: “Hurry No. 25” by Lake
  39. Mix jumps on gang in auto: “Agitato No. 5” by Axt
  40. Auto plunges down embankment: Repeat Theme No. 10

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 5UYacCeqQ6

Download: PDF

13 Washington Square

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Title: 13 Washington Square

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Petite Bijouterie” by Bohm
  2. Don’t be afraid, Mary: “Detresse” by Snock
  3. Mother, there’s something I want to talk to you about: “Pavane de la Cour” by Gabriel Marie
  4. De Peyster joins Mary: LOVE THEME, “Sweet Little Lady of Mine” by Kountz
  5. Pier: “Avril Frileux” by Moutou
  6. Something very important: “Adventue d’Amour” by Bradford
  7. That’s the last whistle: “By the Stream” by Rapee-Axt
  8. Reporters in front of house: “Elopement” by Carrozzini
  9. A humble boarding house: “A Legend of Erin” by Johnson
  10. So our little family circle: DEACON THEME, “The Gentleman Burglar” by Jacquet
  11. When night had shadowed: “Threatening Danger” by Becce
  12. Jack and Mary appear: “Witty Witch” by Finck
  13. Matilda see footprint in salt on floor: “The Toy Bandit” by Finck
  14. Struggle starts: “Symphonic Incidental No. 10” by Marquardt
  15. Why Matilda, what are you doing here?: “Plainte Passionnee” by Baron
  16. We must keep the house dark: “Evil Spirits” by Varnier
  17. ‘Phone Mr. Morgan: “Moto Perpetuo” by Weiss
  18. Flash-light on Mrs. De Peyster: “Camorra” by Joels
  19. It’s only the deacon: Repeat Deacon Theme No. 10
  20. Why did you close that door?: “Creeping Creatures” by Varnier
  21. I’ve got to put a stop to that: “Anticipation of Danger” by Becce
  22. Deacon pushes Mary back into room: “La Foret Perfide” by Gabriel Marie
  23. We must work fast: “Queer Antics” by Zamecnik
  24. You’re just the man: “Bon Vivant” by Zamecnik
  25. Now sister run along: Repeat Duncan Theme No. 10
  26. Deacon ascending stairs: “Dramatic Appeal” by Jores
  27. When a show pinches: “Historie de Blondinette” by Gillet
  28. Deacon descends stairs: Repeat Deacon Theme No. 10
  29. I’ll trouble you for license: “Prattle” by Lowitz
  30. You’re Matilda’s sister: “Lamento” from Eugene Onegin by Tschaikowsky
  31. Mary picks up license: “Serenade Coquette” by Barthelemy
  32. You have a difficult problem: “Reproach” by Zamecnik
  33. There is no charge: “Chanson Algerian” by Bradford
  34. Deacon leaves: Repeat Love Theme No. 4

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: xUUx7o347o

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