Category Archives: Cue Sheets

A Thief In the Dark

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Title: A Thief In the Dark

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “March of the Phantom Hosts” by Axt
  2. Change of scene to circus grounds: “Carnival” by Fourdrain
  3. Hula dancer seen: “On the Beach at Waikiki” by Lake
  4. And now—the greatest: “Mystification” by Hosmer
  5. Ernie leaves: “La Comedienne” by Hosmer
  6. Note inserted in crystal: Repeat No. 4 “Mystification”
  7. Gee, Ernie—you oughta: “The Tattler” by Comins
  8. Note inserted into crystal: Repeat No. 4 “Mystification”
  9. Change of scene to exterior of house: “Fleeting Shadows” by Weiss
  10. Change of scene to group of men: “Stalking the Prey” by Kempinski
  11. Girl embraces Ernie: “The Hours I Spent With You” by Little
  12. What about the Armstrong: Repeat No. 10 “Stalking the Prey”
  13. I joined this bunch: “Who’s Who” by Morris
  14. Change of scene to bedroom: “Creeping Creatures” by Varnier
  15. Ernie escapes through window: “Agitated Hurry” by Langey
  16. Gosh, you’re beautiful!: THEME, “I Can’t Do Without You” by Berlin
  17. Change of scene to uncle: “Ondes Mysterieuses” by Franceschi
  18. Insert of newspaper: “In Despair” by Berge
  19. Entrance to circus grounds seen: “Lady Lilly” by Fresco
  20. There’s a couple: “Punch and Judy” by Herbert
  21. Spiritualist seen: “Misterioso Erotico” by Heymann
  22. Were you properly seanced?: “How I Love Her and She Loves Me” by Mills
  23. Girl approaches Ernie: THEME, “I Can’t Do Without You” by Berlin
  24. Ernie leaves girl: Repeat No. 22 “How I Love Her”
  25. Change of scene to circus group: “Mystic Magic” by Bradford
  26. Change of scene to exterior of home: “Ominous Moments” by Kempinski
  27. Maid approaches monk: Repeat No. 22 “How I Love Her”
  28. This joint is full of trap doors: “Scherzo Misterioso” (Drigo’s Cinema Classics)
  29. Girl approaches professor: “Misterioso alla Valse” by Savino
  30. Monk opens door to living room: Repeat No. 22 “How I Love Her”
  31. Colored man seen: “The Ghost Dance” by Salisbury
  32. Ernie pulls in monk: “Iris” by Reynard
  33. Maid and colored fellow seen leaving: “Hustle-Bustle” by Delille
  34. Man climbs in through window: “Dramatic Suspense” by O’Hare
  35. Sheriff approaches monk: “Rubenesque” by Slater
  36. Colored man seen again: Repeat No. 31 “Ghost Dance”
  37. Monk and Ernie meet: “Looms of Fate” by St. Saens
  38. If you care anything: “Misterioso Infernale” by Borch
  39. Girl runs away: “Misterioso Furioso” by Affrunti
  40. Professor and girl meet in room: “Stealthy Escape” by Zamecnik
  41. Ernie takes mask off: “Second Misterioso a la Valse” by Savino
  42. Duke falls through trap door: “The Plotting Foe” by Kilenyi
  43. Professor holds up group around jewel box: “Cabal” by Kay
  44. They’re gone: “Agitato Misterioso” by Becce
  45. After monk returns jewels: Repeat Theme No. 23
  46. Close-up of monk and maid: Repeat No. 22 “How I Love Her”

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 0Iph8ZaFQM

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A Texas Steer

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Title: A Texas Steer

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Aurora” by Von der Mehden
  2. The great open spaces: MAVERICK THEME, “Carmencita Shea” by Densmore
  3. The polls had closed: “Cheer Up” by Kaufman
  4. Brander elected: “There’ll Be a Hot Time” by Beyer
  5. Washington: Repeat Maverick Theme No. 2
  6. Washington’s official hotel: “Halimar” by Banta
  7. Maverick at desk talking to president: “I’m Sitting on Top of the World” by Henderson
  8. Brassy gall: “Marionette” by Arndt
  9. Dixie enters room: DIXIE THEME, “She Knows Her Onions” by Yellen
  10. Bossy playing piano: “Oh Boy, What a Girl” by Green
  11. Mother enters all dressed up: “Ain’t She Sweet” by Ager
  12. Mother sees Dixie leave private office: “Cheatin’ On Me” by Pollack
  13. Alice Bright: “Smile a Little Bit” by Morton
  14. Steps of capital: “Colossal” by Floyd
  15. Horseback riding: “Horses” by Gay
  16. What’s the idea, Bossy: “When the One You Love, Loves You” by Whiteman
  17. Mother on horse: Repeat No. 15 “Horses”
  18. She starts to walk: “Thanks for the Buggy Ride” by Buffano
  19. Washington was about: “Allegro Seintillante” by Kempinski
  20. I’m Mrs. Brander’s secretary: “He’s a Ladies’ Man” by Henderson
  21. Flash to Maverick and hobby horse: “Out West” by Pinard
  22. Lafayette—colored man enters: “A Coon Band Contest” by Pryor
  23. Long shot of Lincoln Memorial: “Glory, Glory Hallelujah”
  24. Maverick at office desk: Repeat Maverick Theme No. 2
  25. Dixie enters office again: Repeat Dixie Theme No. 9
  26. Wife opens door—sees Dixie in husband’s arms: Repeat No. 12 “Cheatin’ On Me”
  27. Wife leaves room: “Dramatic Hurry No. 1” by Baron
  28. There are times when: “I’m Walking Around in Circles” by Phillips
  29. Insert—newspaper heading: “Imprecations” by Baron
  30. Brander was not the only one: “Burlesque on Lange’s Flower Song” by Kempinski
  31. The social fates were: “Valse a la Mode” by MacCLure
  32. Corridor—three pals appear: PAL THEME, “Hunkatin” by Levy
  33. We’re not to see Congressman Brander: Repeat Maverick Theme No. 2
  34. Wife sees three pals: “Elopement” by Carrrozzini
  35. Three pals enter upstairs room: Repeat Pal Theme No. 32
  36. Start to pour drink: “Blue Law Blues” by Lake
  37. Flash-back to card game in pantry: Repeat Maverick Theme No. 2
  38. Flash-back to three pals: “Two In a Bar” by Copping
  39. They see hobby horse: “Zip” by Frey
  40. Flash to reception: “Turbulence” by Borch
  41. I’m voting for Texas: “What’s the Matter With Father” by Van Alstyne
  42. Brander and friends: “Karma” by Herbert
  43. Three pals start shooting: “Defense of Honor” Zamecnik
  44. Mother and pals sad: “Broken Dreams” by Spitalny
  45. The eyes of Texas: “Pomp and Circumstance” by Elgar
  46. A lonely house: “Mysterioso No. 1” by Kempinski
  47. Flash-back to mother and pals: “Disturbance” by Zamecnik
  48. Have I got time: “Galloping Furies” by Rapee
  49. He enters hall of Congress: “American Guard” by Bergh
  50. All in favor—please rise: “There’ll Be a Hot Time” by Beyer

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: tviuhyVoqP

Download: PDF

A Single Man

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Title: A Single Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “April’s Lady” by Ancliffe
  2. Play once and segue: “Je T’Aime Waltz” by Waldteufel
  3. It’ll probably start: “Mirth and Merriment” by Delille
  4. Play once and segue: “Happy Moods” by Marquardt
  5. Man pushed into pool: “In Lover’s Lane” by Pryor
  6. End of telephoning scene: “Old Man Sunshine” by Warren
  7. Play once and segue: “Is She My Girl Friend” by Ager
  8. Crowd runs into dining room: “Strawberries” by Kaufman
  9. Play once and segue: “There’s a Rainbow ‘Round My Shoulder” by Jolson
  10. Butler hit with egg: “Gee Whiz” by Losch
  11. Play once and segue: “Lucille” by Wattsworth
  12. Let’s start: “Siss-Boom-Ah” by Smith
  13. I hope we’re going to see: “Wild Flowers” by Marquardt
  14. Play once and segue: “Flirty Flirts” by Levy
  15. Let’s go out: “Try Me” by Schertzinger (WHITE)
  16. Fade to Cody reading to girl: “You’re Wonderful” by Ash
  17. Then their engagement: “Alice” by Hauenschild
  18. Okay: Repeat No. 15 (WHITE)
  19. Well, the Trap: “Anything You Say” by Donaldson
  20. Come on gang: “Speed” by Biese
  21. Crowd leaves—door closed: “Flirting Lovers” by Kempinski
  22. Maid seen with two boys: Repeat No. 15 (WHITE)
  23. Miss Hazeltine is dining: “Bridal Chorus” from Lohengrin by Wagner
  24. Fade-back to couple at table: “Love’s Awakening” by Fletcher
  25. You bigamist: “Cupid’s Garden” by Eugene

Proper orchestral rest period is Nos. 14 to 20 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: NivC13DsJe

Download: PDF

A Ship Comes In

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Title: A Ship Comes In

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

 

  1. At screening: “Hail Columbia” by Lake
  2. New York harbor: “La Forza del Destino” by Verdi
  3. Close-up of little girl: “Poupee Valsante” by Poldini
  4. Stop her crying Mamma: PLEZNIK THEME, “Norwegian Dance” by Grieg
  5. Exterior—street scene: “The Sidewalks of New York” by Lake
  6. Interior—coffee shop: “Aus der Heimath” by Strauss
  7. You watch, I show you: Repeat No. 5 “Sidewalks of New York”
  8. Sokol drops bundle: SOKOL THEME, “Evil Intentions” by Kempinski
  9. Then right away a home: Repeat Pleznik Theme No. 4
  10. Dan playing trombone: orchestra tacet, “Yankee Doodle”
  11. Pleznik and Dan finish playing together: “Sangerlust Polka” by Strauss
  12. Just to think: “A la bien Aimee” by Schutt
  13. And at home: “Fairyland” by Huerter
  14. Pleznik enters room: Repeat Pleznik Theme No. 4
  15. Eric enters room: Repeat No. 5 “Sidewalks of New York”
  16. Pleznik exhibits photo of President Wilson: “Hail to the Chief” by Lake
  17. For the emperor: “Al Fresco” by Herbert
  18. Group of men in courtroom being sworn: “My Country ‘Tis of Thee” by Carev
  19. Judge appears with hat on: “Hesitation” by Friml
  20. Within five happy years: “Spirit of America” by Zamecnik
  21. And Mr. Judge Gresham: “Camorra” by Joels
  22. Justice is answered with: Repeat Sokol Theme No. 8
  23. Such a big day: “Land of Delight” by O’Hare
  24. Mamma stands behind Eric’s chair: “Adagio” from Sonata Pathetique by Beethoven
  25. Such rehearsing: questions and: Repeat Pleznik Theme No. 4
  26. Then the greatest moment: Repeat No. 18 “My Country ‘Tis of Thee”
  27. Sokol appears in hall: “The Prowling Schemers” by Carbonara
  28. Back to Pleznik and judge: “Social Chat” by Eugene
  29. Pleznik enters storeroom: Repeat Sokol Theme No. 8
  30. Pleznik appears carrying cake box: Repeat Pleznik Theme No. 4
  31. Eric in uniform enters room: Play “Keep the Home Fires Burning”
  32. Mamma sees Eric: “Why?” by Schumann
  33. I can’t stay, Mamma: “Pathetic Symphony No. 6” by Tschaikowsky
  34. Seven o’clock: “L’Assassinat” by Tremisot

NOTE: Catch explosion—stop short and segue

SEGUE: “Excitement” by Breil

  1. Pleznik seated at table: “Andante” from Fifth Symphony by Tschaikowsky
  2. Two men seen on stairs: “Ominous Moments” by Kempinski
  3. Pleznik enters room again: “Adieu” by Friml
  4. Wartime hysteria: “Lamento” by Gabriel Marie
  5. The jury has found you: “Andante Pathetique” by Borch

NOTE: Play con sordini

  1. Insert—calendar—July 4th: “Columbia, the Gem of the Ocean” by Lake
  2. Interior—prison: “Little Serenade” by Grunfeld
  3. Back to judge Gresham: “American Patrol” by Meacham
  4. Band starts playing: Repeat No. 187 “My Country ‘Tis of Thee”
  5. Photo of Eric: “Melodie” by Tschaikowsky
  6. Girl reads telegram: “Desolation” by Patou
  7. Seven o’clock: “Fate” by Ketelbey
  8. Mamma and little girls enter shop: “The Road of Sorrow” by Kempinski
  9. Insert—clock: Repeat No. 46 “Fate”

SEGUE: “Agitato” by Engleman

  1. Sokol in hospital bed: “In the Night” by Noack
  2. Judge Gresham appears: “Cavatina” by Bohm
  3. Home: “Home, Sweet Home” by Bishop (strings only)
  4. Pleznik enters room: Repeat Pleznik Theme No. 4
  5. For Eric: “The Sacrifice” by Zamecnik
  6. Insert—Eric’s photo and wreath: orchestra tacet, “Taps”
  7. Pleznik walks toward Mamma: Play “Keep the Home Fires Burning”
  8. Pleznik raises hand to salute: Repeat No. 18 “My Country “’Tis of Thee”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: W578oY1aE3

Download: PDF

A Man’s Past

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Title: A Man’s Past

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1927

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Zaza” by Leoncavallo
  2. Mont Noir: “Desolation” by Patou
  3. The Gouveneur: “Humoresque” by Herrmann
  4. The prisoners are complaining: “In Gloomy Forest” by Axt
  5. What he wants is more of it: “The Duel” by Felix
  6. The doctor is dead: “Reproach” by Zamecnik
  7. La Roche enters room: LA ROCHE THEME, “Love Tragedy” by Savino
  8. Soldiers ordered from room: “Othello’s Remorse” by Baron
  9. A new start in life: “The Captive” by Savino
  10. La Roche enters room: SUSPENSE THEME, “Silent Night” by Rebikov
  11. Paul La Roche escaped: “A La Paree” by Verdin
  12. In an office in Marseilles: FONTAIN THEME, “Chanson Algerian” by Bradford
  13. Everything is ready Dr. Fontain: “Gruesome Tales No. 1” by Rapee-Axt
  14. La Roche returns to ante-room: FONTAIN THEME, “Chanson Algerian” by Bradford
  15. The night’s seemed longer: “Disperazione” by Gabriel Marie
  16. La Roche in office: “Two Preludes” by Chopin
  17. Yvonne and La Roche enter Paul’s room: “Symphony In B Minor” by Tschaikowsky
  18. Renard enters: “Andante Cantabile” by Tschaikowsky
  19. What did you say?: FONTAIN THEME, “Chanson Algerian” by Bradford
  20. Algiers: “In A Persian Market” by Ketelbey
  21. The Fame of Henry Fontain: “Minor and Major” by McKee
  22. At the Oasis home: “By the Ganges” from From India by Popy
  23. Revolt in the desert: “Marching Song of the Foreign Legion” by Bradford
  24. I am deeply grateful: “Pousuite Dramatique” from Drigo’s Cinema Classics
  25. La Roche places arms about Yvonne: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  26. Flash to camp and dancing girls: “Dans l’Aoule” from Caucasian Sketches by Iwanow
  27. Dance stops: “Air de Ballet” by Borch
  28. La Roche introduced to Lieut. Destin: DESTIN THEME, “Karma” by Herbert
  29. Soft lights: “Au Vieux Chateau” by Marling
  30. Dancing stops: “The Answer In Your Eyes” by Savino
  31. La Roche speaks to Yvonne: “Second Love Tragedy” by Savino
  32. Leave garden—enter house: YVONNE THEME, “To the Land of My Own Romance” by Herbert
  33. Destin alone in room musing: DESTIN THEME, “Karma” by Herbert
  34. The Next morning: FONTAIN THEME, “Chanson Algerian” by Bradford
  35. Yvonne enters: “Elves In the Moonlight” by Lindgreen
  36. Destin and La Roche enter: DESTIN THEME, “Karma” by Herbert
  37. Destin leaves: “Andante non tanto” from Pathetique Symphony No. 6 by Tschaikowsky
  38. Eight o’clock: SUSPENSE THEME, “Silent Night” by Rebikov
  39. Yvonne and La Roche: “Adagietto” from L’Arlesienne Suite by Bizet
  40. Destin knows who I am: SUSPENSE THEME, “Silent Night” by Rebikov
  41. Yvonne and La Roche rush from room: LA ROCHE THEME, “Love Tragedy” by Savino
  42. Door to operating room: “Valse Triste” by Sibelius
  43. Weeks of suspense: DESTIN THEME, “Karma” by Herbert
  44. You see I remember you Paul La Roche: “Melody of Peace” by Martin
  45. Paul embraces Yvonne: “YVONNE THEME, “To the Land of My Own Romance” by Herbert

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 6wCe2vOKM9

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A Man’s Man

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Title: A Man’s Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Twinkling” by Hauenschuld
    2. Picture studio—two girls seen: “On the Mountain” by Frommel
    3. Have you it: “Serenade” by White
    4. Take your time: “Allegro Seintillante” by Kempinski
    5. Hours later: “Frills and Frivolities” by Bath
    6. Greta Garbo walks from microphone: “Devil Dogs” by Marquardt
    7. Haines meets girl in crowd: “When I Dream Of You” by Schoenfeld (WHITE)
    8. Haines stops auto at house: “A Perfect Day” by Bond
    9. Fade-out after Haines carries girl up house stairs: “Speed” by Frey
    10. Meet Violet Primrose: Repeat No. 7 (WHITE) (Chorus only)
    11. Gee you’re a fast worker: Repeat No. 9 “Speed”
    12. They were married later: “Basier d’Amour” by Lodge
    13. Will an unknown: “By Firelight” by Grunn
    14. Girl smells something: “Parade of the Toys” by Schertzinger
    15. Haines enters room: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    16. The place smells like: “Pine Tree Echoes” by Schoenfeld
    17. It started out to be your dinner: Repeat No. 15 (WHITE)
    18. Haines turns on radio: “A Night in May” by Lincke
    19. “There you are: “Canzone d’Amore” by Lowitz
    20. Wife slaps Haines in face: “Cavatina” by Baron (DARK GREEN)
    21. Haines and man leave billiard room: “Flirting Lovers” by Kempenski
    22. Fade-out of Haines and wife: “Oh Mister” by Frey
    23. Haines and mand drink: Repeat No. 20 (DARK GREEN)
    24. I won five hundred dollars last week: “Heigh Ho! Everybody Heigh Ho” by Woods
    25. Second exterior scene: “Peter Rabbit” by Schoenfeld
    26. Are you drinking lemonade: “T’ Ain’t Nobody’s Fault But My Own” by Lawnhurst
    27. Please me: “Uproar” by Neinass
    28. Haines sits down in chair: “Cavatina” by Baron (DARK GREEN)
    29. Dish-gusting: Repeat No. 27 “Uproar”
    30. Fade-out to bed scene: Repeat No. 28 (DARK GREEN)
    31. Mel was like most of us: “Lovelight” by Adams
    32. Fade-out of billiard room: Repeat No. 28 (DARK GREEN)
    33. But Peggy didn’t meet the director: “Lament” by Herrmann
    34. Woman rings bell: “Recitativo No. 1” by Rapee-Axt (RED)
    35. Stick close to home kid: “Sunny Hours” by Rich
    36. Grabbed another: “Bonds of Love” by Roth
    37. Charlie told her she looked like Garbo: Repeat No. 34 (RED)
    38. Man rings doorbell: “Mignonette” from Ballet of Flowers by Hadley
    39. You’ve only got to slip me another hundred: “Cavatina” by Baron (DARK GREEN)
    40. Well get this: “Appassionata” by Clutsam
    41. Good-bye Greta Garbo: “Recitativo No. 1” by Rapee-Axt (RED)
    42. What did he mean: Repeat No. 40 “Appassionata”
    43. Haines throws picture on floor: “Elegie and Appassionato” by Savino
    44. I will kill him: “Dramatic Andante No. 3” by Axt
    45. Haines knocked down in street: “Sadness” by Engleman
    46. Did you get hurt: Repeat No. 44 “Dram. Andante No. 3”
    47. Haines walks out of room from wife: Repeat No. 45 “Sadness”
    48. Girl takes Venice pennant from wall: “Speed” by Frey
    49. Fade-out of bathing scene: Repeat No. 45 “Sadness”
    50. Wife sits on suitcase: “Humorous Escapade” by Delille
    51. Suitcase closed: “When I Dream Of You” by Schoenfeld (WHITE) (Chorus only)
    52. But you can protect me: “Incid. Symphony No. 23” by Kempinski
    53. Haines and wife leave room: “Cavatina” by Baron (DARK GREEN)
    54. Come here, you big stiff: “Hurry No. 1” by Lake
    55. End of fight—man lying on pool table: Repeat No. 51 (WHITE) (Chorus only)

    Proper orchestral rest period is Nos. 27 to 37 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: 7FAMVnDx17

Download: PDF

A Lady of Chance

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Title: A Lady of Chance

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Happy Jacqueline” by Mondrone
    2. Close-up of Norma Shearer crying: “Intermezzo” by Huerter
    3. Laugh this one off: “Incid. Symphony No. 30” by Kempinski (RED)
    4. Play once and sefgue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    5. By morning: “Bleeding Hearts” by Levy
    6. Close-up of key being turned: Repeat No. 3 (RED)
    7. Can you imagine: “Reconciliation” by Fletcher
    8. She’s gone: “In Merry Mood” by Axt
    9. That young lady: “Strande d’Ostende” by Hintz
    10. Was that your telegram?: “Adoree” by Friml (WHITE)
    11. Play once and segue: “The Coquette” by Deppen
    12. Play once and segue: “Rose of Spring” by Bicchiere
    13. I’ve loved you: Repeat No. 10 (WHITE)
    14. And how: “Witty Moments” by Marquardt
    15. You wait downstairs: Repeat No. 3 (RED)
    16. Hand knocks on door: Repeat No. 4 (BLACK)
    17. Maid unlocks door to room: “Gossip” by Borch
    18. “Winthrop” sign: “Supplication” by McKee
    19. So this is the plantation: ‘Scintillations” by Hosmer
    20. You should put it through: “Sweet Jasmine” by Bendix
    21. Girl seated under tree: “Darkey’s Dream” by Lansing
    22. Did you think: “Dolorosa” by Tobani
    23. Play once and segue: “By the Fireside” by Helfand
    24. Don’t worry about him: “Adoree” by Friml (WHITE)
    25. Sherman and girl get out of auto: “Incid. Symphony No. 30” by Kempinski (RED)
    26. Play once and segue: “Symphonic Incidentals No. 15” by Marquardt (BLACK)
    27. Brad, why don’t you go?: “Suspicious” by Baron
    28. Put that down: “Romance to King Manfred” by Reinecke
    29. In New York: “Red Hair” by Snyder
    30. You didn’t let Steve: Repeat No. 26 (BLACK)
    31. Husband enters with boxes: Repeat No. 24 (WHITE)
    32. Make it snappy: Repeat No. 26 (BLACK)
    33. Before you sign anything: “The Sacrifice” by Paton
    34. I’ll change my clothes: “Souvenir d’Amour” by Conte
    35. Norma Shearer in prison garb: “Tragic Scene” by Berge
    36. Whether you like it or not: Repeat No. 24 (WHITE)

    Proper orchestral rest period is Nos. 14 to 20 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: cHaMxaMWlX

Download: PDF

A Horseman of the Plains

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Title: A Horseman of the Plains

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Up the Street March” by Morse
  2. Tom Swift: “The Stampede” by Luscomb
  3. Henry Snowshoe: “The Coons’ Patrol” by Lotter
  4. Mix rides to save colored man on railroad track: “The Flight” by Savino
  5. After colored man is rescued: “Down South” by Myddleton
  6. Dawn O’Day: THEME, “Where Love Comes Stealing” by Rapee
  7. This’ll Make Twice: “Comedy Allegro” by Haines
  8. Don’t thank me: Repeat No. 6
  9. Boss, I got in the: Repeat No. 3 “Coon’s Patrol”
  10. Girl’s horse steps on cactus: “The Pony Express” by Bierman
  11. Why did you sit there: Repeat Theme No. 6
  12. The O’Day Ranch: “Amoroso” by Bierman
  13. Rutherford Gates: “Cooneila” by Fredericks
  14. Change of scene to fair: Repeat No. 2 “Stampede”
  15. Fade-in to branding of cattle: “Agitated Harry” by Langey
  16. Hello, Pete: “Ruritania” by Schertzinger
  17. Mix knocks on door: “Gaily Thro’ Life” by Schad
  18. Did you wish to see me: Repeat Theme No. 6
  19. Change of scene to Gates sitting at desk: “Who’s Who?” by Morris
  20. Change of scene to colored dodger at fair: “Razz Berries” by Banta
  21. Snowshoe, I want you: “Hokomo” by Haskins
  22. Change of scene to Mix and Snowshoe on horseback: “Some Smoke” by Romberg
  23. Colored man knocks on back door: “Dinah” by Akst
  24. Mix knocks on door: Repeat Theme No. 6
  25. What in the world do you want: “Summer Skies” by Loth
  26. Colored couple seen walking: Repeat No. 23 “Dinah”
  27. Change of scene to Mix and girl: Repeat Theme No. 6
  28. Change of scene to colored woman carrying man: Repeat No. 23 “Dinah”
  29. Change of scene to Mix and girl outside of house: “No Wonder I’m Happy” by Akst
  30. Colored woman scene on swing: “Rock-a-bye Baby” by Luz
  31. Change of scene to gates and woman: “Misterioso Agitato No. 66” by Smith
  32. Change of scene to Mix’s hands tied: “Mysterioso” by Haines
  33. Change of scene to grandfather: “Ominous Moments” by Kempinski
  34. Night scene: “Fleeting Shadows” by Weiss
  35. Insert—poster—Trigger County: “The Frolic” by Schiller
  36. Change of scene to Mix: “Impending Danger” by Kempinski (play PP)
  37. Fair grounds seen: “Futurity” by Hearn
  38. Colored girl seen: Repeat No. 23 “Dinah”
  39. Flash-back to fair grounds: “Texas Plains” by Casseday
  40. Mix kicks man off chair: “Excitement and Hurry” by Hoffman
  41. Pistol shot: “Film Theme No. 40” by Lake
  42. Mix gets on hay wagon: “The Farmer Took Another Load Away” by Vincent
  43. Mix gets into automobile: “Speed Maniacs” by Donaldson
  44. Mix gets into chariot wagon: “The Speed Demon” by Bub
  45. Mix gest into stage coach: “Stampede” by Simon
  46. Tom Swift wins: “Jollifications” by Noyes
  47. You an’ this race sho’: Repeat No. 23 “Dinah”
  48. Mix embraces girl: Repeat Theme No. 6

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: wjj58kJP8d

Download: PDF

A Harp in Hock

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Title: A Harp in Hock

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheets, 1916

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Streets of New York” from Red Mill by Herbert
  2. Abrams enters shop: “Der Rabi Hot Geheisen Lustig Sein” by Fleischman
  3. Don’t feel so bad: “Sadness” by Engleman
  4. There is a limit: “Bleeding Hearts” by Levy
  5. Through the days: “Starland” by O’Connor
  6. Woman carrying candle seen: “Tears” by Reyer
  7. Woman kisses beads: “Silent Woe” from Three Songs from Eliland by V. Fielitz
  8. It wasn’t so difficult: Repeat No. 2 “Der Rabi Geheisen Lustig Sein”
  9. Man enters eith tool box: “Frailach No. 5” by Ascher
  10. Fade-in—Dispensary—east side: “Miss Mischief” by Kempinski
  11. Timothy seen in shop: “Humoresque” by Tschaikovsky
  12. Two boys start fighting: “Rage” by Axt
  13. Doctor and Timothy in shop: “Little Trifler” by Barnard
  14. The night of the: “Springtime of Life” by Marquardt
  15. Doctor sees Nora leave in auto: “All Alone” by Berlin
  16. Why eat herring: “Listen to This” by Kaufman
  17. Insert—Violin—people dancing: “Steppin’ In Society” by Askt
  18. Doctor sees Nora: “Oh, You” by Suskind
  19. Doctor and Nora leave Abrams’ table: “Charmaine” by Rapee
  20. Nora and doctor stop dancing: “Lucky-Buck” by Levan
  21. Fade-in—Nora and doctor at stone wall: “Because I Love You” by Berlin
  22. Abrams seen in shop: “The Joker” by Srawley
  23. Timothy starts swaying: “Mal de Mer” by Lange
  24. Man and woman enter shop: “Mysterious Stranger” by Kay
  25. The haunting fear: “Elegy” by Friml
  26. Two men enter shop: Repeat No. 24 “Mysterious Stranger”
  27. Go to sleep: “Poeme d’Espoir” by Gabriel Marie
  28. Timothy goes back to officers: “Poursuite Dramatique” (Drigo’s Cinema Classics)
  29. Insert—West side orphanage: “The Thoroughbred” by Englemann
  30. Abrams seen: “Pelerinage” by Franceschi
  31. Timothy comes to window: “Prelude” by Chopin
  32. Insert—Pari of shoes: “Resignation” by Casadesus
  33. Nora and aunt seen outside: “Twilight Hour” by Savino
  34. Police car arrives: “Allegro Misterioso” by Axt
  35. Abrams see Timothy: “Joy” by Zamecnik
  36. Timothy leaves Abrams’ lap: “Melodie” by Rachmaninoff
  37. Crowd seen outside: “Unrest” by Geehl
  38. Insert—Commissioner of child welfare: “Whispering Hope” by Dews
  39. Abrams seen at door: “Excitement” by Breil
  40. The commissioner says: Repeat No. 2 “Der Rabi Geheisen Lustig Sein”
  41. Boys start fighting: “Paddy Whack” by Ascher

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 7z4aNtkqt6

Download: PDF

A Girl In Every Port

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Title: A Girl In Every Port

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “She Was Just a Sailor’s Sweetheart” by Burke
  2. Pounding up and down: “Before the Mast” by Laurendeau
  3. Amsterdam: “Peasants’ Dance” from Norwegian Suite by Schytte
  4. Couple seen on bicycle: “Norwegian Dance No. 2” by Grieg
  5. Rio de Janiero: “Julio of Argentina” by Olsen
  6. Victor McLaglen enters café: “La Bella Argentina” by Roberto
  7. “Victor McLaglen leaves café: “Spanish Love Theme” by Saenger
  8. Girl walks into her private room: “Rio Rita” by Tierney
  9. Spaniard throws knife: “Comic Hurry” by O’Hare
  10. Central America: “A Los Toros” by Salvans
  11. Blonde girl walks down stairs of café: Repeat No. 5 “Julio of the Argentina”
  12. Sailors start fighting: “Allegro Agitato” by Becker
  13. The guards!: “The Rabble” by Herbert
  14. Fade-in to McLaglen in jail: “La Comedienne” by Hosmer
  15. Two sailors brought into courtroom: “Melancholic Andante” by Pintel
  16. Sailors walk off arm in arm: “Tramp, Tramp, Tramp” by Lake
  17. Sailors fall overboard: “Farcical Allegro” by Aborn
  18. Sailors come out of water: “Comrades” from Old Timers by Lake (play PP)
  19. Policeman is pushed overboard: “Sailor’s Hornpipe”
  20. Close-up of feet: “Characteristic No. 2” by Roberts
  21. McLaglen sees girl seated at table: “Spanish Eyes” by Rose
  22. McLaglen knocks out his pal: Repeat No. 18 “Comrades”
  23. Alongside—at San Pedro: “He’s Me Pal” by Edwards, segue: “My Buddy” by Donaldson
  24. Sailors walk into apartment: Repeat No. 1 “She Was Just a Sailor’s Sweetheart”
  25. Did you know my daddy?: “Clair de Lune” by Thome
  26. Spike and Bill: Repeat No. 18 “Comrades”
  27. Through the Mediterranean: Repeat No. 2 “Before the Mast”
  28. Loading in Marseilles: “A La Paree” by Verdin
  29. Close-up of band: “Paris March” by Mezzacapo
  30. I’m sorry you’re all wet: “Just Once Again” by Donaldson
  31. Fade-in to sailor with toothache: Repeat No. 23 “He’s Me Pal”
  32. McLaglen seated on bench: “My Blue Heaven” by Donaldson
  33. Fade-in to Buddy taking drink of whisky[sic]: “It’s a Million to One You’re In Love” by Davis
  34. And nobody but a sap: “Fuga” by Gabriel Marie
  35. Sailing time: “Devotion” by Deppen
  36. Pal comes in with bundles: Repeat No. 23 “He’s Me Pal”
  37. Girl seen: “No Wonder I’m Happy” by Davis
  38. McLaglen leaves pal and sweetheart in tent: Repeat No. 1 “She Was Just a Sailor’s Sweetheart”
  39. Girl leaves with manager to do her act: “Ain’t She Sweet” by Ager
  40. McLaglen seen shining girl’s shoes: “Chanson sans Paroies” by Heller
  41. Pal leaves McLaglen and sweetheart: “Worryin’” by Fairman
  42. Fade-in to girl entering house at night: “Love’s Impulse” by Jacquet
  43. McLaglen comes home: “Sinfulness” by Borch
  44. Where is he?: “Dramatic Tension” by Axt
  45. Spike comes down into café: “Plainte Passionnee” by Baron
  46. McLaglen takes drink: “Lamento” by Brockton
  47. There ain’t nothing ever going to come between us again: Repeat No. 23 “He’s Me Pal”

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: z7egpYDQ0b

Download: PDF

A Certain Young Man

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Title: A Certain Young Man

Author: Ernst Luz

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

    1. At screening: “Lady Of My Heart” by Roder
    2. Newspaper article on screen: “La Confession” by Morgan
    3. Man and woman walk to auto—auto drives off: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    4. Fade-out after title: “Tonight”: “Budding Blossoms” by Schoenfeld
    5. Man gets card from vest pocket: “Symphonic Color Card Classic No. 6” by Marquardt (RED)
    6. Fade after card is flashed: Repeat No. 3, (DK. GREEN)
    7. Lovers in embrace: Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    8. Stop short as husband enters room: Repeat No. 5 (RED)
    9. Parsons, you have been so loyal: “Nightfall” by Kempinski
    10. You have a charming wife: Repeat No. 7 (DK. BLUE), (play P)
    11. Fade-out: “Artists Reverie” by Aubrey
    12. Auto on screen: Repeat No. 7 (DK. BLUE), (play P)
    13. Crutchley, I’m ashamed of you: “Serenata Amara” By Culotta
    14. Club interior scene: “Dream Flowers” by Translateur
    15. Fade as Novarro tears up card: “Step With Pep” by Kaufman
    16. You confounded pest: “Butterfly Dance” by Frey
    17. Conductor walks off: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    18. Girl’s father shows at stateroom: “The Fairy Ring” from In Fairyland by Hosmer
    19. Bathing beach scene: “Speed” by Frey
    20. Lovers see each other on beach—shake hands: Repeat No. 17 (WHITE)
    21. Let’s run along the beach: “Storm Galop” by Komzak
    22. Stop short as lovers kiss: Repeat No. 17 (WHITE)
    23. After all, I’m only human: “Aeroplane Galop” by Lamothe
    24. Tennis court scene: “Yvonne Walters” by Schertzinger, (violins)
    25. Lovers stop dancing: “Symphonic Color Classic No. 6” (WHITE), From Beginning
    26. Play one chorus and segue
    27. Lovers embrace: ‘Symphonic Color Classic No. 6” by Marquardt (RED)
    28. Fade-out of hotel office: Repeat No. 17 (WHITE)
    29. Girl closes door—boy opens door showing woman: Repeat No. 27 (RED)
    30. You needn’t be alarmed: “Symphonic Color Classic No. 6” by Marquardt (DK. GREEN)
    31. So deeply in love: “Symphonic Color Classic No. 6” by Marquardt (WHITE)
    32. Father hands girl letter: “A Love Theme” by Engleman
    33. Father and daughter in embrace: Continue No. 32
    34. Stop at door knock and segue quick: “Symphonic Color Classic No. 6” by Marquardt (DK. BLUE)
    35. I tell you Crutchley: “Symphonic Incidentals No. 6” by Marquardt
    36. You must admit: Repeat No. 27 (RED), Play dramatically
    37. Stop short as girl shows at door: “Souvenir” by Fibich
    38. Play and segue: “The May Night” by Brahms
    39. Fade-out after title: “You were right Jerry”: Repeat No. 34 (DK. BLUE)
    40. Note flashed on screen: Repeat No. 31 (WHITE)
    41. Man at stateroom door: “Farcical Allegro” by Aborn
    42. Dog jumps out of hat box: Repeat No. 31 (WHITE)

    Proper orchestral rest period is Nos. 27 to 36 inclusive.

    NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “Luz Symphonic Color Guide” sold by Music Buyers Corporation, 1520 Broadway, New York City.  The color suggested for repetition of numbers designates the Mood of Emotion, and is used as a code for such repetitions.

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: GtSKwvQBak

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A Blonde for a Night

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Title: A Blonde for a Night

Author:

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors:

OCLC Number:

Contents:

  1. At screening: “When a Blonde Makes Up Her Mind” by Mills
  2. A lot of honeymoon: “Love Is Just a Little Bit of Heaven” by Baer
  3. Servant seen in hall: “A Game of Tag” by Trinkaus
  4. Jenks making beds: “Punch and Judy” by Herbert
  5. It’s my old pal: “Happy Moods” by Marquardt
  6. George Mason: “Freshie” by Greer
  7. Marcia sees Bob and George: “Keep It Dark” by Luders
  8. Hector—owner of: “Lace and Ruffles” by Schertzinger
  9. Back to George: “Moon Madness” by Lodge
  10. Hector’s headquarters for: SCAN TOO BLURRY
  11. Marcia on pedestal: “Lovely Lady” by Rupp
  12. Pedestal starts turning: Orchestra tacet
  13. Marcia runs from room: “Oh Mister” by Frey
  14. Insert—door knob: “wistful Longings” by Baron
  15. I’m sorry I made: “Lovey-Dovey” by Hellard
  16. Marcia throws clock out window: “Humoresque” by Tschaikovsky
  17. Goody, goody, goody: “The Jsters” by Carbonara
  18. Hector raps on door: Repeat No. 8 “Lace and Ruffles”
  19. Out of the frying pan: “Murmuring Breezes” by Cadlet? SCAN BLURRY
  20. George enters room: Repeat No. 6 “Freshie”
  21. Marcia and Hector fall: “Broken Buttercups” by Schuler SCAN BLURRY
  22. Hector’s fashion display: “Vision” by Breville
  23. Marcia seen: “Brunette or Blonde” by Waldteufel
  24. Marcia and Hector alone: “Serenata” by Moszkowsky
  25. Marcia comes to Bill and George: “Graceful Blondineete” by Borch
  26. Bob and Marcia alone in room: “Will ‘Ya’ Huh?” by Pinkard
  27. That girl has a: “Silly Billy” by Bendix
  28. At eight o’clock: “Flirting Lovers” by Kempinski
  29. Marcia open door: “Love Sparks” by Holzmann
  30. Jenks listening at door: “My Little Billiken” by Lotter
  31. Bob rejoins Marcia and George: “Flirty Flirts” by Levy
  32. Hector appears in hall: “Little Trifler” by Barnard
  33. O just had: Repeat No. 8 “Lace and Ruffles”
  34. George seated on couch: “Whims of Love” by Baron
  35. Won’t you help me: “You Don’t Like It—Not Much” by Miller
  36. George seen in hall: “Ouch” by Kaufman
  37. Back to Marcia and Bob: “The Kewpies’ Rendezvous” by Kempinski
  38. Hector enters room: “Reproach” by Zamecnik
  39. If he discovered: “Haste” by Sanders
  40. George enters room: “Al Fresco” by Herbert
  41. Hector crawls from under couch: “Here I am” by Henderson
  42. Insert—hand raps on door: “Rush Hours” by Sanders
  43. Marcia takes wig off: “Le Retour” by Bizet
  44. George embraces Marcia: Repeat No. 6 “Freshie”
  45. Bob sees Marcia and George: “It Must Be Love” by Archer
  46. George closes door: “Don’t Blame It All On Me” by Morse
  47. You’ve bought me a: “For My Sweetheart” by Donaldson

Notes: Cues transcribed by James Doering; handwritten notes

Source: Carl Braun Collection

SFSMA ID: OYdj1SjlHb

Download: PDF

$5,000 Reward

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Title: $5,000 Reward

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Pahjamah” by Henry
  2. Close-up of poster: “Western Intermezzo” by Lux
  3. Men suddenly hold hands up: “Comic Misterioso” by Berge
  4. Tom Hardy: “Kowboy Komedy” by Aborn
  5. The Powell Ranch: Pique Dame Overture by Suppe
  6. There’s Pete’s message from town: “Intermezzo” by Arensky
  7. Greeley, where you can’t: “Out West” by Pinard
  8. Pete Sangor: “Who’s Who” by Morris
  9. Mix throws man off wagon: “Hurry No. 20” by Lake
  10. Mix uncovers girl: THEME, “Just Once Again” by Donaldson
  11. Mix jumps back on truck: “The Flight” by Savino
  12. We had better be joining: Repeat No. 5, Pique Dame Overture
  13. Mix takes blanket off girl: Repeat Theme No. 10
  14. Let’s go up on the hill: “Agitato Misterioso” by Delille
  15. Mix starts shooting: “Excitement and Hurry” by Hoffman
  16. Mix stops coach: Repeat Theme No. 10
  17. Mix rides away from stage coach: “Al Fresco” by Herbert
  18. Mix seen on horse on top of mountainside: “Hurry” by Finck
  19. Did you get the money: Repeat Theme No. 10
  20. That evening on the Powell ranch: “Joy” by Zamecnik
  21. I don’t know how she got: “March of the Phantom Hosts” by Axt
  22. Flash to people at dinner table: Repeat No. 20 “Joy”
  23. Second knock on door: “Funny Face” by Ring-Hager
  24. Haven’t I seen you: “Little Charmer” by Hollaender
  25. Mix leaves kitchen: “Agitated Misterioso” by Rapee
  26. Shorty jumps on top of box: “By Heck” by Henry
  27. Mix holds up group counting money: “A Critical Moment” by Becce
  28. Man shoots mix: “Help! Help!” by Kovacs
  29. Joan sees Mix: “Agitato Pathetic” by Kilenyi
  30. I was looking for the bandit: “Desert Dawn” by Bernard
  31. Mix leaves Joan: “Consolation No. 3” by Liszt
  32. Gang seen again: “Uneasiness” by Borch
  33. Mix starts shooting: “Tumult” by Verdi
  34. I am going to give myself up: “Looms of Fate” by St. Saens
  35. Joan picks up gun: “Astir” by Berge
  36. By morning Tom was: “Longing” by Bendix
  37. Mix rides away on his truck: “Eccitamento” by Retlaw
  38. Mix gets on his horse: “Hurry No. 25” by Lake
  39. Mix jumps on gang in auto: “Agitato No. 5” by Axt
  40. Auto plunges down embankment: Repeat Theme No. 10

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: 5UYacCeqQ6

Download: PDF

13 Washington Square

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Title: 13 Washington Square

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1928

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Petite Bijouterie” by Bohm
  2. Don’t be afraid, Mary: “Detresse” by Snock
  3. Mother, there’s something I want to talk to you about: “Pavane de la Cour” by Gabriel Marie
  4. De Peyster joins Mary: LOVE THEME, “Sweet Little Lady of Mine” by Kountz
  5. Pier: “Avril Frileux” by Moutou
  6. Something very important: “Adventue d’Amour” by Bradford
  7. That’s the last whistle: “By the Stream” by Rapee-Axt
  8. Reporters in front of house: “Elopement” by Carrozzini
  9. A humble boarding house: “A Legend of Erin” by Johnson
  10. So our little family circle: DEACON THEME, “The Gentleman Burglar” by Jacquet
  11. When night had shadowed: “Threatening Danger” by Becce
  12. Jack and Mary appear: “Witty Witch” by Finck
  13. Matilda see footprint in salt on floor: “The Toy Bandit” by Finck
  14. Struggle starts: “Symphonic Incidental No. 10” by Marquardt
  15. Why Matilda, what are you doing here?: “Plainte Passionnee” by Baron
  16. We must keep the house dark: “Evil Spirits” by Varnier
  17. ‘Phone Mr. Morgan: “Moto Perpetuo” by Weiss
  18. Flash-light on Mrs. De Peyster: “Camorra” by Joels
  19. It’s only the deacon: Repeat Deacon Theme No. 10
  20. Why did you close that door?: “Creeping Creatures” by Varnier
  21. I’ve got to put a stop to that: “Anticipation of Danger” by Becce
  22. Deacon pushes Mary back into room: “La Foret Perfide” by Gabriel Marie
  23. We must work fast: “Queer Antics” by Zamecnik
  24. You’re just the man: “Bon Vivant” by Zamecnik
  25. Now sister run along: Repeat Duncan Theme No. 10
  26. Deacon ascending stairs: “Dramatic Appeal” by Jores
  27. When a show pinches: “Historie de Blondinette” by Gillet
  28. Deacon descends stairs: Repeat Deacon Theme No. 10
  29. I’ll trouble you for license: “Prattle” by Lowitz
  30. You’re Matilda’s sister: “Lamento” from Eugene Onegin by Tschaikowsky
  31. Mary picks up license: “Serenade Coquette” by Barthelemy
  32. You have a difficult problem: “Reproach” by Zamecnik
  33. There is no charge: “Chanson Algerian” by Bradford
  34. Deacon leaves: Repeat Love Theme No. 4

Notes: Cues transcribed by James Doering

Source: Carl Braun Collection

SFSMA ID: xUUx7o347o

Download: PDF

The Wild Party

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Title: The Wild Party

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: KwVm8Rdgbn

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Welcome Danger

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Title: Welcome Danger

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: 2X3DH7f7wq

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The Virginian

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Title: The Virginian

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: iMa7cdVzcc

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The Vanishing American

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Title: The Vanishing American

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1925

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes: handwritten notes

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: PCQgZYVZtA

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The Ten Commandments

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Title: The Ten Commandments

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1923

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes: handwritten notes

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: DkBgCYF4rs

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Stairs of Sand

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Title: Stairs of Sand

Author: James C. Bradford

Publisher: Thematic Music Cue Sheets, 1929

Series:

Format: Cue sheet

Document type: Cue sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

Notes:

Source: Silent Film Collection, Adele Sullivan materials, American Music Research Center, University of Colorado at Boulder

SFSMA ID: jN4Rsrosrh

Download: PDFDownload