Tag Archives: Braun

The Avenging Rider

Posted on by

Title: The Avenging Rider

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “The Night Riders” by Axt
  2. The boundary line: “Destiny’s Call” by Jacquet
  3. A month later: “Symphonious Melody” by Mendelssohn
  4. Here’s another letter: “Mam ‘zelle Coquette” by Gilmer
  5. So you inherited a half interest: “Sarcasm” by Kempinski
  6. Tom and friends walk away: “Love Song” by Wright
  7. Insert—photograph of Miss Sally Sheridan: “Red Hair” by Snydor
  8. The round up: “Cheer-Up” by Kaufman
  9. Percival Doolittle: “Babbling Brook” by Golden
  10. Girls climb into carriage: “Ain’t We Got Fun” by Jones
  11. Carriage starts off: “Where Do We Go From Here” by O’Hara
  12. Horses start to run: “Dance of the Furies” by Gluck
  13. Sally falls into Tom’s arms: LOVE THEME, “Little Irish Rose” by Zamecnik
  14. What are you men doing here: “The Captive” by Savino
  15. Carriage drives up to house: “Flocons de Neige” by Bradford
  16. Girls appear in gym suits: “Spring Cleaning” by Bradford
  17. Bullying a girl, eh: “Turbulence” by Borch
  18. Look me over, Mr. Larkin: “Little Man” by Ball
  19. Sally alone musing: LOVE THEME, “Little Irish Rose” by Zamecnik
  20. Never had the long ranch: “Varsity Drag” by DeSylva
  21. They walk toward refreshment table: “Little Man” by Ball
  22. Tom enters room, Dancing starts: Varsity Drag” by DeSylva
  23. Sheriff enters: “Implorations” by Pasternack
  24. Sheriff falls from horse: “Emotional Agitato” by Savino
  25. Again on the hunt for evidence: “The Spectre” by Engleman
  26. Girls appear: “Flapperette” by Mills
  27. Sally close-up—walks toward Tom: LOVE THEME, “Little Irish Rose” by Zamecnik
  28. I’ve been looking for you, Meyers: “Ill at Ease” by Jacquet
  29. Flash to girls and outlaw: Allegro Misterioso” by Kempinsky
  30. Come, girls: “Flapperette” by Mills
  31. “Buddy” rising with hat: “Athalia” by Mendelssohn
  32. Girls dancing on grass: “Vanity” by Jackson
  33. “Buddy” strikes Gordon on head: “Sarabunde Perpetuelle” by Bradford
  34. Tom mounts horse: “Scherzo Serioso” by Lowitz
  35. We sure fixed him: “Around the Sundial” by Castillo
  36. Sheriff leaves with prisoner: LOVE THEME, “Little Irish Rose” by Zamecnik

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: Sx4xyIdFIt

Download: PDF

The Arizona Wildcat

Posted on by

Title: The Arizona Wildcat

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: THEME, “When I Look At You” by Jones
  2. The West where everything: “Junella” by Kahn
  3. Kids fighting in roadway: “”Elopement” by Carrozzini
  4. The greatest rodeo on earth: “Wild and Woolly” by Minot
  5. Here comes Virginia: “The Jolly Hunters” by Egener
  6. Virginia’s horse and carriage run away: “Hurry No. 2” by Langey
  7. You’re awfully brave, Tom: Repeat Theme No. 1
  8. Close-up of mail box: “One Sweet Letter From You” by Warren
  9. With the passing years: “Stampede” by Simon
  10. Tom Phelan: “Evening On the Ranch” by Stahlberg
  11. The fast and furious business: “The Cavalry Wiggle” by Brockenshire
  12. Cowboy is knocked out of barn: “Tex” by Stahlberg
  13. Mix gets off his horse: “Garden Whispers” by Herkan
  14. The Schuyler winter home: “Cupid’s Surprise” by Gross
  15. The beautiful day: Repeat No. 10 “Evening On the Ranch”
  16. Virginia and her aunt at railroad station: “Rodeo Love” by Raymond
  17. Stage coach horses run away: “The Flight” by Savino
  18. Stage coach in rapids: “Eccitamento” by Retlaw
  19. Mix saves Virginia: Repeat Theme No. 1
  20. A week later; “Kowboy Komedy” by Aborn
  21. Virginia gets on horse: “Horsie! Keep Your Tail Up” by Hirsch
  22. Change of scene to Virginia in stable: Repeat No. 4 “Wild and Woolly”
  23. Mix saves Virginia: Repeat Theme No. 1
  24. The next morning: “Sweet Lavender” by Wheeler
  25. You have been wonderful: Repeat Theme No. 1
  26. Weeks without word from Virginia: “Happy Moods” by Marquardt
  27. At the Schuyler home: “Dainty Blossoms” by Kahn
  28. An hour before the game: “Roxy and His Gang” by Krueger
  29. Mix gets hit on head: “Uneasiness” by Mendelssohn
  30. Polo game starts: Repeat No. 11 “Cavalry Wiggle”
  31. Mix gets up from under the horse in wagon: “Dance of the Furies” by Gluck
  32. Men fall off polo horses during game: “Burlesque on Chopin’s Funeral March” by Kempinski
  33. Mix seen riding down mountainside towards polo field: “Moaning Trombone” by Bethel
  34. As a shield for their: “Rhythmic Misterioso” by Damesek
  35. Flask-back to game: “The Booster” by Lake
  36. Insert of note: “An Argument” by Breil
  37. Virginia is at the Van Acker’s home—hurry up: “Excitement” by Breil
  38. After Van Acker is handcuffed: Repeat Theme No. 1

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 8ZJBkbbE4c

Download: PDF

Arizona Cyclone

Posted on by

Title: Arizona Cyclone

Author: M. Winkler

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

  1. THEME: “Love’s Sweet Hour” by Otvos. In the event the above mentioned THEME is not in your Library or unknown to you, you may substitute: “A Place of Dreams” by Grass [or] “Love in May” by Beau.

    Contents:

     

    1. At screening: “Comedy Allegro” by Berg
    2. Wonder who owns: Theme
    3. Kathleen’s father: “Love Among Flowers” by Frommel
    4. My new foreman: “Sinister Theme” by Vely
    5. Meanwhile, Larry’s double: “Aeroplane Galop” by Winter
    6. I’ve got a hunch: “Burlesque” of Lucia Sextette by Kempinski
    7. Meanwhile, Hop-Toad: “The Crook” by Peele
    8. Ain’t forked a saddle in years: “Capricious Anette” by Borch
    9. Monkey fires shot: “Sinister Presto” by Bradford
    10. Run it your own way: “Dramatic Tension” by Levy
    11. Ah! Just in time: “Farcical Allegro” by Aborn
    12. Night found: “Cryptic Shadows” by Becce
    13. Drag him over there: “Phantom Visions” by Stevenson
    14. In that case suppose you: “Agitato Misterioso” by Peele
    15. Midnight—with the fearless: “Comedy Allegro” by Noyes
    16. Well, I’m back: “Dramatic Reproach” by Berge
    17. Morning in Hop-Toad: “Commotion” by Minot
    18. Larry escapes: “Galop No. 7” by Minot
    19. While at the Ranch: “Allegro Infernale” by Aborn
    20. You old buzzard: “Galloping Furies” by Rapee
    21. We’re after the Cyclone: “Allegro Infernale” by Aborn

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: emqQYhmve7

Download: PDF

Anybody here seen Kelly?

Posted on by

Title: Anybody Here Seen Kelly?

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Has Anybody Here Seen Kelly” by Harms
  2. France: “Yankee Doodle Boy” by Cohan
  3. Jeanette, I want to give you a picture: “The Rose of No. Man’s Land” by Caddigan
  4. Kelly and girls enter: “Burlesque on ‘Home Sweet Home’” by Kempinski
  5. You must come to America and be my wife: “K-K-K-Katy” by O’Hara
  6. Jeanette appears on stairs: “When Yankee Doodle Learns of Parlez Vous Francais” by Nelson
  7. Kelly enters room—sees Jeanette weeping: THEME, “Douce Fievre” by Y’Ener
  8. I’m such a famous man: “The Blarney Stone” by Engleman
  9. Mother enters: “Animal Cartoonix No. 2” by Aborn
  10. Tomorrow we entrain for home: “Home Sweet Home”
  11. Close-up of Jeanette: “I’m On My Way Home” by Berlin
  12. With the passing months: “Repeat Theme No. 7
  13. Officer on ship blows whistle: “Sarabande Perpetuelle” by Bradford
  14. Hand placed on her shoulder: “Hunkatin” by Levy
  15. Jeanette standing in park: “My New York” by Berlin
  16. Can’t you see this is: Repeat Theme No. 7
  17. Jeanette speaks to man: Repeat No. 1 “Has Anybody Here Seen Kelly”
  18. Jeanette sees Kelly: “Mon Homme” by Yvain
  19. Dublin flats: “Mrs. Casey” by Hoschna
  20. Jeanette scrubbing window: Repeat Theme No. 7
  21. Jeanette kisses Kelly: Repeat No. 18 “Mon Homme”
  22. Kelly at wash stand: “Nellie Kelly I Love You” by Cohan
  23. Kelly sees prayer book: “Eilm Theme No. 7” by Roberts
  24. Jeanette hurries into kitchen: “Lucky in Love” by Hendersson
  25. Family row across court: “Spring Cleaning” by Bardford
  26. Marriage is like that: Repeat Theme No. 7
  27. Jeanette writing: Repeat No. 1 “Has Anybody Here Seen Kelly”
  28. Inspector appears: “Repeat No. 14 “Hunkatin”
  29. Jeanette ducks under his arm: “Gigue” by Bradford
  30. Insert—writing paper: “Mon Homme” by Yvain
  31. Kelly enters: “Repeat No. 1 “Has Anybody Here Seen Kelly”
  32. Insert—Do your feet hurt?: Repeat No. 30 “Mon Homme”
  33. Jeanette in room alone, very sad: Repeat Theme No. 7
  34. Knock at door: “Who’s Who?” by Morris
  35. How long do you think: “The Seething Mod” by Varnier
  36. Kelly sets for final knock-out: “Big Boy” by Ager
  37. Kelly picks up ring: “Dawn” by Savino
  38. Jeanette enters office: Repeat No. 14 “Hunkatin”
  39. They’re deporting your girl: “Hurry No. 33” by Minot
  40. Are you Jeanette: Repeat No. 1 “Has Anybody Here Seen Kelly”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: AHt5GJ0Qgq

Download: PDF

Annie Laurie

Posted on by

Title: Annie Laurie

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

 

  1. At screening: “Annie Laurie” (DARK BLUE)

Segue: “Annie Laurie” (WHITE)

  1. Hurling defiance: “Recitative Heroique” by Rapee (RED)
  2. Family runs from house with torches: “A Keltic Lament” by Foulds
  3. Stately and arrogant: “Bonnie Blue Bonnets” by DeVille
  4. For the festivities: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

  1. Eh! And he thinks so too: “Bide-A-Wee” by Loraine
  2. Exterior scene after Lillian Gish breaks egg: Repeat No. 2 (RED)
  3. Creighton Hale walks to two girls at glass of water: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  4. Two girls show at water: “Scotch Lullaby” by Von Kunits (GRAY)
  5. Men attack girl: Repeat No. 8 (LIGHT BLUE)
  6. Cattle driven through gate: “Keep Row” from Hielan Lassie by Hildreth
  7. Horseman stops dancers: Repeat No. 8 (LIGHT BLUE)
  8. For anxious weeks: Repeat No. 2 (RED)
  9. After argument girls meet at fence: Repeat No. 9 (GRAY)
  10. Enid goes back to Mac Donald: Repeat No. 2 (RED)
  11. With Campbell and Mac Donald: “Babbie Waltz” by Furst (from No. 1)
  12. Scotland’s fate: “My Love She’s But a Lassie Yet” by Asher (light and guitar)
  13. Lillian Gish cuts strings of guitar: “The Swing O’ the Kilt” by Ewing
  14. ‘Twas but a joke: “Annie Laurie” (YELLOW)
  15. The Camerons: Repeat No. 18 “Swing of the Kilt”
  16. Marchers stop and men shake hands: Repeat No. 17 (WHITE)
  17. Hold your tongues: “Annie Laurie” (DARK BLUE)
  18. Man sits on lion statue: “Recitative Heroique” by Rapee (RED)
  19. We’ll be off: “The Bonnie Brier Bush” by Ellis
  20. Close-up of Enid and donkey at gate: “Scotch Lullaby” by Von Kunits (GRAY)
  21. Fade-out of scene at gate: “Mystic Romance” by Srawley
  22. Lillian Gish comes through gate: Repeat No. 22 (DARK BLUE)
  23. Man walks away from Lillian Gish and water shows: Repeat No. 19 (YELLOW)
  24. Man carries Lillian Gish across brook of water: Repeat No. 22 (DARK BLUE)
  25. Lillian Gish enters room where girl friend: “Repeat No. 25 (GRAY)
  26. Lillian Gish stands up from seat: “Rye Reel” by Lansing
  27. Lillian Gish walks to man: Repeat No. 25 (GRAY)
  28. Come along: “Annie Laurie” (YELLOW)
  29. Man lifts Lillian Gish in arms: “Annie Laurie” (WHITE)
  30. Man kissing Lillian Gish: “Annie Laurie” (DARK BLUE)
  31. Lillian Gish leaves man: Repeat No. 34 (WHITE)
  32. The Chieftains went into: “Belle of the Highlands” by Derwin
  33. Did you shoot: “Recitative Heroique” by Rapee (RED)
  34. Call the Clan: “The Keel Row” by Ascher
  35. MacDonald has given the word: Repeat No. 34 (WHITE)

Segue: “Annie Laurie” (DARK BLUE)

  1. Ian MacDonald we are off: Repeat No. 34 (WHITE)
  2. I’m taking you home: “Annie Laurie” (DARK BLUE)
  3. Lillian Gish walks off screen: “Appassionato No. 2” by Axt
  4. Lillian Gish breaks from men: Repeat No. 42 (DARK BLUE)
  5. The Campbells’ hatred: Repeat No. 38 (RED)
  6. Fade-out of king: “Memories Eternal” by Torke
  7. Fade-out after title: “If they knew the truth”: Repeat no. 38 (RED)
  8. Fade-out as Ian MacDonald drinks: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  9. Lillian Gish calls to lover: “Annie Laurie” (WHITE)
  10. I have no’ forgotten: Repeat No. 42 (DARK BLUE)
  11. Bring the pipers: “Highland Scotch No. 1” by Ascher
  12. Ian MacDonald stops pipers when Lillian Gish is seen at door: Repeat No. 42 (DARK BLUE)
  13. And if you do: Repeat No. 49 (WHITE)
  14. MacDonald exits: “Scotch Lullaby” by Von Kunits (GRAY)
  15. End of scene showing two girls after one snow scene: “Pomp and Circumstance” by Elgar
  16. So the Campbells were quartered: “Recitative Heroique” by Rapee (RED)
  17. Shawl put over map: “Fascinating Night” by Renyi
  18. Map shows: “Repeat No. 56 (RED)
  19. Campbell snickers after title: “Donald Campbell, God will punish you”: “The Last Lullaby” by Baron
  20. Drink to: “By the Shrine of the Sun” by Elliott
  21. Fade-out of lovers in each other’s arms: Repeat No. 49 (WHITE)
  22. Wagon drives off screen: Repeat No. 56 (RED)
  23. Shot: “Hurry No. 2” by Levy
  24. Man on high cliff with torch: “Cynical Scherzando” by Axt
  25. Wagon upsets: “Defense of Honor” by Zamecnik (LIGHT BLUE)
  26. Lillian Gish show: Repeat No. 56 (RED)
  27. Lillian Gish moves and resumes journey: Repeat No. 65 (LIGHT BLUE)
  28. Beacon light is lit: “Johnnie Raw” by Remick
  29. Smash down the door: “Incid. Symphony No. 17” by Schertzinger
  30. Again the king ordered: “Pomp and Pageantry” by Schertzinger
  31. Ian MacDonald, will you accept this: “Annie Laurie” (DARK BLUE)
  32. Swords raised into air: “Annie Laurie” (YELLOW)

Segue: “Annie Laurie” (WHITE)

Proper orchestral rest period is Nos. 41 to 54 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

The Music Buyers Corporation of 1520 Broadway, New York City, has printed an addition to the song “ANNIE LAURIE” in three distinct arrangements on one sheet.

No. 1—A light Polka arrangement

No. 2—A melodious arrangement for Love Theme

No. 3—A Dramatic Appassionata arrangement based on the melody “ANNIE LAURIE”

These interpretations of the well known ballad ‘ANNIE LAURIE” are very essential.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: ZWoUwnDe3y

Download: PDF

Annapolis

Posted on by

Title: Annapolis (partial)

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

    1. At screening: “Boys of Annapolis” by Groman
    2. The chapel: “The Ensign” by Brown
    3. A few miles outside: “The Coquette” by Deppen
    4. Weighed, measured and examined: “The Butterflies’ Coquetry” by Voelker
    5. Bill and Herb start argument: “Gigue” by Grety-Mottl
    6. Goodbye “Bulge”: “Faunes et Bacchantes” by Razigade
    7. [cut off]
    8. Fall in: Repeat No. 1 “Boys of Annapolis”
    9. The plebe year begins: “On the Pier” by Goldman
    10. Maneuvers start: “Military Scene” by O’Hare
    11. Discipline: “Minnesota March” by Sousa
    12. Boys racking guns in armory: “La Fete du Hameau” by Gillet
    13. Why Mr. Curtis: “Around the Sundial” by Castillo
    14. Berry and Herb in sail boat: “La Petite Demoiselle” by Claypoole
    15. On the morning before the big dance: “Ambling Along” by Axt
    16. Trolley car stops: THEME, “My Annapolis” by Weinberg-Bibo
    17. Eagerly awaiting developments: “The Interrupted Rendez-vous” by Goublier

    [rest missing]

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 38ymqjSo13

Download: PDF

The Angel of Broadway

Posted on by

Title: The Angel of Broadway

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

    1. At screening: “Lead, Kindly Light” by Dykes
    2. Jerry looks at girl beside him: “Largo” from New World Symphony by Dvorak
    3. People walking in street: “Budding Spring” by Platzmann
    4. Band starts playing: “Glory, Glory, Hallelujah” by Steffe (direct cue)
    5. Taxi seen at curb: “Red Pepper” by Lodge
    6. Jerry gets in motor truck: “Just a Girl That Men Forget” by Garren
    7. After Gertie enters house: “Broadway” by Dubin
    8. Babe puts bonnet on: “Miss Mischief” by Kempinski
    9. People at tables seen: “Gold and Silver” by Lehar
    10. Girls come running in: “Roll ‘Em Girls” by Heath
    11. Shimmy dancer seen: “Ukulele Lady” by Whiting
    12. Babe and man in dressing room: “A Lesson in Flirtation” by Roberts
    13. Each night found: “Come to the Fountain” by Stebbins
    14. I bin a drunk: “I’m a Pilgrim”
    15. Band starts playing: “Holy Ghost, With Light Divine” by Gottschalk (direct cue)

    Note: The lyrics “Follow Me” were written to fit this composition.

    1. Doughnuts: “Potatoe Bug Parade” by Cobb
    2. Jerry seizes man: “Furioso” by Savino
    3. Babe and Jerry sit down: “Melodie” by Tschaikowsky
    4. Babe and Jerry outside door: “Pierrette Flirts” by Fresco
    5. So salvation Sal: “Soubrette” by Silbert
    6. She starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
    7. Six salvation girls turn showing backs: Repeat No. 15 “Holy Ghost, With Light Divine”
    8. Jerry and Captain Mary seen: Repeat No. 18 “Melodie”
    9. Girls dancing in café: “Ain’t We Carrin’ On” by Frisch
    10. You can’t mock God: “The Omnipotence” by Schubert
    11. Girl dancing in café: Repeat No. 11 “Ukulele Lady”
    12. Babe in dressing room: “Desire” by Siewert
    13. Night after night: “In Love” by Friml
    14. Old woman seen outside: “Ashes of the Past” by Leroux
    15. Christmas week: “Christmas Bells” by Rapee
    16. Jerry sees Babe: “Emotional Conflict” by Becce
    17. Bertha and waiter in offer: “Whims” by Savino
    18. Babe looks into mirror after Lonnie leaves: Repeat No 25 “The Omnipotence”
    19. ½ After Babe leaves room: Repeat No. 8 “Miss Mischief”
    20. Babe starts singing: Repeat No. 15 “Holy Ghost, With Light Divine” (direct cue)
    21. Man joins Jerry outside café: “Lure of Crimson” by Marquardt
    22. Girl seen dancing: Repeat No. 15 “Holy Ghost, With Light Divine”
    23. Babe enters her room: “Disenchantment” by Bizet
    24. Babe knocks glass from Jerry’s hand: “Anger” by Casadesus
    25. Insert—Salvation Army ribbon: “Tragic Andante” by Savino
    26. Salvation Army girl appears in mirror: Repeat No. 25 “The Omnipotence”
    27. Babe leaves room: “Folly” by Franceschi
    28. Jerry seen in street: “Tragico, con moto” (Drigo’s Cinema Classics)
    29. Babe and man in motor: “Poursuite Dramatique” (Drigo’s Cinema Classics)
    30. Babe approaches dying girl’s bed: “Pathetique Symphony No. 6” by Tschaikowsky
    31. Jerry’s hand reaching for Gertie’s hand: Repeat No. 2 “Largo”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: CUMqM1bMvf

Download: PDF

Almost Human

Posted on by

Title: Almost Human

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Charleston Hound” by Williams
  2. Well, my tale begins: “It Looks Like a Big Night Tonight” by Van Alstyne
  3. Came dawn and how!: “Curse of an Aching Heart” by Piantodoss
  4. A few months later: “The Baby Looks Like Me” by Murtagh
  5. Don’t cry mother: “Tears” by Reyer
  6. That night was terrible: “Someone Must Pay” by Willoughby
  7. During the next: “I Ain’t Got Nobody” by Graham
  8. Nurse takes child away: “Lonesome” by Bergman
  9. Man and dog seen: “Johnny on the Spot” by Roberts
  10. Child falls into water: “Hurry No. 21” by Langey
  11. Boy places girl on ground: “Romance” by d’Ambrosio
  12. Well we went to John’s: “Lovelight” by Adams
  13. My name is Mary: THEME, “Mary Lou” by Lyman
  14. She and Mr. John are: “Merry Playmates” by Howgill
  15. For a week: “Pollywog’s Frolic” by Rapee
  16. Mary and John seen: “Love in Arcady” by Wood
  17. I want to marry you: Repeat Theme No. 13
  18. You can ‘t do this: “Reproach” by Zamecnik
  19. So they got married: “Fairyland” by Huerter
  20. Dancers seen thru glass doors: “Who Wouldn’t” by Kahn
  21. Girl opens door comes outside: “Valse Charme” by Miles
  22. Mary see John and girl: “Quandry” by Schad
  23. Then instead of: “Letter of Farewell” by Godard
  24. So for the first time: “Sanctuary of the Heart” by Ketelby
  25. After this brilliant trick: “Regret” by Zamecnik
  26. Mother: “Eccitamento” by Retlaw
  27. A few months later: “A Little Peach” by Colin
  28. My boy I haven’t: “In the Clover” by Thurban
  29. Tha night after: “In the Middle of the Night” by Rose
  30. Servants carry trunks: “Swing Along” by Cook
  31. Mary and dog follow Hank: “Uneasiness” by Mendelssohn
  32. Policeman starts after Hank: “The Chase” by Smith
  33. John and Mother seen beside auto: “Step With Pep” by Kaufman
  34. Hank stops in front of John’s car: “Here I Am” by Henderson
  35. Mary’s dog I wonder: Repeat No. 4 “Baby Looks Like Me”:
  36. Mary arrives in wagon: Repeat Theme No. 13
  37. Three dogs seen watching: “For Your Boy and My Boy” by Van Alstyne

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: lYUFkyEf7y

Download: PDF

All at Sea

Posted on by

Title: All at Sea

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “He’s the Last Word” by Donaldson
  2. Sailor pulls seat back off chair: “Are We Downhearted? No!” by Davis
  3. Sailors fight in aisle: “American National Melodies” by Asher
  4. Sailors sit down in seats: “Flirting Lovers:” by Kempinski
  5. Banana skin on floor: “O Mister” by Frey
  6. Sailor hypnotized: “Spring Song” by Mendelssohn
  7. If you could only cook: “A Breezy Evening” by Howgill
  8. This Marine says: “Panic” by Varnier
  9. Sailor lying on floor: “Midnight Parade” by Marquardt
  10. ‘Cause you’re in the Navy now: “The Simpleton” by Delille
  11. Play once and segue: “Parade of the Mummers” by Schoenfeld
  12. After three weeks: “Colonial Bogey” by Chappell
  13. Sailors halt—stack rifles: “Silly Billy” by Bendix
  14. Stop abrupt with crash as big gun is fired: “The Town Clown” by Lake
  15. There’s the Marine base: “Happy Moods” by Marquardt
  16. Either get us: “Merry Pranks” by Rapee-Axt
  17. The gobs gave: “We Love It” by Warren
  18. Dancers stop and sit down: “Rendez-vous Valse” by Rosey
  19. Woman hypnotizes sailor: “Burlesque on Lange’s Flower Song” by Kempinski
  20. Fireman turns on water in hose: “On the Track” by Bub
  21. What do you think: “Nuthin’ Doin’” by Chappell
  22. Sailor at girl’s door: “Love Bound” Rupp (WHITE)
  23. Crowd of sailors get into fire trucks: “The Speedway” by Bub
  24. Play once and segue: “Storm Galop” by Komzak
  25. Life net shown: “Allegro Buffonesco” by Kempinski
  26. Shake, old pal: Repeat No. 22 (WHITE)

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: qipAeaPQLJ

Download: PDF

The Albany Night Boat

Posted on by

Title: The Albany Night Boat

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Fleurette” by Axt
  2. If the Hudson River night boat: “Underneath the Stars” by Spencer
  3. Search light flashes on yacht: “Sarabande Perpetuelle” by Bradford
  4. Betty in bed: “Batifolage” by Baron
  5. Flash-back to Steve and Ken at light: “Debutante” by Rapee-Axt
  6. How can I ever thank you: “The Evening Hour” by Kussner
  7. Where do you live?: “Princess Pat Fox-Trot” by Herbert
  8. Steve starts to play harmonica: STEVE THEME, “A Good Man Is Hard to Find” by Green
  9. Steve worked on a fast schedule: “You’re the First Thing I Think of” by Stanley
  10. Betty appears: “When You’re Smiling” by Fisher
  11. At Sunday breakfast: “Persiflage” by Francis
  12. Luna Park: “Up and At ‘Em” by Pettis
  13. Come on. Let’s go: “Aerial Stunts” by Schulze
  14. Coaster stops: BETTY THEME, “The First Kiss” by Robinson
  15. They enter boarding house: “Garden Whispers” by Herkan
  16. Didn’t we have a wonderful time?: BETTY THEME, “The First Kiss” by Robinson
  17. It’s awfully late: “Flapperette” by Greer
  18. Steve, we’re going to be married: “Forest Murmurs” by Friml
  19. Wedding ceremony: “Together” by Henderson
  20. Steve kisses Betty: Repeat No. 7 “Princess Pat Fox-Trot”
  21. Enter cottage: “The Little White House:” by Hanley
  22. It’s a great bargain: “Amorous Adventure” by Bradford
  23. Why not rent me: Repeat No. 7 “Princess Pat Fox-Trot”
  24. What’s wrong Honey?: “Broken Dreams” by Spitalny
  25. When a husband helps in the kitchen: “I’m Sitting On Top of the World” by Henderson
  26. Betty sits on Ken’s knee: Repeat Betty Theme No. 14
  27. Steve enters—fakes pain in his side: “Second Misterioso a la Valse” by Savino
  28. After dinner: “Air de Ballet” by Massenet
  29. If you’re sick stay here: “Love Triumphant” by Joels
  30. Betty and Ken at light: Repeat No. 2 “Underneath the Stars”
  31. There’s breakers ahead: “Appassionato Lirico” by Berge
  32. Ken puts arm around Betty: Repeat Betty Theme No. 14
  33. Steve and Ken walking: “Third Misterioso a la Valse” by Savino
  34. Betty ironing—Steve enters: “The Spectre” by Engleman
  35. Is there anything I can do?: “Implorations” by Pasternack
  36. I’ve been crazy about you: “Appassionato No. 1” by Rapee-Axt
  37. All right. I’ll wait: “In the Depths” by Herkan
  38. Betty lying on floor unconscious: Repeat Betty Theme No. 14

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: YlidkPLr0i

Download: PDF

The Air Legion

Posted on by

Title: The Air Legion

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: AVIATOR THEME, “Across the Rockies” by Brown
  2. Lakeview: “Air Flight” by Zamecnik
  3. Plane hauled into hangar: Repeat Aviator Theme No. 1
  4. Sally enters room: “Gage d’Amour” by Janssen
  5. A few days later: “Butterflies” by Steinke
  6. I’m Chief Rogers: “Sunset” by Ancliffe
  7. That’s Dawson the field manager: “Little Flower Garden” by Breil
  8. For a week David waited: Repeat No. 5 “Butterflies”
  9. This is Sally’s garden: “Love Song” by Wright
  10. Come on out: “Polly” by Zamecnik
  11. Aviator whistling—injured: “Appassionato No. 1” by Kempinski
  12. Why not let Grayburn fly: Repeat Aviator Theme No. 1
  13. Motor starts: Repeat No. 2 “Air Flight”
  14. Sally at window: “By the Lake” by Lange
  15. On return trip: Repeat No. 2 “Air Flight”
  16. A sudden electric storm: “Furioso” by Savino
  17. I cracked up: “Comedy Allegro” by Ancliffe
  18. Steve lands safely: PAL THEME, “Wings” by Zamecnik
  19. I guess they think: “Dramatic Andante” by Kempinski
  20. That was cruel Sally: Repeat Pal Theme No. 18
  21. David’s constant appeals: LOVE THEME, “Underneath the Falling Leaves” by Sherman
  22. Bill has a bum ankle: “Melodic Agitato” by Savino
  23. I suppose you think it’s nice: “Gigue” by Bradford
  24. David beside plane: “Appassionato No. 3” by Axt
  25. David, I thought you might like to know: Repeat Love Theme No. 21
  26. I’ll make good: “Dilemma” by Savino (2nd. Move.)
  27. Sally and David together: Repeat Love Theme No. 21
  28. If you hurry: “In the Clouds” by Rapee-Axt
  29. Dave and Steve land safely: Repeat Aviator Theme No. 1
  30. I’m glad I’ll be in bed tonight: “Ill At Ease” by Jacquet
  31. David looks at faded flower: Repeat Pal Theme No. 18
  32. And Lakeview is broadcasting: “An Argument” by Breil
  33. Exterior: “Feroce ed Agitato” by Eggert
  34. Rogers and Grayburn have taken off: “Storm” by Eggert
  35. Plane lands safely: “Dramatic Tension” by Ancliffe
  36. I cracked up: Repeat Pal Theme No. 18
  37. A permanent route: Repeat Love Theme No. 21

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: h2TUdHHYlW

Download: PDF

The Air Circus

Posted on by

Title: The Air Circus

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

    1. At screening: “Through the Air” by Rothafel
    2. The world is in the air: “Gamboling” by Bierman
    3. A little town: “Step On It” by Kaufman
    4. Aeroplane crashes: “Zigzag” by Ferber
    5. Two boys get into auto: “Hustle Bustle” by Delille
    6. Ann Blake—a gold star: “Mother of Mine” by Jolson
    7. Pictures seen on wall: “Daughters of the Revolution” by Lampe (trio)
    8. You want me to be: Repeat No. 6 “Mother of Mine”
    9. Picture of brother seen on wall: “Short Taps” – muted trumpet

    SEGUE: “In Despair” by Berge

    1. Young man runs in with baggage: Repeat “Hustle Bustle”
    2. Mother comes into room: Repeat No. 6 “Mother of Mine”
    3. Close-up of gold star: “Midsummer Night’s Serenade” by Albeniz
    4. Girl and boy seen: “Bye-Bye Pretty Baby” by Gardner
    5. Flash-back to mother and son: Repeat No. 12 “Midsummer Night’s Serenade”
    6. Son kisses mother good-bye: Repeat No. 6 “Mother of Mine”
    7. Boys leave in automobile: “I may Be Gone for a Long Long Time”
    8. California, here they come: “California, Here I Come” by Jolson (direct cue)

    Segue: “Razzle-Dazzle” by Lenzberg

    1. Sue—some of the best: “Sweet Sue—Just You” by Young
    2. Aviation field seen: “eagles of America” by Godfrey
    3. Young man picks up photograph: Use brass call of “Over There” – 4 bars muted – slowly

    Segue: “My Buddy” by Donaldson

    1. Flash-back to aeroplane: Repeat No. 18 “Sweet Sue”
    2. You’re just too late: “That’s a Lot of Bunk” by Henshaw
    3. I think I’ll name: Repeat No. 18 “Sweet Sue”
    4. The glory of flying: “Aeronaut” by Jackson
    5. In learning to taxi: “Taxi” by Kaufman
    6. Propellor[sic] cuts up aeroplane: “In the Hall of the Mountain King” by Grieg
    7. Postman seen: Repeat No. 6 “Mother of Mine”
    8. Change of scene to aviation field: Repeat No. 24 “Aeronaut”
    9. Sue comes over to young man: Repeat No. 18 “Sweet Sue”
    10. All aeroplanes start off: ‘Air Thrills” by Sanders
    11. A boarding house: “Ten Little Miles From Town” by Kahn
    12. Boys see Sue: Repeat No. 18 “Sweet Sue”
    13. Young man grabs Sue: “That’s My Weakness Now” by Green
    14. Aviation field seen: Repeat No. 24 “Aeronaut”
    15. Speed! You go up: Repeat No. 18 “Sweet Sue”
    16. Aeroplane starts: “Motion” by Carbonara
    17. Change of scene to mother: Repeat No. 6 “Mother of Mine”
    18. After Mother is seen second time: “Flying Hurry” by Carbonara
    19. Aeroplane crashes: “Dramatic Tension” by Axt
    20. Fear of the air: Repeat No. 24 “aeronaut”
    21. I can’t go up, Speed: “The Crisis” by Pasternack
    22. Fight starts: “Help! Help!” by Kovacs
    23. Fighting boys see Jerry McSwiggin: “Funeral March of a Marionet” by Gounod
    24. McSwiggin walks away from boys: “Eccitamento” by Retlaw
    25. Change to two instructors outside of house: “Despondency” by Williams
    26. Solo day: Repeat No. 12 “Through the Air”
    27. Speed gets out of aeroplane: Repeat No. 18 “Sweet Sue”
    28. Speed looks up at aeroplane: Repeat No. 30 ‘Air Thrills”
    29. Hop up and do ti alone: “A Critical Moment” by Becce
    30. Buddy starts to fly the second time: “Symphonic Incidentals No. 9” by Marquardt
    31. Nose dive landing of aeroplane: “Solace” by Kay
    32. Change to jazz party: “Oh Baby Don’t We Get Along” by Henderson
    33. Change of scene to Buddy: “Darkness” by Brunelli
    34. Flash-back to party: “Don’ the New Low Down” by McHugh
    35. Speed comes out on porch: Repeat No. 18 “Sweet Sue”
    36. Mother arrives: Repeat No. 6 “Mother of Mine”

    Note: When mother enters house—play jazz record on phonograph to cover sequence

    1. Mother, I’ve failed: “Dolores” by Kay
    2. Flash-back to party: “Imagination” by Harms
    3. Clipped wings: “The Aeroplane” by Ring-Hager
    4. Everybody seen running: “Mess Call”
    5. Graduation day: Repeat No. 19 “Eagles of America”
    6. Landing gear of aeroplane falls: “Galop Dramatique” by Baron
    7. Buddy gets into aeroplane: “In the Clouds” by Rapee-Axt
    8. After Speed lands in parachute: Repeat No. 18 “Sweet Sue”
    9. Close-up of Buddy in aeroplane flying: Repeat No. 6 “Mother of Mine”

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 12B9gXWjdC

Download: PDF

After the Storm

Posted on by

Title: After the Storm

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Ship Ahoy” by Frey
  2. It’s twenty five years: CAPTAIN THEME, “The Captive” by Savino
  3. I’m going ashore: “Singapore Sorrows” by Doll
  4. The Golden Crescent: “Oriental Dance” by Herbert
  5. Native draws dagger: “Disturbance” by Zamecnik
  6. It was a peach of a fight, Dad: “The Jovial Rogue” by Bradford
  7. Son, I bought you a little present: “The Gay Party” by Cafarella
  8. Deck of ship: “Chanson sans Paroles” by Heller
  9. We don’t carry passengers: Repeat Captain Theme No. 2
  10. A. Hop: “It Ain’t Gonna Rain No Mo’” by Hall
  11. Captain, Joe and girl enter: Repeat Captain Theme No. 2
  12. Captain grabs Joss and throws it overboard: “Peek In” Cobb
  13. Native girl starts to climb rope: “Comedy Excitement” by Zamecnik
  14. Below decks: “Come Where My Love Lies Dreaming” from Gems of Stephen Foster by Tobani
  15. Hop in galley: “Otaki” by Bereny
  16. Captain enters: Repeat Captain Theme No. 2
  17. Captain leaves—Hop produces another Joss: “Chow Mein” by Hersom
  18. Under the magic: LOVE THEME, “Magic Love” by Bradford
  19. Hop enters galley: “Ching Chang” by Brooks
  20. That’s just a lot of junk: “Poppyland” by Kiefert
  21. Joan puts bridal veil; on: Repeat Love Theme No. 18
  22. Dad enters cabin: “The Spectre” by Engleman
  23. Sit down, both of you: “Entr’acte Lovelorn” by Wood
  24. About an hour later: “Overture Italienne” by Zereo
  25. I don’t know what they mean: “Poursuite Dramatique” (Drigo’s Cinema Classics)
  26. Molly O’Doone nursed me: “The Swan” by St. Saens
  27. I was sentenced to prison: “Lamento” from Pique Dame by Tschaikovsky
  28. Argument with Dad starts: ”Appassionato No. 2” by Axt
  29. Let’s go to: “Dramatic Allegro” by Savino
  30. On shore Martin Dane: “Storm Music” by Ketelbey
  31. Well if it ain’t: “Silent Night” by Rebikov
  32. We’ve got to find Joe: “Storm” by Eggert
  33. Dad, Joe and sweetheart standing on deck: Repeat Love Theme No. 18

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: HX22ZlF6C4

Download: PDF

The Adventurer

Posted on by

Title: The Adventurer

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1917

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Prelude to Heroical Love Drama” by Baron
    2. In the West Indies: “My Little Star” by Ponce (WHITE)
    3. A rich mine: “Recitative Heroique” by Rapee
    4. One scene: Trumpet Call by Trumpeter
    5. The town: Repeat NO. 3 (RED)
    6. Fiesta day: “Havana” by Schonberger
    7. Bicycle on screen: “Bridal Paths” by Langford
    8. Marine gets back on bicycle: Repeat No. 2 (WHITE)
    9. My daughter Dolores: “Memories Eternal” by Torke
    10. Servant looks very serious: “La Fiesta” by Zamecnik
    11. Watch dial on screen: “Symphonic Incidentals No. 9” by Marquardt
    12. Your daughter is: “Cavatina” by Baron
    13. SOliders leave room with prisoner: Repeat No. 3 (RED)
    14. Forget about the wall: “Allegretto Burlesco” (Drigo’s Cinema Classics)
    15. Meanwhile at: “Tensive Allegro” by Aborn (LT. BLUE)
    16. This is Barney O’Malley: “Incid. Symphony No. 38” by Jensen
    17. Allow me to present my wife: “Novelletta” by d’Ambrosio
    18. Adios my love: “Recitative Heroique” by Rapee (RED)
    19. Girl leaves room through window: “Incid. Symphony No. 35” by Kempinski
    20. Stop with long drum roll as bicycle goes over cliff: Drum Roll by Drummer
    21. Two Americans stop rolling and eat chicken: “Sunset Meditation” by Biggs
    22. After girl’s father is dragged out of room: Repeat No. 18 (RED)
    23. Meanwhile Jim McLellan: “Frills and Frivolities” by Bath
    24. McCoy rides off on horse (Fade): “Tensive Misterioso” by Peele
    25. Girl seen seated on balcony: “My Little Star” by Ponce (WHITE)
    26. Not too angry: “Tensive Allegro” by Aborn (LT. BLUE)
    27. Girl in bed scolds, then opens door: Repeat No. 18 (RED)
    28. El Tornado pulls covers from bed: “Presto No. 27” by Lake
    29. End of flight: Repeat No. 26 (LT. BLUE)
    30. McCoy waves burning torch: “Hurry No. 3” by Lake
    31. Plotters get girl in carriage: “Galop Dramatique” by Baron
    32. Fade-out as McCoy is seen trying to stop runaways: “Zamona” by Loraine
    33. Man kicked out through window: “My Little Star” by Ponce (WHITE)

    Proper orchestral rest period is Nos. 13 to 20 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: C3hW0oTbZN

Download: PDF

Adoration

Posted on by

Title: Adoration

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: THEME, “Adoration” by Hajos
  2. Prince Sergei: “Cossack Lullaby” by Jiranek
  3. Insert—medallion of Princess Elena: Repeat Theme No. 1
  4. Ninette: “Polka” from The Bartered Bride by Smetana
  5. Car drives to curb: “Baker’s Boy and the Chimney Sweep” by Herbert
  6. Ninette in window flirting: Repeat No. 4 “Polka”
  7. Her highness has arrived sir: “Serenade” by Chaminade
  8. She turns and see Sergei: Repeat Theme No. 1
  9. They break—Sergei shows jealousy: ‘Chansonnette” by Huerter
  10. Insert—invitation: “Polonaise” by Tschaikowsky
  11. Aristocrats: “La Fille du Contrebandier” by Mouton
  12. Mud hurled by beasts: “Allegro Precipitoso” by Savino
  13. Flash to interior—orchestra starts: “Marche Russe” by Ganne
  14. Dancing starts: “Russian Life Waltz” by Katz
  15. You are the most beautiful woman: “Russian Romance” by Friml
  16. Sergei appears in doorway: ‘The Captive” by Savino
  17. Elena in boudoir: “Slavic Dance No. 10” by Dvorak
  18. Prince opens door: Repeat Theme No. 1
  19. Satchel being strapped: “Romance” by Rubenstein
  20. Rioting in street starts: “Furioso No. 4” by Bergunker
  21. Scattered remnants: “Ivano” by Amadei
  22. Elena as manniken: “Love Song” by Wright
  23. Elena meets old general on street: “Romanza senza Parole” by Micheli
  24. Entrance to Café Russe: “The Cossack’s Wedding Fete” by Krein
  25. Ivan, what’s all the bunk: “La Czarine” by Ganne
  26. Elena and general enter: “Nocturnal Tangier” by Godowsky
  27. I’m beginning to fear: “Film Theme No. 47” by Van Goens-Borch
  28. Flash to café: “A La Mode” by Rosey
  29. Hey, cavier!: “La Guapa” by Buisson
  30. Elena appears on stairs: “Dans la Montagne” by Fourdrain
  31. Sergei takes out pistol: “Valse Triste” by Sibelius
  32. You are not yourself: Repeat No. 11 “La Fille du Contrebandier”
  33. Elena rises from table: Repeat Theme No. 1
  34. Enter taxi: “Pain of Sorrow” by Bradford
  35. Flash-back to café: Repeat Theme No. 1
  36. Gambling house: “Valse Slave” by Savasta
  37. […] ress: “Rural Russia” by Levenson
  38. Sergie enters: Repeat Theme no. 1
  39. Lights extinguished; “Cossack Revels” by Tschakoff
  40. Sergei knocks tray from Elena’s hands: “Dance of Comedians” from The Bartered Bride
  41. Dancing starts again: Repeat No. 39 “Cossack Revels”
  42. Exterior—enter car: “Decevant mirage” by Gabriel Marie
  43. Sergei enters room: “Tragic Andante” by Savino
  44. A person about to die: “Lamento” from Eugene Onegin by Tschaikowsky
  45. Elena lying on couch: Repeat No. 22 “Love Song”
  46. Interior of Café Russe: “La Reine D’un Jour” by Mouton
  47. Sergei waiting with cab for Elena: Repeat Theme No. 1

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 5Fd0vkLAhY

Download: PDF

Actress

Posted on by

Title: Actress

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Suite Ancienne No. 1” by Hadley
    2. The sun was whining in London: “Incid. Symphony No. 42” by Danmaur
    3. Man enters room after title: “Rose, etc.”: “Minuet in G” by Beethoven
    4. Couple going down stairway: Repeat No. 2 “Incid. Symphony No. 42”
    5. Stop with crash at accident to coach: “The Bee and the Floweret” by Zamecnik
    6. Forbes left alone on screen: “Drink to Me Only Thine Eyes” by Marquardt (WHITE)
    7. There’s naught to do: “Happy Bohemians” by Axt (YELLOW)
    8. I want to thank you: “Repeat No. 6 (WHITE)
    9. What do you do: Repeat No. 7 (YELLOW)
    10. Arthur Gower lived: “Promenade” by Rapee-Axt
    11. I don’t blame you: Repeat No. 7 (YELLOW)
    12. Clear the stage: “Ballet Egyptian No. 1” by Luigini
    13. Prisoner on stage: Continue No. 12
    14. Girl lying on stage: “Ballet Egyptian No. 2” by Luigini
    15. Girl again lying on stage: “Ballet Egyptian No. 3” by Luigini
    16. Letter on screen: “Ave Aprile” by Culotta
    17. It’s my own fault: Repeat No. 7 (YELLOW)
    18. I would consider it: Repeat No. 3 “Minuet in G”
    19. Lovers in carriage: “Allegro No 1” by Minot
    20. Lovers run out of beer garden: Repeat No. 6 (WHITE)
    21. Girl kisses lover at door: Repeat No. 19 “Allegro No. 1”
    22. Girl sits down on stairway: Repeat no. 6 (WHITE)
    23. On the stage: Repeat No. 3 “Minuet in G”
    24. And now I am sure: “Memories” by Blossom
    25. And now a few words: Repeat No. 7 (YELLOW)
    26. My only wish is: “Dramatic Adagio” by Berge (RED)
    27. Play sixteen bars and segue: “Scene d’Amour” by Baron
    28. At Cavendish Square: “Gavotte and Musette” by Raff
    29. I can’t even blow (anticipate organ grinder): “O Sole Mio!” by di Capua
    30. Girl falls on knees: Repeat No. 26 (RED)
    31. Why do you sit upon the floor?: “Minuet from G Minor Symphony” by Mozart
    32. Girl sneezes second time: “Scherzo Silhouette” by Marquardt
    33. Do we play whist: “Appassionato” by Norton
    34. Girl sits down at piano: Repeat No. 6 (WHITE)
    35. Lovers at piano stop singing: Repeat No. 26 (RED)
    36. You must go: Repeat No. 6 (WHITE)
    37. Girl begins to cry after lover exits: “Incid. Miniature No. 2” by Schertzinger
    38. Butler speaking to girl on sofa: Repeat No. 7 (YELLOW)
    39. They would come in: “The Chiffon Frock” by Carr
    40. Avonia dear: “The Afterglow” by Huerter
    41. Two men at jug of wine: “Agitato No. 5” by Axt
    42. Stop short as door begins to open: Repeat no. 26 (RED)
    43. Be gone: “Broken Vows” by Kempinski
    44. Girl saying good-bye to stage manager: “Heavy Desc. Agitato No. 1” by Luz
    45. Rose, you can’t go: Repeat No. 6 (WHITE)
    46. Rose went back: “In Minor Mode No. 3” by DeKoven
    47. Trelawney enters room: Repeat No. 6 (WHITE)
    48. Girl walks from window: Repeat No. 46 “In Minor Mode No. 3”
    49. Bill collector: Repeat no. 26 (RED)
    50. Have we no chairs: “One Fleeting Hour” by Lee
    51. As for Arthur: “Lament” by Herrmann
    52. You want to help her: “Perpetuum Mobile” by Rapee
    53. Fade-out as carriage drives off: “Gavotte in G” by Gluck
    54. Tom, I’m afraid: “Serenade d’Amour” by V. Blon
    55. Until our leading man: Repeat No. 3 “Minuet in G”
    56. Man in box stands up: Repeat No. 6 (WHITE)

    Proper orchestral rest period is Nos. 27 to 41 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designates the Mood or Emotion, and is used as a code for such repetition.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: Oukof7sr9w

Download: PDF

Across to Singapore

Posted on by

Title: Across to Singapore

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: ”Symphonic Color Classic No. 5” by Marquardt (YELLOW)
  2. Among the unsung deeds: “A.B.C. Dram. Set No. 13-A1” by Luz
  3. Swim: “A.B.C. Dram. Set No. 13-B2” by Luz
  4. It was the best: “Symphonic Color Classic No. 5” by Marquardt (GREEN)
  5. Lovers stand up—ship shows: “Ship Ahoy” by Frey
  6. The log of: “Mariette” by Sterny
  7. Marse Crowninshield is here: “Dutch Fishergirls” by Fresco
  8. Boy upsets glass of wine: “Social Chat” by Eugene
  9. Father carries boy from dining room: “Symphonic Color Classic No. 5” by Marquardt (DK. BLUE)
  10. Father leaves bedroom: “Symphonic Color Classic No. 5” by Marquardt (WHITE)
  11. Girl at door to bedroom: “The Bravado” by Axt
  12. Boy runs back to bed: Repeat No. 10 (WHITE)
  13. We’ll have it announced in church: Repeat No. 4 (GREEN)
  14. Mark’s sudden outburst: “The Chantyman’s March” by Sousa (BROWN)
  15. It begins to look: Repeat No. 1 (YELLOW)
  16. He’s no sailor: “The Mystic Rover” by Berge
  17. Boy throws third peanut: Repeat No. 9 (DK. BLUE)
  18. Close-up of Novarro: “Symphonic Color Classic No. 5” by Marquardt (YELLOW)
  19. You’ve licked: “The Chantyman’s March” by Sousa (BROWN)
  20. There’s always: “Elegy” from The Light of the World by Sullivan
  21. Our esteemed parishioner: Repeat No. 20 from beginning
  22. The next morning: “Regrets” by Kempinski
  23. It was not long: “To Spring” by Grieg
  24. But a year: “Repose of the Forest” by Grieg
  25. Antje places ash tray om table: “A Dream” by Grieg
  26. Cathleen looks at fashion page of magazine: “Calling” by Golden
  27. Birger enters room: “Norwegian Folk Song” by Borch
  28. The London social season: “Butterfly” by Densmore
  29. Ivan enters: Repeat No. 7 “Serenade”
  30. Burger alone in room: “Just A Wearyin’ For You” by Bond
  31. Birger finds letter: “Melodic Agitato” by Savino
  32. Antje knitting: “Baby Mine” by Rupp
  33. Ivor! Ivor!: “Dramatic Climax” by Becce
  34. Cathleen is chosen: “In Elizabethian Days” by Kramer
  35. Burger! Birger!: “Lamentation Desesperee” by Baron
  36. Later that evening: “Day of Doom” by Joels
  37. The charity fete takes place: Repeat No. 8 “Karma”
  38. Audience: “Babillage” by Gillet
  39. Flash-back to Cathleen and Birger: Repeat No. 8 “Karma”
  40. Cathleen and Ivor alone: Repeat No. 7 “Serenade”
  41. Then came a lonely Christmas: “Christmas” by Aston
  42. Birger opens box: Repeat Theme No. 22
  43. Then one night: “Murmuring Breezes” by Gillet
  44. Birger sees Cathleen: “Love Triumphant” by Joels
  45. Thank you, please give my husband: Repeat Theme No. 22

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 8uhM3oD61W

Download: PDF

A Woman’s Way

Posted on by

Title: A Woman’s Way

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Summer” by Chaminade”
  2. Paris: “Polly” by Zamecnik
  3. Bathtubs were a luxury: “Paragraphs” by Fall
  4. Men chased from room: Repeat No. 2 “Polly”
  5. The laws of France: “Defense of Honor” by Zamecnik
  6. Jean, my friend: “Day of Doom” by Joels
  7. Liane’s singing: “The Tin Soldier” by Cui
  8. Liane appears: “Melancholy Charlie” by Crum
  9. Liane in dressing room: “Humoreskimo” by Wendling
  10. Tony introduced to Liane: THEME, “Cest Vous” by Silver
  11. In the muddy undertow: “Tragic Theme” by Levy
  12. The police: “Omens” by Schad
  13. You are wanted by: “Furioso No. 2” by Zamecnik
  14. Maurice Mauvet: “Marche Mignonne” by Poldini
  15. Don’t let it upset you: Repeat Theme No. 10
  16. Jean in Liane’s room: “Evil Motive” by Hoffman
  17. Give me the wallet: “Dramatic Allegro” by Savino
  18. Knock on door: “The Spectre” by Engleman
  19. Jean enters toom again: “Enigma” by Borch
  20. They get me: “Furioso No. 4” by Bergunker
  21. A convict ship: “Lamento” from Pique Dame by Tschaikowsky
  22. In the montsh that passed: “Adventure d’Amour” by Bradford
  23. Even the shadows: “The Toilers” by Axt
  24. Tonight: “The Gentleman Burglar” by Jacquet
  25. Mauvet at desk: Repeat No. 14 “Marche Mignonne”
  26. A fugitive: Repeat No. 18 “The Spectre”
  27. Liane’s villa: “Your Love Is All” by Zamecnik
  28. Tony sits at piano: Repeat Theme No. 10
  29. Just think: “In Mournful Mood” by Sibelius
  30. Tony sitting on bench: “In the Night” by Noack
  31. Liane enters Jean’s room: Repeat No. 18 “The Spectre”
  32. Liane gives Jean wallet: “Appassionata” by Clutsam
  33. Tony confronts Liane: “Dramatic Apassionato” by Ciganeri
  34. Fight starts: “Emotional Agitato” (Drigo’s Cinema Classics)
  35. Mademoiselle, permit me to: Repeat No. 14 “Marche Mignonne”
  36. Liane and Tony embrace: Repeat Theme No. 10

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: CJS5koEyXu

Download: PDF

A Woman Against the World

Posted on by

Title: A Woman Against the World

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Le Moulin Hante” by Snock
  2. New York City: “My New York” by Berlin
  3. Presses turning out newspapers: “Le Retour” by Bizet
  4. Insert—“Chorus Girl Murdered”: “Humoresque by Herrmann
  5. Well, here I am: “Uneasiness” by Mendelssohn
  6. Insert—“Police Baffled”: “Misterioso No. 1” by Rapee-Axt
  7. Insert—“John Stillman To Marry”: “Intermezzo Perpetual” by Lowitz
  8. Wedding processions starts: “Bridal Chorus” from Lohengrin by Wagner
  9. Bride before clergyman: “The Swan” by St. Saens
  10. Carol at desk: “Unfinished Symphony” by Schubert
  11. Change of scene—John and bride in boudoir: “Mystic Magic” by Bradford
  12. Carol appears at desk in hotel: “Thrills” by Sanders
  13. What do you know about: “Forebodings” by Herbert
  14. Detectives at door—enter room: “Appassionato Lirico” by Berge
  15. These men are detectives: “Anticipation of Danger” by Becce
  16. Insert—“Jury still out”: “Funebris” by Gabriel Marie
  17. Gee, I’m sorry kid: THEME, “Chanson Algerian” by Bradford
  18. Insert—“Stillman To Die In Chair”: “Two Preludes—No. 1” by Chopin
  19. Boss, he isn’t guilty: “Recitativo Patetico” by Peele
  20. Stillman handcuffed to deputy: Repeat Theme No. 17
  21. Reporters waiting on walk for prisoner to appear: “Characteristic Allegro” by Moskowski
  22. Carol with Stillman in auto: “Andante Mesto (Symphonic Love Theme)” by Savino
  23. Flash-back to reporters: “Gossip” by Borch
  24. Light of prison appears in distance: “Spirit of the Night” by Neinass
  25. Stillman enters prison: “Souvenir” by Herbert
  26. Insert—“Stillman Goes To Chair Tonight”: “Berceuse” by Jarnefelt
  27. Stillman enters warden’s office: Repeat Theme No. 17
  28. Insert—“Servant Strangled In Bed”: “Agitato No. 1” by Kempinski
  29. Telegraph instrument close-up: “Valse Triste” by Sibelius
  30. A race against time: “Angosciosamente” by Gabriel Marie
  31. Bob starts to question prisoner: “The Third Degree” by Kempinski
  32. Stillman led from cell: “Les Perses” by Leroux
  33. Insert—“Execution of Stillman”: Repeat Theme No. 17

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: St7zr4m2DF

Download: PDF

A Thief In the Dark

Posted on by

Title: A Thief In the Dark

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “March of the Phantom Hosts” by Axt
  2. Change of scene to circus grounds: “Carnival” by Fourdrain
  3. Hula dancer seen: “On the Beach at Waikiki” by Lake
  4. And now—the greatest: “Mystification” by Hosmer
  5. Ernie leaves: “La Comedienne” by Hosmer
  6. Note inserted in crystal: Repeat No. 4 “Mystification”
  7. Gee, Ernie—you oughta: “The Tattler” by Comins
  8. Note inserted into crystal: Repeat No. 4 “Mystification”
  9. Change of scene to exterior of house: “Fleeting Shadows” by Weiss
  10. Change of scene to group of men: “Stalking the Prey” by Kempinski
  11. Girl embraces Ernie: “The Hours I Spent With You” by Little
  12. What about the Armstrong: Repeat No. 10 “Stalking the Prey”
  13. I joined this bunch: “Who’s Who” by Morris
  14. Change of scene to bedroom: “Creeping Creatures” by Varnier
  15. Ernie escapes through window: “Agitated Hurry” by Langey
  16. Gosh, you’re beautiful!: THEME, “I Can’t Do Without You” by Berlin
  17. Change of scene to uncle: “Ondes Mysterieuses” by Franceschi
  18. Insert of newspaper: “In Despair” by Berge
  19. Entrance to circus grounds seen: “Lady Lilly” by Fresco
  20. There’s a couple: “Punch and Judy” by Herbert
  21. Spiritualist seen: “Misterioso Erotico” by Heymann
  22. Were you properly seanced?: “How I Love Her and She Loves Me” by Mills
  23. Girl approaches Ernie: THEME, “I Can’t Do Without You” by Berlin
  24. Ernie leaves girl: Repeat No. 22 “How I Love Her”
  25. Change of scene to circus group: “Mystic Magic” by Bradford
  26. Change of scene to exterior of home: “Ominous Moments” by Kempinski
  27. Maid approaches monk: Repeat No. 22 “How I Love Her”
  28. This joint is full of trap doors: “Scherzo Misterioso” (Drigo’s Cinema Classics)
  29. Girl approaches professor: “Misterioso alla Valse” by Savino
  30. Monk opens door to living room: Repeat No. 22 “How I Love Her”
  31. Colored man seen: “The Ghost Dance” by Salisbury
  32. Ernie pulls in monk: “Iris” by Reynard
  33. Maid and colored fellow seen leaving: “Hustle-Bustle” by Delille
  34. Man climbs in through window: “Dramatic Suspense” by O’Hare
  35. Sheriff approaches monk: “Rubenesque” by Slater
  36. Colored man seen again: Repeat No. 31 “Ghost Dance”
  37. Monk and Ernie meet: “Looms of Fate” by St. Saens
  38. If you care anything: “Misterioso Infernale” by Borch
  39. Girl runs away: “Misterioso Furioso” by Affrunti
  40. Professor and girl meet in room: “Stealthy Escape” by Zamecnik
  41. Ernie takes mask off: “Second Misterioso a la Valse” by Savino
  42. Duke falls through trap door: “The Plotting Foe” by Kilenyi
  43. Professor holds up group around jewel box: “Cabal” by Kay
  44. They’re gone: “Agitato Misterioso” by Becce
  45. After monk returns jewels: Repeat Theme No. 23
  46. Close-up of monk and maid: Repeat No. 22 “How I Love Her”

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 0Iph8ZaFQM

Download: PDF

A Texas Steer

Posted on by

Title: A Texas Steer

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Aurora” by Von der Mehden
  2. The great open spaces: MAVERICK THEME, “Carmencita Shea” by Densmore
  3. The polls had closed: “Cheer Up” by Kaufman
  4. Brander elected: “There’ll Be a Hot Time” by Beyer
  5. Washington: Repeat Maverick Theme No. 2
  6. Washington’s official hotel: “Halimar” by Banta
  7. Maverick at desk talking to president: “I’m Sitting on Top of the World” by Henderson
  8. Brassy gall: “Marionette” by Arndt
  9. Dixie enters room: DIXIE THEME, “She Knows Her Onions” by Yellen
  10. Bossy playing piano: “Oh Boy, What a Girl” by Green
  11. Mother enters all dressed up: “Ain’t She Sweet” by Ager
  12. Mother sees Dixie leave private office: “Cheatin’ On Me” by Pollack
  13. Alice Bright: “Smile a Little Bit” by Morton
  14. Steps of capital: “Colossal” by Floyd
  15. Horseback riding: “Horses” by Gay
  16. What’s the idea, Bossy: “When the One You Love, Loves You” by Whiteman
  17. Mother on horse: Repeat No. 15 “Horses”
  18. She starts to walk: “Thanks for the Buggy Ride” by Buffano
  19. Washington was about: “Allegro Seintillante” by Kempinski
  20. I’m Mrs. Brander’s secretary: “He’s a Ladies’ Man” by Henderson
  21. Flash to Maverick and hobby horse: “Out West” by Pinard
  22. Lafayette—colored man enters: “A Coon Band Contest” by Pryor
  23. Long shot of Lincoln Memorial: “Glory, Glory Hallelujah”
  24. Maverick at office desk: Repeat Maverick Theme No. 2
  25. Dixie enters office again: Repeat Dixie Theme No. 9
  26. Wife opens door—sees Dixie in husband’s arms: Repeat No. 12 “Cheatin’ On Me”
  27. Wife leaves room: “Dramatic Hurry No. 1” by Baron
  28. There are times when: “I’m Walking Around in Circles” by Phillips
  29. Insert—newspaper heading: “Imprecations” by Baron
  30. Brander was not the only one: “Burlesque on Lange’s Flower Song” by Kempinski
  31. The social fates were: “Valse a la Mode” by MacCLure
  32. Corridor—three pals appear: PAL THEME, “Hunkatin” by Levy
  33. We’re not to see Congressman Brander: Repeat Maverick Theme No. 2
  34. Wife sees three pals: “Elopement” by Carrrozzini
  35. Three pals enter upstairs room: Repeat Pal Theme No. 32
  36. Start to pour drink: “Blue Law Blues” by Lake
  37. Flash-back to card game in pantry: Repeat Maverick Theme No. 2
  38. Flash-back to three pals: “Two In a Bar” by Copping
  39. They see hobby horse: “Zip” by Frey
  40. Flash to reception: “Turbulence” by Borch
  41. I’m voting for Texas: “What’s the Matter With Father” by Van Alstyne
  42. Brander and friends: “Karma” by Herbert
  43. Three pals start shooting: “Defense of Honor” Zamecnik
  44. Mother and pals sad: “Broken Dreams” by Spitalny
  45. The eyes of Texas: “Pomp and Circumstance” by Elgar
  46. A lonely house: “Mysterioso No. 1” by Kempinski
  47. Flash-back to mother and pals: “Disturbance” by Zamecnik
  48. Have I got time: “Galloping Furies” by Rapee
  49. He enters hall of Congress: “American Guard” by Bergh
  50. All in favor—please rise: “There’ll Be a Hot Time” by Beyer

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: tviuhyVoqP

Download: PDF

A Single Man

Posted on by

Title: A Single Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “April’s Lady” by Ancliffe
  2. Play once and segue: “Je T’Aime Waltz” by Waldteufel
  3. It’ll probably start: “Mirth and Merriment” by Delille
  4. Play once and segue: “Happy Moods” by Marquardt
  5. Man pushed into pool: “In Lover’s Lane” by Pryor
  6. End of telephoning scene: “Old Man Sunshine” by Warren
  7. Play once and segue: “Is She My Girl Friend” by Ager
  8. Crowd runs into dining room: “Strawberries” by Kaufman
  9. Play once and segue: “There’s a Rainbow ‘Round My Shoulder” by Jolson
  10. Butler hit with egg: “Gee Whiz” by Losch
  11. Play once and segue: “Lucille” by Wattsworth
  12. Let’s start: “Siss-Boom-Ah” by Smith
  13. I hope we’re going to see: “Wild Flowers” by Marquardt
  14. Play once and segue: “Flirty Flirts” by Levy
  15. Let’s go out: “Try Me” by Schertzinger (WHITE)
  16. Fade to Cody reading to girl: “You’re Wonderful” by Ash
  17. Then their engagement: “Alice” by Hauenschild
  18. Okay: Repeat No. 15 (WHITE)
  19. Well, the Trap: “Anything You Say” by Donaldson
  20. Come on gang: “Speed” by Biese
  21. Crowd leaves—door closed: “Flirting Lovers” by Kempinski
  22. Maid seen with two boys: Repeat No. 15 (WHITE)
  23. Miss Hazeltine is dining: “Bridal Chorus” from Lohengrin by Wagner
  24. Fade-back to couple at table: “Love’s Awakening” by Fletcher
  25. You bigamist: “Cupid’s Garden” by Eugene

Proper orchestral rest period is Nos. 14 to 20 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: NivC13DsJe

Download: PDF

A Ship Comes In

Posted on by

Title: A Ship Comes In

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

 

  1. At screening: “Hail Columbia” by Lake
  2. New York harbor: “La Forza del Destino” by Verdi
  3. Close-up of little girl: “Poupee Valsante” by Poldini
  4. Stop her crying Mamma: PLEZNIK THEME, “Norwegian Dance” by Grieg
  5. Exterior—street scene: “The Sidewalks of New York” by Lake
  6. Interior—coffee shop: “Aus der Heimath” by Strauss
  7. You watch, I show you: Repeat No. 5 “Sidewalks of New York”
  8. Sokol drops bundle: SOKOL THEME, “Evil Intentions” by Kempinski
  9. Then right away a home: Repeat Pleznik Theme No. 4
  10. Dan playing trombone: orchestra tacet, “Yankee Doodle”
  11. Pleznik and Dan finish playing together: “Sangerlust Polka” by Strauss
  12. Just to think: “A la bien Aimee” by Schutt
  13. And at home: “Fairyland” by Huerter
  14. Pleznik enters room: Repeat Pleznik Theme No. 4
  15. Eric enters room: Repeat No. 5 “Sidewalks of New York”
  16. Pleznik exhibits photo of President Wilson: “Hail to the Chief” by Lake
  17. For the emperor: “Al Fresco” by Herbert
  18. Group of men in courtroom being sworn: “My Country ‘Tis of Thee” by Carev
  19. Judge appears with hat on: “Hesitation” by Friml
  20. Within five happy years: “Spirit of America” by Zamecnik
  21. And Mr. Judge Gresham: “Camorra” by Joels
  22. Justice is answered with: Repeat Sokol Theme No. 8
  23. Such a big day: “Land of Delight” by O’Hare
  24. Mamma stands behind Eric’s chair: “Adagio” from Sonata Pathetique by Beethoven
  25. Such rehearsing: questions and: Repeat Pleznik Theme No. 4
  26. Then the greatest moment: Repeat No. 18 “My Country ‘Tis of Thee”
  27. Sokol appears in hall: “The Prowling Schemers” by Carbonara
  28. Back to Pleznik and judge: “Social Chat” by Eugene
  29. Pleznik enters storeroom: Repeat Sokol Theme No. 8
  30. Pleznik appears carrying cake box: Repeat Pleznik Theme No. 4
  31. Eric in uniform enters room: Play “Keep the Home Fires Burning”
  32. Mamma sees Eric: “Why?” by Schumann
  33. I can’t stay, Mamma: “Pathetic Symphony No. 6” by Tschaikowsky
  34. Seven o’clock: “L’Assassinat” by Tremisot

NOTE: Catch explosion—stop short and segue

SEGUE: “Excitement” by Breil

  1. Pleznik seated at table: “Andante” from Fifth Symphony by Tschaikowsky
  2. Two men seen on stairs: “Ominous Moments” by Kempinski
  3. Pleznik enters room again: “Adieu” by Friml
  4. Wartime hysteria: “Lamento” by Gabriel Marie
  5. The jury has found you: “Andante Pathetique” by Borch

NOTE: Play con sordini

  1. Insert—calendar—July 4th: “Columbia, the Gem of the Ocean” by Lake
  2. Interior—prison: “Little Serenade” by Grunfeld
  3. Back to judge Gresham: “American Patrol” by Meacham
  4. Band starts playing: Repeat No. 187 “My Country ‘Tis of Thee”
  5. Photo of Eric: “Melodie” by Tschaikowsky
  6. Girl reads telegram: “Desolation” by Patou
  7. Seven o’clock: “Fate” by Ketelbey
  8. Mamma and little girls enter shop: “The Road of Sorrow” by Kempinski
  9. Insert—clock: Repeat No. 46 “Fate”

SEGUE: “Agitato” by Engleman

  1. Sokol in hospital bed: “In the Night” by Noack
  2. Judge Gresham appears: “Cavatina” by Bohm
  3. Home: “Home, Sweet Home” by Bishop (strings only)
  4. Pleznik enters room: Repeat Pleznik Theme No. 4
  5. For Eric: “The Sacrifice” by Zamecnik
  6. Insert—Eric’s photo and wreath: orchestra tacet, “Taps”
  7. Pleznik walks toward Mamma: Play “Keep the Home Fires Burning”
  8. Pleznik raises hand to salute: Repeat No. 18 “My Country “’Tis of Thee”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: W578oY1aE3

Download: PDF

A Man’s Past

Posted on by

Title: A Man’s Past

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Zaza” by Leoncavallo
  2. Mont Noir: “Desolation” by Patou
  3. The Gouveneur: “Humoresque” by Herrmann
  4. The prisoners are complaining: “In Gloomy Forest” by Axt
  5. What he wants is more of it: “The Duel” by Felix
  6. The doctor is dead: “Reproach” by Zamecnik
  7. La Roche enters room: LA ROCHE THEME, “Love Tragedy” by Savino
  8. Soldiers ordered from room: “Othello’s Remorse” by Baron
  9. A new start in life: “The Captive” by Savino
  10. La Roche enters room: SUSPENSE THEME, “Silent Night” by Rebikov
  11. Paul La Roche escaped: “A La Paree” by Verdin
  12. In an office in Marseilles: FONTAIN THEME, “Chanson Algerian” by Bradford
  13. Everything is ready Dr. Fontain: “Gruesome Tales No. 1” by Rapee-Axt
  14. La Roche returns to ante-room: FONTAIN THEME, “Chanson Algerian” by Bradford
  15. The night’s seemed longer: “Disperazione” by Gabriel Marie
  16. La Roche in office: “Two Preludes” by Chopin
  17. Yvonne and La Roche enter Paul’s room: “Symphony In B Minor” by Tschaikowsky
  18. Renard enters: “Andante Cantabile” by Tschaikowsky
  19. What did you say?: FONTAIN THEME, “Chanson Algerian” by Bradford
  20. Algiers: “In A Persian Market” by Ketelbey
  21. The Fame of Henry Fontain: “Minor and Major” by McKee
  22. At the Oasis home: “By the Ganges” from From India by Popy
  23. Revolt in the desert: “Marching Song of the Foreign Legion” by Bradford
  24. I am deeply grateful: “Pousuite Dramatique” from Drigo’s Cinema Classics
  25. La Roche places arms about Yvonne: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  26. Flash to camp and dancing girls: “Dans l’Aoule” from Caucasian Sketches by Iwanow
  27. Dance stops: “Air de Ballet” by Borch
  28. La Roche introduced to Lieut. Destin: DESTIN THEME, “Karma” by Herbert
  29. Soft lights: “Au Vieux Chateau” by Marling
  30. Dancing stops: “The Answer In Your Eyes” by Savino
  31. La Roche speaks to Yvonne: “Second Love Tragedy” by Savino
  32. Leave garden—enter house: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  33. Destin alone in room musing: DESTIN THEME, “Karma” by Herbert
  34. The Next morning: FONTAIN THEME, “Chanson Algerian” by Bradford
  35. Yvonne enters: “Elves In the Moonlight” by Lindgreen
  36. Destin and La Roche enter: DESTIN THEME, “Karma” by Herbert
  37. Destin leaves: “Andante non tanto” from Pathetique Symphony No. 6 by Tschaikowsky
  38. Eight o’clock: SUSPENSE THEME, “Silent Night” by Rebikov
  39. Yvonne and La Roche: “Adagietto” from L’Arlesienne Suite by Bizet
  40. Destin knows who I am: SUSPENSE THEME, “Silent Night” by Rebikov
  41. Yvonne and La Roche rush from room: LA ROCHE THEME, “Love Tragedy” by Savino
  42. Door to operating room: “Valse Triste” by Sibelius
  43. Weeks of suspense: DESTIN THEME, “Karma” by Herbert
  44. You see I remember you Paul La Roche: “Melody of Peace” by Martin
  45. Paul embraces Yvonne: “YVONNE THEME, “To the Land of My Own Romance” by Herbert

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 6wCe2vOKM9

Download: PDF

A Man’s Man

Posted on by

Title: A Man’s Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Twinkling” by Hauenschuld
    2. Picture studio—two girls seen: “On the Mountain” by Frommel
    3. Have you it: “Serenade” by White
    4. Take your time: “Allegro Seintillante” by Kempinski
    5. Hours later: “Frills and Frivolities” by Bath
    6. Greta Garbo walks from microphone: “Devil Dogs” by Marquardt
    7. Haines meets girl in crowd: “When I Dream Of You” by Schoenfeld (WHITE)
    8. Haines stops auto at house: “A Perfect Day” by Bond
    9. Fade-out after Haines carries girl up house stairs: “Speed” by Frey
    10. Meet Violet Primrose: Repeat No. 7 (WHITE) (Chorus only)
    11. Gee you’re a fast worker: Repeat No. 9 “Speed”
    12. They were married later: “Basier d’Amour” by Lodge
    13. Will an unknown: “By Firelight” by Grunn
    14. Girl smells something: “Parade of the Toys” by Schertzinger
    15. Haines enters room: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    16. The place smells like: “Pine Tree Echoes” by Schoenfeld
    17. It started out to be your dinner: Repeat No. 15 (WHITE)
    18. Haines turns on radio: “A Night in May” by Lincke
    19. “There you are: “Canzone d’Amore” by Lowitz
    20. Wife slaps Haines in face: “Cavatina” by Baron (DARK GREEN)
    21. Haines and man leave billiard room: “Flirting Lovers” by Kempenski
    22. Fade-out of Haines and wife: “Oh Mister” by Frey
    23. Haines and mand drink: Repeat No. 20 (DARK GREEN)
    24. I won five hundred dollars last week: “Heigh Ho! Everybody Heigh Ho” by Woods
    25. Second exterior scene: “Peter Rabbit” by Schoenfeld
    26. Are you drinking lemonade: “T’ Ain’t Nobody’s Fault But My Own” by Lawnhurst
    27. Please me: “Uproar” by Neinass
    28. Haines sits down in chair: “Cavatina” by Baron (DARK GREEN)
    29. Dish-gusting: Repeat No. 27 “Uproar”
    30. Fade-out to bed scene: Repeat No. 28 (DARK GREEN)
    31. Mel was like most of us: “Lovelight” by Adams
    32. Fade-out of billiard room: Repeat No. 28 (DARK GREEN)
    33. But Peggy didn’t meet the director: “Lament” by Herrmann
    34. Woman rings bell: “Recitativo No. 1” by Rapee-Axt (RED)
    35. Stick close to home kid: “Sunny Hours” by Rich
    36. Grabbed another: “Bonds of Love” by Roth
    37. Charlie told her she looked like Garbo: Repeat No. 34 (RED)
    38. Man rings doorbell: “Mignonette” from Ballet of Flowers by Hadley
    39. You’ve only got to slip me another hundred: “Cavatina” by Baron (DARK GREEN)
    40. Well get this: “Appassionata” by Clutsam
    41. Good-bye Greta Garbo: “Recitativo No. 1” by Rapee-Axt (RED)
    42. What did he mean: Repeat No. 40 “Appassionata”
    43. Haines throws picture on floor: “Elegie and Appassionato” by Savino
    44. I will kill him: “Dramatic Andante No. 3” by Axt
    45. Haines knocked down in street: “Sadness” by Engleman
    46. Did you get hurt: Repeat No. 44 “Dram. Andante No. 3”
    47. Haines walks out of room from wife: Repeat No. 45 “Sadness”
    48. Girl takes Venice pennant from wall: “Speed” by Frey
    49. Fade-out of bathing scene: Repeat No. 45 “Sadness”
    50. Wife sits on suitcase: “Humorous Escapade” by Delille
    51. Suitcase closed: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    52. But you can protect me: “Incid. Symphony No. 23” by Kempinski
    53. Haines and wife leave room: “Cavatina” by Baron (DARK GREEN)
    54. Come here, you big stiff: “Hurry No. 1” by Lake
    55. End of fight—man lying on pool table: Repeat No. 51 (WHITE) (Chorus only)

    Proper orchestral rest period is Nos. 27 to 37 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 7FAMVnDx17

Download: PDF