Author Archives: Brent Ferguson

The Dove

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Title: The Dove

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Magic Sunbeams” by Drumm, Segue to “Spanish Love Theme” by Marquardt (WHITE)
  2. A palm blessed land: “Symphonic Incidentals No. 2” by Marquardt
  3. Woman walks out of store: “Facing Death” by Becce (BLACK)
  4. Across the desert: “La Gitana” by Kreisler
  5. People show on screen after moving scenes: “Diabolical Allegro” by Bergunker (RED)
  6. Very well, let him talk: “Eroticon” by Mikulicz, Segue to “Santanna” by Bryan
  7. The dance hall is called: “Pepita” by Motzan
  8. Don Sandoval has: Trumpet Call by trumpeter
  9. One scene: “Matador” by Marchisio
  10. Man stops band playing: “La Clavel” by Kempinski
  11. Enough of this: “The Kinkajou” by Tierney
  12. Don Sandoval kissing girl: “Jurame” by Grever
  13. After toast – party drinks: “Yearning” by Crist
  14. Second time “The Dove” door shows: “Rio Rita” by Tierney
  15. Lights go out while Don Sandoval is dancing on table: “Charrita” by Santos
  16. End of dance—Norma’s back to camera: “Fandango” by Hosmer
  17. Hot sport: “Melida” by Elie (LIGHT GREEN)
  18. I cannot go on: “Echo of Spring” by Cunningham
  19. Norma Talmadge gets up from chair: Repeat No. 17 (LIGHT GREEN)
  20. Don Sandoval closes gates: “Diabolical Negro” by Bergunker (RED)
  21. Messenger at door speaks to Don Sandoval: “Cavatina” by Bohm
  22. Man walks out of room from Norma Talmadge: “Spanish Love Theme” by Marquardt (WHITE), Segue to “Memories Eternal” by Torke
  23. I’ve got no sweetheart: “Serenade” by Pierne
  24. Fade-out as boy walks from lovers in house: “Facing Death” by Becce (BLACK)
  25. Fade-out of Don Sandoval: Repeat No. 22 (WHITE)
  26. Close-up of Norma Talmadge at door after lover leaves: Repeat No. 17 (LIGHT GREEN)
  27. Proprietor walks into room: “Defiant Love” by Schad (LIGHT BLUE)
  28. Door opens: “Espana Waltz” by Waldteufel
  29. Next morning: “Manzanillo” by Robyn
  30. Norma Talmadge throws dice: Repeat No. 22 (WHITE)
  31. Shanghai Charley’s: “Moon Madness” by Lodge
  32. Girl at gambling table winning chips: Repeat No. 20 (RED)
  33. Don Sandoval walks out of gambling house: Repeat No. 27 (LIGHT BLUE)
  34. Will you stop: “The Rebellion” by Patou
  35. Close-up of man with two revolvers: Repeat No. 20 (RED)
  36. Dealer changes dice: Repeat No. 24 (BLACK)
  37. Boy shows dice to people in room: “Incidental Symphony No. 13” by Casini
  38. People chased out of gambling house: Repeat No. 24 (BLACK)
  39. Worry not: Repeat No. 27 (LIGHT BLUE)
  40. Norma Talmadge walks back to lover: “Spanish Love Theme” by Marquardt (WHITE)
  41. But I’m so scared: “The Awakening” by Zamecnik
  42. This ring my Johnny give me: “Facing Death” by Becce (BLACK)
  43. Fade-out of Commandante with money: “Reverie” by Drumm
  44. Shadow shows on screen: “Diabolical Allegro” by Bergunker (RED)
  45. Don Sandoval drinks: “Misterioso Fantastico” by Becce
  46. Don Sandoval applauds: Repeat No. 44 (RED)
  47. What you want: “Descriptive Agitato No. 38” by Bochnlein
  48. You will tell him: Repeat No. 42 (BLACK)
  49. Close-up of lover with soldiers after villains hide: Repeat No. 40 (WHITE)
  50. This is good-bye: “Symphonic Incidentals No. 6” by Marquardt
  51. Fade-out after title – “You betcha my life”: “Mysterious March” by Borch
  52. Scene showing house: “Manzanillo” by Robyn
  53. Soldiers ride into house: “Mehda” by Elie (LIGHT GREEN)
  54. Maybe I like you very much: “Misterioso Irresoluto” by Langey
  55. Don Sandoval knocks glass of wine out of Norma Talmadge’s hand: “Defiant Love” by Schad (LIGHT BLUE)
  56. Don Sandoval stops laughing at Norma Talmadge: Repeat No. 42 (BLACK)
  57. Lover walks to Norma Talmadge: Repeat No. 40 (WHITE)
  58. Servant throws plant from balcony on lover: “Furioso No. 89” by Berge
  59. Courtyard scene after lover is captured: “Grand Dramatic Scene” by May
  60. Norma Talmadge runs to and embraces lover: “Reproach” by Zamecnik
  61. Norma Talmadge goes from Don Sandoval to lover: “Spanish Love Theme” by Marquardt (WHITE)
  62. Soldiers raise rifles: “Facing Death” by Becce (BLACK)
  63. The best damn caballero: Repeat No. 55 (LIGHT BLUE)
  64. Servant walks on to Don Sandoval and off: Repeat No. 61 (WHITE)

Proper orchestra rest period is Nos. 26 to 34 inclusive.

NOTE: “Diabolical Allegro” by Bergunker, No. 5 and 20, etc., in the score should never be played fast, and not like an Agitato. A cynical threat is desired. The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: g4lJo8Oa8j

Download: PDF

Don’t Marry

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Title: Don’t Marry

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Dream River” by Brown
  2. If all the people, claiming descent: “Stephanie Gavotte” by Czibulka
  3. On the other side of the wall: “Rain or Shine” by Ager
  4. I would never allow: “Comic Conversation” by Aborn
  5. Priscilla seen on beach: “The Best Things In Life Are Free” by Henderson
  6. Priscilla, how can you stand: “Rustic Idyl” by Pasternack
  7. Man seen carrying ice cream cones: “Ice Cream” by Johnson
  8. Shameless hussy: Repeat No. 4 “Comic Conversation”
  9. Close-up of directory: “Frivolous Coquette” by Kempinski
  10. That’s the most indecent: “Anxiete” by Srawley
  11. General meets Priscilla: “Cocotte” by Tyson
  12. Change of scene to exterior: “Tell Me Pretty Maiden” from Floradora by Stuart
  13. Son enters general’s office: “Adventure d’Amour” by Bradford
  14. Close-up of door knocker: “Mademoiselle-Promenade?” by Jacquet
  15. Henry Willoughby sees Priscilla coming downstairs: Repeat No. 12 “Tell Me Pretty Maiden”
  16. Priscilla plays harp: “Love’s Old Sweet Song” by Molloy
  17. Priscilla finishes playing: Repeat No. 12 “Tell Me Pretty Maiden”
  18. Poet stands between men at card table: “Humoresken” by Jones
  19. I’ve always dreamed: Repeat No. 1 “Dream River”
  20. Well, our little plot: “I’m Falling In Love With Someone” by Herbert
  21. Tennis court seen: “Happy Go Lucky” by Kaufman
  22. Priscilla enters her room: “Babbling Brook” by Golden
  23. Priscilla and Henry in bathing outfits: “Simplicity” by Lee
  24. Let me get you a bathing: “Paderewski Rag” by Klickmann
  25. Priscilla dives into water: “Oh Mister” by Frey
  26. Well, if it isn’t little: “Sunshine” by Berlin
  27. When it came to baseball: “Sultan of Swat” by Donaldson
  28. Priscilla sits alongside of Henry knitting: “Gavotte and Musette” by Raff
  29. Automobile seen along road: Repeat No. 26 “Sunshine”
  30. Have you children?: “Glow Worm” by Lincke
  31. Back seat of car accidentally closes: “Intermezzo” by Arensky
  32. Teo men seen in hallway: “Sh! Not So Loud” by Barrett
  33. After table falls: “Trouble Extreme” by Gabriel Marie
  34. You young scamp: “Dramatic Finale” by Noyes
  35. Wedding bells: “O Promise Me” by DeKoven
  36. Close-up of registration book: “Two Little Pretty Birds” by Tucker
  37. Priscilla phones down to hotel clerk: “Entr’acte Lovelorn” by Wood
  38. This is Betty – I’m downstairs: “Without You Sweetheart” by Henderson
  39. Henry enters wife’s room: “Appassionato Patetico” by Bradford
  40. Henry walks into room no. 746: “Love Me and the World is Mine” by Ball
  41. Henry shows Priscilla her bridal gown: “Ferocity” by Carrozzini
  42. Couple embrace: Repeat No. 26 “Sunshine”

Source: Carl Braun Collection

SFSMA ID: GF5YUVhrDM

Download: PDF

Domestic Meddlers

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Title: Domestic Meddlers

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet,

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “L’Amour Valsant” by Kirk
  2. Call it a day: “Doux Murmure” by Gillet
  3. Eleanor Hall: “Bonne Maman” by Gillet
  4. It just proves what a woman: “Poppyland” by Kiefert
  5. Five years old: “Blue Law Blues” by Lake
  6. Eleanor and Graham at Victrola: “Lisette” by Engel
  7. The morning that follows Saturday night: “Berceuse Comique” by Kilenyi
  8. Eleanor receives box of flowers: “Elfin Dance” by Felix
  9. Course after course: “In a Gondola” by Sokolow
  10. I wish I could get a kick: “Marche Mignonne” by Poldini
  11. A bull’s whip: “Underneath the Falling Leaves” by Sherman
  12. Applause: “Prattle” by Lowitz
  13. Lights out: “Jane” by Bibo
  14. Eleanor and Graham appear at apartment door: “From Mount Ranier” by Reiser
  15. Men seated at lunch table: “Babillage” by Gillet
  16. Jones stops Walter on street: “Diabolical Allegro” by Bergunker
  17. His friend and his wife: “Intermezzo” from Atonement of Pan by Hadley
  18. Eleanor climbs into bed: “From the North” by Sibelius
  19. Walter embraces Eleanor: THEME – “I Love You Truly” by Bond
  20. Walter at his desk: “From the Soul” by Schad
  21. He telephones Eleanor: “Joyous Spirits” by Savino
  22. Flowers appear again: “Silent Night” by Rebikov
  23. Pool of liquor on floor at Walter’s feet: “Valse Celeste” by Wittstein
  24. I’m sorry he’s spoiled our evening: Repeat No. 10 “Marche Mignonne”
  25. Why not let sleepy heads lie: Repeat No. 11 “Underneath the Falling Leaves”
  26. Music stops – lights extinguished: “Grand Dramatic Scene” by Leuschner
  27. So you’re the great lover: “Allegro Aggressivo” by Stahlberg
  28. Honey, please forgive me: Repeat Theme No. 19

Source: Carl Braun Collection

SFSMA ID: YcroFQa5Oa

Download: PDF

Dog Law

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Title: Dog Law

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “La Coquette” by Onivas
  2. Johnny Burke: “Ballet” from Princess Pat by Herbert
  3. Easy come, easy go: “Valse Minore” by Reisenfeld
  4. Johnny picks up card: “The Screifice” by Patou
  5. Morning the trapper: “The Captive” by Savino
  6. Love at first sight: “Googily Goo” by Davis
  7. Trapper enters cabin: “Warriors Bold” by Joels
  8. Johnny looking for ranger: “Suspicions” by Baron
  9. Flash to ranger and new family: “Polly” by Zamecnik
  10. His new family must be fed: “Dramatic Andante” by Axt
  11. A refuge by how to get: “A Spooky Adventure” by Pasternack
  12. Billie Miller: THEME – “There’ll Never Be Another You” by Bergner
  13. Ranger starts hunting: “Precipitoso” by Savino
  14. Billie feeding puppies: THEME – “There’ll Never Be Another You” by Bergner
  15. Ranger has vision: “Dramatic Allegro” by Savino
  16. Trapper strikes Johnny: “Panic” by Varnier
  17. Ranger at cabin: “Junella” by Kahn
  18. Gambler appears: “Chatter” by Kahn
  19. I’m catching the loggin’ train: “Camorra” by Joels
  20. Evening of the next day: THEME – “There’ll Never Be Another You” by Bergner
  21. Billie stops playing. Picks up puppies: “Lady of My Heart” by Roder
  22. After an all night search: “Enigma” by Borch
  23. The eternal feminine: THEME – “There’ll Never Be Another You” by Bergner
  24. Men sawing tree: “Tarentella” by Bohm
  25. Billie appears: THEME – “There’ll Never Be Another You” by Bergner
  26. We want a little talk with you: “Implorations” by Pasternack
  27. Trapper on telephone: “Athalia” by Mendelssohn
  28. Trapper enters cabin: “The Captive” by Savino
  29. Ranger escapes: “Ruy Blas” by Mendelssohn
  30. Ranger enters room: “Furioso” by Bergunker
  31. Flash to Johnny and captors: “Infernale or Witch Scene” by BOrch
  32. Captors walk from lovers: THEME – “There’ll Never Be Another You” by Bergner

Source: Carl Braun Collection

SFSMA ID: nd4pT3UpBK

Download: PDF

Do Your Duty

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Title: Do Your Duty

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Aurora” by Von der Mehden
  2. Sergeant Tim Maloney: TIME THEME – “A Bit O’Blarney” by Helf
  3. Motor cars crash: “Gigue” by Gretry-Mottl
  4. Tim’s friend, Andy: “Highland Schottisch” by Tobani
  5. Time studied for his promotion: Repeat Time Theme No. 2
  6. Patrolman Danny Sheehan: “The Blarney Stone” by Engleman
  7. Mary Ellen: LOVE THEME – “Roguish Rosie Reilly” by Franklin
  8. Mary Ellen and Danny leave room: Repeat Time Theme No. 2
  9. The baby: “Poupee Valsante” by Poldini
  10. Boy sharpening pencil with razor: “Spring Cleaning” by Bradford
  11. Children leave room: “Restless Bows” by Srawley
  12. In spite of his family: POLICE THEME – “National Emblem March” by Bagley
  13. Tim enters dark dining room: “What’s the Matter with Father” by Van Alstyne
  14. They all sit at table: “Hail, Hail, the Gang’s All Here” by Lake
  15. Andy appears playing bagpipe: “The Campbells Are Comin’” from From the Highlands by Langey
  16. Flash to children in bed: “Shamrock Waltz” by Tobani
  17. I suggest that we now hear from: “Irish Patrol” by Puerner
  18. It’s a queer world: “Burlesque on Lange’s Flower Song” by Kempinski
  19. Ritzy Dalton and his gang: “The Devil’s Elixir” by Marquardt
  20. Girl starts to scream from window: “Dance of the Furies” by Gluck
  21. Insert – Police Commissioner: “Londonderry Air” by O’Connor
  22. Mary Ellen in bridal gown: Repeat Love Theme No. 7
  23. Tim, you and Mary Ellen: “Bridal Chorus” by Wagner
  24. Here are the pictures: “A Gaelic Dream-Song” by Foulds
  25. Each day Tim became: “Film Theme No. 7” by Roberts
  26. Policeman marching down street: Repeat Police Theme No. 12
  27. One hour before: “Adventure d’Amour” by Bradford
  28. Mary Ellen looking at wedding presents: “Intermezzo” by Arensky
  29. Andy appears in hallway with clothes: “A Spooky Adventure” by Pasternack
  30. Thug opens door: “Dramatic Allegro” by Savino
  31. Flash-back to Tim and family: “Anxiete” by Srawley
  32. Isn’t it terrible: “Nellie Kelly I Love You” by Cohan
  33. Flash to thug and girl in room: “Vengeance” by Baron
  34. It’s the gang that framed you: Repeat No. 11 “Restless Bows”
  35. Flash to wedding guests at station house: “A Hot Time” by Beyer
  36. Jewelry store: “Gigue” by Bradford
  37. Gang enter jewelry store: “Unfinished Symphony” by Schubert
  38. Tim telephones to police: “A Highland Lad My Love Was Born” by Ascher
  39. Dalton, here’s where you go to jail: Repeat Tim Theme No. 2
  40. Insert – police shield: Repeat Police Theme No. 12
  41. Wedding ceremony: “Wedding March” by Mendelssohn

Source: Carl Braun Collection

SFSMA ID: 6MpsOlTymI

Download: PDF

The Divine Woman

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Title: The Divine Woman

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Your Live Is All” by Zamecnik
  2. To understand this woman: “Isabel” by Bowers
  3. In Brittany: “Your Love Is All” by Zamecnik (WHITE)
  4. Fade-out of bedroom scene: “Chanson Francaise” by Marquardt (YELLOW)
  5. Woman and man walk out of dining room to hall: “Habanera” from Carmen by Bizet
  6. Don’t you understand: Repeat No. 3 (WHITE)
  7. Child embraces mother: “Serenade Passionnee” by Heymann
  8. Child puts on cloak: Repeat No. 4 (YELLOW)
  9. A portrait of one of my departed husbands: Repeat No. 7 (DARK BLUE)
  10. Screen falls down: “Film Theme No. 1 by Tschaikowsky
  11. Fade-out of man seated on floor: “Carabi” (old French chant)
  12. Girl stops on steps to house: Repeat No. 3 (WHITE)
  13. In that case: Repeat No. 11 “Carabi”
  14. Wagon drives off: “Garden Whispers” by Herkan
  15. Fade as soldier and girl go up steps: “Dreams of Love” by Liszt
  16. After soldier kisses girl: “Endearment” by Hawthorne
  17. Girl enters house: Repeat No. 4 (YELLOW)
  18. Soldier walks up street: Repeat No. 3 (WHITE)
  19. Fade as two women embrace: “Mystic Romance” by Srawley (RED)
  20. Fade as officer leads girl off: “Gavotte” from Garden Suite by Luz
  21. Clock on screen: “Nocturne” from Garden Suite by Luz
  22. Soldier leaves room after title – “There’ll still be soldiers”: Repeat No. 11 “Carabi”
  23. Soldier and girl kiss: “Chanson Francaise” by Marquardt (YELLOW)
  24. Girl about to light lamp: “Carabi” (old French chant)
  25. Soldier places girl back on chair: “Your Love Is All” by Zamecnik
  26. Quarrel at table: “Serenade passionnee” by Heymann (DARK BLUE)
  27. Girl takes off soldier’s belt: Repeat No. 1 (WHITE)
  28. Lovers seated in window: Repeat No. 24 “Carabi”
  29. Fade after title – “How brave a lad I was”: “In the Queen’s Palace” by Schertzing
  30. Girl in dressing room: Repeat No. 19 (RED)
  31. Molly Moran smoking cigar: “Told At Twilight” by Huerier
  32. Girl sees man at door: “Agitato No. 20” by Borch
  33. Girl runs out of room followed by man: Repeat No. 26 (DARK BLUE)
  34. The combination of an umbrella and you: Repeat No. 23 (YELLOW)
  35. Clothes shop: “Mystic Romance” by Srawley (RED)
  36. Love walks out of shop after stealing dress: Repeat No. 23 (YELLOW)
  37. They were given to me: “Symphonic Incidentals No. 1” by Marquardt
  38. Lover slaps girl’s face: Repeat No. 25 (WHITE)
  39. Police entering door: Repeat No. 35 (RED)
  40. Girl embracing lover: “Serenade passionnee” by Heymann (DARK BLUE)
  41. Lover led off — girl in hall: “Simple Aveu” by Thome
  42. I don’t want to be an actress: “Zareda” by Tschaikowsky
  43. Fade as girl is reading part in play: “Marche Lorraine” by Canne
  44. Fade-out of hands applauding: Repeat No. 42 “Zareda”
  45. I’ll see if rehearsal is ready: “Your Love Is All” by Zamecnik (WHITE)
  46. Poor Lucien: Repeat No. 40 (DARK BLUE)
  47. Bell rings: “Sympathy” by Mezzacapo
  48. Actress picks up two wash baskets: Repeat No. 40 (DARK BLUE)
  49. Actor dismissed: “Reverie” from Pathetic Suite by Luz
  50. Dressing room scene: “Elegie” from Pathetic Suite by Luz
  51. Actress sits down at table: Repeat No. 42 “Zareda”
  52. Prison scene: Repeat No. 35 (RED)
  53. Electric lights flashed: “Passe-Pied” by Gillet
  54. To La Marianne: “Uneasiness” by Mendelssohn
  55. Mother leaves dressing room: Repeat No. 35 (RED)
  56. Actress runs to lover: “Serenade passionnee” by Heymann (DARK BLUE)
  57. Yes, I am: Repeat No. 45 (WHITE)
  58. People show in hall: “Winsome Winnie” by Mehegan
  59. People leave room: “Your Love Is All” by Zamecnik (WHITE)
  60. The last act: Repeat No. 56 (DARK BLUE)
  61. Door opens: “Canto Amoroso” by Samartini-Elman
  62. Curtain down: “Lament” by Herrmann
  63. Fame is witch: “Carabi” (old French chant)
  64. Vision of lover in hall: “Mystic Romance” by Srawley (RED)
  65. Newspaper article on screen: “Lovers Meeting” by Kempinski
  66. Won’t you go for me: Repeat No. 56 (DARK BLUE)
  67. You’re going to live: “Your Love Is All” by Zamecnik (WHITE)

Proper orchestra rest period is Nos. 20 to 33 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

“Serenade passionnee” (DARK BLUE) should always begin at 5th bar and played Appassionato—instruments play all small notes. No. 11 “Carabi” must be played in four beats to bar Moderato tempo to fit “Ron, Ton, Ton” words on screen.

Source: Carl Braun Collection

SFSMA ID: ty6LT6fPde

Download: PDF

Discord

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Title: Discord

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Mock Morris” by Grainger
  2. Lights of London Street at night: “Quelques Fleurs” by Baron
  3. A year had passed: “Ludicia” by Caludi
  4. And so after a year: “Study In Blue” by Savino
  5. Following applause: “Dramatic Tension” by Ancliffe
  6. Cathleen enters room: “Dream Shadows” by Spitalny
  7. Ivan at fireplace: “Serenade” by Rachmaninoff
  8. Cathleen sees Ivan greet girl: “Karma” by Herbert
  9. Far up in the Nordland: “Andante” by Grieg
  10. Car appears on road: “Gade” from Lyric Pieces by Grieg
  11. Logs loosened—start down river: “Storm Music No. 9” by Ketelbey
  12. Birger places Cathleen on bench: “L’Angoissante aventure” by Gabriel Marie
  13. He recognizes monogram: “Elegie” by Grieg
  14. Cathleen takes drink and goes to sleep: “The Swan” by Saint Saens
  15. Family hurry into room: “Gossip” by Borch
  16. Boy hands Birger money: “Watchman’s Song” from Lyric Pieces by Grieg
  17. Poppy leaves room: “Penelope’s Garden” by Ancliffe
  18. Nearby: “Intermezzo” by Arensky
  19. Birger enters room: “The Coquette” by Deppen
  20. Coffee after a dinner: “Les Precieuses” by Gabriel Marie
  21. Family leave room: “A Passionate Episode” by Engleman
  22. But Birger, I am ashamed: THEME – “At Dawning” by Cadman
  23. Mark’s waiting: “Symphonic Color Classic No. 5” by Marquardt (GREEN)
  24. Deck scene: Repeat No. 18 (YELLOW)
  25. South, through the tropic seas: “Symphonic Color Classic No. 5” by Marquardt (WHITE)
  26. Off Cape Horn: “Storm, Tempest” by Wiedermann
  27. The sea’s hungry: “Symphonic Color Classic No. 5” by Marquardt (RED)
  28. Singapore: “Arabianna” by Giovannoli
  29. Dancing girls – close-up of girl and man: Repeat No. 27 (RED)
  30. Mark, you mustn’t do this: “Appassionata Dramatico” by Heymann
  31. Fetch the youngster: “Symphonic Color Classic No. 5” by Marquardt (DARK BLUE)
  32. Novarro hit on head and taken out: “A Street In Algeria” by Ansell
  33. Sea captain attacked: Repeat No. 27 (RED)
  34. The home port: “Symphonic Incidentals No. 7” by Marquardt
  35. Man taking chains from Novarro’s arms: “The Seething Mob” by Varnier
  36. Novarro sees girl: “Nocturne” by Crist
  37. I don’t sant him back: “Anguish” by Vrienides
  38. Six months: “The Chantyman’s March” by Sousa (BROWN)
  39. After words of song on screen: “Grand Dramatic Scene” by May
  40. Exterior scene—ship shows: “Dramatic Andante” by Noyes
  41. Boy comes up on deck: “Symphonic Color Classic No. 5” by Marquardt (RED)
  42. Young brother runs to Mark: Repeat No. 25 (WHITE)
  43. I know why you came: “Elements Unbound” by Eggert
  44. The truth is: “Incidental Symphony No. 29” by Damaur
  45. You’re both where I want you: “Idylle” by Gillet
  46. Deck scene: “Symphonic Color Classic No. 5” by Marquardt (DARK BLUE)
  47. Sailors going down hatch: Repeat No. 41 (RED)
  48. Man throws iron into Mark’s back: Repeat No. 46 (DARK BLUE)
  49. Sailor falls into sea: “Symphonic Color Classic No. 5” by Marquardt (GREEN)

Proper orchestra rest period is Nos. 25 to 35 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: BKbh8IkbQ0

Download: PDF

Diamond Handcuffs

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Title: Diamond Handcuffs

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Forest Murmurs” by Friml (WHITE)
  2. A diamond mine: “Vale of Kashmir” by Bierman
  3. Three men seated at table looking at diamonds: “Zuleika” from Oriental Ballet No. 2 by Riesenfeld (DARK GREEN)
  4. Fade-out of native girl crouching along wall: “Notturno Fantastico” by Huppertz (RED)
  5. Man escapes under wall – girl shows: Repeat No. 3 (DARK GREEN)
  6. Native leaves girl – crawls under wall: Repeat No. 4 (RED)
  7. Foreman walks to injured native: “Hindu Nautch Dance” by Vaughan
  8. One dance scene (injured man shows): “The Enchanted Castle” by Marquardt
  9. Native man at wall: “Furioso No. 2” by Armandola
  10. Girl hides injured man: Repeat No. 3 (DARK GREEN)
  11. Injured man falls at feet at girl: “The Meeting” by Bierman
  12. Then the diamond travelled: “Little Dot” by Froehlich
  13. I’ll be delighted: Repeat No. 4 (RED)
  14. Fade-out of jewelry store: Repeat No. 3 (DARK GREEN)
  15. Fade to street from couch in room: Repeat No. 4 (RED)
  16. Husband comes from jewelry store: “A Remembered Kiss” by Vannah
  17. Maid with diamond on finger walks from husband: Repeat No. 3 (DARK GREEN)
  18. Morning: Repeat No. 4 (RED)
  19. After jewelry store wife telephoning: “Melancholy” by Eggert
  20. Husband leaves wife: Repeat No. 4 (RED)
  21. After main shows in bedroom: “Furioso No. 3” by Langey
  22. So the diamond: “Little Miss Butterfly” by Cussans
  23. Girl sits down at table with three men: “Dramatic Andante No. 1” by Borch
  24. Girl enters room upstairs: “Un Sonnet d’Amour” by Harms
  25. I’ll never be happy: Repeat No. 3 (DARK GREEN)
  26. Girl lies down on couch: Repeat No. 4 (RED)
  27. Jewelry store scene: “Unrest” by Geehl
  28. After thief leaves store – taxi interior: “Misterioso alla Valse” by Savino
  29. Detectives enter Spike’s Restaurant: “Dramatic Appassionato” by Ciganeri
  30. Now that our friends have beat it: Repeat No. 4 (RED)
  31. Girl in room upstairs at mirror: Repeat No. 3 (DARK GREEN)
  32. It’s not that big stone: Repeat No. 1 (WHITE)
  33. Don’t you understand: “A Tone Picture” by Haas
  34. Fade-out of girl seated with doctor to street scene: “Arabian Romance” by Polla
  35. Orchestra stops: Short Tacet
  36. Leader makes announcement: “Sugar Foot Strut” by Schwab
  37. Dancers off after title – “You did”: Repeat No. 4 (RED)
  38. After announcement: “My Pet” by Ager
  39. Never mind the dance: Repeat No. 4 (RED)
  40. Stop short as Spike strikes girl: “Lonely Hours” by Kempinski
  41. Doc, I want to know: “Misterioso No. 82” by Berge
  42. Three men walk to table: Repeat No. 4 (RED)
  43. And they never come back: “Panicy Agitato” by Berge
  44. Two colored actors show: “Presto No. 27” by Lake
  45. After Spike is shot: Repeat No. 3 (DARK GREEN)
  46. Wagon runs over diamond: Repeat No. 1 (WHITE)

Proper orchestra rest period is Nos. 19 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: KRAm3XO61m

Download: PDF

The Devil’s Skipper

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Title: The Devil’s Skipper

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Overture Italienne” by Zereo
  2. Angola, an ulcer on South Atlantic: “Au Desert” by Grandjean
  3. The devil’s ship: SHIP THEME – “Storm” by Eggert
  4. Flash-back to Angola street scene: “La Fete au Desert” from Suite Mauresque by Dargel
  5. Flash-back to ship: Repeat Ship Theme No. 3
  6. This son of a monkey: SKIPPER THEME – “The Captain” by Savino
  7. Deck of ship: “Fun on Deck” by Howgill
  8. Skipper with monkey: “Animal Cartoonix No. 2” by Aborn
  9. Mate enters cabin: Repeat Skipper Theme No. 6
  10. Fade-in vision: “Mignonette” by Jackson
  11. Child in crib: “Slumber Boat” by Gaynor
  12. Philip: “Wedding Morn” by Luscomb
  13. Tonight Marie: “Autumn Voices” by Bassett
  14. Then: “Nymphs Frolic” by Bradford
  15. Men enter room: “Hurry No. 3” by Zamecnik
  16. Flash-back to cabin: Repeat Skipper Theme No. 6
  17. Deck of ship: “Leaving Port” by Howgill
  18. New Orleans: “The Coquette” by Johnstone
  19. Are you Monsieur le Farge: “Your Love is All” by Zamecnik
  20. Le Farge and mate talking in carriage: “Diabolical Allegro” by Bergunker
  21. Flash on ship: “Silent Night” by Rebikov
  22. Le Farge confronts skipper: Repeat Skipper Theme No.6
  23. Skipper and Le Farge enter hold: “The Toilers” by Axt
  24. They appear on deck again: “Le Rouet d’Omphale” by Saint Saens
  25. Put the lad and girl in irons: “Recitative Heroique” by Rapee
  26. I was a silly girl: “Love Tragedy” by Savino
  27. Among the derelicts: “The Rebellion” by Paton
  28. Tell me before you die: “Moderato (Love Theme)” by Savino
  29. Sailors winding windless: Repeat No. 23 “The Toilers”
  30. Flash to deck: “Uproar” by Neinass
  31. Marie, for God’s sake: “Hopeless” by Neinass
  32. Marie stabbed: “Adriana Lecouvreur” by Cilea
  33. Le Farge at Marie’s bedside: “Lamento” from Pique Dame by Tschaikowsky
  34. Mate leaves cabin – pursues sailor: “Dante’s Inferno” by Borch
  35. Flash-back to Marie: “Tragic Andante” by Sibelius
  36. You’ve been awfully good to me: “Adagio Pathetique” by Godard

Source: Carl Braun Collection

SFSMA ID: 1fbmmBnpsV

Download: PDF

The Devil Dancer

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Title: The Devil Dancer

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Kashmiri Song” by Woodforde-Finden (WHITE)
  2. Tibet, high in the: “Before the Battle” from T’Chaka by Ring (RED)
  3. While on the road: “Monarah” from T’Chaka by Ring
  4. And a strange event: Repeat No. 2 (RED)
  5. And thus Takla: Repeat No. 1 (WHITE)
  6. Big gong: “Incidental Symphony No. 28” by Damaur
  7. Close-up scene of prisoners coming downstairs: “Marcia Tragica” by Mikulicz
  8. Our ancient law: Repeat No. 6 “Incidental Symphony No. 28”
  9. Servant embraces Takla: “Orientale” by Cui
  10. Fade-out of men making up to tom tom: tom tom by drummer
  11. One scene: “Orgy” from Babylon by Elie
  12. Close-up of man hitting native cymbal: “Temple Bells” by Woodforde-Finden (ORANGE)
  13. Mask taken off girl’s head: “Dance of the Gnomes” by Hynsky
  14. Dancer falls down stairs: “Misterioso No. 4” by Bergunker
  15. White man climbs over garden wall: “Less Than the Dust” by Woodforde-Finden (BROWN)
  16. White man climbs to girl on balcony: Repeat No. 1 (WHITE)
  17. While the prayer wheels spin: “Before the Battle” from T’Chaka by Ring
  18. Garden scene: “Kashmiri Song” by Woodforde-Finden (WHITE), interrupt with trombone and horns imitating big trumpet, then segue to “Sarcasm” by Kempinski
  19. Maid shows after white man gives Takla cross: Repeat No. 18 (WHITE)
  20. When the moon is highest: Repeat No. 17 (RED)
  21. Masked girl enters temple: “Incidental Symphony No. 28” by Damaur
  22. Fade to two priests after close-up of wagon interior showing girl: “Semi-Oriental Maestoso” by Becce
  23. Kolan: “On the Bosporus” by Lincke
  24. Stephen says he has a surprise for us: “Miss Mischief” by Kempinski
  25. Man in garden mixes drink and drinks: “Temple Bells” by Woodforde-Finden (ORANGE)
  26. Takla drops cup of tea and cake: “Kashmiri Song” by Woodforde-Finden (WHITE), introduction
  27. Evening: “Spirit of Spring” by Reiser
  28. Lover walks off screen from sister: Repeat No. 26 (WHITE)
  29. Outside the gates: “Egyptian Dance” by Friml
  30. Lover walks to Takla dancing: “Kashmiri Song” by Woodforde-Finden (WHITE)
  31. Man enters room closing doors: Repeat No. 29 “Egyptian Dance”
  32. One dance scene: “Tensive Misterioso” by Peele
  33. Fade-out as woman walks from gate: “Fugitive” by Maiorana
  34. South toward: “In Sight of the Oasis” by Baron, SEGUE to “An Indian Legend” by Baron
  35. Takla has handkerchief – drops to ground: “Danse Oriental” by Lubomirsky
  36. Hassim annoying Takla after dancing: “An Indian Legend” by Baron
  37. Takla throws cross to floor: “Scene au Serai” by Les Orientales by Gauwin
  38. A month later: Continue No. 37
  39. Takla finishes dance with whirl: “Defense of Honor” by Zamecnik
  40. Nautch girls pass Takla on balcony: “Vision Orientale” by Marquardt
  41. Hassim embraces Takla: Repeat No. 39 “Defense of Honor”
  42. Hassim walks out of room after fight: Repeat No. 40 “Vision Orientale”
  43. Nautch girls show: Repeat No. 35 “Danse Oriental”
  44. Nautch rubs body against white visitor: Repeat No. 40 “Vision Orientale”
  45. Takla walks out on balcony: Repeat No. 35 “Danse Oriental”
  46. One dance scene: “A Villainous Theme” by Engleman
  47. Takla walks out of room: Repeat No. 35 “Danse Oriental”
  48. One dance scene: “Before the Battle” from T’Chaka by Ring (RED)
  49. I have come to take you back: “Shadowed” by Zamecnik
  50. What have you done with Takla: “Incidental Symphony No. 1” by Kempinski
  51. Lama kills boy with knife in Takla’s dressing room: “Monarah” from T’Chaka by Ring
  52. Lama leading Takla out of room: Repeat No. 50 “Incidental Symphony No. 1”
  53. Interior of room after Lama is thrown into river: “Kashmiri Song” by Woodforde-Finden (WHITE)

Proper orchestra rest period is Nos. 22 to 29 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: ScsfGNgOY7

Download: PDF

Detectives

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Title: Detectives

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “The Devil’s Elixir” by Marquardt (BROWN)
  2. This story is dedicated: “Agitato No. 4” by Zamecnik
  3. Men knocked down stairs: “Sunshine and Flowers” by Schoenfeld
  4. Close-up of man snoring: “Mignonette” by Sodero
  5. Up in Orloff’s room: “Gossip” by Marquardt (LIGHT BLUE)
  6. Doctor speaking to detective: ”Lucky In Love” by Henderson (YELLOW)
  7. Detective stabs bellboy with badge pin: Repeat No. 5 (LIGHT BLUE)
  8. Tomorrow ladies: “The Hour of Ghosts” by Becce (RED)
  9. Hall scene showing bellboy: Repeat No. 5 (LIGHT BLUE)
  10. Stop short as detective raises hand to strike bellboy: “Eternal Poem” by Weiller
  11. Plotters show on screen after detective laughs: Repeat No. 8 (RED)
  12. Bellboy walks out of room where card players are seen: “Agitato Mysterioso” by Norton
  13. Hand takes hold of detective’s legs: “In Pensive Mood” by Berge
  14. I’ve got it: :”The Devil’s Elixir” by Marquardt (BROWN)
  15. Man falls out of closet: “Gossip” by Marquardt (LIGHT BLUE)
  16. The following morning: “Lucky In Love” by Henderson (YELLOW)
  17. Stop with pistol shot: “A Little Peach” by Colin
  18. Boy disguised as girl enters room: “The Hour of Ghosts” by Becce (RED)
  19. Crook puts flashlight in drawer: “Defense of Honor” by Zamecnik
  20. I never saw such a fresh maid: “A Place of Dreams” by Gras
  21. Hotel hall scene: “The Home Stretch” by Bierman
  22. Fade-out after detective is caught in window: Repeat No. 18 (RED)
  23. Girl takes necklace out of crook’s pocket: Repeat No. 15 (LIGHT BLUE)
  24. Girl hid in mummy box: “Astir” by Berge
  25. Miles out: Continue No. 24 with storm effects
  26. Bellboy comes out of mummy box: Repeat No. 14 (BROWN)
  27. Detective closes big window: “Dramatic Allegro” by Falck
  28. Bellboy and detective recognize each other: Repeat No. 14 (BROWN)
  29. The next time I see you: Repeat No. 18 (RED)
  30. Detective falls into cellar: “Incidental Symphony No. 34” by Kempinski
  31. You here again: “The Hour of Ghosts” by Becce (RED)
  32. Plotters walk away from prison doors: “Passing of Summer” by Parker
  33. You’re a fine detective: “Dance of the Skeletons” by Allen
  34. Karl Dane hops into mummy box: Repeat No. 31 (RED)
  35. Bellboy takes barrel off head: “The Devil’s Elixir” by Marquardt (BROWN)
  36. Doctor begins to cut mummy: “Gossip” by Marquardt (LIGHT BLUE)
  37. Get them quick: “Symphonic Incidentals No. 9” by Marquardt
  38. Crooks fall through trap door (stop with crash): Repeat No. 37 “Symphonic Incidentals No. 9”
  39. Police office scene: “Agitato Pathetic” by Kilenyi
  40. After what I just told you: “Air de Ballet” by Herbert
  41. Detective opens searchlight: “Pekoe Dance” by Tschakoff
  42. You’re a disgrace: “Lucky In Love” by Henderson (YELLOW)
  43. Detective locked in cell: Repeat No. 36 (LIGHT BLUE)

Proper orchestra rest period is Nos. 16 to 27 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: rkPOeXKwsO

Download: PDF

Desert Nights

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Title: Desert Nights

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1929

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Babylon Suite No. 1” by Elie (ORANGE)
  2. Cablegram on screen: “To My Star” by Marquardt
  3. People get out of auto: “A Love Lesson” by Fresco
  4. Girl lifts her veil: “Wooing” from Love Tales by Schertzinger (WHITE)
  5. Fade-out after Gilbert walks off screen: “Geraldine” by Tobias (from beginning)
  6. I say, am I going to kill this lion alone: “Merriment” by Kempinski
  7. Gilbert leaves room – follows girl to balcony: Repeat No. 4 (WHITE)
  8. Girl asks father through window to play waltz: “Geraldine” by Tobias” (chorus)
  9. End of waltz – card seen: “Cocotte” by Tyson
  10. A half million dollars worth: “Misterioso Fantastico” by Becce (RED)
  11. Whistle blows: “Excitement and Hurry” by Hoffman
  12. Splendid: Repeat No. 10 (RED)
  13. Leaving civilization behind: “Desert Caravan” by Friml
  14. Hello good looking: Repeat No. 4 (WHITE)
  15. As a hostess: “Semi-Oriental Maestoso” by Becce
  16. Play once and segue: Repeat No. 10 (RED)
  17. Morning: “Pastorale Orientale” by Levenson
  18. Girl comes from tent: “Astir” by Berge
  19. Girl walks to Gilbert in wagon: “Vision Orientale” by Marquardt
  20. Gilbert kissing girl: “Incidental Symphony No. 35” by Kempinski
  21. Shoot, you fool: “Symphonic Incidentals No. 15” by Marquardt
  22. Fade-out of Gilbert and crook: “In Mournful Mood” by Sibelius
  23. See here, good looking: “Wooing” from Love Tales by Schertzinger (WHITE)
  24. Man staggers on screen: Repeat No. 22 “In Mournful Mood”
  25. Men shake hands: Repeat No. 23 (WHITE)
  26. Fade-out of Gilbert embracing girl: “Dreamy Moments” by Marquardt
  27. Gilbert jumps off wagon: “Scherzando Hurry” by Frey (LIGHT BLUE)
  28. Oxen released – Gilbert tastes water: “Morne Desert” by Gabriel Marie
  29. Fade-out of girl to night scene: Continue No. 28
  30. Gilbert on screen with girl – close-up: “Appassionato No, 4” by Axt
  31. 1-2-3-4: “The Hermit’s Dream” by Marquardt
  32. Girl runs from Gilbert after he throws her on ground: Repeat No. 27 (LIGHT BLUE)
  33. Gilbert lifts girl from ground: “Misterioso Fantastico” by Becce (RED)
  34. Fade-out of close-up of Steve and Gilbert: “Dreams” by Crist
  35. Save me: “Nocturne” by Crist
  36. Fade-out as Steve gets up on feet: Repeat No. 27 (LIGHT BLUE)
  37. Crook falls into sand pit: Repeat No. 35 “Nocturne”
  38. Gilbert sees water: “Intermezzo” by Arensky
  39. I got you this far: “Redemption Theme” by Tschaikowsky
  40. Fade-out of Gilbert lying on ground: “Parade of the Toys” by Schertzinger
  41. Gilbert at campfire: “Pastorale” from L”Arlesienne by Bizet
  42. Now, the only honorable thing to do: “Geraldine” by Tobias (from beginning)
  43. I’m your prisoner: Repeat No. 33 (RED)
  44. Goodbye and good luck: “Geraldine” by Tobias (chorus)
  45. Fade0out after title – “Not bad, the diamonds and one prisoner”: “The Devil’s Elixir” by Marquardt
  46. Come right along: “Babylon Suite No. 1” by Elie (ORANGE)
  47. Did you get lost: “Chant Russe” by Lalo
  48. See that he gets bread: Repeat No. 44 “Geraldine”

Proper orchestra rest period is Nos. 15 to 22 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetitions of numbers designate the Mood or Emotion, and is used as a code for such repetition.

Source: Carl Braun Collection

SFSMA ID: uamvU69Yon

Download: PDF

The Desert Bride

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Title: The Desert Bride

Author: Eugene Conte

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Eugene Conte

OCLC Number:

Contents:

  1. At screening: “In Persian Market” by Ketelbey
  2. Close-up – feet dancing: “Fanatic Derwish Dance” by Becce
  3. Native stops girl dancing: “Priere Hindoue” by Berge
  4. Natives rise after prayer: Reveille—Trumpet Call
  5. Fade-out – French Flag: “Anticipation of Danger” by Becce
  6. Close-up of snare drum: “Douce Fievre” by Y’Ener
  7. End of dance: “Rambler Roses” by Wheeler
  8. Orchestra starts: “Hollywood Rose” by Jolson
  9. Diane removes shoe: THEME – “Diane” by Rapee
  10. So I won’t detain you: “Together We Two” by Berlin
  11. So I see you know: “Gaily Thro’ Life” by Schad
  12. Dancing starts again: “Rain” by Ford
  13. Commander and Deveraux in room: “Turmoil” by Brunelli
  14. Deveraux comes to Diane: Repeat Theme No. 9
  15. Desert scene – They kiss: “Storm Music” by Ketelbey
  16. Moon scene: Repeat Theme No. 9
  17. Street scene: “Souvenir d’Orient” by Devries
  18. Deveraux leaves Diane: “Oriental” by Berge
  19. Diane and Kassim in garden: Repeat No. 5 “Anticipation of Danger”
  20. Deveraux and Diane: Repeat Theme No. 9
  21. At the home of Kassim: “Semi-Oriental Maestoso” by Becce
  22. Deveraux enters cellar: “Allegro Misterioso” by Kempinski
  23. Insert – card – Diane Duval: “Nocturnal Tangier” by Godowsky
  24. Deveraux is seen: Repeat No. 18 “Oriental”
  25. Deveraux escapes: “Agitato Drammatico” by Savino
  26. Deveraux captured: Repeat No. 18 “Oriental”
  27. Diane grabs vase: “Agitato Misterioso” by Becce
  28. Kassim sees Diane: “Rebellion” by Pasternack
  29. Fade-in – torture chamber: “Gruesome Misterioso” by Borch, SEGUE to “Anticipation of Danger” by Becce
  30. I will tell: “Battle-Tumult-Blaze” by Becce
  31. After hand grab Kassim: “Marching Song of the Foreign Land” by Bradford
  32. Paris, James: Repeat Theme No. 9

Source: Carl Braun Collection

SFSMA ID: eURhXkyRnT

Download: PDF

The Danger Rider

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Title: The Danger Rider

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “The Gay Party” by Cafarella
  2. Even prison bars: HAL THEME – “Shenandoah” by Bendel
  3. Insert – Mollie’s photograph: “Could I?” by Ager
  4. Tucson enters office: “Warriors Bold” by Joels
  5. Tucson leaves warden’s office: “Stepping On the Ivories” by McLaughlin
  6. The Dare Ranch: “Hunkatin” by Levy
  7. Hal appears on road: Repeat Hal Theme No. 2
  8. What’s the idea, Blinkie: “Conspiracy” by Zamecnik
  9. Mollie appears: “Mal de Mer” by Lange
  10. Hal soon realized: Repeat Hal Theme No.2
  11. In the neighboring town: “Shadowed” by Zamecnik
  12. Molly and old lady on porch: “Idyl Pastorale” by Savino
  13. Scar face sneaking about in dark: “Third Misterioso a la Valse” by Savino
  14. This way to a bad man’s heart: “Country Dance” by Egener
  15. All right, I’ll tell you: “March of the Phantom Hosts” by Axt
  16. Tucson appears in doorway: “It Had to Be You” by Jones
  17. Tucson walks toward Hal: “Evil Motive” by Hoffman
  18. Hal leaves room: “Gossip” by Borch
  19. Who was that stranger?: “Who’s Who?” by Morris
  20. Come on, you dynamos: “Rural Flirts” by Bradford
  21. Flash to rough riding: “In the Stirrups” by Zamecnik
  22. I saw scar face: “Restless Bows” by Srawley
  23. Tucson enters room: “Storm, Strife or Tempest” by Ancliffe
  24. Village Street: “Dramatic Allegro” by Savino
  25. Intuition told Hal: “Disturbance” by Zamecnik
  26. Hands up!: “Funny Faces” by Ring-Hager
  27. Hal appears: LOVE THEME – “Girl of My Dreams” by Clapp
  28. Scar face: “Tragic Andante” by Savino
  29. Scar face attacks Mollie: “Ferocity” by Carrozzini
  30. Is that Tucson Joe?: “Amorous Adventure” by Bradford
  31. Dad get out of auto: Repeat Hal Theme No. 2
  32. Hey, Sheriff: Repeat Love Theme No. 27

Source: Carl Braun Collection

SFSMA ID: 3FyzlEHz0T

Download: PDF

The Crystal Cup

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Title: The Crystal Cup

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Love Theme” from Fall of a Nation by Herbert
  2. Somewhere in the slums: “Appassionato in A minor” by Savino
  3. Such was the background: “Fragrance Lane” by Fresco
  4. Would you like to dance: “Bye-Bye Pretty Baby” by Hamilton
  5. Man places hand on her shoulder: “Passionato” by Borch
  6. Five years slipped by: “Nocturne” by Elie
  7. Old age will be served: “Silver Threads” by Danks
  8. And now dear: “Of Old-time Flavor” by Sudds
  9. Gita closes panel: GITA THEMN – “Canzonetta” by Herbert
  10. Flash-back to boudoir: “Poem” by Fibich
  11. Gita didn’t rejoice: “Reverie D’Amour” by D’Aquin
  12. On the crossroads of life: “Dance of the Furies” by Gluck
  13. Geoffrey recognizes Gita: “Moonlight Serenade” by Lodge
  14. After large dinner: Repeat Gita Theme No. 9
  15. I’m sorry to interrupt you: “Valse Dramatique” by Rapee
  16. Gita had often surprised: “Serenade” by Herbert
  17. Girl friend enters: “Moon Madness” by Lodge
  18. Everyone began to wonder: “Chatter” by Kahn
  19. Bylant enters: “Air de Ballet” by Massenet
  20. Well, I might get married: Repeat Gita Theme No. 9
  21. Change to Geoffrey at desk: “Valse Modern” by Lodge
  22. Insert wedding announcement: LOVE THEME – “No One Knows” by Gordon
  23. A woman may pretend: “Whimsical Charms” by Fresco
  24. Gita’s ball: “Calling” by Golden
  25. Gita leaves ball room: “Because I Love You” by Berlin
  26. Dial of clock shows: “Bridal Chorus” by Wagner
  27. When all those things: Repeat Gita Theme No. 9
  28. Bylant leaves: “Just a Wearin’ For You” by Bond
  29. While Bylant fumed: “Marionettes” by Arndt
  30. How is Eustace getting: “Piazza del Popelo” by Frederiksen
  31. Days without Bylant: Repeat Love Theme No. 22
  32. What are you doing out here: “Karma” by Herbert
  33. Bylant at desk drinking: “Banquos Ghost” by Leuschner
  34. Gita at window of boudoir: “All Alone” by Berlin
  35. Figure sneaks into room: “The Rebellion” by Patou
  36. Gita recognizes Bylant as intruder: “Agitato Ala Valse” by Savino
  37. Bylant lying in bed: “In the Heart of the Hills” by Lee
  38. Geoffrey and Gita close-up: Repeat Love Theme No. 22

Source: Carl Braun Collection

SFSMA ID: tZFa4DmoOF

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The Crowd

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Title: The Crowd

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “A Busy Thoroughfare” by Baron (YELLOW)
  2. July Fourth, 1900: “Dixie’s Land” by Reeg
  3. But what was: “Berceuse d’Amour” by Marquardt
  4. Fade-out after title – “I’m gonna give him”: “Ripples” by Lowitz
  5. My dad says: “Dramatic Hurry No. 1” by Baron (LT. BLUE)
  6. Body being carried upstairs: “Light Romantic Theme No. 3” by Luz
  7. When John was twenty-one: “Nocturno” by May
  8. Flash to river scene: Repeat No. 1 (YELLOW)
  9. High building fades to office scene: “My Little Billiken” by Lotter (BROWN)
  10. Clock jumps to “Five”: “In Merry Mood” by Axt
  11. Jane, John, John, Jane: Repeat No. 9 (BROWN)
  12. Come on Romeo: “Cheer Up” by Kaufman
  13. Fade-out of top of bus: “Good News” by Henderson
  14. Fade-out of ice imitation: “Yankee Doodle” from National Melodies
  15. Sit down: play chorus of “A Kiss In the Dark” by Harms
  16. Long shot scene of entrance to ride: “Dance of the Night Hawks” by Gurney
  17. Johnny Sims strokes girl’s forehead: “Wedding Dreams” by Marquardt
  18. Fade to railroad station sign moving: “Pins and Needles” by Kaufman
  19. Fade-out of station scene to magazine page: “Wedding Dreams” by Marquardt
  20. Bride and groom leave berth: “My Little Billiken” by Lotter (BROWN)
  21. Man picks up book from floor: “Dance of the Spooks” by Rollinson
  22. Wife in berth shows on screen: Repeat No. 19 “Wedding Dreams”
  23. Fade-out of berth to Niagara Falls: “Peg” by Hauenschild
  24. Husband snaps picture of wife: Repeat No. 19 “Wedding Dreams”
  25. Stop with falls and surf effects after kiss: “Bingo” from Five College Songs by Luz
  26. Wife shows on screen: “Merriment” by Kempinski
  27. Door bell: “Marionettes” by Felix
  28. Husband comes out of bathroom: “Wedding Dreams” by Marquardt
  29. Play all of 4/4 movement and segue: “Mysterious Tension” by Axt
  30. Husband slides down stoop stairs: “A Busy Thoroughfare” by Baron (YELLOW)
  31. Johnny begins to run: Victrola Imitation – hot fox trot
  32. Fade-out of Johnny dancing: Play one slow burlesque chorus of “Show Mne the Way To Go Home” by Harms
  33. Segue: “Characteristic Theme No. 1” by Roberts
  34. They do not understand you: “Wedding Dreams” by Marquardt
  35. April: Repeat No. 20 (BROWN)
  36. Husband breaks plate: “Prelude Dramatique” by Srawley
  37. Husband leaves room: Repeat No. 34 “Wedding Dreams”
  38. Wife closes door—motions to husband with finger: “Berceuse d’Amour” by Marquardt
  39. From now on I’m gonna treat you different: Repeat No. 34 “Wedding Dreams”
  40. October: “Effervescence” by Wolf
  41. Don’t worry: Repeat No. 38 “Berceuse D’Amour”
  42. Nurse says “John Sims”: “Wedding Dreams” by Marquardt
  43. During the next five years: “All Alone” by Berlin
  44. Play one chorus and segue: “Carnival Frolics” by Lakav
  45. Hey, your fire is out: Repeat No. 42 “Wedding Dreams”
  46. Who couldn’t: “My Little Billiken” by Lotter (BROWN)
  47. Husband burns his finger: “Wedding Dreams” by Marquardt
  48. We want to ride horsey back: “Cupid’s Surprise” by Gross
  49. Children on street: “Symphonic Incidentals No. 1” by Marquardt (DARK BLUE)
  50. Stop with crash at accident: “Dramatic Hurry No. 1” by Baron (LIGHT BLUE)
  51. Father carries child into bedroom: “Light Romantic Theme No. 3” by Luz
  52. Mother Fanning sick baby: Repeat No. 30 (YELLOW)
  53. Get inside: Repeat No. 51 “Light Romantic Theme No. 3”
  54. Mary, Mary: Repeat No. 49 (DARK BLUE)
  55. Fade-out of raving husband to street scene: “Fate” by Bierman
  56. Months, endless months: “Symphonic Incidentals No. 1” by Marquardt (DARK BLUE)
  57. Looks to me like you: “Berceuse d’Amour” by Marquardt
  58. Boss shows in office second time—flash-back to big office: Repeat No. 49 (DARK BLUE)
  59. Easy to quit a job: “Wedding Dreams:” by Marquardt
  60. Fade-out of kitchen scene—wife kissing husband: “Following the Sun Around” by Tierney
  61. You better tell Mary: “Wedding Dreams” by Marquardt
  62. Mary was right: “The Season’s Greetings” by Marquardt
  63. Mary, I didn’t want to waste: “Wedding Dreams” by Marquardt
  64. We do not know: “Star Night” by Marquardt
  65. You mean you won’t take it: “Wedding Dreams” by Marquardt
  66. Wife’s two brothers walk out of room: Repeat No. 49 (DARK BLUE)
  67. Wife closes door on husband: Repeat No. 50 (LIGHT BLUE)
  68. Train passes: Repeat No. 65 “Wedding Dreams”
  69. We can do it, boy: “A Busy Thoroughfare” by Baron (YELLOW)
  70. I’ve got to get a job: “Serenade” by Widor
  71. Husband juggles ball: Repeat No. 69 (YELLOW)
  72. Husband returns home with boy: Repeat No. 65 “Wedding Dreams”
  73. Stop with crescendo accent as husband is thrown to floor: “Incidental Symphony No. 1” by Kempinski
  74. Husband throws wife’s two brothers out of house: Repeat No. 65 “Wedding Dreams”
  75. Year, fleet years: “In the Clover” by Thurban
  76. I always said Mary knew her onions: “My Little Billiken” (BROWN)
  77. End of trick: “Wedding Dreams” by Marquardt

Proper orchestra rest period is Nos. 35 to 45 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: ohI79QMj7j

Download: PDF

The Crimson Canyon

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Title: The Crimson Canyon

Author: M. Winkler

Publisher: Belwin Inc., 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: M. Winkler

OCLC Number:

Contents:

THEME – “Moonlight Shadows” by Baron. In the event the above theme is not in your library or known to you, you may substitute: “Amorino” by Levy or “Sleeping Rose” by Borch.

  1. At screening: “Scenic Andante” by Hilse
  2. Slade & Son: “Recitativo Patetico” by Peele
  3. Want to see me: “Approaching Mutiny” by Schad
  4. How did you guess it: “Animated Agitato” by Levy
  5. Jim Lang escapes: “Aeroplane Galop” by Winter
  6. He’s tricking us: “Wild Chase” by Becce
  7. Jim Lang stops horses: “Fanchonette” by Klemm
  8. My name is Mary Manning: THEME
  9. Jim Lang arrives at mine: “The Curse” by Howgill
  10. Fight commences: “The Ambush” by Patou
  11. Old man holding note: THEME
  12. Close up of clock chime: produce the effect of clock chime followed by “Sinister Theme” by Vely
  13. Close up of jazz orchestra: fox trot to action
  14. Let me get you some ice cream: silence
  15. Orchestra starts playing: fox trot to action
  16. You really ought to see: THEME
  17. Only this morning he told me: “Creepy” by Hoff
  18. We’ll make a trade: “Tensive Misterioso” by Peele
  19. Who are these men: “The Round Up” by Aborn
  20. Automobile stops: “Descriptive Agitato” by Boehnlein
  21. After the fight: THEME

Source: Carl Braun Collection

SFSMA ID: 3qmpgAz1fB

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The Cowboy Kid

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Title: The Cowboy Kid

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: “Prelude to Western American Drama” by Baron
  2. Jim Barrett: “He Was a Cowboy” [no composer given], SEGUE to “The Stampede” by Luscomb
  3. Small calf seen: “In a Shady Nook” by Golden
  4. Evening – the chuck wagon: “Happy Go Lucky” by Kaufman
  5. Woman seen in front of microphone: “Carissima” by Penn
  6. John Grover: “Gay Deceivers” by Claypoole
  7. Fade-on to town: “Headin’ West” by Lakay
  8. Change of scene to gang of men: “Stalking the Prey” by Kempinski
  9. Change of scene to town: “Commotion” by Conterno
  10. Girl and driver being chased: “The Call For Aid” by Pasternack
  11. Car starts backing up: “Comic Hurry” by O’Hare
  12. Car backs up through jail wall: ‘Moon Madness” by Lodge
  13. Change of scene to couple on settee: “Is She My Girl Friend?” by Ager
  14. Shorty goes into dentist’s office: “The Jesters” by Carbonara
  15. Change of scene to ice cream parlor: “Rambler Roses” by Wheeler
  16. Sheriff sprays his throat: “Morning” from Peer Gynt No. 1 by Grieg
  17. Change of scene to Shorty in dentist’s chair: “Children’s Game” by Ascher
  18. Change of scene to ice cream parlor: “Intermezzo Giocoso” by Egener
  19. Lilly leaves: THEME – “Happy Go Lucky Lane” by Meyer
  20. Change of scene to party: Repeat No. 5 “Carissima”
  21. Demijona Jin: “Mystery” by Baynes
  22. I see a big handsome man: “Lily of the Valley” by Gilbert
  23. Lady gives Jim baby to hold: “Poupee Valsante” by Poldini
  24. Woman on bench gets up: “London Bridge is Falling Down” by Ascher
  25. Change of scene to jail: “The Plotters” by Carrozzini
  26. At pistol shot: “Comedy Allegro” by Haines
  27. You stay here: Repeat No. 25 “The Plotters”
  28. Why don’t you see what: Repeat No. 21 “Mystery”
  29. At explosion: “Animated Agitato” by Levy
  30. I am sorry, Mr. Grover: “Uneasiness” by Borch
  31. Fade-in to crowd outside bank: “Panicy Agitato” by Berge
  32. Villain walks into broadcasting station: “Eccitamento” by Retlaw
  33. Girl walks into broadcasting room: “A Critical Moment” by Becce
  34. Jim unties rope: “Help! Help!” by Kovacs
  35. Jim gets on horse: “Presto” by Brockton
  36. Girl gets on motorcycle: “Comedy Allegro” by Berg
  37. I heard about the hold-up: “Agitato Misterioso” by Becce
  38. Armored car is held up: “The Snake in the Grass” by Srawley
  39. Jim jumps on armored car: “The Rabble” by Herbert
  40. Armored car seen in village street: “Joyous Allegro” by Borch
  41. I’ll show you the cause: “Evil Motive” by Hoffman
  42. Here’s your prisoner: Repeat No. 14 “The Jesters”
  43. I’m grateful, Jim: Repeat Theme No. 19

Source: Carl Braun Collection

SFSMA ID: sOwlzRmef4

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The Country Doctor

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Title: The Country Doctor

Author: Rudolph Berliner

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Rudolph Berliner

OCLC Number:

Contents:

  1. At screening: “Peer Gynt No. 1” by Grieg
  2. Fade-in doctor seated beside bed: “Prelude, Op. 28, No. 4” by Chopin
  3. The fever’s broke: “Nocturne, Op. 9, No. 2” by Chopin
  4. The wheels of his: “Two Preludes, Op. 28, No. 6” by Chopin
  5. Sweethearts: “Danse des Mirlitons” by Tschaikowsky
  6. Joe’s father: “Monologue” by Moszkowsky
  7. Doctor enters room: “Hark, Hark, the Lark” by Schubert-Liszt
  8. For thirty years: Repeat No. 3 “Nocturne”
  9. Bless my soul: “Auld Lang Syne” by Lake
  10. Sard seen on road: “Madrigale” by Simonetti
  11. Me an’ Pud Lamson: “Give Me One Rose To Remember” by Grey
  12. Sard’s mother closes bedroom door: “Prelude, Op. 28, No. 20” by Chopin
  13. A stone’s throw away: “Rural Flirts” by Bradford
  14. Ira Harding’s house: “Happy Hectic Hours” by Schad
  15. Sard seen in barn: Repeat No. 13 “Rural Flirts”
  16. Sard sees Harding: “Foursuite Dramatique” from Drigo’s Cinema Classics
  17. Doctor stops whipping: “Nocturne” by Krzyzanowski
  18. Harding leaves after title – “It’s bad business”: Repeat No. 5 “Danse des Mirlitons”
  19. Doctor joins Sard: Repeat No. 12 “Prelude”
  20. After Opal, Joe and Abie leave: “Pathetique Sonata” by Beethoven
  21. Tears are dried: “In the Tavern” by Nicode
  22. Doctor Sidney Fall: “Moonlight Sonata” by Beethoven
  23. In the doctor’s house: “Le Retour” b Bizet
  24. He’s so happy: Repeat No. 22 “Moonlight Sonata”
  25. Doctor alone at table: Repeat No. 10 “Madrigale”
  26. Autumn: “Forgotten” by Cowles
  27. Winter: “Andante” by Fifth Symphony by Tschaikowsky
  28. A storm’s workin’ up: “Old Dog Tray” by Foster
  29. On the back road: Repeat No. 5 “Danse des Mirlitons”
  30. Sard falls: orchestra tacet
  31. Nightfall and old doc: “Abschied” by Lake
  32. Harding sees doctor and Abbie: Repeat No. 6 “Monologue”
  33. Door opens—man enters: “Agitato con Moto” by Borch
  34. Sard opens eyes: “Sinister Agitato” from Drigo’s Cinema Classics
  35. Old doctor places hand on Harding’s shoulder: Repeat No. 9 “Auld Lang Syne”
  36. You seem to forget: “Cavatina” by Bohm
  37. Night on the storm-beaten: Repeat No. 5 “Danse des Mirlitons”
  38. Opal goes outside cabin: “Furioso No. 1” by Langey
  39. Opal meets doctor: “The Storm” by Gounod
  40. With his timely skill: Repeat No. 14 “Happy Hectic Hours”
  41. Abbie fixes doctor’s tie: Repeat No. 10 “Madrigale”

Source: Carl Braun Collection

SFSMA ID: MQ2xqCjMzx

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The Cossacks

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Title: The Cossacks

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “Russian Suite – A1” by Luz
  2. For centuries: “Rural Russia” by Levenson
  3. Work and their man: “The Cossack Batallion” by Schoenfeld
  4. To the grist mill: “Russian Suite – D4” by Luz
  5. Interrupt with Angelus Bells: big church bells by drummer and organ
  6. One scene: “Russian Rural Scene” by Friml (PURPLE)
  7. Boss Cossack stands up: “Russian Rural Scene” by Friml (PURPLE)
  8. Fade-out of girl on hay wagon: “Idyl Pastorale” by Savino
  9. Fade-out after title – “I, the Ataman”: “Elopement” by Carrozzini
  10. Gilbert catches girl: “Cossack Lullaby” by Juranek” (WHITE)
  11. Your uncle’s son: “Lyric Agitato” by Savino (LT. BLUE)
  12. Man holds up banjo: “Russian Suite – A1” by Luz
  13. Gilbert takes off dress: “Agitated Appassionato” by Kilenyi
  14. Segue quick at whipping: “Russian Suite – B2” by Luz
  15. End of fight – Gilbert throws whip on floor: “Russian Suite – C3” by Luz
  16. Exterior scene: Repeat No. 14 “Russian Suite—B2”
  17. Gilbert runs to Dancer—kisses her: Repeat No. 10 (WHITE)
  18. Fade-out to drums after title “old Woman”: heavy tom tom by drummer
  19. One scene: Repeat No. 10 (WHITE)
  20. Gilbert walks past girl to horse: “Russian Suite—A1” by Luz
  21. We’ll slit: church bells by drummer and organ
  22. One bell scene: “Russian Rural Scene” by Friml (PURPLE)
  23. Girl crawling on ground: “Cossack Lullaby” by Jiranek (WHITE)
  24. And over all is God: Repeat No. 20 “Russian Suite—A1”
  25. And the men fought: “Incidental Symphony No. 42” by Damaur
  26. Your magnificence: “Powder and Patches” by Miles
  27. Prince follows woman into bedroom: “The Scandal-Mongers” by Paton
  28. It wouldn’t be: “Sweet Thoughts of Love” by Alu (LT. GREEN)
  29. Fade-out after girl leaves prince’s room: “Implorations” by Pasternack
  30. Gilbert stops laughing: “Impending Danger” by Kempinski
  31. Anticipate attack: “Battle Agitato No. 48” by Shepherd
  32. End of fight—Turks retreat: “Russian Suite—A1” by Luz
  33. Fade-out of victors: Repeat No. 28 (LT. GREEN)
  34. Prince puts necklace around girl’s neck: Repeat No. 20 “Russian Suite—A1”
  35. Flash-back to prince and girl: “Allegro Festival” by Armandola
  36. After short struggle: Repeat No. 28 (LT. GREEN)
  37. Cossacks never grow old: “Rural Russian” by Levenson
  38. Did you hear?: “Alice” by Hauenschild
  39. Gilbert looks at Maryana: “Incidental Symphony No. 13” by Casini (1st movement)
  40. I don’t understand women: “Incidental Symphony No. 13” by Casini (from Allo.)
  41. Girl walks from prince: “Sweet Thoughts of Love” by Alu (LT. GREEN)
  42. Now was the three days: “The Cossacks” by Bendix
  43. Fade-out of Pyramid on horseback: “Lady of My Heart” by Roder
  44. I have the honor to deliver: “Troyka Paraphrase” by Kretschmer
  45. Who ever heard of such a thing: “Rustic Revels” by Axt
  46. The Sultan himself: “Magic Sunbeams” by Drumm
  47. If the Sultan can read: “Cossack Revels” by Tschakoff
  48. Gilbert goes to Dancer: “Russian Suite—D4” by Luz
  49. Fade-out of girl to dining room: “Affection” by Berge
  50. Unchanged since the days: “The Cossacks’ Wedding Fete” by Krein (1st movement)
  51. Betrothed couple kiss bread: “The Cossacks’ Wedding Fete” by Krein (from Dance)
  52. Stop short with big crash after title – “Gypsy Kisser”: “Insurrezione” by Becce
  53. Gilr leaves room: “Cossack Lullaby” by Jiranek (WHITE)
  54. I am your man: “Melodic Appassionato No. 1” by Marquardt
  55. Second scene showing knocking on door: “Elegy” by Friml
  56. Coach drives off: “Evening Glow” by Van Norman
  57. I could never: “Lyric Agitato” by Savino (LT. BLUE)
  58. Kneel: “Grand Appassionato” by Becce
  59. Father and son tied to posts: Repeat No. 57 (LT. BLUE)
  60. This sun and moon: “Symphonic Incidentals No. 12” by Marquardt
  61. Exterior after hand and eye burning: “Uproar” by Neinass
  62. Close—up of Gilbert lying on floor: “Russian Suite—C3” by Luz
  63. Fade-out of death scene: “Russian Suite—A1” by Luz

Proper orchestra rest period is Nos. 24 to 36 inclusive.

NOTE: The repetition of numbers in this cue sheet is simplified by the use of the “LUZ” SYMPHONIC COLOR GUIDE, sold by Music Buyers Corporation, 1520 Broadway, New York City. The color suggested for repetition of numbers designates the Mood or Emotion, and is used as a code for such repetitions.

Source: Carl Braun Collection

SFSMA ID: 0hAYeELBrd

Download: PDF

Come To My House

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Title: Come To My House

Author: Michael P. Krueger

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Michael P. Krueger

OCLC Number:

Contents:

  1. At screening: THEME – “Did You Mean It?” by Baker
  2. The Surf and Saddie Club: “Whimsical Charms” by Fresco
  3. Two men appear: “Together We Two” by Berlin
  4. Just one more: “Debutante” by Rapee-Axt
  5. Group in motor boat: “Step ON It” by Kaufman
  6. Floyd Bennings: Repeat Theme No. 1
  7. The Barton home: “Mystery Waltz” by Baynes
  8. Olive Borden comes down stairs: Repeat Theme No. 1
  9. Floyd Bennings and Joan are interrupted: “Some Day You’ll Say O.K.” by Donaldson
  10. Where have you children: “Intermezzo Giocoso” by Egener
  11. Joan throws book down: Repeat Theme No. 1
  12. Unfamiliar roads: Repeat Theme No. 1
  13. Second automobile seen: “Who’s Who?” by Morris
  14. Couple enters house: Repeat Theme No. 1
  15. I heard tonight that you: “Appassionato No. 2” by Tyson
  16. Bennings kisses Joan: Repeat Theme No. 1
  17. Change of scene to man waiting in automobile: Repeat No. 13 “Who’s Who?”
  18. Change of scene to Joan sleeping: “Worryin’” by Fairman
  19. Joan answers phone: Repeat No. 13 “Who’s Who?”
  20. Joan hangs up phone: “Love’s Impulse” by Jacquet
  21. Insert – Floyd Bennings: “Good News” by Henderson
  22. Joan enters Bennings apartment: Repeat No. 18 “Worryin’”
  23. Say, somebody, what time: Repeat No. 21 “Good News”
  24. After crowd leaves: “Dramatic Tension No. 6” by Zamecnik
  25. Telephone bell rings: Repeat No. 13 “Who’s Who?”
  26. Don’t worry, Joan dear: “Appassionato Patetico” by Bradford
  27. Joan’s apartment: “Andante Appassionato” by Soro
  28. But it’s true, Douglas: “Love Tragedy” by Savino
  29. Maid opens door for man: “Tragic Andante” by Savino
  30. Days without end: ”The Accuser” by Kav
  31. You may tell your story: “Darkness” by Brunelli
  32. Street seen – newspapers: “A Busy Thoroughfare” by Baron
  33. Change of scene to home: “Devotion” by Deppen
  34. Maid opens door for Bennings: “The Song is Ended” by Berlin
  35. Douglas and Joan enter dining toom: “Extase” by Ganne
  36. Douglas stops Bennings: Repeat No. 20 “Love’s Impulse”
  37. Bennings leaves Douglas: Repeat Theme No. 1

Source: Carl Braun Collection

SFSMA ID: Mh1on7J3tF

Download: PDF

College

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Title: College

Author: Ernst Luz

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: Ernst Luz

OCLC Number:

Contents:

  1. At screening: “College Boys” by Klohr
  2. On the Sunkist slopes: “Incidental Symphony No. 35” by Kempinski
  3. Interior scene after second rain scene: “Toddling” by Rapee-Axt
  4. It will be my pleasure: “Freshie” by Greer. Play two choruses and segue to “June Breezes” by Miles
  5. Buster Keaton walks from stage: “A Song of Supplication” by Fletcher
  6. Keaton and mother walk from room to street: Repeat No. 2 “Incidental Symphony No. 35”
  7. Girl goes from Buster Keaton to auto: “My Idea of Heaven” by Tobias
  8. So the following term: “Freshie” by Greer
  9. After Buster Keaton gets into his bedroom: “Humorous Escapade” by Delille
  10. Sunday found Ronald: “Graduation” by Baron
  11. Two girls and boy sit down at table: Repeat No. 7 “My Idea of Heaven”
  12. Buster Keaton falls through door: Repeat No. 8 “Freshie”
  13. Ball game starts after Buster Keaton gets off bag: “Play Ball” by Kaufman
  14. Buster Keaton runs to home plate: “Collegiate” by Jaffe”
  15. Woman falls out of window and boys run away: “Sambo’s Holiday” by Tschakoff
  16. Half of Buster Keaton’s face white: “Incidental Symphony No. 35” by Kempinski
  17. Clayton’s wonder track team: “Collegiate” by Jaffe
  18. Fade-out after Buster Keaton sits down after running with two boys: “Sunny Hours” by Rich
  19. College athlete walks to girl: “My Idea of Heaven” by Tobias
  20. You take an awful lot for granted: “La Fiancee” by Hartz
  21. Attaboy, you make a hole in one: “College Capers” by Zamecnik
  22. Boys walk off athletic field after high jump: Repeat No. 19 “My Idea of Heaven”
  23. A call to the dean’s office: “Love Is Just a Little Bit of Heaven” by Baer
  24. College coach walks into office: “Serenade Petite” by Zamecnik
  25. Photo of dean’s sweetheart on screen: Repeat No. 19 “My Idea of Heaven”
  26. Girl walks from Buster Keaton: “Freshie:” by Greer
  27. The day of the race: “Queer Antics” by Zamecnik
  28. Fade-out after Cracker flies from Buster Keaton: “Happy Moods” by Marquardt
  29. Girl opens door: “Repeat No. 27 “Queer Antics” (play slowly)
  30. End of the room scene after title: “I was expelled”: “Incidental Miniatures No. 5” by Kempinski
  31. The rival crew: “Jolly Buccaneers” by Schertzinger
  32. Maybe it’s halitosis: “Collegiate” by Jaffe
  33. Ready all: “Jolly Fellows” by Suppe
  34. End of race – segue as two boats collide: “Freshie” by Greer
  35. Buster Keaton standing alone on dock: Repeat No. 27 “Queer Antics” (play slowly)
  36. Man pulls telephone cord out of wall: “Radio Galop” by Bub
  37. Man thrown down by washline: “My Idea of Heaven” by Tobais

Proper rest period is Nos. 16 to 25 inclusive.

Source: Carl Braun Collection

SFSMA ID: gOECphkJ7w

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The College Hero

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Title: The College Hero

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1927

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Collegiate: by Jaffe
  2. Registration day: “Freshie” by Greer
  3. Jiggers, the dean: “Marionette” by Arndt
  4. Vivian Saunders: Repeat No. 2 “Freshie”
  5. Happy appears – see Vivian in car: “Ain’t She Sweet?” by Ager
  6. Happy starts off in Ford: “Western Allegro” by Rapee-Axt
  7. What were you: “Flick and Flock” by Patou
  8. Entrance to Foster Hall: “Rural Flirts” by Bradford
  9. Boys appear: Repeat No. 2 “Freshie”
  10. Just try and room with me: “The Captive” by Savino
  11. Get that junk out of here: “Hurry No. 1” by Zamecnik
  12. I’m sorry: “Alma Mater” from College Life by Hinrichs
  13. Insert – invitation: “College Capers” by Zamecnik
  14. Won’t one of you fellows be my sister’s escort?: “Animal Crackers” by Rich
  15. Guests and students in Assembly Hall: “Smile a Little Bit” by Morton
  16. Happy meets Vivian: “It Had to be You” by Jones
  17. Who’s that beautiful girl?: “Oh Boy, What a Girl” by Green
  18. Haven’t you a partner, Mr. Haloran?: “Smile” by Heywood
  19. [missing]
  20. [missing]
  21. [missing]
  22. [missing]
  23. [missing]
  24. Vivian and Happy in car: Repeat Theme No. 19
  25. Flash-back to Jim looking at Vivian’s photograph: “Always” by Berlin
  26. Happy appears in hallway: Repeat No. 12 “Alma Mater”
  27. The past practice: “Appassionato Dramatico” by Berge
  28. Boys start playing: “Speed” by Frey
  29. Happy strikes pole and collapses: “Dramatic Appassionato” by Ciganeri
  30. Remorse can never undo: “Lament” by Herrmann
  31. Coach Johnston’s quarters: “Desperation” by Schad
  32. Stadium: “Student Pranx” by Balfmoor
  33. The beginning of the second half: “A Chase Through the Clouds” by Lakay
  34. Flash to Happy in room: “A Staggering Uncertainty” by Lakay
  35. Ben leaves room: “Aeroplane Galop” by Lamothe
  36. The end of the third quarter: “Orange and Black” by Lake
  37. Flash-back to field and game: “By Wireless” by Berge
  38. Jim appears in hallway: “Andante Appassionato No. 57” by Castillo
  39. They climb into car: “The Live Wire” by Frey
  40. Score board – tie game: “Funiculi-Funicula” by Roberts
  41. Vivian kisses Happy and Jim: Repeat No. 17 “Oh Boy, What a Girl”

Source: Carl Braun Collection

SFSMA ID: UBAqhqroG9

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The Cohens and Kellys in Paris

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Title: The Cohens and Kellys in Paris

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series: Greater Thematic Music Cue Sheet

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: PICTURE THEME – “The Cohens and Kellys” by Donaldson
  2. New York City: “My New York” by Berlin
  3. Cohen at desk: “Burlesque on Famous Hebrew Melodies” by Kempinski
  4. Kelly appears in corridor: “KELLY THEME – “A Bit O’Blarney” by Helf
  5. Miss Goldsnitz, write a note to Mr. Kelly: PICTURE THEME – “Jewish-Irish Comedy Theme” by Rapee
  6. Two women appear in hallway: “Gigue” by Bradford
  7. Women enter office: PICTURE THEME – “The Cohens and Kellys” by Donaldson
  8. Take a note Kelly: “Razzing Theme” by Rapee
  9. France: “La Belle France” by Tobani
  10. Insert – Pat Kelly: “Too-ra-loo-ra-loo-rai” by Shannon
  11. Sweetheart enters studio: “Jealous” by Little
  12. Insert – letter: “Oriwa” by Bertrand
  13. The Cohen’s dinners were patriotic: COHEN THEME – “Frailach No. 5” by Ascher
  14. The Kelly’s at dinner: KELLY THEME – “A Bit O’Blarney” by Helf
  15. Insert – radiogram: COHEN THEME – “Frailach No. 2” by Ascher
  16. Flash-back to Kellys at table: KELLY THEME – “The B’hoys of Tipperary” by Amers
  17. Once upon the ocean: “Flapper Dance” by Krueger
  18. Cohen enters Mrs. Kelly’s state room: “Ain’t We Got Fun” by Whiting
  19. Cohen starts exercising: COHEN THEME – “Mazel Tof” by Ascher
  20. Kelly looking mysteriously around for something: KELLY THEME – “Queer Antics” by Zamecnik
  21. Insert – bar: “A Prohibition Episode” by Aborn
  22. Seasick woman at ship rail: “Mal de Mer” by Lange
  23. Dinner gong sounds: “Cheer Up” by Kaufman
  24. Where can I get life boat tickets: Repeat No. 22 “Mal de Mer”
  25. Cohen and Kelly recognize each other: “It Had to Be You” by Jones
  26. Paris: “Franco-American Dance” by Loraine
  27. Paulette appears in hallway: “I’m a Red Hot, Hot-House Flower” by Woods
  28. Kelly opens studio door – greets boy: “Biddy” by Zamecnik
  29. Kelly looking at painting: “It All Depends on You” by Henderson
  30. Cohen and his wife drive up: COHEN THEME – “Frailach No. 4” by Ascher
  31. Man passes them in hallway: “Vivacity” by Conterno
  32. Somethin’s rotten in Hoboken: Repeat No. 6 “Gigue”
  33. Sayde opens door – greets mother: “My Yiddishe Momme” by Pollack
  34. Papa, I’m going to get a divorce: “Adventure d’Amour” by Bradford
  35. Sayde, when divorce comes in: “Hebrew Melody” by Achron
  36. Insert – Paulette: “Tres Moutarde” by Macklin
  37. They start looking at objects: “A la Paree” by Verdin
  38. Attendants with spears drive them to table: “Carnival Frolics” by Lakav
  39. Wives appear: “March of the Marionettes” by Savino
  40. Flash-back to café: “Laughing Love” by Christine
  41. Apache dancer appears: “Apache Dance” by Offenbach
  42. Cohen and Kelly rush from table: “A Chase Through the Clouds” by Lakay
  43. Paulette and dancer take bow: “Ma Poulette” by Roberts
  44. Here’s to a couple of fools: “When Yankee Doodle Learns to Parlez Vous Francais” by Nelson
  45. They enter Paulette’s dressing room: “Ain’t She Sweet?” by Ager
  46. Pierre at door: “Grotesque Elephantine” by Brockton
  47. Believe it or not: PICTURE THEME – “Jewish-Irish Comedy Theme” by Rapee
  48. Flash to café – wives at table: Repeat No. 18 “Ain’t We Got Fun”
  49. Cohen and Kelly approach table: “Zip” by Frey
  50. Twelve o’clock at night: “How Could Red Riding Hood” by Randolph
  51. Zat ees Pierre: “Gossip” by Borch
  52. Cohen opens door – enters room: COHEN THEME – “Boruch Habo” by Friedsell
  53. Bell rings: “Elopement” by Carrozzini
  54. Pierre enters room: “Suspicious” by Baron
  55. Come out, or I shoot: “Tourments” by Fosse
  56. I came to see Paulette: Repeat No. 6 “Gigue”
  57. He ees ze best duellist in Paris: “Fete Bretonne” by Lazzari
  58. ‘Twas dawn: “Ain’t That a Grand and Glorious Feeling?” by Ager
  59. Change of scene: “The Aeroplane” by Ring-Hager
  60. He forgot to put out his hand: “Burlesque on Lange’s Flower Song” by Kempinski
  61. Paulette informs wives of duel: “Coasting” by Ring-Hager
  62. Flash-back to duellists: “Burlesque on Chopin’s Funeral March” by Kempinski
  63. Killing with guns: “Flapperette” by Greer
  64. In two minutes you will be a corps: “Hearts and Flowers” by Tobani
  65. Take me to the duelling field: Repeat No. 49 “Zip”
  66. Place picks them up: “By Wireless” by Berge
  67. We’ll call first on Lindy: PICTURE THEME – “The Cohens and Kellys” by Donaldson

Source: Carl Braun Collection

SFSMA ID: se1aGQrCSW

Download: PDF

Code of the Scarlet

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Title: Code of the Scarlet

Author: James C. Bradford

Publisher: Thematic Music Cue Sheet, 1928

Series:

Format: Cue Sheet

Document type: Cue Sheet

All authors/contributors: James C. Bradford

OCLC Number:

Contents:

  1. At screening: “Laurentian March” by Laurendeau
  2. In a remote stretch: “Cryptic Shadows” by Becce
  3. Across the lake: “Suspicious” by Baron
  4. And into this region: “Land of the Maple” by Laurendeau
  5. Helen Morgan: “Will O’ the Wisp” by Johnson
  6. Outlaws hiding in underbrush: “Anxiete” by Srawley
  7. They fire at officers: “Galloping Furies” by Rapee
  8. Bruce assists Helen from wagon: “Chatter” by Kahn
  9. Stranger and prisoner on hill: “The Mystic Rover” by Berge
  10. Caribau Flats: “The Jovial Rogue” by Bradford
  11. The Mounties: “Gigue” by Bradford
  12. Paddy drags prisoner from wagon: “The Captive” by Savino
  13. Stranger back of trees listening: “Mysterious Stranger” by Kay
  14. Night scene—Natives gathering for dance: “French Canadian Airs” by Harris
  15. Music starts: “Essence” from Theatrical Budget by DeWitt
  16. Close-up of Helen: “Adventure d’Amour” by Bradford
  17. Perhaps we’d better go: “Much Ado About Nothing” by Srawley
  18. Choose your partners: “Just One More Day” by Mahoney
  19. I’m afraid I’m more tired: “Agitato Pathetic” by Kilenyi
  20. Paddy in room: “Allegro Scherzando” by Frey
  21. Saloon: “Tragic Andante” by Savino
  22. Stranger enters: “La Foret Perfide” by Gabriel Marie
  23. Here’s a shot to the mounties: “Rhythmic Misterioso” by Damesek
  24. Paddy enters wrapped in blanket: “Spring Cleaning” by Bradford
  25. Take him to jail: “In the Clutches of the Law” by Jacquet
  26. Bruce leaves room: “The Plot Thickens” by Srawley
  27. Weeks passed: “Laurentian March” by Laurendeau
  28. Helen alone in cabin: THEME – “Rosemary” by Zamecnik
  29. Stranger enters room: “Disturbance” by Zamecnik
  30. Doctor enters room: “Love Triumphant” by Joels
  31. Insert – “Following a fair and impartial trial”: “Scene d’Amour” by Baron
  32. Outlaws on shore of lake: “Sarcasm” by Kempinski
  33. Bruce enters room: Repeat No. 23 “Rhythmic Misterioso”
  34. Bruce looks through parted curtains: “Mystere Oppressant” by Gabriel Marie
  35. Fires at lamp: Ferocity” by Carozzini
  36. There he goes: “Furieuse Poursuite” by Gabriel Marie
  37. Flash to Helen and stranger: “Elegie and Appassionato” by Savino
  38. Bruce enters cabin: “Furioso No. 4” by Bergunker
  39. Patrol leaves cabin – into canoes: “L’Abime” by Franceschi
  40. Paddy and lady friend: “Laces and Graces” by Salzer
  41. Now that your brother is clear: Repeat Theme No. 28

Source: Carl Braun Collection

SFSMA ID: NVG9EU0s1f

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