Category Archives: Cue Sheets

The Bushranger

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Title: The Bushranger

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Treachery and Vengeance” by Fletcher
  2. Sussex Manor, England: “Promenade” by Rapee-Axt
  3. After toast drunk: “Symphonic Color Classic No. 2” by Schoenfeld (RED)
  4. Maid comes to take Goldilocks to bed: “Parade of the Toys” by Schertzinger
  5. Child taken out of room: Repeat No. 3 (RED)
  6. May heaven forgive you: “The Tragic Discovery” by Patou
  7. Fade to duel: “Incidental Symphony No. 18-A” by Schertzinger
  8. End of duel: “The Tragic Discovery” by Patou
  9. A year later: Continue No. 8
  10. I’ve a pardon: “Incidental Symphony No. 7” by Kempinski
  11. Poor blighter: “Irvina” by Rolfe
  12. Fate had made an outlaw: “Incidental Symphony No. 18-B” by Schertzinger
  13. I’m going to find: Repeat No. 11 “Irvina”
  14. Murphy, I think I’ll ride out: Repeat No. 12 “Incidental Symphony No. 18-B”
  15. I’ll beat him to it: “Presto Galop” by Rosey
  16. The coach for Ballarat: Repeat No. 10 “Incidental Symphony No. 7”
  17. McCoy dismounts at coach: “Incidental Symphony No. 24” by Kempinski
  18. Coach driven off: Repeat No. 10 “Incidental Symphony No. 7”
  19. Coach stops—soldiers on coach: “Tout a Vous” by Tyers
  20. Dancers stops and applaud: “Caroma” by Pabst
  21. Girl motions how Bushranger looked: “Quelques Fleurs” by Baron
  22. Brother recognizes brother: Repeat No. 3 (RED)
  23. McCoy knocks brother down: “Hurry No. 1” by Ancliffe
  24. A thousand pounds: “Little Fawn” by Rosenbaum
  25. Why Lucy: “Lotus Flower” by McGrath
  26. Fade-out of girls on balcony: “Symphonic Color Classic No. 2” by Schoenfeld (WHITE)
  27. Edward, Edward: “Symphonic Color Classic No. 2” by Schoenfeld (RED)
  28. Sir Edward told me: Repeat no. 27 (WHITE)
  29. Girl on with lovers: Repeat No. 27 (RED)
  30. Fade-out after prisoner is taken away: Repeat No. 26 (WHITE)
  31. Girl comes from prison – exterior: “Rache-Vengeance” by Porret
  32. Prison cell: “Symphonic Color Classic No. 2” by Schoenfeld (DK. BLUE)
  33. McCoy dismounts at Outlaw Camp: “Agitato No. 11” by Lake
  34. Prisoner released: Repeat No. 32 (DK. BLUE)
  35. Soldiers mount horses: Repeat No. 33 “Agitato No. 11”
  36. McCoy thrown out of hut: Repeat No. 32 (DK. BLLUE)
  37. McCoy mounts horse: “Six Furlongs” by Bub
  38. Girl brought back to father: “Afflizione” by Gabriel Marie
  39. After boy dies: “Symphonic Color Classic No. 2” by Schoenfeld (WHITE)

Proper orchestral rest period is Nos. 20 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 8JxZOErBYv

Download: PDF

Burning Daylight

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Title: Burning Daylight

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At screening: “Dans la Montagne” by Delsaux
  2. Before the great: “Storm Music” by Ketelbey
  3. Interior of bar-room: “Kowboy Komedy” by Aborn
  4. Hey Virgie: “The Simpleton” by Delille
  5. Exterior: “Chariot Race” by Becce
  6. Daylight, Old Pal: “Weird Scenes from Nature” by Kilenyi
  7. It was burning Daylight: “Western Allegro” by Falck
  8. Fade-out – bottles thrown into barrel: “Nights of Gladness” by Ancliffe
  9. Card game at table: “The Gentleman Burglar” by Jacquet
  10. Daylight shows four queens: Repeat No. 4 “The Simpleton”
  11. The stranger: “The Villain” by Kay
  12. Stranger attacks girl in room: “Gruesome Misterioso” by Borch
  13. Daylight throws stranger into snow bank: Repeat No. 3 “Kowboy Komedy”
  14. Daylight goes to Virgie: “Chant d’Amour” by Jacquet
  15. They called him: “The Blizzard” by Aborn
  16. Sunday morning: “Frozen North” by Rapee-Axt
  17. On Bonanza Creek: “Mystic Glades” by Kempinski
  18. Virginia at door hears conversation: “Marche Mysterieuse” by Schad
  19. Fade-in dance hall: Repeat No. 3 “Kowboy Komedy”
  20. Virginia speaks to Daylight: “Excitement” by Breil
  21. I understand you’re going to: “Tragic Moments” by Becce
  22. The Morton crowd: Repeat No. 4 “The Simpleton”
  23. I want to speak to you alone: “Omens” by Schad
  24. Stranger leaves: “The Philanderer” by Srawley
  25. Daylight’s friends gave him: “Ripples” by Lowitz
  26. Daylight starts speech: “The Joker” by Srawley
  27. Fade-in orchestra: “Moon Sprites” by Jacquet
  28. Close-up – tabasco sauce: “Lazy Bones” by Edwards
  29. Eight faux pas: “Good-Bye” by Tosti
  30. Mister, you sure can: Repeat No. 28 “Lazy Bones”
  31. Edwin Bossett: “Monkey-Hop” by Rapee
  32. Under the guidance: Repeat No. 14 “Chant d’Amour”
  33. Fade-in Pals in outer office: “Daisy Bell” from Old Timers by Lake
  34. Elevator man stops dancers: “Scherzando Hurry” by Frey
  35. Daylight and man match strength: “The Toilers” by Axt
  36. Daylight is overpowered: Repeat No. 4 “The Simpleton”
  37. After Daylight pushes man out of office: “And the Night Raven Sings” by Bedford
  38. Daylight answers phone: “Autumn Gold” by Kappey
  39. Sunday afternoon: “Prelude” to Parlor Comedy by Baron
  40. We’re forming a pool: “Turmoil” by Brunelli
  41. The sudden heavy buying: “A Critical Moment” by Becce
  42. Virginia sees other girl: “Desire” by Siewert
  43. Ward Valley Rose: “Facing Death” by Becce
  44. Insert – newspaper: “Day of Doom” by Joels
  45. Bossett and man in office: “Ominous Moments” by Kempinski
  46. Girl enters: Repeat No. 23 “Omens”
  47. Daylight with bag sees Virginia: Repeat No. 14 “Chant d’Amour”

Source: Carl Braun Collection

SFSMA ID: 075V40ujAa

Download: PDF

The Bugle Call

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Title: The Bugle Call

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Assembly Call”- bugle call by trumpeter
  2. The bugle call: “Down South” by Myddleton
  3. After one scene – colored children dancing: “Shenandoah” by Bendel
  4. Soldier turns letter to second page: “That Wonderful Mother of Mine” by Goodwin (WHITE)
  5. All aboard: “Aces High” by Boulton
  6. Fort Rumson: “Assembly Call” by trumpeter
  7. Scene on: “Radio Galop” by Bub
  8. Horses stop: “Entrance and Dance of the Goblins” by Schertzinger (YELLOW)
  9. Coogan blows bugle: “Bugle Call” by trumpeter as introduction to No. 10
  10. One scene: “The Live Wire” by Frey
  11. Wait till you see: Repeat No. 8 (YELLOW)
  12. Fade-out as wagon drives off: “Parade of the Wooden Soldiers” by Jessel
  13. After Coogan sees toy soldiers: Repeat No. 4 (WHITE)
  14. Jackie Coogan runs out of room: “Alice” by Hauenschild
  15. Society notes – paper: “Laughing Eyes” by Silberberg
  16. Soldiers, go to sleep: “Taps” by trumpeter
  17. Scene well on: “Boogie Man’s Patrol” by Boehnlein
  18. Coogan puts bugle to lips: “Boots and Saddles” – bugle call
  19. One scene: “Roller Coaster” by Schertzinger
  20. Close-up of Coogan at window: “The Busy Bee” by Bendix
  21. Imitation of steps walking upstairs: “In the Middle of the Night” by Rose
  22. The Armee. The Armee. It’s hep, hep, hep: “American Patrol” by Meacham
  23. Good-bye: “Immortellen Waltz” by Gung’l
  24. Fade-out to potato scene: “We’re In the Army Now”
  25. Cook stopes playing guitar: “On the Mill Dam” by Babb
  26. Jackie Coogan runs into room to father: Repeat No. 4 (WHITE)
  27. The day that his future step-mother arrived: “Jollity” by Zamecnik
  28. Captain Tremayn’s regrets: Repeat No. 8 (YELLOW)
  29. Girl walks from Jackie Coogan: “Dagger Dance” by Herbert (BROWN)
  30. End of Indian scene: Repeat No. 8 (YELLOW)
  31. Most people think: Repeat NO. 29 (BROWN)
  32. My mother wasn’t afraid of Indians: “Love Secrets” by Zamecnik
  33. Jackie Coogan eating soup: “The Season’s Greetings” by Marquardt
  34. I’m sure Billy didn’t mean to hurt you: Repeat No. 4 (WHITE)
  35. From then on, every day: “My Lady’s Boudoir” by Schertzinger
  36. Let’s give them: “Hark the Held Angel’s Sing” from Five Favorite Yule-Tide Songs by Mendelssohn
  37. Husband and wife embrace: bugle call one scene, then segue to ‘All America” by Zamecnik
  38. Where’s Billy: “Vivacity” by Conterno
  39. Jackie Coogan crawls over tree at grave: Repeat No. 4 (WHITE)
  40. He called me mother: Continue No. 39, pathetic and slow
  41. Coogan embraces father: “Pathos – Incidental Miniatures No. 2” by Schertzinger
  42. Shortly after spring: Repeat No. 18 “Boots and Saddles”
  43. After one trumpeter scene: “Devil Dogs” by Marquardt
  44. Long shot of soldiers on horseback: Repeat No. 29 (BROWN)
  45. Coogan walks from soldier to house fence: “Tears – Indicental Miniatures No. 2” by Schertzinger
  46. Would you: “Indian Orgy” by Rapee-Axt
  47. Coogan on horseback blows bugle: Long bugle call by trumpeter
  48. Second scene- Coogan blowing bugle: Repeat No. 29 (BROWN)
  49. Coogan blows bugle again: Recall – bugle call
  50. Coogan stops blowing bugle: “Hurry No. 25” by Lake
  51. Soldiers at rescue at fort: “Battle Agitato No. 16” by Minot
  52. Coogan at cave rescued: Repeat No. 4 (WHITE)

Proper orchestral rest period is Nos. 27 to 36 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: w9L0PI8Th7

Download: PDF

Buck Privates

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Title: Buck Privates

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “American Festival March” by Riesenfeld
  2. Cast: “Over There” by Cohan
  3. Captain, you will find: “Where Do We Go From Here?” by Wenrich
  4. The boys celebrated: “Mess – Trumpet Call”
  5. Boys eating chow: “Soup Song” by Archer
  6. Anna appears: ANNA THEME – “Douce Fievre” by Y’Ener
  7. Under an arrangement: HULDA THEME – “Schuhplattler Tanz” by See
  8. Boys stop at Hartmann’s house: Repeat No. 3 “Where Do We Go From Here?
  9. Officer walks up: “The American Guard” by Bergh
  10. Go on in, if that egg kills you: “Razzing Theme” by Rapee
  11. Anna appears: Repeat Anna Theme No. 6
  12. The Army: Burlesque on “How Dry I Am” by Kempinski
  13. Flash-back to Anna and John: Repeat Anna Theme No. 6
  14. Anna walks from house: “Following You Around” by Kahn
  15. John starts to play sausages and sing: “Love Me and the World is Mine” by Ball
  16. Anna starts for home: “Ain’t She Sweet?” by Ager
  17. Come on Buddy: SERGEANT THEME – “Down By the Winegar Woiks” by Donovan
  18. He kisses Hulda: “Gigue” by Bradford
  19. Flash to boys at bar drinking: “Sweet Adeline”
  20. Two boys stagger from bar room: “Two In a Bar” by Copping
  21. Sergeant appears: “Elopement” by Carrozzini
  22. Hulda joins hum at table: Repeat Hulda theme No. 7
  23. Hulda face close-up – changes expression: ‘Mal de Mer” by Lange
  24. Hulda on street – slow motion: “Yip-I-Addy-I-Aye”
  25. Citizens see her queer actions: “Day of Doom” by Joels
  26. Flash-back to Hulda: Repeat No. 23 “Mal de Mer”
  27. Insert – announcement: “La Fee Melusine:” by Cas
  28. What right: “Assembly Call”
  29. Commanding officer appears: “The Big Parade” by Axt
  30. Anna in room dressing: Repeat Anna theme No. 6
  31. Sergeant appears: Repeat Sergeant theme No. 17
  32. Hulda appears: “It Had to Be You” by Jones
  33. Sergeant Butts: “Repeat No. 29 “The Big Parade”
  34. Flash-back to Anna and John: Repeat Anna theme No. 6
  35. Hartmann appears: “Chatter” by Kahn
  36. John sees statuette on mantel: “Nibelungen March” by Wagner
  37. Bugle sounds assembly: Repeat No. 28 “Assembly Call”
  38. Exterior – soldiers gathering: “National Emblem March” by Bagley
  39. Hartmann drags Anna from scene: “Gossip” by Borch
  40. John greeted by his buddies: “My Buddy” by Donaldson
  41. Night scene – John in garden: “Whispering Flowers” by Von Blon
  42. Anna meets John in garden: Repeat Anna theme No. 6
  43. Hartmann and committee: Repeat No. 36 “Nibelungen March”
  44. Men leave house – peek over fence: “Animal Cartoonix No. 2” by Aborn
  45. Sergeant appears: Repeat Sergeant theme No. 17
  46. Sergeant embraces Anna: “Camorra” by Joels
  47. Scissors handed to Hartmann: “Berceuse” by Jarnefelt
  48. Anna in boudoir weeping – opens present: Repeat Anna theme No. 6
  49. Hartmann and Anna with officer: Repeat No. 29 “The Big Parade”
  50. The next morning: “Ain’t We Got Fun” by Whiting
  51. Hulda enters Anna’s boudoir: “Intermezzo Perpetual” by Lowitz
  52. Hulda in bridal gown: Burlesque on “Mendelssohn’s and Wagner’s Wedding March” by Kempinski
  53. Flash-back to boys: “Gigue” by Gretry-Mottl
  54. Flash-back to wedding ceremony: Burlesque on “Mendelssohn’s and Wagner’s Wedding March” by Kempinski
  55. Boys rush into room and kidnap bride: “Aeroplane Galop” by Lamothe
  56. Sergeant lifts bride’s veil: Repeat Hulda theme No. 7
  57. Johnny, please don’t hit me: Repeat Anna theme No.6

Source: Carl Braun Collection

SFSMA ID: c9rVF8RV9e

Download: PDF

Brotherly Love

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Title: Brotherly Love

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Wooing” from Love Tales by Schertzinger (WHITE)
  2. If women’s skirts: “In Cheerful Mood” by Gabriel Marie
  3. Play once and segue: “The Philanderer” by Srawley (BROWN)
  4. Girl barber begins to work on Karl Dane: “Symphonic Incidentals No. 15” by Marquardt (RED)
  5. I’m awfully sorry: “Butterflies” by Arundale
  6. K. Arthur opens street door: “Allegro Buffonesco” by Kempinski
  7. Shawl flies on fan: Repeat No. 1 (WHITE)
  8. There’s a town in Massachusetts: Repeat No. 4 (RED)
  9. Karl Dane puts money in blind man’s box: “Agitato” by Armandola (LT. BLUE)
  10. Fender falls off Ford car: “Symphonic Incidentals No. 15” by Marquardt (RED)
  11. Fade-put of police station scene: “Fairy Tiptoe” by Fredericks
  12. Play once and segue: “The Philanderer” by Srawley (BROWN)
  13. The big brute: Repeat No. 9 (LT. BLUE)
  14. Hospital: “The Philanderer” by Srawley (BROWN)
  15. Prisoner brought to hospital: “Wooing” from Love Tale by Schertzinger (WHITE)
  16. Boy and girl scene in hospital to warden in office: “Marionettes” by Byford
  17. Play once and segue: Repeat No. 14 (BROWN)
  18. Exterior scene – auto on: “Close Up” Kaufman
  19. Play twice and segue: “Rural Flirts” by Bradford
  20. The next day was Sunday: “First Call of Spring” by Smith
  21. This is on me: “Lead, Kindly Light” from Hymns of the Sabbath by O’Hare (organ and voice)
  22. End of girl singing: “Organ transformation”
  23. Congregation stands up: “Nearer My God To Thee” from Hymns of the Sabbath by O’Hare
  24. End of song: Repeat No. 22 “Organ transformation”
  25. Fade-out of church interior: “Improvisation” by Beghon
  26. Fade-out of turkey cutting scene: “Petite Bijouterie” by Bohm
  27. I’ve never known a boy like you: Repeat No. 18 (WHITE)
  28. Fade-out of girl on swing: Repeat No. 19 “Cavatina”
  29. Fade-put after title – “This town is getting on my nerves”: “Mysterioso No. 1 by Luz (whistling)
  30. Can you whistle Yankee Doodle: “Yankee Doodle” from American National Melodies by Asher
  31. Haines comes from bank: “Incidental Symphony No. 32” by Kempinski
  32. Child talks to Haines: “Woodland Stream” by Beghon
  33. Girl seen on screen: “Love Dreams” by Golden (WHITE)
  34. Fade-out as father and daughter walk to house: Repeat No. 31 “Incidental Symphony No. 22”
  35. We’re all going to stay I this town: “Romance” by Wieniawski
  36. Two crooks leave room: “Love’s Response” by Marquardt
  37. Stop with two shots: “A.B.C. Dramatic Set No. 18-B2” by Luz
  38. I thought it was a robber; “A.B.C. Dramatic Set No. 18-C3” by Luz
  39. Fade to newspaper article: “Dramatic Tension No. 1” by Levy (RED)
  40. Fade-out to detective to bank interior: “Budding Blossoms” by Schoenfeld
  41. Father of girl walks from lovers: Repeat No. 33 (WHITE)
  42. Children on screen (segue quickly): Scherzoso” by Friml
  43. Haines opens telegram: “Uneasiness” by Mendelssohn (LT. BLUE)
  44. Haines at desk handling money: Repeat No. 33 (WHITE)
  45. Girl leaves office: Repeat No. 39 (RED)
  46. Play once and segue: “May Dreams” by Borch
  47. Laugh this off: “Symphonic Incidentals No. 17” by Marquardt
  48. Just a matter of form: Repeat No. 39 (RED)
  49. Girl enters office: Repeat No. 43 (LT. BLUE)
  50. Safe door opened: “Love Dreams” by Golden (WHITE)

Proper orchestral rest period is Nos. 20 to 31 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: c8lLJB5Ne6

Download: PDF

The Broadway Drifter

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Title: The Broadway Drifter

Author: E.K. Blanck

Publisher: Musical Synopsis, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: E.K. Blanck

OCLC Number:

Contents:

Love theme – “Love Me All the Time” by Rose

  1. At screening: “L’Amour Valsant” by Kirk
  2. An apartment hotel: “Le Retour” by Bizet
  3. It wasn’t only: “Carolina Stomp” by Bloom
  4. Bob Stafford: “Valse Divine” by Rosey
  5. Winston coughing: “Adagio Cantabile” by Smith
  6. Showdown of cards: “The Verdict” by Mause
  7. Many women had angled: “Adorable” by Wynburn
  8. You might as well: “Treachery” by Fletcher
  9. You’re a little too: “Dramatic Tension No. 6” by Zamecnik
  10. Father enters: “Amoureuse” by Gillet
  11. You probably heard: “Cavatina” by Raff
  12. Bob looks at B’way: “Tragic Parting” by Hausenchild
  13. In the morning: “Glad Days” by Berche
  14. Newspaper insert; “Lucky Day” by Henderson
  15. The door of: “Mountain Greenery” by Rodgers
  16. Ever since you’ve been: LOVE THEME
  17. Eileen’s uncle: “Fluerette D-Amour” by Fletcher
  18. Winston had found: “Gaiety” by Savino
  19. Home of Doug Harmon: “Ashes of Roses” by Arnold
  20. Bob at home: LOVE THEME
  21. Winston and Mignon: “Intermezzo” by Arinsky
  22. Girls in gymnasium: “Pastime” by Clutsam
  23. A home such as: LOVE THEME
  24. You have a college: “Apres L’Orage” by Mouton
  25. Laura enters: “Misterioso Allo Valse” by Savino
  26. You boys can run: “Little Flower Garden” by Breil
  27. Close of up cards: “Autumn Voices” by Bassett
  28. The bridge game had: LOVE THEME
  29. Weeks had passed: “Aeroplane Galop” by LaMothe
  30. I don’t know what: “Ellinge” by Byford
  31. Flashback of plane: “Moto Pericoloso” by Schad
  32. Winston and Mignon: “Plotting” by Lecoq
  33. An hour later; “Conspiracy” by Zamecnik
  34. Bob enters: “Affizione” by G. Marie
  35. And I trusted you: LOVE THEME
  36. To Eileen: “Simple Aveu” by Thome
  37. Newspaper insert: “The Meeting” by Jebe
  38. Bob was back: “Precious” by Whiting
  39. Bob leaves: “Desperation” by Schad
  40. Eileen at piano: “Panicky Agitato” by Berge
  41. Eileen sighs: LOVE THEME
  42. Winston alone: “Agony” by Kempinski
  43. Happiness – success: LOVE THEME

Source: Carl Braun Collection

SFSMA ID: 1Cp4pc33cf

Download: PDF

Broadway Daddies

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Title: Broadway Daddies

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At screening: “Manhattan” by Rodgers
  2. Café interior: “Lila” by Tobias
  3. End of dance: “Early Roses” by Baron
  4. In a fashionable: “Cynical Scherzando” by Axt
  5. Close-up of cover of book: “What Says the Brook” by Boehnlein
  6. Street scene: “Fanatic Derwish Dance” by Becce
  7. Later; “Do You Love Me?” by Wolf
  8. Eve on street – meets Dick: THEME “Let Me Call You Sweetheart” by Friedman
  9. They enter Chinese restaurant: “Japanese Reverie” by Bartlett
  10. Chinaman leaves Dick’s table: Repeat Theme No. 8
  11. They stop dancing: “Whippoorwill” by Kaw
  12. Eve reads slip of paper: Repeat Theme No. 8
  13. When a fellow’s in love: “Eleurette d’Amour” by Fletcher
  14. Taxi crashes into auto: “Romance” by d’Ambrosio
  15. Fade-out after title –“Call up the Times”: “Hello Cutie” by Friend
  16. Dick enters girl’s room: Repeat No. 4 “Cynical Scherzando”
  17. Fade-out – Dick reading book: “Lovers Meeting” by Kempinski
  18. Dick leaves room after reporter enters: “Soiree” by Zamecnik
  19. Daytime in a: “Doll Dance” by Brown
  20. Eve picks up newspaper: “Where Roses Bloom” by Edwards
  21. Leach and Eve leave: “Spirit of Spring” by Reiser
  22. Dick seen in auto: “Forgive Me” by Ager
  23. Policeman stops Dick: “Ripples” by Lowitz
  24. Dick pulls Eve into auto: Repeat Theme No. 8
  25. Dick’s father at desk: “True Love” by Ketelbey
  26. Father speaks to Eve: “Quandry” by Schad
  27. Fade-out – Dick leaves father: Repeat No. 23 “Ripples”
  28. Close-up of wine glass: “Golden Gate” by Jolson
  29. Dick and father enter: “Happy Jacqueline” by Mondrone
  30. Orchestra starts: Repeat No. 6 “Fanatic Derwish Dance”
  31. Watch: “Souvenir d’Amour” by Conte
  32. Fade in Chinese restaurant: “Reminiscence” by Carrozzini
  33. Dick drops coin into slot: Repeat Theme No. 8

Source: Carl Braun Collection

SFSMA ID: 66A1vrdz25

Download: PDF

Bringing Up Father

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Title: Bringing Up Father

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “A Southern Reverie” by Bendix
  2. Photo studio fades to picture on wall: “Symphonic Incidentals No. 10” by Marquardt (LT. BLUE)
  3. Milkman hit on head: “Sunny Hours” by Rich
  4. Door knock: Repeat No. 2 (LT. BLUE)
  5. Fade of Polly Moran at window: “Sweet Adeline” [no composer given]
  6. With that singing: “Fresh Flowers” by Lincke
  7. Armless man at bar: “Romance sans Paroles” by Davidoff
  8. Is this the smallest you got: Repeat No. 2 (LT. BLUE)
  9. Put this in the cash register: “Fragrance Lane” by Fresco
  10. Telephone bell rings: Repeat No. 2 (LT. BLUE)
  11. Wait a minute, Maggie: “Caressing Butterfly” by Barthelemy
  12. Play once and segue: “Love’s Wilfulness[sic]” by Barthelemy
  13. Jiggs sits down in arm chair: “La Confession” by Morgan
  14. Tell Papa what happened: “Oh Mister” by Frey
  15. Here comes my honored guest: “Call Me Sweetheart” by Robe (YELLOW)
  16. Always call me Dennis: “Punchinello” by Herbert
  17. Father filling his pipe: “Yesterthoughts” by Herbert
  18. Father hurts his foot: Repeat No. 16 “Pulchinello”
  19. Money’s gone to your head: Repeat No. 2 (LT. BLUE)
  20. Auntie dear, it’s Helen: “Only a Smile” by Zamecnik (WHITE)
  21. Dog’s tail caught in rat trap: Repeat No. 2 (LT. BLUE)
  22. Some of Maggie’s furniture: “Butterflies” by Arundale
  23. Yes, but I like my mah jongg: “How-Wah-Ya” by Banta
  24. Street scene: Repeat No. 2 (LT. BLUE)
  25. Jiggs throws rolling pin manufacturer into coal hole: “Chiffons and Laces” by Baron
  26. Man begins to play piano: “In a Little Spanish Town” by Wayne (piano and voice)
  27. Jiggs enters – end of song: “The Tragic Discovery” by Patou
  28. Will you deprive yourselves: Repeat No. 2 (LT. BLUE)
  29. Polly Moran kicked: “The Awakening” by Zamecnik
  30. Hall and stairway scene: Repeat No. 15 (YELLOW)
  31. Girl goes back into home: “Andante Pathetique No. 10” by Berge
  32. So Jiggs looked over Long Island: “Dainty Blossoms” by Kahn
  33. The Blackbird Café: “Let a Smile Be Your Umbrella” by Fain
  34. I might as well: “Diane” by Rapee
  35. Jiggs hit over head with rolling pin: “A Shepherd’s Pipe and Summer Skies” by Falk
  36. Wife opens door of bedroom: “Melody” by Franck
  37. The biggest event: “Pastime” by Clutsam
  38. I was giving a little surprise party: Repeat No. 20 (WHITE)
  39. That evening Maggie: “Slumberland” by Herringshaw
  40. Dennis walks to girl at cake: “Rendez-vous d’Amour” by Edwards
  41. Wife walks to Jiggs at chair: “Love’s Lullaby” by Vermeire
  42. Jiggs has pen – begins to write: Repeat No. 15 (YELLOW)
  43. Flash-back to house interior: “dew-Dew-Dewy Day” by Johnson
  44. Are you trying: Repeat No. 2 (LT. BLUE)
  45. Maggie prevents Jiggs shooting himself: Repeat No. 20 (WHITE)
  46. Letter to Mrs. Jiggs: Repeat No. 2 (LT. BLUE)
  47. Oh Maggie, Maggie: “Joyous Appassionato” by Carbonara
  48. If your prayers were answered: Repeat No. 20 (WHITE)
  49. Segue quick as Jiggs is hit with hammer: “Celebrated Canzonetta” by Mendelssohn
  50. Fade to bed in hospital: Repeat No. 20 (WHITE)

Proper orchestral rest period is Nos. 20 to 32 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: xbd2NqmM9X

Download: PDF

The Bridge of San Luis Rey

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Title: The Bridge of San Luis Rey

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Dramatic Tension” by Axt
  2. Feet walking on bridge: “Incidental Miniature No. 6” by Hauenschild
  3. People enter cathedral: “Dilemma” by Savino
  4. Choir boys cross screen: “Cortege” by Rapee-Axt
  5. Priest in pulpit: “Sanctuary of the Heart” by Ketelbey
  6. Fade-out of priest in pulpit: “The Magic Flame” by Spaeth
  7. Lovers kiss: “The Enchanted Castle” by Marquardt (BLACK)
  8. Daughter enters room – locks door: Repeat No. 6 “Magic Flame”
  9. Groom kisses mother at auto: “Manzanillo” by Robyn
  10. A different love: “If Love Were All” by Axt (WHITE), chorus only
  11. Exterior scene: Repeat No. 7 (BLACK)
  12. In the public square: “Morena Y Sevillana” by Maduro
  13. Two boys open carriage door: Repeat No. 10 (WHITE)
  14. Carriage drives off: Repeat No. 12 “Morena U Sevillana”
  15. In the gay quarter: “Santiago”by Corbin
  16. Stop short as dancing girl falls: “The Mischief Makers” by Carbonara
  17. No wonder I fall: “Dark Eyes” by Marquardt
  18. Well, show me how: Repeat No. 15 “Santiago”
  19. A few months: “Marche Triumphale” by Kempinski
  20. People in theatre sit down: Repeat No. 15 “Santiago”
  21. End of dance: Repeat No. 17 “Dark Eyes”
  22. Dancing girl enters dressing room: Repeat No. 16 “Mischief Makers”
  23. Cane raps on dressing room door: “Moraima” by Tobani
  24. Why did you tell me not to go: “Jurame” by Grever (LIGHT GREEN)
  25. All Lima talked: “The Enchanted Castle” by Marquardt (BLACK)
  26. I am so lonely: “The Magic Flame” by Spaeth
  27. Once upon a time: “Spinning Song” by Mendelssohn
  28. Girl on couch throws shoe: “The Bridge of San Luis Rey” by Wendling
  29. Girl rises from couch: Repeat No. 24 (LIGHT GREEN)
  30. Cane raps on door: “Spinning Along” by Bierman
  31. Girl lying on couch: “Jurame” by Grever (LIGHT GREEN)
  32. You are very clever: “Symphonic Incidentals No. 11” by Marquardt
  33. Many women in Lima: Repeat No. 31 (LIGHT GREEN)
  34. Nobleman leaves house: “Senorita” by Friml
  35. Girl begins to dictate letter: “Agitato Pathetic” by Kilenvi”
  36. Write this: Repeat No. 31 (LIGHT GREEN)
  37. I can’t take it: Repeat No. 35 “Agitato Pathetic”
  38. Girl opens door for letter writer to leave: “Yearning” by Schoenfeld
  39. And the first shadow: “Redemption Theme” by Tschaikowsky
  40. In the Marquesa’s palace: “Romeo’s Farewell to Juliet” by Baron
  41. Boy falls on step: “If Love Were All” by Axt (WHITE), chorus only
  42. Fade-out of girl praying: Repeat No. 31 (LIGHT GREEN)
  43. Dancer leaves letter writer’s home; Repeat No. 38 “Yearning”
  44. Fade-out as letter writer goes to sleep: “Symphonic Incidentals No. 15” by Marquardt
  45. Dancing girl begins to laugh: “Symphonic Incidentals No. 7” by Marquardt
  46. Get your meddling old face: “Appassionato Patetico” by Bradford
  47. Dancing girl thrown on floor: Repeat No. 45 (RED)
  48. Fade-out of dancing girl in rage: “A Thief in the Night” by Axt
  49. Ramirez: “Appassionato No. 2” by Axt
  50. Letter writer thrown downstairs: Repeat No. 45 (RED)
  51. And Pepita: Repeat No. 41 (WHITE)
  52. Lover disappears from screen: “Dramatic Love Scene” by Axrt
  53. Weeks, fearful weeks: “Yearning” by Schoenfeld
  54. You came between me: “The Accusation” by Patou
  55. Door broken: Repeat No. 45 (RED)
  56. Girl begins to read letter: “Heart’s Pleading” by Rapee-Axt
  57. Fade-out after title – “No, no, I must go tomorrow”: “Redemption Theme by Tschaikowsky
  58. Estrahan, I can’t see you: “Sorrow” by Macat
  59. Fade-out of two brothers: “Symphonic Incidentals No. 11” by Marquardt
  60. Whispers had reached Captain Alvarado: “The Bridge of San Luis Rey” by Wendling
  61. Boy walking upstairs: “A.B.C. Dram.Set No. 18-A1” by Luz
  62. Captain cuts cord: “A.B.C. Dram. Set No. 18-C3” by Luz
  63. And on the feast day: Repeat No. 60 “The Birdge of San Luis Rey”
  64. I’m ready: “Incidental Miniature No. 6” by Hauenschild
  65. Stop short as lovers fall together on bridge: “If Love Were All” by Axt (WHITE), chorus only
  66. Church interior: “Sanctuary of the Heart” by Ketelbey

Proper orchestral rest period is Nos. 33 to 44 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: F93h6zb7nc

Download: PDF

Branded Sombrero

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Title: Branded Sombrero

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: Prelude to Western American Dream by Baron
  2. Proud of his son, the wild high tempered Lane: “Cherro” by Finck
  3. You boys might start headin’ home: “The Ridin’ Kid” form Western Sketches by Stahlberg
  4. Man seen sneaking up with gun: “Mysterious Stranger” by Kay
  5. After second man is shot: Repeat No. 3 “The Ridin’ Kid”
  6. Connie Marsh: “Tales By Moonlight” by Thomas
  7. Close-up of hat seen: “Remords” by Franceschi
  8. A puzzled countryside attended: “Mountaineer’s Dance” by Borch
  9. Jones enters house: “The Little White House” by Hanley
  10. Maggert walks over to Connie: “Love’s Impulse” by Jacquet
  11. Maggert leaves Connie: “Ecstasy” by Zamecnik
  12. Lane wanted me to give: THEME, “Worryin’” by Fairman
  13. Jones and Lane in house: ‘Chasity” by Kay
  14. Fade-out to gambling: “Evil Intentions” by Kempinski
  15. Lane leaves gambling room: “Charme d’Amour” by Kendall
  16. Lane enters Maggert’s office: “Uneasiness”[?] by Mendelssohn
  17. Lane leaves Maggert: “Who’s Who?” by Morris
  18. Link enters Connie’s room: “Enthusiasm” by Schad
  19. Link leaves Connie: “Mystic Magic” by Bradford
  20. Change of scene to cattle: “Agitato Misterioso” by Becce
  21. Lane leaves train loading cattle: “Eccitamento” by Retlaw
  22. Lane falls off horse: “Fleeting Shadows” by Weiss
  23. Link and Connie enter post office: “Desert Dawn” by Bernard
  24. Connie and Link leave post office: “Misterioso Dramatico No. 22” by Borch
  25. Connie enters jail: Repeat Theme No. 12
  26. Connie leaves jail: “Incid. Symphony No. 16” by Schertzinger
  27. Close-up of hat seen: Repeat No. 16 “Uneasiness”
  28. Maggert enters post office: “Mysterious Tension” by Axt
  29. It is your move, Sheriff: “Astir” by Berge
  30. Horse goes to rescue Starr Hallet: “Foursuite Impitoyable” by Baron
  31. Sheriff seen behind bars in jail: “Help! Help!” by Kovacs
  32. Maggert is getting away on the freight: “Excitement and Hurry” by Hoffman
  33. Jones jumps on Maggert on top of train: “The Rabble” by Herbert
  34. After Starr takes envelope with money away from Maggert: Repeat Theme No. 12
  35. Door is broken down in room where Lane is: Repeat No. 15 “Charme d’Amour”
  36. Change of scene back to Connie and Starr: Repeat Theme No. 12

Source: Carl Braun Collection

SFSMA ID: yXjPqmJxEN

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Body Punch

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Title: Body Punch

Author: M. Winkler

Publisher: Belwin, Inc., 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

Theme: “Demande d’Amour” by Drigo. In the event the above mentioned theme is not in your library or unknown to you, you may substitute: “Love’s Declaration” by Baron or “Love’s Sweet Hour” by Otvos.

 

  1. At screening: “Approaching Meeting” by W. C. Schad
  2. I don’t believe it: “Recitative Patetico” by Dudley Peele
  3. Jack’s manager: “Descriptive Agitato” by Boehlein
  4. Water Street Mission: Theme
  5. Let’s eat in there: “Creepy” by Hoff
  6. I am gonna get me a dance: “Trembling Agitato” by Kilenyi
  7. Go ahead and sing: Theme
  8. I held them back: “Whimsical Charms” by Fresco
  9. Ladies’ Guild St. Johns: “Spinning Top” by Joseph Knecht
  10. Will you have them right now: “The Accusation” by Patou
  11. The next event: “Aces High” by Roberts
  12. Close up of gong: Produce effect followed by “Misterioso Furioso” by Affrunti
  13. I am a private detective: “Dramatic Tension No. 44” by Borch
  14. Paul Steinert took: “Misterioso Agitato” by Smith
  15. You do know something about it: “Reverie Poetique” by Baron
  16. I am a friend of Steinert: “Dramatic Agitato” by Minot
  17. Steinert running after kids: “Light Agitato” by Noyes
  18. You know something about: “Furioso No. 60” by Shepherd
  19. Turner swiped it: Theme

Source: Carl Braun Collection

SFSMA ID: vVfwKQAwqz

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Blue Skies

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Title: Blue Skies

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: DOROTHY and DICK THEME, “Blue Skies” by Berlin
  2. Close-up of sign—“John Baldwin” Orphanage: “Chacone” by Durand
  3. Come on kids, Dickie’s going to tell another story: “Fairly Tales” by Komzak
  4. And when the wind blows like this: Repeat Dorothy and Dick Theme No. 1
  5. Lady seen walking upstairs: “Vivacity” by Conterno
  6. Boy whistles out of window: Repeat Dorothy and Dick Theme No. 1
  7. Doll falls out of window: “A Frivolous Patrol” by Goublier
  8. Oh, Dickie, lookit ice-cream: “Ice-Cream” by Johnson
  9. Bowl of milk spills on table: Repeat Dorothy and Dick Theme No. 1
  10. We want to adopt a sister: “A Game of Tag” by Trinkaus
  11. Dick leaves table: “Allegro Agitato” by Becker
  12. Exterior seen: Repeat Dorothy and Dick Theme No. 1
  13. Change of scene back to dining room: “Marche Miniature” by Jacobi
  14. Little girl climbs out of window: Repeat Dorothy and Dick Theme No. 1
  15. Hurry, get in line: “Our Boys and Girls” by Ring-Hager
  16. Don’t take her, mister: “Symphonette No. 1” (Presto Movement) by Berge
  17. Dick goes into basement: “Remembrance” by Birkedal-Barford
  18. Girl whistles: Repeat Dorothy and Dick Theme No. 1
  19. Fade-in to two hearts: LOVE THEME, “Sweetheart” from Maytime by Romberg
  20. Girl and boy enter shop: “Happy Moods” by Marquardt
  21. Change of scene to garden: “Powder and Patches” by Fletcher
  22. So this is what has been going on: “Ferocity” by Carrozzini
  23. Change of scene to two men in office: “Gat Deceivers” by Claypoole
  24. Fire gong rings: “Hurry No. 7” by Lake
  25. Babies placed on ground: “Albumleaf” by Cui
  26. A fire drill every night at different hours: “Hustle, Bustle” by Delille
  27. Dick whistles for Dorothy: Repeat Love Theme No. 19
  28. Change of scene to two women: “Zigzag” by Ferber
  29. Gee Dorothy, you’re wonderful: “Melancholie Appassionato” by Rapee
  30. Matron approaches Dick and Dorothy: “After Midnight” by Bradford
  31. Change of scene to boy running across field: “Gaiety” by Savino
  32. Man enters office: “The Crisis” by Pasternack
  33. Change of scene back to children seen outdoors: “In Despair” by Berge
  34. Dick enters office: “Disperazione” by Becce
  35. Automobile drives up: “Lively and Happy” by Becce
  36. Do whatever you want with me: “Symphonic Incidentals No. 2” by Marquardt
  37. Two men enter office: “Dramatic Suspense” by Vrionides
  38. I can’t wait all day: “Threatening Elements” by Schad
  39. Group find Dick in basement: “Recitatif Dramatique No. 1” by Baron
  40. The child named Dorothy May Chevis: “Exultation” by Hosmer
  41. Dorothy may enters: Repeat Dorothy and Dick Theme No. 1
  42. A cold blooded, heartless thief: “Appassionato No. 1” by Rapee-Axt
  43. Dorothy and group leave basement: “Heart to Heart” by Trinkaus
  44. Insert of newspaper: Repeat Dorothy and Dick Theme No. 1
  45. Change of scene to office of orphanage: “Symphonic Incidentals No. 13” by Marquardt
  46. Change of scene to exterior of home: “Anxiete” by Srawley
  47. Change of scene to reflection of dancers on door window: Repeat Dorothy and Dick Theme No. 1 (Fox-Trot tempo)
  48. Fade-in to father and Dorothy entering private room: “Romance” by Nevin
  49. Change of scene to Dorothy walking thru ballroom: Repeat Dorothy and Dick Theme No. 1
  50. Two orphanage women seen: “The Tragic Discovery” by Patou
  51. Two orphanage women leave: “Suite Domestica No. 1” by Riesenfeld
  52. Dorothy enters: Repeat Love Theme No. 19
  53. Richard is going to stay here always: Repeat Dorothy and Dick Theme No. 1

Source: Carl Braun Collection

SFSMA ID: EfargXiduX

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The Blue Danube

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Title: The Blue Danube

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheet, 1926

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “On the Beautiful Blue Danube” by Strauss
  2. In Austria: “On the Beautiful Blue Danube” by Strauss
  3. Baron Erich von Statzen: ERICH THEME, “Frivolous Patrol” by Goublier
  4. Motor car appears: “Schoen Elsbeth” by Alberti
  5. The village of: “Dainty Damsel” by Baron
  6. Horse and rider appear: Repeat Erich Theme No. 3
  7. Man looks thru window: LUDWIG THEME, “Dram. Andante No. 39” by Berge
  8. Marguerite and Erich laugh: “Roguish Eyes” by Gruenwald
  9. Close-up of Ludwig: “Love’s Willfulness” by Barthelemy
  10. Erich enters: Repeat Erich Theme No. 3
  11. Ludwig outside beside boat: “By the Stream” by Rapee-Axt
  12. Erich starts boat: Repeat No. 2 “On the Beautiful Blue Danube”
  13. Erich tries to take her hands: LOVE THEME, “Moonlight on the Danube” by Gay
  14. Erich pulls out boat plug: “Dew Drops” by Rapee-Axt
  15. Ludwig joins her: Repeat Ludwig Theme No. 7
  16. People dancing: “Wiener Blut” by Strauss
  17. Trumpeter sounds call: Orchestra-tacet, Trumpet solo in B-flat

Segue: “Radetzky March” by Strauss

  1. I pronounce you: “La Reine de Saba” by Gounod
  2. People dancing: Repeat No. 2 “On the Beautiful Blue Danube”
  3. Exterior—Erich and Marguerite appear: Repeat Love Theme No. 13
  4. Motor car lights appear: “Impending Danger” by Kempinski
  5. Girl sounds trumpet call: Orchestra tacet, Trumpet solo

Segue: “Spirit of War” by Jacquet

  1. The world had: “Unfinished Symphony” by Schubert
  2. Ludwig arrives at inn: Repeat Ludwig Theme No. 7
  3. Insert-clock: “Fate” by Ketelbey
  4. Railway station—Erich appears: “Waiting” by Ancliffe
  5. I have news: “Loves Chatter” by Mendoza
  6. Don’t you know: “Agitato No. 3” by Langey
  7. Train starts: “Betrayed” by Verdi
  8. The waltz of life: “Chanson Triste” by Tschaikowsky
  9. Ludwig playing violin: “Traumerei” by Schumann
  10. Ludwig at window: “Agitato a la Valse” by Savino
  11. Insert—letter: Repeat Love Theme No. 13

Segue: “Remembrance” by Deppen

  1. Marguerite survived the: “Misterioso Drammatico” by Savino
  2. Boursch had long ago: “Fairy Tales” by Komzak
  3. Boursch and daughter seen: “Wine, Woman, and Song” by Strauss
  4. Marguerite with Baron and Boursch: “The Jester’s Serenade” by Herbert
  5. No! No! No!: “In the Depths” by Herkan
  6. Ludwig appears: Repeat Ludwig Theme No. 7
  7. Fade-in Buromaster: “Prelude” by Chopin
  8. Exterior—carriage appears: “Dream Shadows” by Spitalny
  9. Erich with Boursch, Helena and Baron: “Hearts Desire” by Varley
  10. Marguerite seated on bed: “Andante Pathetique No. 23” by Borch
  11. She sees shadow on wall: “The Verdict” by Zamecnik
  12. You are my wife (2nd time): “Dramatic Allegro” by Savino
  13. Erich starts towards them: “One Who Has Yearned Alone” by Tschaikowsky
  14. Ludwig draws knife: “Ferocity” by Carrozzini
  15. May the dear God: Repeat Ludwig Theme No. 7
  16. Erich opens door: Orchestra tacet
  17. Erich closes door: Repeat Love Theme No. 13

Source: Carl Braun Collection

SFSMA ID: i4NDxmiCmi

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Blood Will Tell

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Title: Blood Will Tell

Author: Michael P. Kreuger

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Kreuger

OCLC Number:

Contents:

  1. At screening: “Boreas” by Trinkaus
  2. Close-up of alarm clock ringing: “Oh, How I Hate to Get Up in the Morning”
  3. Change of scene to automobile: “On Your Way” by MacClure
  4. Jones stops automobile: “Whispering Willows” by Herbert
  5. Sandy McCosh: “An Argument” by Breil
  6. Gosh, it’s good to see: “Sunset in the Valley” by Engelmann
  7. Insert of telegram: “Suspicious” by Baron
  8. Child runs away from calf: “Animal Cartoonix No.1” by Aborn
  9. Flash-back to Cowan and deputy: Repeat No. 7 “Suspicious”
  10. Remember, you don’t: “Tex” from Western Sketches by Stahlberg
  11. Golly, I’m glad: “Gaily Thro’ Life” by Schad
  12. Cowan walks up to McCosh: “Sarcasm” by Kempinski
  13. That evening, Cowan: “Evening on the Ranch” from Western Sketches by Stahlberg
  14. Close-up of Jones and girl: THEME, “Side by Side” by Woods
  15. Take a walk, Mr. Cowan: “Ya Know How to Love” by Warren
  16. Blue-print—horses riding towards ranch: “Angosciosamente” by Gabriel Marie
  17. Next morning: “Kowboy Komedy” by Aborn
  18. Change of scene to Sally and Cowan: Repeat No. 16 “Angosciosamente”
  19. Change of scene to Jones and boy: Repeat No. 17 “Kowboy Komedy”
  20. Jones sees group of men near Sally’s door: “Fuga” by Gabriel Marie
  21. Tell Miss Morgan: “Storm Clouds” from Western Sketches by Stahlberg
  22. Jones runs into house: “The Flight” by Savino
  23. Sally goes over to safe: Repeat No. 21 “Storm Clouds”
  24. Change of scene to exterior—gang chasing Jones: “The Posse” by Lucas
  25. Eagle, I got a hunch: “Agitato No. 30” by Lake
  26. Put Duke on th’ back: “Trmbling Agitato” by Kilenyi
  27. Jones leaves Sandy and kid: “Astir” by Berge
  28. Jones chases man with money in shirt: “The Rabble” by Herbert
  29. We left th’ stranger: “Agitato Misterioso” by Becce
  30. Mount double: “Flick and Flock” by Patou
  31. Jones is shot down: “Agitated Mysterioso” by Langey
  32. Jones jumps on top of Cowan: “Panicy Agitato” by Berge
  33. Jones’ horse leads the rescuing party: “Galloping Furies” by Rapee
  34. Now you know: Repeat Theme No. 14
  35. This is th’ life: “This Is the Life” by Berlin
  36. Kid pushes Sally to Jones: Repeat Theme No. 14

Source: Carl Braun Collection

SFSMA ID: DsRy2QFmtZ

Download: PDF

Blindfold

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Title: Blindfold

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: LOVE THEME, “Forever” by Ager
  2. A small flat: “Gaily Thro’ Life” by Schad
  3. Change of scene to policeman walking: KELLY THEME, “There’s a Typical Tipperary” by Silver
  4. Policeman enters house: “Gaiety” by Savino
  5. Close-up of magazine story—“Velvet Fingers”: Repeat Love Theme No. 1
  6. Change of scene to exterior—jewelry store: “The Hold-Up” by Reuther
  7. Pistol shot: “Ferocity” by Carrozzini
  8. I saw their faces: “Fuga” by Gabriel Marie
  9. Mary sees ice-cream box: “Dramatic Tension” by Axt
  10. O’Brien enters home: “In Despair” by Berge
  11. A week of relentless: “Salvo” by Gariel Marie
  12. That’s the man—right there!: “Symphonic Incidentals No. 13” by Marquardt
  13. After case is dismissed: “Dilemma” by Savino
  14. Change of scene to Benard’s Music Store: “Serenade” by Drigo
  15. Violinist stops playing: “Gay Deceivers” by Claypoole
  16. The insurance company: “Marche Mysterieuse” by Schad
  17. You wait here, Mary: “Anxiete” by Srawley
  18. O’Brien enters music store: “Ondes Mysterieuses” by Franceschi
  19. Fight begins: “Commotion” by Minot
  20. Mary approaches Kelly on floor: “Dramatic Finale” by Noyes
  21. Where am I?: “Turbulence” by Borch
  22. Man calls for police: “Minor Hurry” by Berge
  23. Automobile drives up: “Mystic Andante” by Sibelius
  24. Telephone rings: “A Mysterious Fable” by Juon
  25. Doctor takes gun out: “Darkness” by Brunelli
  26. You’ll find a model: “The Conspirators” by Roder
  27. Insert of newspaper: “Mystery” by Baynes
  28. Kelly seen in police headquarters: “Mood Pensive” by Applefield
  29. Change of scene back to apartment: Repeat No. 27 “Mystery”
  30. Change of scene to Gaunt Jewelry Store: “Fleeting Shadows” by Weiss
  31. Change of scene to Kelly in restaurant: “Requitted Love” by Rollinson
  32. Kelly gets into taxi: “Symphonic Incidentals No. 18” by Marquardt
  33. It was easy: “A Contrapuntal Misterioso” by Schad
  34. Kelly and janitor seen: “Jingles” by Zamecnik
  35. Change of scene back to Mary in apartment: “Tense Misterioso” by Berge
  36. Who are you—and what: “Afflizione” by Gabriel Marie
  37. Chauffeur enters: silence
  38. Mary screams: Repeat No. 20 “Dramatic Finale”
  39. Mary’s mind clears—she recognizes Kelly: Repeat Love Theme No. 1
  40. Mary and Kelly sneak out of door: “Stealthy Escape” by Zamecnik
  41. Mary enters room where jewelers are: “Tensive Misterioso” by Peele
  42. Bandit holds up jewelers: “Astir” by Berge
  43. Kelly holds up gang: “Stormy Moments” by Bierman
  44. Doctor seen: “Stalking the Prey” by Kempinski
  45. Mary returns to room after answering phone: “Turmoil” by Brunelli
  46. Doctor holds up Kelly: “Mystery Hurry” by Berge
  47. Kelly starts to fight: “Tumult” by Verdi
  48. Police enter: “Joyful Hurry No. 1” by Baron
  49. You’ll come back to duty: Repeat Love Theme No. 1

Source: Carl Braun Collection

SFSMA ID: HJcOhdB5vD

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The Big Parade

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Title: The Big Parade

Author:

Publisher: Thematic Music Cue Sheet, 1925

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors:

OCLC Number:

Contents:

  1. At screening: “The Big Parade” by Axt
  2. The spring of 1917: “Yankiana Suite No. 1” by Thurban
  3. On life’s other side: “Flirting Lovers” by Kempinski
  4. Me work: Whistle and noise effects—war declared
  5. Man with towel over face: “Sweet Little Woman O’Mine” by Bartlett
  6. Jim gets into auto and goes away: “School Days” by Edwards
  7. What a thing is patriotism: Drum solo in march tempo
  8. Jim’s car stops: “Over There” by Cohan
  9. Jim opens door and enters to mother: Repeat No. 5 “Sweet Little Woman O’Mine”
  10. Father enters: “American Festival Overture”
  11. Girl runs into room: Repeat No. 6 “School Days”
  12. Jim has enlisted: Assembly call

Segue: “Tommy, Lad” by Margetson

  1. From avenue to alley: Assembly call
  2. After trumpet call: “Where Do We Go From Here?” by Wenrich
  3. You are in the army now: “We’re In the Army Now”
  4. When nightfall: “Madelon” by Robert
  5. Soldiers come through archway: “Pack Up Your Troubles In Your Old Kit-Bag” by Powell
  6. Change of scene after pigs run out of barn: “I Ain’t Got Weary Yet” by Wenrich
  7. Second close-up of Jim: “We’re In the Army Now”
  8. Say I joined the army: “K-K-Katy” by O’Hara
  9. O’Hara takes a shovel from Slim: “Mirth and Merriment” by Delille
  10. Dog tired: “Over There” by Cohan
  11. Jim takes box: “School Days” by Edwards
  12. Close-up of O’Hara before title—“It’s to eat, ain’t it”: “Shoot” by Kaufman
  13. Jim take knife: “My Buddy” by Donaldson
  14. Farmer, have you: “Hinky Dinky Parlay Voo?” by McHugh
  15. Close-up of Jim alone: “The Little Millionaire” by Cohan
  16. Close-up of Slim alone: “Comrades” from Old Timers by Lake
  17. After an hour: “When Yankee Doodle Learns to Parlez Vous Francais” by Nelson
  18. Jim rolling barrel: Repeat No. 19 “We’re In the Army Now”
  19. Girl and cow show: “Le Belote” by Yvain
  20. Jim turns and sees cow: Repeat No. 20 “K-K-Katy”
  21. Jim sees Melisande through barrel hole: Repeat No. 31 “Le Belote”
  22. Pail falls in water: Repeat No. 19 “We’re In the Army Now”

Segue: “Cynical Scherzando” by Axt

  1. Jim comes to arch after coming down tree: Repeat No. 31 “Le Belote”
  2. I don’t understand: Repeat No. 29 “When Yankee Doodle Learns to Parlez Vous Francais”
  3. Change of scene when Jim and girl walk away: “Happy Moods” by Marquardt
  4. Kitchen scene—trumpeter appears on screen: Mess—trumpet call
  5. Jim walks to girl: Repeat No. 31 “Le Belote”
  6. Melisande kisses Jim’s cheek: LOVE THEME, “Douce Fievre” by Y’Ener
  7. Jim whistling: “Over There” by Cohan
  8. Jim stops whistling second time: Repeat Love Theme No. 40
  9. Me you tris much love: Repeat No. 29 “When Yankee Doodle Learns to Parlez Vous Francais”
  10. I am veree happy: Repeat Love Theme No. 40
  11. Mouth harmonica: Imitate mouth harmonica on organ or by drummer
  12. One harmonica scene: “Alice” by Hauenschild
  13. Once a week: “La Marseillaise”
  14. Girl comes from house to Jim: Repeat Love Theme No. 40
  15. Girl introduces Jim: “Rocking-Horse Parade” by Ring-Hager
  16. Close-up of Melisande with candle: Repeat Love Theme No. 40
  17. Jim and girl see Slim and O’Hara: “Incid. Symphony No. 29” by Damaur
  18. O’Hara and Slim in trough: “We Won’t Go Home Until Morning” by Lake
  19. O’Hara arrives at fight: Repeat No. 51 “Incid. Symphony No. 29”
  20. We weren’t stealing: “Incid. Symphony No. 34” by Kempinski
  21. Melisande plucks rose: Repeatl Love Theme No. 40
  22. Eat your chow: “Beans” by Luz

Note: Watch for mail trumpet call—whistle or stage, then mail trumpet call

  1. After trumpeter: “Devil Dogs” by Marquardt
  2. Letter on screen: Repeat No. 29 “When Yankee Doodle Learns to Parlez Vous Francais”
  3. Professor wipes forehead: “If He Can Fight Like He Can Love” by Meyer
  4. O’Hara leaves Slim: Repeat No. 17 “Pack Up Your Troubles In Your Old Kit-Bag”
  5. Jim reading letter after title—“And they’re making”: Repeat No. 23 “School Days”
  6. Melisande enters: Repeat No. 31 “Le Belote”
  7. Close-up of Jim: LOVE THEME, “Douce Fievre” by Y’Ener
  8. Trumpeter appears: Consecutive trumpet calls
  9. Slim spits on candle: Repeat No. 51 “Incid. Symphony No. 29”
  10. Auto at archway: “The Big Parade” by Axt
  11. And when Jim’s outfit: Bugle call
  12. After four bars ¾ call: Repeat No. 17 “Pack Up Your Troubles In Your Old Kit-Bag”
  13. Their first welcome: “Battle Hurry” from Military Suite by Luz
  14. To the front: Repeat No. 66 “The Big Parade”

[remainder missing]

Source: Carl Braun Collection

SFSMA ID: qSxzySAHAX

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The Big Noise

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Title: The Big Noise

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet,

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At screening: “Manhattan” by Rodgers
  2. The thunderous anthem: “Allegro Scherzoso No. 2” by Pintel
  3. Ash barrels thrown down steps: “Don’t Wake Me Up” by Baer
  4. John wakes up: THEME, “The Joker” by Srawley
  5. Sophie goes back to bed: “The Village Cut-Up” by Egener
  6. Among the big noises: Repeat Theme No. 4
  7. Crowd stops at billboard: “Ripples” by Lowitz
  8. John enters employee’s room: Repeat No. 2 “Allegro Scherzoso No. 2”
  9. Coney Island: “Ain’t We Got Fun” by Whiting
  10. Sophie and Phillip thrown off revolving floor: “She Knows Her Onions” by Yellen
  11. Pop thinks I’m going to: “Monkey-Hop” by Rapee
  12. Close-up of dog house: Repeat No. 9 “Ain’t We Got Fun”
  13. Mother laid on couch: Repeat Theme No. 4
  14. John and Phillip enter room: “Cynical Scherzando” by Axt
  15. Three o’clock: “Side By Side” by Woods
  16. Sophie and boy in hall: “I’ve Been Longing For a Girl Like You” by Sherman
  17. Put this among your souvenirs: “Our Gang” by Claypoole
  18. Ice wagon seen: Repeat Theme No. 4
  19. Down to work: Repeat No. 2 “Allegro Scherzoso No. 2”
  20. Train men jump to tracks: “Joyous Appassionato” by Carbonara
  21. In the subway company’s: “Carnival Grotesque” by Savino
  22. The daily mail had: “Ain’t That a Grand and Glorious Feeling?” by Ager
  23. Doctor enters room: “The Jesters” by Carbonara
  24. Change to mother: “Desire” by Siewert
  25. She’s got to have more children: Repeat No. 17 “Our Gang”
  26. After children leave room: “The Mischief Makers” by Carbonara
  27. Supreme Luxury: Repeat Theme No. 4
  28. William Howard: “It All Depends On You” by Henderson
  29. The curious: Repeat No. 24 “Desire”
  30. Doctor folds John’s arms—puts flower on chest: “Burlesque on Chopin’s Funeral March” by Kempinski
  31. Mother leaves: “Corn Huskers” by Kaufman
  32. Getting the hero ready: Repeat No. 7 “Ripples”
  33. A city’s tribute: “See the Conquering Hero Comes” by Bennet
  34. No longer a whisper: Repeat Theme No. 4
  35. Fade-out—John reading speech: “A Hot Time” by Beyer
  36. I have the honor to: “Jollity” by Zamecnik
  37. Back home: Repeat Theme No. 4
  38. Two men enter: Repeat No. 26 “Mischief Makers”
  39. Friends in hall with wreath: “My Hero” by Strauss
  40. Listen friends, I have something: “Homeland” by Huerter
  41. Say a few words, John: Repeat Theme no. 4
  42. Mama kept: Repeat No. 40 “Homeland”
  43. Phillip enters: Repeat No. 23 “The Jesters”
  44. Election night: “The Wedding Blues” by Friml
  45. Change to Howard headquarters: Repeat No. 35 “A Hot Time”
  46. Fade-back to party: “Sweet Adeline” by Lake

Segue: “Blue Law Blues” by Lake

  1. After guests leave: “By the Fireside” by Helfand
  2. Sophie and boy enter: “When Love Calls” by Huerter
  3. Again a mere whisper: “Misery” by Jacquet
  4. Fade-out—John in auto: “Down On the Farm” by Von Tilzer
  5. That’s my mama: Repeat Theme No. 4

Source: Carl Braun Collection

SFSMA ID: wdsMKvY0Jx

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The Big Diamond Robbery

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Title: The Big Diamond Robbery

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Petite Bijouterie” by Bohm
  2. Aunt takes seat at desk: “Prelude” by Jarnefelt
  3. Ellen and Rodney enter room: “Flapperette” by Greer
  4. Elevated seen: “Rural Flirts” by Bradford
  5. Tom starts off in taxi: “Western Allegro” by Rapee-Axt
  6. I’ll race you to the stable: “Zip” by Frey
  7. How dare you pull me from my horse: “Chatter” by Kahn
  8. I’m sorry I was so mean to you: “Pastime” by Clutsam
  9. Taxi stuck on road: “Get Out and Get Under” by Abrahams
  10. Ellen and Rodney in fast car: Repeat No. 6 “Zip”
  11. Ellen stops car—officers ride up: “Irish Agitato” by Palumbo
  12. Tom at entrance to house: “Al Fresco” by Herbert
  13. Judge telephones Mr. Brooks: Repeat No. 7 “Chatter”
  14. Tom, Mr. Brooks and aunt: “Entr’acte Lovelorn” by Wood
  15. Ellen, I‘ve decided to send you: Repeat No. 2 “Chatter
  16. Taxi at door: “Funny Faces” by Ring-Hager
  17. Crooks appear on adjoining roof: “In the Night” by Noack
  18. Tom sees crooks: “Appassionato Romantico” by Bradford
  19. Tom ropes Eddie: “Dramatic Scenes” by Eggert
  20. It would ruin me: “Conspiracy” by Zamecnik
  21. Observation car of train: “Bavardage” by Klemm
  22. Tom makes get away: “Dance of the Elves” by Troostwyk
  23. Locomotive blows whistle: “Hurry No. 26” by Minot
  24. Insert—“Red Butte”: “Here We Go” by Kaufman
  25. Gun handed to old man: “Indian Whoop” by Brewer
  26. Indians ride towards stage coach: “Indian Orgy” by Rapee-Axt
  27. Indians ride away: “Gossip” by Borch
  28. Tom at box changing clothes” Repeat No. 20 “Conspiracy”
  29. Tom starts shooting: “Flick and Flock” by Patou
  30. Crooks appear in car: Repeat No. 20 “Conspiracy”
  31. Car drives up to ranch: “Excitement and Hurry” by Hoffman
  32. Fade-out: “Agitated Misterioso” by Rapee
  33. Taxi driver splashing in pool: “Animal Cartoonix No. 2” by Aborn
  34. Flash to Ellen and Tom: THEME, “Magic Love” by Bradford
  35. Insert—telegram: “Adventure d’Amour” by Bradford
  36. That friend of Stevens: Repeat No. 29 “Flick and Flock”
  37. Barney’s on his way: “Mystery Hurry” by Berge
  38. You said you wanted: Repeat Theme No. 34

Source: Carl Braun Collection

SFSMA ID: iOxGTChIXc

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Beyond the Sierras

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Title: Beyond the Sierras

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “PAstorale” from L’Arlesienne by Bizet
  2. Southern California: “Symphonic Color Classic No. 1” by Kempinski (RED)
  3. McCoy runs from mine entrance: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  4. McCoy putting notches into revolver handle: Repeat No. 2 (RED)
  5. From the north, stranger: Repeat No. 3 (LT. BLUE)
  6. Why Carlos, that’s no way to talk: Repeat No. 2 (RED)
  7. Handkerchief on ground: “Symphonic Color Classic No. 1” by Kempinski (WHITE)
  8. Let’s settle this argument later: “Idyl Pastorale” by Savino
  9. My master prepared: Repeat No. 7 (WHITE)
  10. That night: “Sorella” by Clere
  11. Dancers stop—orchestra on screen: “Spanish Dance No. 1” by Moszkowski
  12. Exterior scene (garden): “Lisette” by Engel
  13. Get out of my sight: Repeat No. 11 “Spanish Dance No. 1”
  14. Exterior scene (garden): Repeat No. 7 (WHITE)
  15. Lovers interrupted: Repeat No. 11 “Spanish Dance No. 1”
  16. End of dance—orchestra on screen: “In a Canoe” by Zamecnik
  17. Senor why do you not unmask?: “Symphonic Color Classic No. 1” by Kempinski (RED)
  18. I never find it necessary: “Ondes Mysterieuses” by Franceschi
  19. None disputed your honor: Repeat No. 17 (RED)
  20. Shot fired after man falls on floor: “Adagio Elegiaque” by Wieniawski
  21. No gun play boys: “Dram. Hurry No. 1” by Baron
  22. I warn you Owens: Repeat NO. 20 “Adagio Elegiaque”
  23. Go to your homes: Repeat No. 17 (RED)
  24. Owens lost no time: “Dramatic Love Scene” by Axt
  25. Rosa found refuge at home: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  26. Owens’ gang: Repeat No. 17 (RED)
  27. Fade-out after title: “Say if he comes”: “The Season’s Greetings” by Marquardt
  28. Exterior scene after two girls run out of room: “Symphonic Color Classic No. 1” by Kempinski (WHITE)
  29. Lovers interrupted: Repeat No. 27 “Season’s Greetings”
  30. I am sorry you must leave so soon: Repeat No. 28 (WHITE)
  31. Stop abrupt as door opens (slight pause, then segue): Repeat No. 25 (LT. BLUE)
  32. Reach for the sky: “Symphonic Color Classic No. 1” by Kempinski (RED)
  33. Fade-out after horsemen ride off: “Misterioso No. 3” by Andino
  34. Owens and girl seen: Repeat No. 32 (RED)
  35. Owens takes off his hat: Repeat No. 33 “Misterioso No. 3”
  36. Masked man comes to rescue: “Lover’s Quarrel” by Baron
  37. McCoy masking Owens: “Misterioso Furioso” by Affrunti
  38. Play twice and segue: “Symphonic Color Classic No. 1” by Kempinski (LT. BLUE)
  39. End of fight—Owens pulled off screen: “Dawn of Spring” by Grimm
  40. Stop this fiendish torture: Repeat No. 32 (RED)
  41. McCoy puts on mask: “Symphonic Color Classic No. 1” by Kempinski (WHITE)

Proper orchestral rest period is Nos. 20 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 22YFKMnqGg

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Beware of Blondes

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Title: Beware of Blondes

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Flapperette” by Greer
  2. Dark street—man prowling about: “Marche Pittoresque” by Cazabon
  3. Jeffrey Blake: “Elopement” by Carrozzini
  4. In the office of John Maitland: “Scherzoso” by Friml
  5. Salesman enters telephone booth: CROOK’S THEME, “Witty Witch” by Finck
  6. The first day out: “Frolic” by Borch
  7. Harry appears on deck: Repeat Crook’s theme No. 5
  8. Salon: “Fiora” by Markush
  9. All right, Mary: “Flocons de Neige” by Bradford
  10. Harry in stateroom: Repeat Crook’s theme No. 5
  11. Flash-back to deck: “Giggles and Chuckles” by Fincks
  12. Harry and pal appear: “Sarcasm” by Kempinski
  13. Ballroom: “Dream Kisses” by Jerome
  14. Fanchon and Harry appear on deck: “Adventure d’Amour” by Bradford
  15. Thank you very much: LOVER’S THEME, “All Day Long” by Stanley
  16. What are you doing in my cabin?: “Rushing Waters” by Savino
  17. I happened to overhear: “Marche Mignonne” by Poldini
  18. On a balmy tropical night: Repeat Lover’s theme No. 15
  19. Well, let’s see what the emerald: “Day of Doom” by Joels
  20. The last night on board: “Valse Minore” by Oriental Ballet by Riesenfeld
  21. He drinks champagne: “The Tragic Discovery” by Patou
  22. In dock in Honolulu Harbor: “The Rebelion” by Patou
  23. In Honolulu: “Hawaiiana” by Kaiulaua
  24. He sees Harry on street: “La Foret Perfide” by Gabriel Marie
  25. Headquarters of Crooks: “Agitato No. 1” by Kempinski
  26. Since it is useless: “Warriors Bold” by Joels
  27. Police leave room: “Marche Mysterieuse” by Schad
  28. I told you once, Jeff: “Amorous Adventure” by Bradford
  29. Here’s a wire from the boss: Repeat Lover’s theme No. 15

Source: Carl Braun Collection

SFSMA ID: 26x2J2ukLt

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Ben-Hur

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Title: Ben-Hur

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1925

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Trumpet Fanfare” from Oriental Suite by Luz
  2. Ben Hur: “Pearls Of My Soul” by Marquardt
  3. It was the 24th day: “The Knights’ Tournament” by Herbert (YELLOW)
  4. Two weary travelers: “Ave Maria” by Schubert
  5. Far to the southward; “The Heavens Are Telling” by Haydn
  6. And in the even: Repeat No. 4 “Ave Maria”
  7. The place is sanctified: Repeat No. 5 “The Heavens Are Telling”
  8. And they came with great haste: “Sanctuary of the Heart” by Ketelbey (BROWN)
  9. But year after year: Repeat No. 3 (YELLOW)
  10. There was disquiet: “Pavane” by Ravel (DARK GREEN)
  11. The young prince: “The Happy Warrior” by Kahl
  12. Old lady has pigeon: “Yearning” by Schoenfeld (WHITE)
  13. Pigeon flies from girl: “The Flight Of the Bumble Bee” by Korsakow
  14. Ben Hur catches pigeon: Repeat No. 12 (WHITE)
  15. Ben Hur walks off after girl leaves with pigeon: “Processional” by Clutsam (PURPLE)
  16. My mother and sister will be rejoiced: “At the Hamlet” by Godard
  17. Another to greet you: Repeat No. 15 (PURPLE)
  18. Forget I am a Jew: “Prologue” by Kilenyi
  19. Oh, if he would only: “Trumpet Fanfare” by Oriental Suite by Luz
  20. One scene: “Processional” by Clutsam (PURPLE)
  21. Ben Hur pushes stone from roof: “Furioso” by Savino
  22. The way of death: “Sorrow” by Macat (BLACK)
  23. A carpenter shop: “Sanctuary of the Heart” by Ketelbey (BROWN)
  24. The vengeful arm of Rome: “Facing Death” by Becce
  25. Then for a time: “The Toilers” by Axt
  26. Lookout of mast shows: “Hurry” by Langey
  27. Unshackle that slave; Repeat No. 25 “The Toilers”
  28. Ship deck scene: Repeat No. 26 “Hurry”
  29. Battle begins: “Battle Music No. 5” by Wiedermann
  30. Two days later: “Romance of Autumn” by Marquardt
  31. It was your final: “Pathetique No. 9” by Norton
  32. Tiem passed: “Joyous Allegro” by Engleman
  33. But Rome knew naught: “Pavane” by Ravel (DARK GREEN)
  34. While in the maze: Repeat No. 22 (BLACK)
  35. In the land of Israel: Repeat No. 23 (BROWN)
  36. Antioch: “Araby” by Johns
  37. He should drive goats: “Orient Express” by Benoit
  38. Driver falls from chariot: “Dram. Tension No. 11” by Norton
  39. Young Arrius announced to Simondies: “Yearning” by Schoenfeld (WHITE)
  40. Ben Hur walks from girl—Esther: “Sadness” by Engleman
  41. Ester follows Ben Hur to Portierres: Repeat No. 39 (WHITE)
  42. Servant enters after title—“Wear it always”: “Spirit of Spring” by Reiser
  43. For your belief: “Broken Vows” by Kempinski
  44. Across the river: “Processional” by Clutsam (PURPLE)
  45. Messala dismissed friends: “Bayaderes” from Babylon by Elie
  46. At the end of the days training: “Persian March” by Herbert
  47. Even Iras: Repeat No. 45 “Bayaderes”
  48. Guests re-enter tent: Repeat No. 46 “Persian March”
  49. Horses leave tent: Repeat No. 45 “Bayaderes”
  50. If you are as slow: “Romance of Autumn” by Marquardt
  51. Simonides on screen: Continue No. 50 quietly
  52. End of scene after Esther pulls cloak from shoulders: Repeat No. 44 (PURPLE)
  53. On the morrow: “Farcical Allegro” by Aborn
  54. Ben Hur interrupts Messala and Jew: “Bataille” by Silver
  55. Vile slave: “Fanfare” from Oriental Suite by Luz
  56. Once scene: “Comedy Excitement” by Zamecnik
  57. Horses on screen: Repeat No. 55 “Fanfare”
  58. One scene: “The Cossack Batallion” by Schoenfeld
  59. Horses with trumpeters on screen: Repeat No. 55 “Fanfare”
  60. One scene: “Symphonic Incidentals No. 2” by Marquardt
  61. White flags drop: “Symphonic Incidentals No. 5” by Marquardt
  62. Wheels of Messala’s car broken off: “Arretez-Le” by Roberty
  63. To end of race: “Devil Dogs” by Marquardt
  64. Face of race scene after stretcher is carried across screen: “Despair” by Kalbe
  65. Hail, Ilderim: “War March of Priests” by Mendelssohn
  66. Mark you Simonides: “Yearning” by Schoenfeld (WHITE)
  67. Fade after Ben Hur rides from tent: “Sanctuary of the Heart” by Ketelbey (BROWN)
  68. From among the humble fishermen: Repeat No. 65 “War March of the Priests”
  69. A new governor: “Sorrow” by Macat (BROWN)
  70. Now when the even was come: Repeat no. 67 (BROWN)
  71. And in that same hour: “Prattle” by Lowitz
  72. Ben Hur dismounts from white horse: Repeat no. 69 (BLACK)
  73. Lepers see Ben Hur asleep: “Lament” by Herrmann
  74. After Ben Hur awakes: Repeat No. 66 (WHITE)
  75. Horseman shows on screen: Repeat No. 69 (BLACK)
  76. And when they had bound him: “Grand Appassionato” by Becce
  77. In the valley of the lepers: “Elegie and Appassionato” by Savino
  78. And so Pilate delivered: Repeat No. 76 “Grant Appassionato”
  79. And a voice came to him: Repeat no. 77 “Elegie and Appassionato”
  80. There was a darkness; “Destruction” by Lowtiz
  81. And over the plains: “Unfold Ye Portals” by Gounod
  82. Weeping may endure for a night: “I Know That My Redeemer Liveth” by Handel

Proper orchestral rest period is Nos. 30 to 43 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 84QSNV9zv2

Download: PDF

The Bellamy Trial

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Title: The Bellamy Trial

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Devil Dogs” by Marquardt
  2. After weekly smoke screen: “Intermezzo Perpetual” by Lowitz
  3. Interior courtroom scene: “Yearning” by Schoenfeld (WHITE)
  4. Order in the courtroom: “Symphonic Incidentals No. 13” by Marquardt
  5. End of the first attorney’s speech: “La Confession” by Morgan
  6. Well, peoples: “Symphonic Incidentals No. 11” by Marquardt (RED)
  7. Then one cop say to me: “Colinette” by Harms
  8. Luigi Orsini, did you kill: Repeat No. 3 (WHITE)
  9. Doctor Richard: “Fury” by Zamecnik (DK. BLUE)
  10. Doctor is this the place: “Excerpts from Sakuntala” by Goldmark
  11. Recess for lunch: “Idlewilde” by Gottschalk
  12. Farnell’s a million miles away: Repeat No. 6 (RED)
  13. Yes I told Pat Ives’ wife: “Golden Sand” by Finck
  14. You see Sue: Repeat No. 6 (RED)
  15. The day of the murder: “Joy Through Tears” by Schertzinger
  16. Shy strike that out: “Stealthy Escape” by Zamecnik (BLACK)
  17. Husband walks from wife after title—“Not tonight”: “Happy Moods” by Marquardt
  18. Children led upstairs by nurse: Repeat No. 16 (BLACK)
  19. Attorney shows knife and letters to witness: Repeat No. 3 (WHITE)
  20. Don’t be afraid Mother: “Slumbers” by Kempinski
  21. Katie O’Connor: “Pine Tree Echoes” by Schoenfeld
  22. Newspaper article on screen: “Vengeance” by Franceschi
  23. We’ll drive over to the movies: “Symphonic Incidentals No. 11” by Marquardt (RED)
  24. But your wife didn’t return home: “Fury” by Zamecnik (DK. BLUE)
  25. Really, Mr. Bellamy: “Dram. Tension No. 2” by Ancliffe
  26. Patrick Ives: “Adoree” by Friml
  27. Clerk read these letters: “Jeanette” by Salcede
  28. I don’t write: Repeat No. 26 “Adoree”
  29. Doctor Barrett: Repeat No. 24 (DK. BLUE)
  30. Judge stops arguing attorneys: “True Love” by Ketelbey
  31. You heard Mr. Bellamy’s testimony: Repeat No. 24 (DK. BLUE)
  32. Then what did you do at that cottage: “Reproach” by Zamecnik
  33. Fade-back to witness on stand: “Yearning” by Schoenfeld (WHITE)
  34. I’d like to have Stephen Bellamy: Repeat No. 23 (RED)
  35. Mimi had always been afraid of the dark: Repeat No. 33 (WHITE)
  36. Attorney addressing jury: Repeat No. 24 (DK. BLUE)
  37. The electric chair: “Romance d’Amour” by Schoenfeld
  38. Clock on screen: Repeat No. 24 (DK. BLUE)
  39. Bring that man here: “Rosemary” by Reynard
  40. And on the night of the murder: Repeat No. 16 (BLACK)
  41. And as they were leaving: “Melodic Agitato” by Savino
  42. Jury returns to the courtroom: “Remorse” by Lowitz
  43. Reporter at court window waves: Repeat No. 41 “Melodic Agitato”
  44. Newspaper article on screen: Repeat No. 33 (WHITE)
  45. Reporters leaving courtroom: Repeat No. 23 (RED)
  46. Mother sits down by judge and tells story: Repeat No. 16 (BLACK)
  47. Old lady enters cottage after note on screen: Repeat No. 23 (RED)
  48. My boy has been so happy: Repeat No. 24 (DK. BLUE)
  49. Woman stabbed: Repeat No. 20 “Slumbers”

Proper orchestral rest period is Nos. 15 to 25 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ddqHy7D9Sv

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Behind the German Lines

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Title: Behind the German Lines

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Ilka” by Doppler
  2. As Abraham Lincoln said: “Glory, Glory Hallelujah” by Steffe
  3. In the summer of 1914: “Impression Dramatique” by Bradford
  4. But beneath: “Storm Music” by Ketelbey
  5. On July 28th Austria Hungary declared war: “Austrian Hymn” by Harris
  6. Russia was informed: “Lord God, Protect the Czar” by Lake
  7. Berlin: “Pro Patria” by See
  8. The French government: “Mourir Pour la Patrie” by Lake
  9. The main forces of the German army: “Die Meistersinger von Berlin” by Lincke
  10. Belgium wishing to remain neutral: “La Branaconne” by Lake’
  11. London—August 4th: “British Grenadiers” by DeWitt
  12. The chancellor: “Furioso No. 34” by Brockton
  13. The Liege forts were reduced to ruins: “In the Midst of the Typhoon” by Leuscher
  14. The German army won a great victory: “Germany Forever” by See (trio)
  15. Believing: “Our Favorite Regiment” by Ertl
  16. Again the French: “Unfinished Symphony” by Schubert
  17. Insert—“Le matin”: “Robespierre Overture” by Litolff
  18. A new plan: “The Battle” by Borch
  19. In Paris: “Battle-Tumult-Blaze” by Becce
  20. September 9th: “Nibelungen March” by Wagner (trio)
  21. A strategic retirement: “Military Scene” by O’Hare
  22. September 9th—10:20 A.M.: “Hurry No. 3” by Lake
  23. As it was the French: “Robespierre Overture” by Litolff
  24. On the Aisne front: “Echoes of the Fatherland” by Henneberg
  25. But while the armies were: “Marche Russe” by Ganne
  26. The people of eastern Prussia: “Vulcano” by Rapee-Axt
  27. But without success: Repeat No. 18 “The Battle”
  28. East Prussia free: “Doxology” by Salter
  29. It was Hindenburg’s great triumph: “Battle Agitato No. 16” by Minot
  30. But Hindenburg: Repeat No. 20 “Nibelungen March” (trio)
  31. By now in the west: “Distress” by Breil
  32. The hour for German’s volunteers: “Nocturne” by Chopin (from letter C)
  33. Ypres—1914: “Battle of Ypres” by Borch
  34. The Belgians called in a new force: “Violent Gale” by Leuschner
  35. The silence of desolation: “Poem Erotique” by MacDowell
  36. The German army: “Tempest” by Ketelbey
  37. It was concluded: “Dramatic Appeal” by Jores
  38. Then while preparing: “Salvo” by Gabriel Marie
  39. News of the Turkish: “Film Theme No. 18” by Iwanow-Roberts
  40. Control of the Dardenelles: “The Destruction of the Temple” by Darcieux
  41. On Nov. 17th it ceased: “The Sacrifice” by Patou
  42. Germany introduced a new weapon: “Tragic Moments” by Becce
  43. The first phase of the war: “Rosemary” by Wheeler
  44. And Christmas still found: “Sacred Night, Holy Night” by Borch
  45. Soldiers hurry out: “An Argument” by Breil
  46. England to starve: “Rule Britannia” by Lake
  47. Italy declared war: “Garibaldi’s Hymn” by Lake
  48. Italy did not: “The Toilers” by Axt
  49. Along the Izanzo: “Hors de L’Abime” by Mazot
  50. For months: “Battle Music” by Riesenfeld
  51. In 1916: Repeat No. 20 “Nibelungen March” (trio)
  52. More men had to be raised: “Premier Amour” by Benoist
  53. In Jan. 1917: “Storm” by Eggert
  54. This caused America: Repeat No. 2 “Glory, Glory Hallelujah”
  55. The central powers: “Storm, Strife or Tempest” by Ancliffe
  56. At last—Russian revolution: “Marche Slave” by Tschaikowsky (from letter M)
  57. At the beginning of 1918: “Kaiser Friedrich” by Friedemann
  58. Had they but seen: “Daughters of the Revolution” by Lampe (trio)
  59. Hindenburg planned to break: “Military Hurry No. 1” by Levy
  60. But it was a futile task: “Columbia, the Gem of the Ocean”
  61. An American army began to arrive: “Over There” by Cohan
  62. No man’s land: “Storm, Tempest” by Wiedermann
  63. French and American: Repeat No. 19 “Battle-Tumult-Blaze”
  64. And so the war ended: “Lamento” from Pique Dame by Tschaikowsky
  65. General von Hindenburg: “Largo” by Haendel

Source: Carl Braun Collection

SFSMA ID: DJLol7XEER

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Becky

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Title: Becky

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Un peu d’Amour” by Silesu (WHITE)
  2. Among the great battles of life: “Incid. Symphony No. 37” by Hintz
  3. Sally O’Neil shows on screen: “Captain Cupid” by Bratton
  4. Sally O’Neil walks from counter with basket: “Bayaderes” from Babylon by Elie (DARK GREEN)
  5. Sally O’Neil falls into cart: “Happy Jacqueline” by Mondrone
  6. Old woman bumps into Sally O’Neil: “Ardent Longing” by Schlothen
  7. You gave me this: “Entr’acte Lovelorn” by Wood
  8. And salad and cheese: “Un peu d’Amour” by Silesu (WHITE)
  9. Kiss: “The Lure of Crimson” by Marquardt
  10. Girl sets clothing from clothes rack: Repeat No. 8 (WHITE)
  11. Girl closes door and runs upstairs: “A Love Lesson” by Fresco
  12. Own Moore and Sally O’Neil at Victrola: “My Heart At Thy Sweet Voice” by St. Saens
  13. Girl stops singing after Owen Moore stops record: Repeat No. 8 (WHITE)
  14. Fade-out as girl runs to Victrola: “March of the Mannikens” by Onivas
  15. Sally O’Neil falls on stage: “Dance of the Marionettes” by Herbert
  16. The opening night: Repeat No. 14 “March of the Mannikens”
  17. Chorus dances off screen: “Faust” by Gounod (letters V and W)
  18. Pretty soon Becky will come out: “Faust” by Gounod (letter U)
  19. Becky comes from tower; “Faust” by Gounod (letter F)
  20. After curtain is down: “Then You’ll Remember Me” by Balfe
  21. At Spiegelberg’s picnic: “Bavaderes” from Babylon by Elie (DARK GREEN)
  22. After all, the night is young: “Sing Me A Baby Song” by Donaldson
  23. One dancing scene: Repeat No. 21 (DARK GREEN)
  24. I presume you are waiting: “Nocturne” by Chenoweth
  25. The next morning: “Budding Blossoms” by Schoenfeld
  26. Rich man enters girl’s room with box of flowers: “Andante Amoroso” by Axt (LIGHT GREEN)
  27. Bed breaks down: “Lady Lilly” by Fresco
  28. Kiss after chewing gum business: Repeat No. 26 (LIGHT GREEN)
  29. Nan is so: “Give Me AS Night In June” by Friend
  30. Owen Moore shows on screen: Repeat No. 21 (DARK GREEN)
  31. During the next three weeks: Repeat No. 26 (LIGHT GREEN)
  32. Girl gest out of carriage: “Un peu d’Amour” by Silesu (WHITE)
  33. Shortly after: “Souvenir” by Drdla
  34. Exterior scene: “Chez Mere Grand” by Mouton
  35. Becky and men leave punch table and enter to party: “Pop Goes the Weasel” by Reeg
  36. Girl and old man stop dancing: “The Charleston” (piano)
  37. Old man kicks girl as she falls down: Repeat No. 21 (DARK GREEN)
  38. But why shouldn’t we elope: “Cavatina” by Bohn
  39. Be sure and carry: “Santiago” by Corbin
  40. People applaud after bedroom scene: “Alone At Night” by Marquardt
  41. Note to John on screen: “Haste” by Sanders
  42. Make yourself at home, dear: “Farewell” by Kuhne
  43. Take a tip from me: “Appassionato No. 3” by Axt
  44. Becky enters door to two men: Repeat No. 3 “Appassionato No. 3”
  45. Door opened—rich girl shows: “Ballade d’Amour” by Sanders
  46. If anybody calls: Repeat No. 32 (WHITE)

Proper orchestral rest period is Nos. 21 to 32 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ZAh1iFUqDJ

Download: PDF

Beautiful but Dumb

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Title: Beautiful but Dumb

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Spring Zephyrs” by Castillo
  2. Janet in office: JANET THEME, “Forget Me Not” by Macbeth
  3. Tad in outer office: “Rustic Caprice” by St. Clair
  4. Mae, one of the inside girls: “How Could Red Riding Hood?” by Randolph
  5. Flash-back to Jim and customer: “Little Flower Garden” by Breil
  6. I never think of Janet: “Amorous Adventure” by Bradford
  7. Come to my apartment: “Daisy the Clairvoyant” by Schuler
  8. Dial of clock: Repeat Janet Theme No. 2
  9. The surprise party: “Dolly Dimples” by Alter
  10. Janet close-up after treatments: “I Think You’re Wonderful” by Little
  11. She starts to remove clothes: “Buffoons” by Hadley
  12. As I love old two-for-one: “The Big Batter and Egg Man” by Friend
  13. That was: “Could I?” by Ager
  14. Must you wear those cheaters?: “Garden Whispers” by Herkan
  15. Watch me, I’ll show you: “She Knows Her Onions” by Yellen
  16. Getting kissed is easier than I thought: “Air de Ballet” by Herbert
  17. You practice. I’ll dress: “Googily Goo” by Davis
  18. Friend enters: Repeat No. 12 “The Big Butter and Egg Man”
  19. Janet opens door: “It Had to Be You” by Jones
  20. I thought you were too busy: “Scherzoso” by Friml
  21. I’m taking them to: “Felix the Cat” by Wendling
  22. Exit of cabaret cat act: “Flocons de Neige” by Bradford
  23. Alley cat blues: “Maria” by Kaufman
  24. Dancing starts: “Starlight and Tulips” by Wendling
  25. Janet turns and recognizes Jim: Repeat No. 19 “It Had to Be You”
  26. Dancing starts once more: “When Twilight Comes” by Tandler
  27. They enter hallway: LOVE THEME, “Magic Love” by Bradford
  28. The morning after: “Avril Frileux” by Mouton
  29. Janet enters office: “Miss Dolly Dollars” by Herbert
  30. Change to scene on couch: Repeat Love Theme No. 27
  31. Jim embraces and kisses Janet: “Kiss Me Again” by Herbert
  32. Lights extinguished: “Sarabande Perpetuelle” by Bradford
  33. Jim at desk—Janet in bed: “At Dawn” by Delje
  34. New girl enters office: “Sweet Lavender” by Wheeler
  35. Janet and Mae: “Sincerely” by Byford
  36. Flash-back to Jim at desk: “Forgive Me” by Ager
  37. Janet before mirror: “The Baker’s Boy and the Chimney Sweep” from The Debutante by Herbert
  38. Janet reclines on divan: Repeat No. 31 “Kiss Me Again”
  39. Jim appears at door: “Broken Hearted” by Henderson
  40. Janet, I need you: Repeat Love Theme No. 27
  41. Office—girls enter: “Dainty Blossoms” by Kahn
  42. Janet enters: Repeat Janet Theme No. 2
  43. Jim reads from note book: Repeat Love Theme No. 27

Source: Carl Braun Collection

SFSMA ID: alZQIxVztg

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